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Gothic and Romanesque architecture
Gothic and Romanesque architecture
Gothic and Romanesque architecture
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Monuments such as the Dome of the Rock in Jerusalem and San Vitale in Ravenna, perform a great importance in Byzantine and Islamic architecture. Both of these structures did not exclusively represent the main place of worship, but most importantly as a symbol of achievement and growth within the current times of construction. Starting in 524, under the influence of Orthodox bishop Ecclesius, the development of San Vitale was to represent the achievements of the emperor Justinian. Julius Argentarius was the sponsor for this structure and it was dedicated by Bishop Maximian in 547. The Dome of the Rock is built on the Temple Mount in Jerusalem in 692 with the help of Abd al-Malik with the suspected intention to symbolize Islams influence in Jerusalem and its involvement in a highly Jewish and Christian supremacy. Although separated by over 100 yrs, both of these domes share multiple similarity's including a projected confidence of their originating culture. The San Vitale is primarily built of brick with a marble and mosaic interior. The ground plan consists of a octagonal organization with a central dome supported by a tall cylindrical drum. Separated by clerestory windows, is a dome in a concentric form of clay tubed rings and seven curved exedras connected to vaulted semi domes. At the main entrance of this chapel is a narthax making it off access from the adjustment apsidal chapels. On either side of the narthax is two projecting towers, one being a spiral stair tower and the other a bell tower. Connecting the central dome area and the ambulatory is 8 strong masonry pillars. The outer prism incorporates two levels of galleries with eccentric mosaics from floor to ceiling. Whether marble or mosaic stone, the monument fills t... ... middle of paper ... ...tures are built in the attempt to be noticed for their cultural significance but not as a main religious gathering place, and they both have spacious ambulatories for flow of spectators. Now in contrast of the two monuments, the pair have differences in their imagery, exterior as well as added spacing. The Dome of the Rock has mosaics on its exterior and interior and the mosaics are non representational. The overall shape of the temple is simply a dome on a octagonal base. However, San Vitale has multiple images of figures and animals but excludes it to only its interior. In addition, unlike the Dome of the Rock, its floor plan consists of a narthax, two towers, an apse and two chapels. By studying these monuments, it is possible to understand the importance of religious or cultural imagery as well as limiting materials for construction in these distinctive areas.
The San Diego Mormon Temple bases its architecture on gothic roots; where the epitome of early gothic architecture is the Chartres Cathedral in France. The Mormon Temple is made of white aggregate stone and stucco, very angular and massive, built as a Gothic revival temple. Designed by William Lewis, Jr., the architect took into consideration Mormon temples in Salt Lake City and Washington, D.C. Hugely bulky at the base, the Mormon Temple rises from an enormous mound of earth, that conceals the lower floor. Built for the Mormons residing in Southern California, this temples marks the forty-fifth Mormon temple in the world. However, since its closing to the public in April 1993, only Mormons in "good standing" are now able to enter and use this massive structure. Situated in a suburban community of La Jolla/University City, the 59,000 square foot building is surrounded by shopping centers, residential areas and office buildings. There is no escaping the "angular, white monstrosity's" impact on the city. The gothic/space age temple capitalizes on an elevated sites that is close to the freeway, where thousands of motorists pass it daily.
Mission San Juan Capistrano is in the center of the small town named for it. Shops and restaurants also named for it are found on the streets in front of the entrance to the mission. A high adobe wall surrounds the mission grounds. There are many restored buildings in the inner patio, and the great stone church. Across the fountain there is the bell wall that sits beside the ruined church. Near the bell is a statue of Father Junipero Serra. The ruins of the original stone church are in front of the mission. Only the sanctuary and parts of the church remain, but that’s enough to have an idea of how big it was. The church walls are made of large stones and birds have build nests between them. Mission San Juan Capistrano was one of many Spanish
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... middle of paper ... ... Using sculpture around the Alter of Grace and images on the wall and ceiling he pictures the story of the ’the Fourteen Holy Helpers and gives the kind of imagination to the level of reality as cited by (Lanciani and Rodolfo 1892). All these Baroque architectural elements were applied to the building to get the people attention to the focal point.
...k of the former mayors of the town, the same priest Ariceaga promoted the construction of a formal, same Chapel began in 1730 and was completed in 1747; and from 1748 mass, the doctrine to children and the Feast was celebrated in it. In 1753 the chapel consisted of 26 meters long and 8 wide. It had all the ornaments and the implements necessary to celebrate the mass, and had sacristy, House and cemetery, with a length of 17 meters by almost 9 of bandwidth. The introduction of the railway affected the whole of the main square and the appearance of the temple, and in 1955 was covered the facade original; soon after stood up a fence on the edge of the sidewalk and the temple was isolated. In 1961 it was erected in a Vicariate and in 1965 it was given the shape it has today, after being constructed the façade and the gateway to the East; in 1976 he erected in parish.
