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Racial stereotyping in media
Effects of hip hop in todays culture
Effects of hip hop in todays culture
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There is much more to music than just beats and rhymes. There are powerful meanings behind the lyrics that artists write. As said in the book Understanding African American Aspects in Hip-Hop Cinema, they are “reflective of an African spiritual past, of connections between self and community” (pg. 5). Songs like “Fight the Power” from Public Enemy is an example demonstrating the call for the black community to take action together to build a just and equal society. Public Enemy’s “Fight the Power” successfully expresses the ideas Craig Werner mentioned in Understanding African American Aspects in Hip-Hop Cinema. The ideas which follow the steps of “acknowledging the burden, bearing witness, and finding redemption” (pg. 5). A “Fight the Power” lyric, “People, people we are the same” which links individual and community experience. In Understanding African American Aspects in Hip-Hop Cinema, the Werner’s first step is acknowledging the …show more content…
This meaning that in order to bear witness to the atrocities of racism they have to power through the bad by sticking together and being a part of the beloved community. In Understanding African American Aspects in Hip-Hop Cinema, “the spoken word and songs among enslaved people allowed them to resist the dehumanizing situations of forced labor, poverty, rape, and loss of family members” (pg.10). African Americans powered through all the insanity and took refuge in each other and in the songs they were singing. In the song “Fight the Power” the lyric “What counts is that the rhymes/ Designed to fill your mind” shows how he is educating his listeners about the inequality that blacks are facing. He later states that once you know about it and “realized the pride has arrived” you have “pump the stuff to make us tough”. Meaning the black pride is gaining attraction you need to join and keep fueling each other to make each other strong enough to “fight the powers that
In his documentary Classified X, Martin Van Peebles describes three areas where African-Americans could be receive some sanctuary from the racism that pervaded almost all Hollywood films. These three places were: the Hollywood version of an all-Black film, the church, and entertainment. Black culture and music is prominent in mainstream society, but the people behind this culture don’t always receive recognition and respect for their creations. Mainstream White pop culture excitedly consumes and appropriates Black culture, but disrespects the source.
Minstrel shows were developed in the 1840's and reached its peak after the Civil War. They managed to remain popular into the early 1900s. The Minstrel shows were shows in which white performers would paint their faces black and act the role of an African American. This was called black facing. The minstrel show evolved from two types of entertainment popular in America before 1830: the impersonation of blacks given by white actors between acts of plays or during circuses, and the performances of black musicians who sang, with banjo accompaniment, in city streets. The 'father of American minstrelsy' was Thomas Dartmouth 'Daddy' Rice, who between 1828 and 1831 developed a song-and-dance routine in which he impersonated an old, crippled black slave, dubbed Jim Crow. Jim Crow was a fool who just spent his whole day slacking off, dancing the day away with an occasional mischievous prank such as stealing a watermelon from a farm. Most of the skits performed on the Minstrel shows symbolized the life of the African American plantations slaves. This routine achieved immediate popularity, and Rice performed it with great success in the United States and Britain, where he introduced it in 1836. Throughout the 1830s, up to the founding of the minstrel show proper, Rice had many imitators.
Being one of the few black students to attend Tisch School of the Arts, the aspiring filmmaker’s first year at New York University was a particularly difficult one. Lee’s experiences, race, and upbringing have all led him to create controversial films to provide audiences with an insight into racial issues. Spike Lee’s first student production, The Answer, was a short ten minute film which told of a young black screenwriter who rewrote D.W. Griffith’s The Birth of a Nation. The film was not well accepted among the faculty at New York University, stating Lee had not yet mastered “film grammar.” Lee went on to believe the faculty took offense to his criticisms towards the respected director’s stereotypical portrayals of black characters (1).
