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Imagery of hamlet
Significance in the play Hamlet
Character of Claudius
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In William Shakespeare’s Hamlet, Shakespeare creates characters such as Claudius, Hamlet, Rosencrantz, and Guildenstern that act genuine, but are deceitful. The purpose of this is to incorporate the theme of appearance vs. reality. Each of these characters untruthful actions create a sense of uncertainty throughout the play that eventually leads to deaths in act 5 scene 2 since all of the characters have suspicions about each other. This begins early in act 1 as Claudius seems to act caring, but is really trying to persuade Hamlet to forget his murdered father and treat Claudius as his true father. When Claudius addresses Hamlet and Gertrude, he says “’Tis sweet and commendable in your nature, / Hamlet” (1.2.90-91). Claudius acts as though he is …show more content…
Hamlet appears to be mad toward everyone around him, but his acting causes uncertainty for the reader. He calls Polonius “a fishmonger” (2.2.190) and then goes on to say Polonius “cannot, take from me anything that I will more willingly part withal-except my life, / except my life, except my life” (2.2.233-235). Hamlet switches topics in just a short encounter, showing his madness. However, he is only crazy sometimes and in other situations, he is aware of his surroundings. Hamlet shows this by saying, “I am but mad north-north-west. When the / wind is southerly, I know a hawk from a handsaw” (2.2.402-403). It is his madness that causes uncertainty with Claudius, Ophelia, Polonius, Rosencrantz, and Guildenstern. Polonius is sure that his madness is caused by his love for Ophelia, but Claudius is not convinced. Therefore, he assigned Rosencrantz and Guildenstern to investigate. Rosencrantz says their reason for coming is merely “to visit” (2.2.292) Hamlet, but Hamlet knows “the good king and queen” (2.2.303) made them come. Even Hamlet’s best friends cannot be trusted. All of these instances of deception drive both Hamlet and Claudius to plan each other’s deaths at the end of the
When we first meet Hamlet, he is a sad, dark, loathsome figure; the loss of his father and the whoring of his mother have upset him indefinitely. Like a ticking time bomb, Hamlet’s noticeable temper reflects the storm of emotions and thoughts brewing in his head, and then like a catalyst, his meeting with the Ghost of King Hamlet brings his anger to a boil. With revenge in mind, Hamlet plans to fake his madness so that he may be free to pursue his father’s killer. Everyone, except his close friend Horatio, seems convinced that he is mad. Claudius however, fearful that someone will discover his evil deed, has also had his perceptions heightened by his guilt and he experiences chronic paranoia throughout the play as a result. He is doubtful as to whether Hamlet is really mad, as we find him telling Polonius, “...what he spake ...Was not like madness. There's something in his soul O'er which his melancholy sits on brood, And I do doubt the hatch and the disclose Will be some danger” (3, 1, 157-161). On the contrary, I believe that Hamlet, lost in his soliloquies and vengeful thoughts, actually becomes mad. Ironically, his form of madness is paranoia.
Moreover, Hamlet is mad or so he seems to be. By looking at Hamlet and all his actions everyone is convinced he has gone mad. His mood changes a lot throughout the play, he speaks "wild and whirling words" (I.v.127-134) when he found our about his father’s death, has violet outbursts towards his mothe...
In William Shakespeare 's Hamlet, there are many characters that allow themselves to be manipulated and be consumed by their own emotions. The way that this type of irrational behavior occurs is when Claudius killed Hamlet Sr, this causes a chain reaction of unfortunate events. Gertrude and Claudius plan to immediately marry after the death of the king. On going with the repercussions of the event; Hamlet is later visited by the dead spirit of his father. This happening caused Hamlet to realize that he needed to avenge his dead father by killing Claudius and rightfully taking the throne back after the ghost of his father told him to do so. Along with all the supernatural things that occur Hamlet is faced with technicalities in the Kingdom of Denmark. His love for Ophelia is rebuffed do to Polonius and Laertes insisting to her that Hamlet only wants to be with her for her only for lust. Claudius hires people to spy on Hamlet and report his every move to him. Hamlet attempts to
The reasoning behind Hamlet’s madness is the investigation that occurs with the cause of his father’s death. As Hamlet recognizes the truth associated with his father’s death, he realizes the death was committed by murder. This is revealed in act one, scene five, as his father’s ghost explains that Claudius poisoned him (1.5.64-80). In addition, the circumstances concerning the marriage of Claudius and Gertrude enhances Halmet’s urge to act mad. When Hamlet encounters his father through the figure of a ghost, Hamlet reveals his sanity: “Here, as before, never, so help you mercy/ How strange or off so ever I bear myself/ As I perchance hereafter shall think meet/ To put an antic disposition on” (1.5.187-190). Hamlet describes his madness to be an act, to put on a show. This madness allows for Hamlet to advance his intention of finding out the truth behind his father's death. As Hamlet presents this form of madness, it allows him to advance his plan on killing his stepfather, Claudius. Claudius believes that Hamlet is mad, although he does not know the reason for why he is mad. This allows for Hamlet to create a plan to kill Clausius without many questions being asked. In act two, Hamlet admits that he can alter his madness: “I am but mad north-north-west. When the wind is southerly I know a hawk from handsaw” (2.2.390-391). With this information, the suggestion is that Hamlet is clever in the way he acts. During the beginning of the play, some of the characteristics of Hamlet are identified. The explanation of Hamlet being a student and attending university provides the audience with information that as a character, Hamlet has an abundance of knowledge. As Hamlet conducts his form of madness and the plan for the death of Claudius, his intelligence characteristics are displayed. The act of a madman creates successful opportunities for Hamlet as other characters reveal