The Hagia Sophia was constructed first and it was meant as the main church of the Byzantine Empire. It is said that they built the Hagia Sophia in only 5 years, while it took nearly a century for the Notre Dame cathedral to be completed. While it did have what some would consider an extremely short construction time, they did have many issues with the dome. It nearly collapsed more than a few times. Once the builders and architects figured a plan to keep it stable, one on looker said, ”it is as if the Dome is suspended from Heaven itself”. The Dome of the rock was constructed for Christians, Jews, and Muslims but was to attract new followers to Malik’s Islamic brotherhood. The project for the construction had many issues, not only with the Dome itself, but also with revolts that would postpone construction for years. Once completed, many followers believed that Jerusalem was the third holiest place in the world due to Muhammed’s journey to Heaven in order to talk to God. The art within the Hagia Sophia was beautiful Mosaics and paintings of the Virgin Mary with Jesus. These were meant to represent how holy the building was. When the Muslims claimed the Hagia Sophia they did not want to destroy it due to beliefs so they renovated the building. They did this by breaking down images of humans and animals due to their belief that no images of figures
Over the last millennium, a striking Cathedral devoted to St. Paul has been a precious jewel for the city of London. It sits at the top of Ludgate Hill, the highest point in the City of London. The present St Paul 's Cathedral, London, is an Anglican cathedral, the seat of the Bishop of London and the mother church of the Diocese of London. Regularly as the Cathedral is at the centre of many nation-wide events, innovations have been examined, and drastic new thoughts have found expression under the iconic dome. Bearing in mind all those occasions, it is certain that they would have left behind some physical evidence as well as reverberations in the imperceptible retention of the Cathedral itself.
Pantheon and Hagia Sophia Pantheon and Hagia Sophia are two extremely outstanding architectural pieces of their times. They have been built according to the traditions of those particular times. The materials used to built these buildings and the purpose for which they were used are all very important aspects and have been briefly covered in this report. Pantheon The statesman Agrippa built pantheon in 27 B.C. Then it was completely rebuilt by the emperor Hadrian. The Pantheon is remarkable for its size, its construction, and its design. The dome was the largest built until modern times. The present structure was probably originally built as a temple for all the pagan gods. We do hear of it as being a law-court and a reception area for Emperor Hadrian meeting his quests too. Some say that the rotunda of the building was once a Roman bath. Due to all this mystery, the Pantheon is often referred to as the Sphinx of Rome. The visitor will probably not appreciate the construction as much as the Flavian amphitheatre, but it is still a great masterpiece of engineering and well worth a visit. Most Roman and Greek temples at the time of the Pantheon's construction were large, colonnaded, rectangular enclosures with sanctuaries situated in their centers. The Pantheon was different. It consisted of a large circular drum topped with a hemispherical dome. It is a masterpiece of both engineering and art a lasting memory of Ancient Rome’s might. Roman architecture is architecture of wall and enclosed tactile space. Individual column with entablature is no longer the basic architectural unity. Spatially, it shows a development from closed, simple space units and regular articulation to more complex spatial relations, more fluid interpenetrati...
Architecture, like many things, can also be made for the use of or inspired by the symbols people believe in. Therefore, art and architecture in Ancient Mesoamerica can be stated to be made for the use of religious symbols. Making architecture and art forms takes effort, dedication, and patience. Architecture can take years to make, as was s...
For Jews, it is the supposed Jewish site of the near sacrifice of Isaac, which the third image aids in visualizing. The Akedah, or"Binding of Isaac", is the account in the book of Genesis (22: 1-19)of Abraham, at the command of God, taking his son, Isaac, to be offered as a sacrifice in the land of Moriah. Abraham binds his son (hence "the Binding of Isaac") to the altar and is ready to perform the dreadful deed when an angel appears to tell him to stay his hand and to promise him that his seed will increase. This story is the reason that Mount Moriah, or the location of the Dome of the Rock, has retained its Jewish spiritual magnitude through the years. There are two reasons that Jews believe the Dome of the Rock to be the location of the sacrifice of Isaac: a)The sacrifice of ...