“While the rich kids is drivin ' Benz ,I 'm still tryin ' to hold on to my survivin ' friends.” In this quote Tupac had his audience take a second to image a rick kid driving in the hood with a Benz while a poor African Amirian boy is struggling to keep his friends. Tupac uses his lyrics to help paint a picture though his lyrics of the life of a black person which brings us to Imagery. The use of imagery in this song is amazing. Without even watching the music video and just listening to the song I could easily image everything that Tupac was trying to explain. This is what makes Tupac the best rapper still till this day! Another use of imagery is when he said “Dying inside, but outside you 're looking fearless, While tears, is rollin ' down your cheeks”. By this quote we as the audience should realize that there is more to this song that Tupac is trying to explain. In this quote I feel as though he was explaining that as African Americans more so black women tend to always wear this smile on our face no matter the situation when we know something in us is dying or is just not right. For some reason us black women have a habit of hiding our true feeling and situations. Last was the use of symbols which ties in with imagery. “They got money for wars, but can 't feed the poor”. What was Tupac really trying to say? This quote symbolize so much about America as a whole, and how as a nation we spend so much of our money on weapons for warfare but yet there are little kids who go days and weeks without no food. Is that fair? This quote symbolized pain and loss of hope because they (poor people) will never see a happy day. As they say we have to have the poor to have the
Being a resident of South Carolina, African-American Culture was chosen as part of the applied learning project for the Intercultural Nursing class, because African-Americans make up more than a quarter of this state’s population. According to the 2010 United States Census Bureau, the total population for South Carolina (S.C.) is 4,625,364, with 27.9% being of African-American descent. The purpose of this paper is to develop an understanding and sensitivity to issues and cultural variances or phenomena that are unique to the African-American Culture. Another goal is to identify nursing interventions that are important for the nurse to consider in caring for this population. These phenomena’s include variances in social organization, communication, space, perception of time, environmental control, and biological variations associated with the African-American culture. (Giger, 2013 and South Carolina minority, n.d.)
...ent from the silent era of film, overt racism of ethnic minorities was blatantly apparent within the film medium. However, presently this overt racism however has shifted into a more subtle segregation of casting and racial politics within the film medium. It seems that both the problem and the solution lies in the Eurocentric domination within the Hollywood film industry – and it seems that it still remains challenged to this day.
A race issue that occurs within the rap and hip-hop musical genre is the racial stereotypes associated with the musical form. According to Brandt, and Viki rap music and hip- hop music are known for fomenting crime violence, and the continuing formation of negative perceptions revolving around the African-American race (p.362). Many individuals believe that rap and hip-hop music and the culture that forms it is the particular reason for the degradation of the African-American community and the stereotypes that surround that specific ethnic group. An example is a two thousand and seven song produced by artist Nas entitled the N-word. The particular title of the song sparked major debates within not only the African-American community thus the Caucasian communities as well. Debates included topics such as the significance and worth of freedom of speech compared with the need to take a stand against messages that denigrate African-Americans. This specific label turned into an outrage and came to the point where conservative white individuals stood in front of the record label expressing their feelings. These individuals made a point that it is because artists like Nas that there is an increase in gang and street violence within communities. Rap and hip-hop music only depicts a simple-minded image of black men as sex crazed, criminals, or “gangsters”. As said above, community concerns have arisen over time over the use of the N-word, or the fact that many rappers vocalize about white superiority and privilege. Of course rap music did not develop these specific stereotypes, however these stereotypes are being used; and quite successfully in rap and hip-hop which spreads them and keeps the idea that people of color are lazy, all crimin...
Over the course of approximately one-hundred years there has been a discernible metamorphosis within the realm of African-American cinema. African-Americans have overcome the heavy weight of oppression in forms such as of politics, citizenship and most importantly equal human rights. One of the most evident forms that were withheld from African-Americans came in the structure of the performing arts; specifically film. The common population did not allow blacks to drink from the same water fountain let alone share the same television waves or stage. But over time the strength of the expectant black actors and actresses overwhelmed the majority force to stop blacks from appearing on film. For the longest time the performing arts were the only way for African-Americans to express the deep pain that the white population placed in front of them. Singing, dancing and acting took many African-Americans to a place that no oppressor could reach; considering the exploitation of their character during the 1930's-1960's acting' was an essential technique to African American survival.
