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Emotions experienced in hamlet
Hamlet's madness analysis
Hamlet from a psychoanalytic point of view
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In Shakespeare’s Hamlet, one of the main characters, Hamlet receives news that his dad was murdered. In order to avenge his father’s death Hamlet decides to act mad. At the beginning of the play Hamlet decides to visit his ex-girlfriend Ophelia to spread the word about his “antic disposition”. Originally when talking to his friends Horatio and Marcellus, Hamlet says:
And therefore as a stranger give it welcome.
There are more things in heaven and earth, Horatio,
Than are dreamt of in your philosophy. But come.
Here, as before, never, so help you mercy,
How strange or odd some’er I bear myself
(As I perchance hereafter shall think meet
To put an antic disposition on)
That you, at such times seeing me, never shall,
With arms encumbered thus,
…show more content…
If Hamlet was emotionally hurt about his father’s death he would speak more about his feelings rather than setting up a plan to take revenge. Since Hamlet was not overly upset it is clear that he did not go to Ophelia in the next scene to get support for emotions, but rather to spread the word about his “antic disposition”. If Hamlet was upset he could have turned to many people such as his friends Horatio and Marcellus whom he was speaking to in the above quotation. Choosing to not ask his close friends for help shows that he was not overly upset and did not need support. Seeing that he did not need support or strength from his friend makes it unlikely that he would go see Ophelia for help. As well Hamlet forcing his friends to swear that they won’t reveal why he is acting strange, shows that he wants everyone in the castle to think he is mad. Hamlet being an intellect given his many years of schooling knows that if he displays signs of madness to his ex-girlfriend Ophelia, she will tell her dad. Then Polonius will spread the rumour of Hamlets madness throughout the castle. The success of Hamlets visit is displayed later when Ophelia is talking with her dad
First there is the killing of Polonius. When he kills Polonius, the father of his girlfriend, he shows no sign of regret. No guilt. He is so caught up in his own little world of revenge, he doesn't even think of the fact that he just killed an innocent old man and the father of Ophelia. In fact, there is no point in the entire text in which he even mentions Ophelia. This just goes to show that he doesn’t truly care about Ophelia, which as state is the necessary component of love. The second deciding scene is that of Ophelia’s funeral. Hamlet has gone the whole text since the play in act three scene two without a word about Ophelia. Then *bang* Ophelia is dead and he's seeing her funeral. He observes as a distraught Laertes, Ophelia’s brother, throws himself into her grave in grief. Hamlet’s response to this is not a of shared sorrow but of competition. He starts by saying to Laertes “I loved Ophelia. Forty thousand brothers could not with all their quantity of love make up my sum” (5.1.284-287). Rather than just grieve for her, he fights with her grieving brother about who loved her more. While this may seem like a loving gesture, there has been no other proof of his love for her throughout the play which make this seem a bit strange. It is as if he wants to have loved her so that he can have emotions that are more important than everyone else’s. Hamlet even accuses Laertes of just trying “to outface” him “with leaping in her grave” (5.1.295). Hamlet would actually be grieve the lose of Ophelia and not fighting over whose emotions matter more if he had truly loved
Living in an environment of deception and hostility, the reader can easily identify with Hamlet's anger. Most all compassionate audiences will be sympathetic to his plight. However, the origins of Hamlet's vehement actions toward his once beloved Ophelia can be debated from several different points of view. Whatever his reasoning may be, it is probably correct to assume that he regrets deeply every harsh world spoken toward Ophelia. He only realizes again what a beautiful and kind person she was- after her death.
