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Horror movies analysis
Horror movies analysis
Horror movie analysis
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'Unedited Footage of a Bear' Confuses and Captivates
A deep and ominous current runs through Unedited Footage of a Bear. Directed by Alan Resnick and Ben O'Brian, this short carries a fearful weight in its violent imagery and hidden meanings.
Part of a larger group of "infomercials" produced for Adult Swim, Unedited Footage of a Bear starts out as exactly what the title says: cell phone video of a bear. A few minutes in the footage fades out, replaced by a YouTube ad for an allergy medication called Claridryl. A woman (played by Jacqueline Donelli) complains of allergy symptoms taking over her life while her children yell in the background. As the cheery music of the ad quiets the woman drives through her neighborhood in a van littered with empty Claridryl bottles. She passes a crime scene and pulls to a screeching halt. On the road is a yellow cardigan that matches the one she has on. In the distance, a doppelganger of the woman (played by Kerry Donelli) charges her and beats the woman to a pulp. The doppelganger
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The wide open space of the park where the ad takes place shifts to rows of cloistered suburban houses and eventually into a prison of a house. Bright colors, used in both the ad and the second half of the short, take on different meanings. Where the ad is characterized by intense yellow the second half shows shines of red and black. Other colors become muted compared to them. This contrast intensifies thanks to Patrick McMinn's lighting effects which create stark outlines of characters. Lit up with harsh lighting every person in the film appears to be trapped by their surroundings both in the first half and the second half.
Unedited Footage of a Bear grows more interesting on each viewing so I encourage anyone who checks this short out to watch it multiple times. Released on December 14th, 2014, the short runs 10 minutes
Sad music accompanies certain scenes in Blackfish to influence the reader’s emotions regarding what they are shown. The documentary opens with audio from the original Dawn Brancheau accident 911 calls. Underneath this audio, mournful music plays. Even before the viewer
From the start of the film it is apparent what time frame it is taking place in and the differences in the social stratification through the lack of colors. One of the most obvious portrayals of the bleakness and desperation of the era is the overall faded and washed-out look of the whole film, due to manipulation of the film saturation; the heaviness of it almost cries out to the audience. Though the film was shot during the summer, cinematographer Roger Deakins and Cinesite colorist Julias Friede were able to use digital technology to change the appearance of the colors. “Together, they worked on manipulating the [digital] saturation of the images, and in particular selecting the greens of the trees and grass and turning them into dry browns and yellows” (Escaping, 2). These dry brown and yellows enhance the audience’s impression of the desperation of the characters and the time period.
Hey, I didn’t see you there, how are you?I'm just wondering whether or not a big ol' grizzly bear is going to come charging at me at any point in my life, but seeing as grizzly bears are endangered that probably won't happen. In the past, there were thought to be around 50,000 grizzly bears in North America, nowadays they are growing sparse there are estimated to be only around 1800, now not even a 20th of the population in the past. Most of these grizzlies are located in Yellowstone National Park and Alaska, but they can also be found in Wyoming, Colorado, Idaho and Montana. Some are thought to be in Washington.
After reading the story, Touching Spirit Bear, I learned that the main character, Cole Matthews, is a stubborn, ill-tempered, bully that enjoys watching others suffer and or go through pain. Infact, it is is stubborn, ill-tempered, bullying ways that lands him in his very own jail cell at the age of fifteen. “He was an innocent-looking, baby-faced fifteen-year-old from Minneapolis who had been in trouble with the law half his life.” (pg. 5 Touching Spirit Bear) This piece of information is very important because this leads up to his proper punishment, but if I am correct that quote states that he has been in trouble with the law since he was seven and a half. Finally at the age of fifteen they figured out how to get through
The use of color inside the house is symbolic to the mood. The almost yellow fluorescent lighting is ironic when compared to the first image of the painting since the painting had set the expectations of an enthusiastic film. The yellow tint throughout the house is also conflicting since yellow is known to be a luminous color. Yellow usually represents happiness and warmth which are emotions that lacks in the Bishop household. The dim lighting also mirrors the gloomy and dark weather outside. An extreme long shot of the outside house captures the darkness of the sky which prompts unhappy emotions. When Susy proceeds outside to check the mailbox the change in weather is instantly noticeable since the sky transitioned from gray to blue and the
Parks, Matt. ?Training Day? Reviewed- The Violent Bear it Away. 16 Feb. 2002. 29 Sept. 2003.
Judith Minty's story, "Killing the Bear," is a rather chilling tale about a woman who shoots a bear to death. The story is not merely a simple account of the incident however. It is full of stories and facts about bears, which affect how the reader reacts to the story. In the beginning, the reader expects the bear to be portrayed as a cold-blooded monster who must be killed for the safety of the primary character however this expectation is foiled throughout the story and the reader sees the bear in a very different light. Due to the stories and facts given about bears throughout the story, the reader comes to pity the bear, but most will still acknowledge the necessity of killing him.
