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Interrelationship between literature and society
Interrelationship between literature and society
Literature and society
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Hamlet is Perfectly Sane
"I will be brief. Your noble son is mad," states Polonius (II, ii, 91) . Ophelia exclaims, "O what a noble mind is here o'erthrown!" (III, i, 153). "Alas, he's mad," concludes Gertrude (III, iv, 106). Claudius even instructs Rosencrantz and Guildenstern to escort Hamlet to England because "it [is not] safe with us/To let his madness range" (III, iii, 1-2). Essentially, each supporting character questions Hamlet's sanity, and most conclude he is indeed mad.
General consensus can justify almost all actions in most societies. As for sanity, if authorities believe you are insane then you "are" insane; your personal commentary is often not heeded and is dismissed. Hamlet's environment proves no different. The possibility that Hamlet feigns madness for purpose never enters most characters' minds, and to Claudius (the King and figurehead against Hamlet), purpose is irrelevant. Hamlet poses a viable threat to Claudius' throne whether sane or insane, and Hamlet's supposed insanity provides justification for detrimental action. As long as evidence supports Hamlet's psychosis then Claudius can rid himself of Hamlet and rule Denmark as he pleases. Hamlet's actions and speech on numerous occasions can surely support pleas of his insanity.
Although Marcellus, Bernardo, and Horatio all witness King Hamlet's ghost, only Hamlet hears it speak. After this speech, Hamlet enrages, yelling vehement epithets about Claudius and Gertrude, pledging to avenge his father. However, later in the play Hamlet questions the validity of the apparition after assuming its sincerity initially. In the scene following the ghost's entrance, Hamlet's speech towards Horatio and guards is evasive as his mood swings ...
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...es the superiority and intelligence of Hamlet. Surfacely, Hamlet's supposed insanity paves the way for the plot of the tragedy. The madness also proves as a medium for comparison for other events, themes, and images in the play such as Ophelia's insanity and Laertes' real avenger role. Introspectively, Hamlet's supposed derangement allows him to question himself and supplies us with a more rounded picture of Hamlet's true character. In essence, only Shakespeare's ingenuity could weave so many psychotic acts and such elusive speech into a planned culmination.
Works Cited
Berman, Allison. "We Only Find Ourselves." Hamlet reaction papers. Wynnewood: FCS, 2000.
Lugo, Michael. "Thus Conscience Does Make Cowards of Us All." Hamlet reaction papers. Wynnewood: FCS, 2000.
Shakespeare, William. Hamlet. 1600? Ed. Sylvan Barnet. New York: Signet Classic, 1998
...te plots, such as the play. Hamlet’s feigned insanity was all a part of his overall scheme to avenge his father, King Hamlet.
In Shakespeare’s play Hamlet the main character Hamlet experiences many different and puzzling emotions. He toys with the idea of killing himself and then plays with the idea of murdering others. Many people ask themselves who or what is this man and what is going on inside his head. The most common question asked about him is whether or not he is sane or insane. Although the door seems to swing both ways many see him as a sane person with one thought on his mind, and that is revenge. The first point of his sanity is while speaking with Horatio in the beginning of the play, secondly is the fact of his wittiness with the other characters and finally, his soliloquy.
nbsp; Some of the characters themselves come to realize that Hamlet is not to be mad at. Claudius confesses that Hamlet's "actions, although strange, do not appear to stem from madness. " III, i. In addition, Polonius admits that.
Riddled with ambiguity by its very nature, the text of William Shakespeare's Hamlet has been a commonly debated subject in literary circles since its first performance. The character Hamlet undergoes intense physical and emotional hardship in his quest for revenge against his despicable uncle. This hardship, some argue, leads to an emotional breakdown and, ultimately, Hamlet's insanity. While this assessment may be suitable in some cases, it falls short in others. Since Hamlet is a play, the ultimate motivation of each of the characters borrows not only from the text, but also from the motivations of the actors playing the parts. In most respects, these motivations are more apt at discerning the emotional condition of a character than their dialogue ever could. Thus, the question is derived: In Kenneth Branagh's film adaptation of Hamlet, does the character Hamlet suffer from insanity? Giving halt to the response, this paper will first endeavor to establish what insanity is and will then provide sufficient examples both from the text, film, and Branagh's own musings on his motivations as proof that Hamlet's character, at least in Branagh's version of the play, is not insane.
He also admits to his mother after he kills Polonius his lack of true insanity. While talking to his mother he says “I essentially am not in madness, but mad in craft” (Act 3, Scene 4, Line 194-5). Others realize themselves that his madness may not be true, and that even if it is, he still has shred of sanity. Even Polonius catches on to his act and mentions “Though this be madness, yet there is method in’t.” (Act 2, Scene 2, Line 205-6) Polonius feels as though Hamlet’s insanity is nothing more than possibly rudeness and sarcasm, instead of genuine loss of mind.