They decided to invite some of his college friends to watch over him. The Queen offered many thanks for their decision to watch him. “For the supply and profit of our hope, / Your visitation shall receive such thanks / As fits a king’s remembrance.” (2.2.24-26). Claudius asked Rosencrantz and Guildenstern to get answers out of him, making them seem more like spies than helpful friends. When Hamlet shows up to Ophelia’s house, seemingly mentally disturbed, Ophelia tells her father. Polonius decides to tell the King of Hamlet and Ophelia’s relationship that he thinks that may be the source of his problems. The King and Polonius set up a meeting between the two. Seeming to know he is being watched, Hamlet acts very wildly, leading them to believe Ophelia was not the cause of his insanity. The King is not impressed at Polonius. “Love! His affections do not that way tend, / Nor what he spake, though it lacked form a little, / Was not like madness. There’s something in his soul” (3.1.170-72). At this point, Hamlet has started his drastic decline in his mental stability. When he is called by the Queen for a talk, he over hears something behind the draped curtains and stabs through it, killing Polonius. His reaction is not what one would expect, as he does not feel any remorse. Hamlet simply states it was for the best and his bad luck. “Thou wretched, rash, intruding fool, farewell. / I took thee for thy
nbsp; Some of the characters themselves come to realize that Hamlet is not to be mad at. Claudius confesses that Hamlet's "actions, although strange, do not appear to stem from madness. " III, i. In addition, Polonius admits that.
Perhaps Hamlet truly is sane and has little fits of hysteria as the world seems to stack up against him. His anger and feelings of betrayal overload to explosive outbursts that can be interpreted as real madness. Upon learning that Ophelia has allied herself with Polonius and Claudius, he loses his head and has an incredibly dramatic episode. He is initially honest and open with Ophelia, but his mood quickly changes when he learns they are being spied on. He question Ophelia’s motives by asking whether she is honest and fair. He...
Throughout the Shakespearian play, Hamlet, the main character is given the overwhelming responsibility of avenging his father’s "foul and most unnatural murder" (I.iv.36). Such a burden can slowly drive a man off the deep end psychologically. Because of this, Hamlet’s disposition is extremely inconsistent and erratic throughout the play. At times he shows signs of uncontrollable insanity. Whenever he interacts with the characters he is wild, crazy, and plays a fool. At other times, he exemplifies intelligence and method in his madness. In instances when he is alone or with Horatio, he is civilized and sane. Hamlet goes through different stages of insanity throughout the story, but his neurotic and skeptical personality amplifies his persona of seeming insane to the other characters. Hamlet comes up with the idea to fake madness in the beginning of the play in order to confuse his enemies. However, for Hamlet to fulfill his duty of getting revenge, he must be totally sane. Hamlet’s intellectual brilliance make it seem too impossible for him to actually be mad, for to be insane means that one is irrational and without any sense. When one is irrational, one is not governed by or according to reason. So, Hamlet is only acting mad in order to plan his revenge on Claudius.
Hamlet has mood swings as his mood changes abruptly throughout the play. Hamlet appears to act mad when he hears of his father's murder. At the time he speaks wild and whirling words:Why, right; you are I' the right; And so, without more circumstance at all, I hold it fit that we shake hands and part... [Act I, scene V, lines 127-134]. It seems as if there are two Hamlets in the play, one that is sensitive and an ideal prince, and the insane barbaric Hamlet who from an outburst of passion and rage slays Polonius with no feeling of remorse, Thou wretched, rash, intruding fool, farewell! / I took thee for thy better. Take thy fortune;/ Thou find'st to be too busy is some danger.- [Act III. scene IV, lines 31-33] and then talks about lugging his guts into another room. After Hamlet kills Polonius he will not tell anyone where the body is. Instead he assumes his ironic matter which others take it as madness. Not where he eats, but where he is eaten. / A certain convocation of political worms a e'en at him. [Act IV, scene III, lines 20-21]
"I will be brief. Your noble son is mad," states Polonius (II, ii, 91) . Ophelia exclaims, "O what a noble mind is here o'erthrown!" (III, i, 153). "Alas, he's mad," concludes Gertrude (III, iv, 106). Claudius even instructs Rosencrantz and Guildenstern to escort Hamlet to England because "it [is not] safe with us/To let his madness range" (III, iii, 1-2). Essentially, each supporting character questions Hamlet's sanity, and most conclude he is indeed mad.
