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Red sorghum analysis
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What I found to be the most beneficial in understanding Red Sorghum is seeing how difficult it truly is to translate a text from one language to another, Chinese to English in this case. This due to the fact that Chinese is a very complex language with many differences from English, such as implying the tone by adding new words to a sentence and that the same Chinese character can have multiple definitions depending on the surrounding characters. Due to the linguistic differences between the two languages, it is inevitable that the translated and original novel will differ. The tone throughout the novel appears to be very calm and impassive, despite the many graphic scenes depicted within the novel. This may be due to the fact that the story
Tone can be academic, informal, affectionate, dignified, bleak, cheerful, deliberate, paradoxical, patronizing, or many other imaginable approaches. The tone being a literary synthesis of the composition, that presents the mindset toward the character and the audience in a literary creation. A perfect illustration of tone in Twisted would be in chapter fifteen "Hannah was about to burst with excitement, which would have been disgusting because she would have sprayed blood, guts and glitter in every direction.” (pg.44). The one of this example is metaphorical; Anderson uses the
In Red Scarf Girl, Ji-li is faced with the challenge of her life when she has to choose between her family, and a family figure, her country, although she really had known since the day she was eliminated from the audition she loved her family more than anything or anyone. She shows her diverging opinions forced by peer pressure throughout the book in the beginning, middle, and end. Her scrambled thoughts have to be pieced back together slowly, and are forced to make detours through the revolution, but finally are able to bubble up to the top and come out to the world. In this way Ji-Li discovers not the mind swept mind of Mao Ze Dong, but her true self, ,and is able to see that she could never do anything to hurt her family, nor break away from it, and that no one could take her family away.
In The Naked and the Nude the author, Robert Graves, utilizes tone very frequently. The reader would see this easily notice when Graves uses tone caused by his bold and brash ways of comparing the Naked and the Nude. Graves also recognizes the difference between the two synonyms by contrasting them with imagery. The two literary devices represent the difference of the Naked and the Nude very well because of how well the reader can understand the author’s intentions by focusing on these two elements.
The character’s demeanour changes the entire atmosphere of the movie due to experiencing serious trauma through bullying in childhood. The
Although the author portrays a bitter tone throughout the text, there are many occasions in which there are multiple tones being used at the same time. For instance, when the author was in the ambulance, he was perceived as having a critical tone. He was criticizing and finding fault in what the paramedics and doctors were doing as he began to lose his feeling of personalization. Diction begins to tie into here as it also reflects onto the tone through complex word choice. Once in the hospital, he began to compare the hospital with prison by using a depressed yet confused tone. He compares them by telling the audience about the infamous Tower of London. Sacks became delirious and was unsure of what was going on. Adding such tone entices the audience though the effect of depersonalization on Sacks. However, after being told about the operation, Sacks’ tone went from constrained to incredulous and unsure. He claims of having “hallucinatory vividness” which ties back to the incredulous tone. This tone adds the suspicion to the hospital because such distinctness is not a normal occurrence. As explained, tone plays a crucial role in exemplifying the negative connotation and subject of the passage by using pathos and feelings of the author to reflect in the
The Golden Compass contains many mood changes. For example, one of the moods included is intense. When Lyra launches an escape plan and the children flee from the Gobblers, the story states,” The Tartars ran to stand in a line across the entrance to the avenue of lights, their daemons beside them as disciplined and drilled as they were. In another minuet, there would be a second line because more and more of them were coming and more behind them ..............She remembered hurling a handful of clay at a brick burner boy bearing down on her. He’d stopped to claw the stuff out of his eyes, and then townies leaped on him…..”(253). As a result, the mini war...
The film very clearly captured David Lloyds’, the illustrator’s, work on the graphic novel. The film is kept very dark and the scenes are short. The only bright portions of the film are the explosions and where Evey is tortured. But, the film is darker than the graphic novel. In the novel, David Lloyd uses a soft color overlay for each scene, which was not reproduced in the film. Without that aspect though, the coloring is nearly identical.
At the beginning, the movie appears to be very dark and gloomy. This is shown from the riot at the bakery and the young revolutionist running away from authorities. There was so much trouble that the family went through to eat, and survive. The tension increases so smoothly yet it drives the nerves of the watcher during the family argument scene (which proves to be very effective).
The book is organized into four sections, two devoted to the mothers and two devoted to the daughters, with the exception of June. The first section, logically, is about the mothers' childhoods in China, the period of time during which their personalities were molded, giving the reader a better sense of their "true" selves, since later in the book the daughters view their mothers in a different and unflattering light. Tan does this so the reader can see the stories behind both sides and so as not to judge either side unfairly. This section, titled Feathers From a Thousand Li Away, is aptly named, since it describes the heritage of the mothers in China, a legacy that they wished to bestow on their daughters, as the little story in the beginning signifies. For many years, the mothers did not tell their daughters their stories until they were sure that their wayward offspring would listen, and by then, it is almost too late to make them understand their heritage that their mothers left behind, long ago, when they left China.
In both ‘Eve Green’ and ‘Wide Sargasso Sea’, the protagonists experience fear in many guises. Although traumatic events in both Eve and Antoinette’s lives do lead to moments of sudden, striking fear, fear is also presented as having the potential to be subtle and muted, and therefore, “haunting”. Fletcher and Rhys seem to suggest that this form of fear is more damaging to the psyche than fear in its more conspicuous manifestations, as it is more deeply intertwined with the characterisations of the protagonists, therefore allowing for the fear to “pervade” the novels. As a result, it could be argued that fear has an almost constant presence in each novel, particularly because fear is seemingly linked to other prominent themes in each novel.
The tone of a story is what an author wants. Depending on how the author feels is the tone and the author of Night was feeling many things.
...e uses throughout this story gives it a strange, dreamlike quality, which is very appropriate for the dark tone of the story.
like cattle is well depicted in the book. This did not actually shock me, the
In the movie Jumanji tone was fearful. I also chose fearful for the tone of the book.Why I chose it for the book because in the book is when the game starts having a mind of its own. Why I chose fearful for the book is because when it get fearful when the lion appears.
The novel takes place in multiple settings. First, there is K.'s house, which is an apartment of sort that is very bright and organized. Second, the book takes place in several attics, one of which is the court, which are always very stuffy, gloomy, and dirty. The final setting is K.'s office at work which is very organized and secure. It is here that K. does most of his thinking and makes many decisions. The mood of the novel reflects the setting throughout the entire book. At first, the mood was very hopeful and nonchalant because K, was spending very minimal time in the attics and the court and did not seem to be concerned about his trial. Yet, later on in the novel when K. spends more and more time in dark and gloomy places, the mood changes to being incredibly gloomy, depressed, and