“My whole thing is to inspire, to better people, to better myself forever in this thing that we call rap, this thing that we call hip-hop.” (Kendrick Lamar) Hip-hop, which first appeared in New York’s South Bronx in 1973, has been at the forefront of American music ever since Jamaican-born Kool DJ Herc used turntables to stretch certain sections of the song. This first happened at a Halloween dance party. Since then, Hip-hop has become associated with social activism and education which brought the influence into practically every culture in the world. An important aspect of music is to convey musical messages, hip-hop which does just that, has been used all over the world to bring social, political, and economic issues to the ears of many.
Rap is about giving voice to a black community otherwise underrepresented, if not silent, in the mass media. It has always been and remains … directly connected to the streets from which it came. (144)
The hip-hop community has been greatly influenced by the Black Arts Era. Both groups have addressed social, political issue as well as giving voice to the emotional discord of the black man. These groups push the boundaries using words meant to inflame the black man and shock the Caucasians.
Often racial injustice goes unnoticed. Television tries to influence the mind of their viewers that blacks and whites get along by putting them on the screen to act as if interracial relationships has been accepted or existent. “At the movies these days, questions about racial injustice have been amicably resolved (Harper,1995). Demott stresses that the entertainment industry put forth much effort to persuade their audience that African Americans and Caucasians are interacting and forming friendships with one another that is ideal enough for them to die for one another. In the text, Demott states “A moment later he charges the black with being a racist--with not liking whites as much as the white man likes blacks--and the two talk frankly about their racial prejudices. Near the end of the film, the men have grown so close that each volunteer to die for the other” (Harper,1995). Film after film exposes a deeper connection amongst different races. In the text, Demott states “Day after day the nation 's corporate ministries of culture churn out images of racial harmony” (Harper, 1995). Time and time again movies and television shows bring forth characters to prove to the world that racial injustice has passed on and justice is now received. Though on-screen moments are noticed by many people in the world it does not mean that a writer/ director has done their
Black culture in our society has come to the point where it is allied with pop culture. The most popular music genres, slang terms, to dance forms it all comes from black culture. Hip hop emerged from black culture, becoming the soul of it that is seen in the media. Hip hop helped the black community by creating new ways of expressing themselves, from breakdance, graffiti, rap and other music, to slang. This culture was rooted in their tradition and created from something new. Hip hop created a new form of music that required the use of turn tables, ‘cuts’, loops, rhythm, rhyme, stories, and deep-rooted emotions, but also incorporated black oral forms of storytelling using communal authors.
The song that I choose to do this assignment on is Fight the Power by Public Enemy. Fight the Power was written in 1989 and quickly became a street anthem for millions of youths. It reflects with issues dealing with both the Civil Rights Movement and to remind everyone that they too have Constitutional Rights. This particular song is about empowerment but also fighting the abuse of power that is given to the law enforcement agencies. It gave citizens of the U.S a more modern outlook on the many struggles that not only the African American community is up against but the other minority groups as well. The song’s message was eventually supposed to bring people together and make the world a better place, even though some teens saw it as a way
African cinema has evolved in multiple facets since postcolonialism milieu. Post-nationalist African cinema has transformed into a more complex network that simultaneously incorporates both global and national issues alike. Modern post-nationalist films aim to aim to repudiate a homogenized notion African Cinema while highlight the diversities in African cinema, unlike antithetical early nationalist variants which portrayed a generalized African identity. These post-nationalist film makers advocate the need for utilizing new film languages and ideals suitable to the contemporary cultural, social, political and economic situations of different African countries. Certain developments have been instrumental to this gradual cinematic evolution