Hamlet runs into Ophelia and angrily Hamlet denies having given her anything; he laments the dishonesty of beauty, and claims both to have loved Ophelia once and never to have loved her at all. Then Hamlet spits out nasty comments including, “Get thee to a nunnery. Why wouldst thou be a breeder of sinners?” (Shakespeare 3. 1. 131-132). He criticizes women for making men behave like monsters and for contributing to the world’s dishonesty by painting their faces to appear more beautiful than they are. This illustrates Hamlet shifting from sane to insane. During Hamlets talk between him and his mother he hears a noise behind the arras. Hamlet storms into the room and asks his mother why she has sent for him. She says that he has offended his stepfather. Hamlet accosts her with an almost violent intensity and declares his intention to make her fully aware of the profundity of her sin. Fearing for her life, Gertrude cries out. From behind the arras, Polonius calls out for help. Hamlet, realizing that someone is behind the arras and suspecting that it might be Claudius, cries, “How now, a rat? Dead for a ducat, dead” (Shakespeare 3. 4. 29). He draws his sword and stabs it through the tapestry, killing the unseen Polonius. This begins the starts his complete transformation from sanity to insanity. . Therefore, while Hamlet argues with his mother in her room after the dumb show he makes insulting
They decided to invite some of his college friends to watch over him. The Queen offered many thanks for their decision to watch him. “For the supply and profit of our hope, / Your visitation shall receive such thanks / As fits a king’s remembrance.” (2.2.24-26). Claudius asked Rosencrantz and Guildenstern to get answers out of him, making them seem more like spies than helpful friends. When Hamlet shows up to Ophelia’s house, seemingly mentally disturbed, Ophelia tells her father. Polonius decides to tell the King of Hamlet and Ophelia’s relationship that he thinks that may be the source of his problems. The King and Polonius set up a meeting between the two. Seeming to know he is being watched, Hamlet acts very wildly, leading them to believe Ophelia was not the cause of his insanity. The King is not impressed at Polonius. “Love! His affections do not that way tend, / Nor what he spake, though it lacked form a little, / Was not like madness. There’s something in his soul” (3.1.170-72). At this point, Hamlet has started his drastic decline in his mental stability. When he is called by the Queen for a talk, he over hears something behind the draped curtains and stabs through it, killing Polonius. His reaction is not what one would expect, as he does not feel any remorse. Hamlet simply states it was for the best and his bad luck. “Thou wretched, rash, intruding fool, farewell. / I took thee for thy
Hamlet’s internal struggle throughout the play is caused by the murder of his father and the betrayal of his mother. What we see expressed in this exchange between Hamlet and Ophelia is the result of this trauma: Hamlet’s loss of belief in Truth. The crimes committed against his father breaks two fundamental laws in Hamlet’s world. In Hamlet’s mental model of reality the fraternal bond between his father and his uncle is sacred and unbreakable, as is the marriage oath made between his father and mother. So when both of these infallible oaths are broken at the same time, with his uncle killing his brother and then marrying his newly widowed mother, Hamlet’s mental model
Perhaps Hamlet truly is sane and has little fits of hysteria as the world seems to stack up against him. His anger and feelings of betrayal overload to explosive outbursts that can be interpreted as real madness. Upon learning that Ophelia has allied herself with Polonius and Claudius, he loses his head and has an incredibly dramatic episode. He is initially honest and open with Ophelia, but his mood quickly changes when he learns they are being spied on. He question Ophelia’s motives by asking whether she is honest and fair. He...
Hamlet, Ophelia’s lover, accidentally kills her father and “confesses” he never loved her, Hamlet toys with Ophelia's emotions intentionally and unintentionally to solidify his madness. Even though she was the who initiated the “breakup”, her sorrows of the relationship are much more public than Hamlets. Hamlet’s madness scares Ophelia away which he used as a defense mechanism to not be hurt anymore. His madness looks as though he had been "loosed out of hell to speak of horrors" (2.1.83-84) and she "truly [did] fear it"(2.1. 86). His insanity and rudeness suffocated any love she had for him. She admits that their "their perfume [has been] lost" (3.1. 99). This helped Hamlet solidify his insanity by cutting ties with the ones he loves, and having them tell others he is mad. This comes with the cost of discontinuing his relationships: especially with Ophelia. Both have hinted around in the text of an intimate affair. This makes the emotions and breakup even more difficult for both of them. Their relationship was a love, not an innocent crush or courtship. Poor Ophelia initially thought she caused Hamlet's madness due to the abrupt ending of their affair. But because of her naivety, she lacks to see his other internal struggles. Ophelia’s trust in Hamlet left her heartbroken. Hamlet’s agenda of or getting justice for his father occupied his mind more than Ophelia did. Which left her feeling
At times, Hamlet must be rude and act insane towards her, but it is simply a mask to cover his true emotions instead of showing weakness. He doesn’t want anyone to use Ophelia against him and he desires for her to stay
" There are more things in heaven and earth, Horatio, Than are dreamt of in your philosophy...How strange or odd some 'er i bear myself (As i perchance hereafter shall think meet To put an antic disposition on) That you, at such times seeing me, never shall, With arms encumbered thus, or this headshake, Or by pronouncing of some doubtful phrase...let us go in together, Ad still your fingers on your lips..."