Displaying an 'antic disposition', Hamlet first attempts to side step his trepidation by feigning madness. After meeting with his fathers proposed ghost, Hamlet attempts to distance himself from the thought or evidence of death. Hamlet notifies his friends, Marcellus and Horatio, of his plan to distract the kingdom from his real intentions. Although Hamlet proposes this as a way to fool those in Denmark, in the last lines of his meeting with Horatio and Marcellus, he curses that this revenge be placed upon him. This is the first indication of Hamlets reluctance to perform murder. Hamlet then returns to Claudius and Gertrude, at the castle, and acts out his madness for them and for the visitor, Polonius. Upon speaking to Polonius, Polonius picks up upon Hamlets 'madness', yet decides that this unnatural nature is because if Ophelia's behavior toward Hamlet. Indication of Hamlets fear is presented when Polonius asks leave of the prince. Hamlet then states that Polonius can take anything from him, anything but his life. Hamlet repeats thrice this idea of taking anything 'except [his] life.' Not only does this indicate how compulsive Hamlets fake insanity is becoming, but how afraid he is of dying. During the 'To be or not to be' soliloquy, Hamlet contemplates his view of death. As he go...
At first, Hamlet is successful, and society is convinced Ophelia is the reason for his madness, thus granting Hamlet more time to plot Claudius’s murder. This is achieved in Hamlet’s “to be or not to be speech” [3,1,57] when Claudius and Polonius spy on the conversation between Hamlet and Ophelia. During the Act, Ophelia displays traits of dishonesty and Hamlet uses this to his benefit and appears to go insane to convince Ophelia, Claudius and Polonius that Ophelia is responsible for his madness. Hamlet insists his madness is an “antic disposition” [1,5,179] and that “Thou this be madness, yet there is method in it”. [2,2,204] In the play, Hamlet uses his “antic disposition” [1,5,179] to refuse Ophelia’s affections, which is powerfully portrayed when he exclaims to her “get thee to a nunnery.” [3,1,138] By denying Ophelia’s love, Hamlet’s power in the relationship is effectively demonstrated, and it is shown he is in control of their relationship. In addition, this is reflected in Ophelia’s self-destruction, as she has no purpose to live a life without Hamlet or a man. Overall, Hamlet is successful in using his power over Ophelia for the sake of his
In the beginning of the story, Hamlet’s character was struggling with the sudden marriage of his mother, Gertrude, to his uncle, Claudius, a month after his father is death. For a young man, it’s hard to believe that he understood why his mother quickly married Claudius especially since, Claudius is his uncle. Later he learned that his father’s ghost was sighted. Intuitively, he knew there had to be some kind of “foul play.” At this point, Hamlet is a university student; his morals and way of thinking are defined by books and what was taught to him. This is seen when he speaks about the flaws of men, setting a bad reputation for all, and the man’s flaws causing their “downfall.”(a.1, sc.4, l.)
As well Hamlet forcing his friends to swear that they won’t reveal why he is acting strange, shows that he wants everyone in the castle to think he is mad. Hamlet being an intellect given his many years of schooling knows that if he displays signs of madness to his ex-girlfriend Ophelia, she will tell her dad. Then Polonius will spread the rumour of Hamlets madness throughout the castle. The success of Hamlets visit is displayed later when Ophelia is talking with her dad
Hamlet acts very crazy in front of Ophelia by going into her closet “My lord, as I was sewing in my closet, Lord Hamlet, with his doublet all unbraced/ No hat upon his head, his stockings fouled/ Ungartered, and down-gyvèd to his ankle/ Pale as his shirt”( ) she is very frightened and confused by what happens. Hamlet moves on to insult Polonius in order to look crazy and lost from reality “He knew me not at first; he said I was a fishmonger/ He is far-gone. And truly, in my youth, suffered much extremity for love, very near this” (II.ii.205-208). Hamlet says he doesn’t even know who Polonius is, even though he is the father of his girlfriend Ophelia then he insults Polonius by calling him a fishmonger. Polonius believes that Hamlet is just far gone in his love for Ophelia. King Claudius begins to see Hamlet’s madness and tells Rosencrantz and Guildenstern to see what Hamlet is up to. Hamlet knows that they are trying to spy on him and sounds crazy saying “I am but mad north-northwest: when the wind is southerly, I know a hawk from a handsaw” (II.ii.402-403) however, in reality it makes sense that hamlet knows the difference between a real threat the hawk and not a threat the handsaw. Hamlet uses his antic disposition to be able to sneak around without drawing attention to