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Descriptive paragraph on halloween
Descriptive paragraph on halloween
Analysis of halloween
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As the high pitched piano tune starts to play and the sound of leaves rustle in the crisp October air, chills are sent rushing from the back of the head to the tail of the spine. The viewer watches with deep curiosity and horror as the escaped psychopath and murderer -Michael Myers- raises terror through the streets of Haddonfield, Illinois. He has terrified millions of viewers for over 35 years and has became one of the most well known villains in movie history. Halloween (1978) has grossed over 265 million dollars in today’s money (due to inflation) and has become the standard in which other horror movies are judged. Terror ensues from the opening scene as the camera is shot from a first person point of view. He flips the light on in the …show more content…
Laurie (the main character) is exhausted by fright. She starts slowly stumbling out of the room of her assailant, crawling her way to complete safety. Horrifyingly, the boogeyman himself stands calmly and strolls to her. He grabs her by the neck and begins to strangle her. Laurie rips his mask off to reveal the face of a normal clean shaven young man. He is shocked and quickly puts his beloved mask back on. Just then, Dr. Samuel Luis (Michael’s psychiatrist) shoots him with his shining revolver. Michael is thrown back as he is shot over and over again, backing up toward the open balcony. He falls off the balcony of the second floor and falls to the cold earth. Dr. Samuel walks slowly to the balcony and peers over where Michael is nowhere to be seen. Then, the calm heavy breaths sucked through a thick rubber mask can be heard coming from everywhere and nowhere. Terrifying, suspenseful, and shocking, Halloween is a masterpiece of horror. This movie is extremely successful due to the many horrifying scenes and overall suspense. Perhaps the most terrifying idea in the movie is that Michael Myers is still out there, waiting for his chance to kill
In the film, “Halloween”, directed by John Carpenter, an outstanding work of art has been created with respect to the ‘on the edge of your seat’ thriller that has been conveyed in the film. Mise-en- scene is incorporated in many different facets throughout the film and has creatively developed the scenes that makeup the thriller and deliver an objective of tone, mood, and scary elements. Mise-en- scene sets up the setting in the film as the director has an objective to deliver a scary, dark scene that keeps the audience on their feet. Initially in the film, there is a unique introduction of a quiet town that leads up to believe there is no horror involved in the area. This unique set up by the director gives us the preamble that the
Halloween is rife with psychological scares that affect its audience greatly. “Symbolism, dreamlike imagery, emotional rather than rational logic” are present in Psychoanalytic criticism. Siskel and Ebert talked about how the movie makes you feel as if you are the protagonist, scared for your life and feeling every bit of suspense (Siskel and Ebert). The movie is purely fueled by emotional responses to what is happening to the characters and focuses itself purely on how the audience will respond. In the clip shown, the main protagonist talks about how she killed the killer but he is shown alive. The movie is not concerned with the logic; otherwise, the killer would have at least been slowed down by the injuries he sustained. Siskel and Ebert laud the movie on its set up of scenes, score, character development, and use of lighting to make the audience feel the terror the characters undergo.
On a cold Halloween night in 1963, in the film Halloween, a six-year-old boy named Michael Myers was seen stabbing his older sister to death with a gigantic kitchen knife then leaving to stand outside the house with a blank expression on his face. As a result he was sent to Smith Grove’s Mental Hospital which he escapes from 15 years later to go after 17 year old Laurie Strode and her friends Lynda and Annie. Warshow’s essay, The Gangster as Tragic Hero, depicts American society’s need to show public cheerfulness and maintain a positive morale as well as its desire for something more sinister, something more brutal. This desire to indulge in the forbidden fruit of sadism and cruelty is what makes the gangster persona so appealing to the nation. He is the man of the city. He emerges from the crowd as a successful outlaw and his only aspiration is success through brutality.
Halloween is the time of year that most people loved the idea of being scared beyond belief. But nowadays it’s harder to be genuinely scared because it seems like some people have become accustomed to most horrifying things that relate to Halloween due to the fact that it is the same every year. Nonetheless every year amusement parks use Halloween as a marketing scheme to get people and their friends to come to their horror nights, and spend money on ridiculous overpriced items, which all present the same things; clowns, clowns, chainsaws, and more clowns. Yes we can all agree that clowns are scary, but there has to come a time where the ones coming up with these “horror nights” step back and realize that what they are doing is no longer working anymore. But alas there is someone out there who knows what they’re doing, and it quite possibly could have to do with the fact that they are connected to the movie studio that did invent the horror film genre. But what makes Universal Studios Halloween Horror night so sinister? Universal Studios has a way where they take you out of reality and place you in a horror movie where you encounter many horror mazes, and also by the way they attack your senses in unexpected ways.