At first, Hamlet is successful, and society is convinced Ophelia is the reason for his madness, thus granting Hamlet more time to plot Claudius’s murder. This is achieved in Hamlet’s “to be or not to be speech” [3,1,57] when Claudius and Polonius spy on the conversation between Hamlet and Ophelia. During the Act, Ophelia displays traits of dishonesty and Hamlet uses this to his benefit and appears to go insane to convince Ophelia, Claudius and Polonius that Ophelia is responsible for his madness. Hamlet insists his madness is an “antic disposition” [1,5,179] and that “Thou this be madness, yet there is method in it”. [2,2,204] In the play, Hamlet uses his “antic disposition” [1,5,179] to refuse Ophelia’s affections, which is powerfully portrayed when he exclaims to her “get thee to a nunnery.” [3,1,138] By denying Ophelia’s love, Hamlet’s power in the relationship is effectively demonstrated, and it is shown he is in control of their relationship. In addition, this is reflected in Ophelia’s self-destruction, as she has no purpose to live a life without Hamlet or a man. Overall, Hamlet is successful in using his power over Ophelia for the sake of his
In 1600, William Shakespeare composed what is considered the greatest tragedy of all time, Hamlet, the tragedy of the Prince of Denmark. His masterpiece forever redefined what tragedy should be. Critics have analyzed it word for word for nearly four hundred years, with each generation appreciating Hamlet in its own way. While Hamlet conforms, without a doubt, to Aristotle's definition of a tragedy, one question still lingers. Did Shakespeare intend for the reader or viewer of Hamlet to feel greater sympathy for Hamlet, or for Ophelia, Hamlet's lover? Both characters tug at the heartstrings throughout the play, but it is clear that 'the tragedy of the Prince of Denmark' is a misrepresentation of Shakespeare's true intention.
" There are more things in heaven and earth, Horatio, Than are dreamt of in your philosophy...How strange or odd some'er i bear myself (As i perchance hereafter shall think meet To put an antic disposition on) That you, at such times seeing me, never shall, With arms encumbered thus, or this headshake, Or by pronouncing of some doubtful phrase...let us go in toget...
Hamlet knows that Polonius will have to go and tell the King, which in turn, will only increase his suspicion of Hamlet's madness. The reactions of others take effect because of Hamlet’s madness. Once Polonius informs Ophelia, his daughter, of Hamlet’s madness, Polonius directly goes to King Claudius and discloses that he has the reason for Hamlet’s madness. Gertrude answers, "I doubt it no other but the main,/ His father's death and our o'erhasty marriage" (Shakespeare 2.2 56-57).
In William Shakespeare’s Hamlet, Prince of Denmark, the relationship between Hamlet and Ophelia is complex, leaving many to wonder if Hamlet did indeed love her. Throughout the play, as Hamlet sets out to avenge the murder of his father, his character’s love for Ophelia is questioned; sometimes casting doubt to Hamlet’s sincerity of love for Ophelia. However, the words and actions of both Hamlet and Ophelia are evidence and proof that his love for her is genuine.
Ophelia is manipulated by Hamlet to display to the King and the rest of the court that he is in fact mad. When Hamlet enters her room wearing disheveled clothing and acting quite strange towards her, he knows that Ophelia will tell her father and the King. Ophelia then reports this strange occurrence to her father, telling him about his strange composure of taking her “by the wrist and” holding her hard and then “shaking” when he was about to let go. (Act 2, Scene 1 Lines 86-91) The team of Polonius and the King also exploits Ophelia in order to dig deeper into Hamlet’s madness.