There are many works of art and many different possible locations that could be considered when trying to create would be classified as “The Ultimate Art Exhibit”. For my project, I have decided to place my Art exhibit inside of Rome, Italy for many reasons. One of which is that Rome is known to have very beautiful building architecture and is known for great masterpieces such as The Pantheon and also the Colosseum. Due to the extremely high number of tourists that Rome gets year-round, if an art gallery that yielded extremely high expectations were placed here then it would receive a very high volume of people daily. So due to this and its culture I decided that Rome may be one of the better choices so the art exhibit will be placed here.
The Art Exhibit will be contained inside of a large building that is similar in style and construction to the Pantheon, containing exists to five different halls once on the inside. Since the Pantheon was used as a temple to celebrate all of the Roman Gods ("Pantheon"), having this style of building while in Rome is perfect. Since this will be a large container for the art though, it’s meaning changes somewhat. Instead of being a temple that will celebrate the gods, it will be used as a temple to celebrate some of the great works of art have been created in the distant past up to a more recent past. While containing some great works of art, the container must be just as great otherwise the art will lose some of its significant and the ambiance and sensation produced won’t be quite as “special”. What better than to have a Roman styled building inside of Rome? Its frontal area will consist of large supporting pillars that will allow an open area for entrance into the exhibit. Then once inside o...
... middle of paper ...
...y:
"Architecture in Ancient Greece." Architecture in Ancient Greece. N.p., n.d. Web. 13 May 2014.
"Chartres Cathedral." Wikipedia. Wikimedia Foundation, 05 Nov. 2014. Web. 13 May 2014.
"Equestrian Statue of Marcus Aurelius." Wikipedia. Wikimedia Foundation, 05 Aug. 2014. Web. 13 May 2014.
Geitlein, M. 2013. Living With Art, Tenth Edition. New York: McGraw-Hill.
Kinnaer, Jacques. "The Ancient Egypt Site." The Ancient Egypt Site. N.p., 25 July 2009. Web. 13 May 2014.
"Pantheon." A View on Cities. Www.aviewoncities.com, n.d. Web. 13 May 2014.
"Rosace (architecture)." Wikipedia. Wikimedia Foundation, 08 May 2014. Web. 13 May 2014.
Vanni. "Zeus of Artemision (also Called Poseidon)." Art Through Time: A Global View. Annenberg Foundation, n.d. Web. 13 May 2014.
Zucker, Stephen. "Raphael's School of Athens." School of Athens. KhanAcademy, n.d. Web. 13 May 2014.
Web. The Web. The Web. 13 Nov. 2013. Bartlett, Bruce.
Kleiner, Fred S. A History of Roman Art. Boston, MA: Wadsworth, Cengage Learning, 2010. Print.
The “Equestrian Statue of Marcus Aurelius” was one of the lucky bronze pieces from Ancient Rome. It was lucky because the Ancient Romans often melted their bronze creations to make new ones. While this helped supply artists with material for new statues, the melting of statues has left modern cultures without knowledge of possibly hundreds of Ancient Rome’s finest pieces. Thankfully this statue survived is now at the Museo Capitolino in Rome, where it is an inside exhibit to keep safe from the harsh elements and pollution.
...r. "Ancient Greece." Gardner's art through the ages the western perspective. 13th ed., Backpack ed. Boston, Mass.: Wadsworth Cengage Learning, 2010. 101, 123,129. Print.
Onians, John. Art and Thought in the Hellenistic Age: The Greek World View 350-50 B.C. London: Thames and Hudson, Ltd., 1979.
Grant, Michael, and John Hazel. "Athena." Gods and Mortals in Classical Mythology. Springfield, MA: G. & C. Merriam, 1973. Print.
Consequentially, the Column of Antoninus Pius is a commemorative column for the deification of Antoninus Pius and Faustina the Elder, after their deaths. The column itself was undecorated which was different from a previous commemorative column, such as Trajan’s; the column is lost to history however the base still tells its story. The decursio depicts the importance to the Romans of the deification and funerary rites of the imperial couple. The apotheosis sense depicts Rome’s imperial supremacy, their god’s, and the authority of Rome itself. Culturally and artistically this piece of work helps viewers see the ascent of a god and the ceremony that it requires all the while viewing different style within the same work, classical and unconventional styles.
Morris, Ian. Classical Greece: ancient histories and modern archaeologies. Cambridge [England: Cambridge University Press, 1994. Print.
Roman portraiture was known to be one of the most significant and prominent periods in the development of portrait art. Roman portraits are characterized by two major styles the realistic or “veristic” and the idealized elements or “classicizing” both of these styles are known for their unusual realism and the desire to convey images of specific individuals such as gods and emperors. However it is important to understand the early background behind roman sculptures stretches back to the earliest days of Roman history, for example a commend tradition was to create a wax sculpture of the dace of a desist man, which were kept in a special place of the owners home. These sculptures were more of a record the persons existence than an actual work of art, there for it emphasis more realistic details than artistic beauty.
Ikram, Salima. Divine Creatures: Animal Mummies in Ancient Egypt. New York: The American University in Cairo Press, 2005. 1-15. Print.
Items displayed in museums hold historical significance and are representative of society’s culture. Preserving valuable collections for education and enjoyment is a primary role of museums. While fulfilling this role, the architecture of the museum is also an important factor. Historical buildings are converted into museums and architects must consider the use of the space and the museum’s purpose during their initial design. Other museums are built with a clear purpose in mind. As museums are designed, many characteristics are determined. Display and storage spaces as well as visitor services impacts museum’s functionality. Based on the function of a museum, architectural requirements are different.
Archibald, Zofia. Discovering the World of the Ancient Greeks. New York: Facts On File, 1991. Print.
...tures are built in the attempt to be noticed for their cultural significance but not as a main religious gathering place, and they both have spacious ambulatories for flow of spectators. Now in contrast of the two monuments, the pair have differences in their imagery, exterior as well as added spacing. The Dome of the Rock has mosaics on its exterior and interior and the mosaics are non representational. The overall shape of the temple is simply a dome on a octagonal base. However, San Vitale has multiple images of figures and animals but excludes it to only its interior. In addition, unlike the Dome of the Rock, its floor plan consists of a narthax, two towers, an apse and two chapels. By studying these monuments, it is possible to understand the importance of religious or cultural imagery as well as limiting materials for construction in these distinctive areas.
In 2008 a group of archaeologist unearthed what could now be the world’s oldest statue. This larger than life statuette stands at whopping 2 ½ inches tall with an estimated carving date from 35,000 to 40,000 years ago from a mammoth tusk. The form of the statuette is that of female figure missing her head and feet with a primary focus on reproductive organs. Due to the pornographic nature of the statue archaeologist believe that the statue’s purpose and function is to represent longevity and fertility. No matter if you believe man crawled from primordial ooze or if a being of higher authority created man, humans have continued to express emotion, experiences and values through the artistic expression of statues. Over the millennia statues have continued to progress and reflect those human characteristics and values that are reflective of the era they were created. At times they are used to share stories that express victories to tragedies, life and death, religious beliefs, gods and goddesses. One other aspect that humans use statues is to convey values that are important to that society’s social structure. For some statues those human values are shared in a rather large way by reaching new heights and overcoming natural limitations. One might also state that with such a rich history of mankind’s creative appetite for statues it can be difficult to decide which ones to review. That being the case one cannot begin to discuss statues and the human values they represent without starting off with one close to the shores of the United States who expresses liberty for all the huddled masses yearning to be free.
Web. The Web. The Web. 14 May 2014. Stanley, Jay.