To begin with, some people would say they enjoy a horror movie that gets them scared out of their wits. They go see these movies once a month on average, for fun, each time choosing a newer sequel like “Final Destination” or “The evil Dead”. King says “When we pay our four or five bucks and seat ourselves at tenth-row center in a theater showing a horror movie we are daring the nightmare” (405). As a writer of best-sel...
Lots of fear arises within the main character knowing that the clawlike creature is back. Andrew is moved to his own room, the first night of the moving, the Boogeyman strikes again. This time Billings was aware of the attack but he just let it happen, he stated” And I knew how much I loved him because I ran...I didn't even turn on the light...it was shaking him...I heard it when Andy's neck broke”( Page 9). Billings was such a coward that he just watched his son die instead of doing something to save him, he just ran away from his problem and went to a nearby diner for hours. Dr. Harper wants to help Billings out by telling him to make more appointments to deal with his problem so he agrees and goes to the front desk but no one is there. The element of surprise comes in when Billings goes back to Dr. Harper's office. The story stated,” So nice,' the boogeyman said as it shambled out. It still held its Dr Harper mask in one rotted, spade claw hand”( Page
Reflecting back on the most iconic figures in the history of horror cinema, characters like Michael Myers, Freddy Krueger, and Jason Voorhees still shine brighter than all the rest – even despite their current lack of utilization. In the meantime, an array of other “big bads,” ranging from Ghostface, Jigsaw, and Annabelle, has attempted to climb the proverbial ladder into the (imaginary) horror hall of fame.
Whilst this is happening the Halloween theme music is playing in the background, this music is very high pitched and uses string instruments to create horror and suspense for the viewers. Once the credits have been shown there is a 'vls' (very long shot) of the house this is used to set the scene, this is a subjective point of view from the killer .This can be related to the German expressionism where they would use bumpy camera movement to seize the audiences concentration .They use a handheld camera to do this scene as it emphasises the killers movements to the audience. As the Killer begins to make his way around the house be looks up to see the light go off. When this happens there is a sharp shrill sound which enforces the killer's actions.
Horror films are designed to frighten the audience and engage them in their worst fears, while captivating and entertaining at the same time. Horror films often center on the darker side of life, on what is forbidden and strange. These films play with society’s fears, its nightmare’s and vulnerability, the terror of the unknown, the fear of death, the loss of identity, and the fear of sexuality. Horror films are generally set in spooky old mansions, fog-ridden areas, or dark locales with unknown human, supernatural or grotesque creatures lurking about. These creatures can range from vampires, madmen, devils, unfriendly ghosts, monsters, mad scientists, demons, zombies, evil spirits, satanic villains, the possessed, werewolves and freaks to the unseen and even the mere presence of evil.
People flock to horror movies each year. Usually to be scared. Another is to solve the question of Who done it? Unfortunately, a lot of these horror movies fail to scare people or make the killer so obvious the audience gets bored. Occasionally, there are a few horror movies that stick out. Scream, directed by Wes Craven, is one of them. Wes Craven is always toying with the viewer's fears. Always finding ways to scare the audience at every turn. He also plays with the viewer's head, and has them second guessing themselves. How does he do it? Well, as one of the characters in the movie exclaims, "There's a formula to it. A very simple formula. Everybody's a suspect!" This paper will discuss how Craven uses sound, camera shots, and mise en scene
People are addicted to the synthetic feeling of being terrified. Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned.
Edward Scissorhands is an old 1990’s movie that was created by the talented Tim Burton. Tim Burton is famous for his romantic/dark style of directing films and has directed some popular films such as, ‘The Nightmare Before Christmas,’ ‘Frankenweenie,’ and ‘Beetlejuice.’ In Edward Scissorhands, Tim Burton showed excellent mise en scene throughout the film and displayed several types of film techniques.
Would you rather be horrified beyond repair or thrilled to the point of no return? In horror, the main purpose is to invoke fear and dread into the audience in the most unrealistic way. Horror movies involve supernatural entities such as ghosts, vampires, teleportation, and being completely immortal. As thriller films are grounded in realism and involve more suspense, mystery, and a sense of panic. Though both genres will frighten the audience, it will happen in two different ways. Whether the horror thrills or the thriller horrifies, a scare is always incorporated.
I was profoundly shaken by this film. But when I tried to gather my thoughts, compose myself and determine what about this film is truly the most horrifying part, I drew a blank. What exactly is it that makes this film scary? The best I could do was mull over some of the contenders for the scariest scene. The scene where Jennifer was lusting after the Low Shoulder drummer in the bar was suspenseful, climactic, and kept me on the edge of my seat with cold dread and apprehension.
Almost everyone has a favorite genre of film, but how everyone defines their favorite genre can differ greatly. Horror is one of the genres where its definition can be perceived differently by many people. Like all other genres, horror does have rules and traditions that must be included in order for a film to be considered a horror film. These rules and traditions include a protagonist, an antagonist, an escape or escape attempt of some sort, and very influential audio and visual effects.