Lugo, Michael. "Thus Conscience Does Make Cowards of Us All." Hamlet reaction papers. Wynnewood: FCS, 2000.
they read on, I think they learned more, and wanted to be a nicer more
Hamlet only claims madness because it allows him to say and perform actions he otherwise would be prohibited from, while keeping people from taking his actions seriously. This seems to be part of his initial plan that is first mentioned when he asks Horatio and Marcellus not to make any remarks in relation to his ?antic disposition (1.5.192).? Hamlet?s madness allows him to talk to Claudius, Gertrude, Ophelia, and Polonius in a manner unsuitable for a prince. He is often disrespectful and insulting in his remarks. Although his acting backfires during his speech to Gertrude, Hamlet is able to severely criticize her for her actions because she thinks he is insane. During the play he also makes many sexual innuendos and even blatantly sexual remarks towards Ophelia such as ?That?s a fair thought to lie between maids? legs (3.2.125).? His convincing insanity act gives him the chance to vent his anger towards Ophelia for her abandonment.
Throughout the Shakespearian play, Hamlet, the main character is given the overwhelming responsibility of avenging his father’s "foul and most unnatural murder" (I.iv.36). Such a burden can slowly drive a man off the deep end psychologically. Because of this, Hamlet’s disposition is extremely inconsistent and erratic throughout the play. At times he shows signs of uncontrollable insanity. Whenever he interacts with the characters he is wild, crazy, and plays a fool. At other times, he exemplifies intelligence and method in his madness. In instances when he is alone or with Horatio, he is civilized and sane. Hamlet goes through different stages of insanity throughout the story, but his neurotic and skeptical personality amplifies his persona of seeming insane to the other characters. Hamlet comes up with the idea to fake madness in the beginning of the play in order to confuse his enemies. However, for Hamlet to fulfill his duty of getting revenge, he must be totally sane. Hamlet’s intellectual brilliance make it seem too impossible for him to actually be mad, for to be insane means that one is irrational and without any sense. When one is irrational, one is not governed by or according to reason. So, Hamlet is only acting mad in order to plan his revenge on Claudius.
Throughout Shakespeare’s play, Hamlet, the main character, Hamlet, must seek revenge for the murder of his father. Hamlet decides to portray an act of insanity, as part of his plan to murder Claudius. Throughout the play, Hamlet becomes more and more believable in his act, even convincing his mother that he is crazy. However, through his thoughts, and actions, the reader can see that he is in fact putting up an act, he is simply simulating insanity to help fulfil his fathers duty of revenge. Throughout the play, Hamlet shows that he understands real from fake, right from wrong and his enemies from his friends. Even in his madness, he retorts and is clever in his speech and has full understanding of what if going on around him. Most importantly, Hamlet does not think like that of a person who is mad. Hamlet decides to portray an act of insanity, as part of his plan to seek revenge for his fathers murder.
Many people question the psychological condition of the character Hamlet in the sixteenth century play Hamlet written by William Shakespeare. One of the reasons that the mental health of hamlet is in question by many people is the result of hamlet's actions as well as his reactions to events that occur during the play. Some people argue that the character Hamlet is insane, while others may argue that his insanity can be justified by several means such as his need for justice of his father's murder. However, Hamlet's need for justice or revenge does not necessarily justify Hamlet's behavior in the play. In addition, Hamlet's behavior falls into several categories of insanity such as shizophrenia. Therefore, there are many ways in which it can be proven that hamlet may truly be insane.
Hamlet throughout the play seems insane but in reality it is only an act to achieve his goal of killing his father's murderer. Hamlet chooses to go mad so he has an advantage over his opponent and since he is the Prince of Denmark certain behavior is unacceptable, so by faking madness he is able to get away with inappropriate sayings and actions. We can see this when he talks to Claudius, Polonius, Ophelia and his mother. When Hamlet talks to Horatio in the first act he says how he is going to "feign madness" and that:
makes the metaphysics of the play dark. The ghost says nothing despite the valiant efforts on the parts of Horatio, Marcellus, and Bernardo. Suspense is created when the audience is ignorant as to the purpose of the ghost. Later in the play the ghost is utilized to allow Hamlet and the audience knowledge of the vile murder of the king by Claudius, the kings own brother. When the ghost finally speaks, he tells Hamlet,
The madness of each individual is not realistic, but the idea that death, grievance, and revenge can drive someone to do things that seem to be mad or make them do things out of their nature. Overall, we see that the theme of madness has a significant impact on the conflicts and overall development of the play as well as the characters themselves and is successfully conveyed. Shakespeare developed a theme that tied the many important emotions and ideas together to make the play what it is. He used Ophelia’s grief and love, Hamlet’s wit and ruminative nature to convey a theme that could be related to more than the one character, and tie all of the conflicts and complications down to one cause.
A ghost appearing in the form of Hamlet's father makes several appearances during the play. It first appears to the watch men, Marcellus and Bernardo along with Heratio, at the guardsmen's post. The ghost does not speak to them. It is not until the appearance of hamlet that the ghost does speak.