The film Wendy and Lucy, directed by Kelly Reichardt, presents a sparse narrative. The film has been criticised for its lack of background story, and as a short film, much of the story is left to the viewer to infer from what is presented in the plot. However, Wendy and Lucy is able to depict the intimate relationship between Wendy and her dog as well as reflecting more broadly on the everyday, and commenting on the current economic state of the film’s setting in America. This essay will examine how film form contributes to the viewer’s awareness of the story in Wendy and Lucy and allows a deeper understanding of the themes presented. The aspects of mise-en-scene, shot and editing and sound in the film will be explored.
Many people visit parks to see the animals. They will encounter numerous animals snakes, birds, insects, and occasionally a bear. Many people would run away to safety not try to talk or touch them. Timothy Treadwell is a person who on numerous occasions touched the bears and even played with the bear cubs. He was a bear enthusiast who wanted to protect them. He was filming a documentary where he displayed personality disorders, depression, and Attention Deficit Disorder. He has displayed that he has a disorder and is clinically insane.
This internal conflict between how society characterizes bears versus the natural behaviors of wild bears is exemplified in the documentary Grizzly Man, by German film-maker Werner Herzog. The documentary analyzes the life and death of Timothy Treadwell, a want-to-be filmmaker, who spent the later years of his life living amongst wild bears while compiling footage of wild bears that aimed at educating the public about bears and how to preserve bears and their habitat. Unfortunately, Treadwell and his girlfriend are later mauled to death by the bears he was attempting to protect. In the film, it is immediately evident that Treadwell’s perspective on wild bears is abnormal; he treats the bears as if they were harmless animals by petting them, turning his back, reading to them, and giving each bear a nickname. However, throughout the film it is apparent Treadwell is fighting with an inner struggle, shown by baby-talking to the wild bears, yelling at them when they get too close, and then immediately apologizing for yelling and professes his love of the bear. In an interview Treadwell states that bears are misunderstood, and that people should not harm wild bears. In one scene, Treadwell films himself in his tent, cuddling with his favorite teddy bear, so it is apparent that the concept of virtual bears has clouded his beliefs about wild bears. In For the Love of Nature: Documenting Life, Death, and Animality in Grizzly Man and March of the Penguins, Jennifer Ladino describes Treadwell’s view on nature, “The fact that he frequently occupies the frame alongside the bears undermines the tendency of the wildlife film to draw a stark line between animals and humanity” (Ladino, 75). While Herzog conveys the message that wild nature is indifferent to humans, Treadwell is
Often things that we experience as children have lasting affects on us that creep up when we least expect them. In Judith Minty's story "Killing the Bear", a woman finds herself in just such a situation. She finally deals with something that happened to her as a young child that she probably never even realized was bothering her. In this story the central character painfully comes to grips with a major loss of security from her childhood.
It was said once that while hunting, Roosevelt came upon a bear cub. Despite the demands of his hunting partners, Roosevelt refused to kill the cub. This story touched the heart of millions. Soon cartoon strips, newspape...
The reason behind my thinking of the ad with the victim as the main point is that the image is right in your face the second that you see the ad. You see a person missing half of their face
We weren’t licensed for bear, so we didn’t want to shoot it. Heck, we had no quarrel with him; we figured we would wait it out in the tree. But it wouldn’t leave once it smelled us. Shots in the air; no effect. An hour later waiting, no deterrent. We were near a creek where the bear could have it’s value meal. But it wanted something more. It wanted a human snack. And it got it. It rushed with such force at our tree that we both were knocked out of it and the bear ripped off chunks of my father’s leg before we could shoot it enough times in the face to make it run away and skip dessert – me and the rest of my
The story begins in Mississippi in the spring of 1902. The United Mine Workers of America were on strike demanding higher wages and shorter work days. Since the mine owners couldn’t shut down production legally, they welcomed the strike since they didn’t have to pay wages and could raise the prices and the demand for coal. Since neither side was going to give in, Roosevelt stepped in. He threatened to send troops to take over the mines. The two sides finally came to a settlement in October. After this event, Roosevelt accepted an invitation by Mississippi governor, Andrew H. Longino, to go on a hunting trip in Mississippi. The trip was in November, scheduled for ten days, and their guide was Holt Collier, a former slave. Though Roosevelt wanted to see a bear on the first day of the trip, he did not. It wasn’t until the next day, that he did see one. His dogs picked up the scent of a bear in the morning and he tracked it for hours, but to no avail. Finally, during the president’s lunch, Collier tracked a bear for the president. His dogs had the bear cornered and they were ...