In the Florence Cathedral, Florence, Italy, there is a cathedral church whose octagonal dome, built without the aid of scaffolding, was considered the greatest engineering feat of the early Renaissance. Dedicated to Santa Maria del Fiore, Our Lady of the Flower, it is also known as the Duomo, after the Italian word for cathedral. Created by many great Early Modern artists, this piece of architecture is a perfect example the Renaissance style. We can come to a better understanding of why this is so by exploring what the characteristics of the Renaissance “style”. To understand the properties of the Florence Cathedral that fit the Early Modern style, I will begin with a description and its history. The cathedral's architectural style, although greatly influenced by French Gothic elements remained distinctively Florentine, especially the geometric patterns of red, green, and white marble on the building's exterior. Construction of the cathedral began in 1294 on the site of a Christian church founded in the 6th or 7th century and continued until 1436. Several celebrated Italian architects were involved in the project, including Giotto, Arnolfo di Cambio, Andrea Orcagna, and, most notably, Filippo Brunelleschi, who was responsible for designing and building the dome. The cathedral's exterior is ornamented with sculpture and mosaics by Italian artists Donatello, Nanni di Banco, and Domenico Ghirlandaio, among others. The building's stained-glass windows are the work of the Italian architect and artist Lorenzo Ghiberti, and the interior is decorated with sculpture and fresco paintings by several Renaissance masters. Construction of the campanile (bell tower), situated to the right of the entrance to the Duomo, was begun by Giotto and completed according to his plans in 1359, after his death. Nearly 278 ft high, the campanile is embellished with red, green, and white marble panels of relief sculpture by Italian artists Andrea Pisano and Luca della Robbia, and niches with sculpted figures by Donatello and other masters. Facing the cathedral and campanile is a smaller, octagonal structure, the Baptistery of San Giovanni, noted for its gilt-bronze doors, elaborately worked in high relief by Andrea Pisano and Lorenzo Ghiberti. With that background information about the cathedral, one question comes to mind: what is it that makes the Renaissance style distinct? Renaissa...
A land dominated by two colossal pyramids and an extensive sacred avenue, Teotihuacan became considered a spiritual land to most inhabiters. Teotihuacan itself means, “the place where the Gods were created” or “where men became Gods”, reflecting the belief of the Aztecs that the creation of the universe occurred on that very land. (Jarus, Owen. 2012) The Temple of Quetzalcoatl along with the Pyramid of the Sun and Moon, all stand out as the monumental distinguishing characteristics of Teotihuacan. Standing sixty three meters tall and two hundred and fifteen meters square in the heart of the city, shadowed by the massive mountains of Cerro Gordo you’ll find the Pyramid of the Sun. (History.com Staff. 2009) It’s no secret that to this day it is one of the largest structure ever erected during the ancient Americas. Traveling west among the silhouettes of the mountains lies the second largest structure in Mesoamerica, the Pyramid of the Moon. Holding equal historical and religious value as the ...
The Façade, designed by the architect Carlo Maderno, “Is 114.69 metres wide and 48 metres high, and has an order of Corinthian columns and pilasters, over which lies an imposing cornice with a central tympanum, crowned by a balustrade with thirteen statues (nearly 6 metres high).” There can be found an inscription on the entablature stating that the Façade was built under Pope Paul V Borghese. In the lower order there are five entrances to the atrium, over which are nine windows, three of which possessing a balcony. The main window, the “Benediction Loggia”, where the Pope gives his blessing upon his election, and at Christmas and Easter. When Maderno added the nave, which is the main body of the church,
The Italian Architects of the seventeenth century faced a huge volume of orders to carry out. The most required orders were churches. (Bazin 15) When Urban VIII became pope he asked Bernini to design a baldachino, also known as a canopy, to define the altar area. Bernini built something that was half sculpture and half architecture that had four columns that were very detailed. The columns were designed with spiraling grooves and vines made of bronze. The spiraling and decorative effects were made to symbolize the union of the new and Old Testaments, the vine of the Eucharist climbing the columns of the temple of Solomon. The Eucharist was the Christian ceremony commemorating the Last Supper. The elements of the Ionic and Corinthian orders are at the top of the columns. Angels are along the entablatu...
St. Paul’s Cathedral, in London, England, was designed by architect Sir Christopher Wren. Approval of this most significant architectural project took six years just for the plan. Construction, which began in 1675, took thirty-five years until finally complete in 1710. It was built to replace a church that had been leveled by the Great Fire of 1666. St. Paul's is the largest cathedral in England, and said to be Wren's masterpiece. He brought a range of new forms, and architectural combination into English architecture. Masonry, brick, timber, and cut stone were used to form the structure of the cathedral. St. Paul’s Cathedral has been one of the main socially significant buildings in London. Cathedrals all around, have always played a large role in the communities they serve. Their fundamental purpose is to bring people closer to God, but over the centuries they have served as a focal point for trade, as a stronghold and a place of safety in times of war, and as immense status symbols. The functions, of a cathedral, take on an additional significance for St Paul's, because it’s known as the cathedral of the capital city and, of the nation. The present building is also the first cathedral to have been built since the creation of the Church of England in 1534, when religion was brought under the direct control of the monarch. This quote from Simon Thurley, Chief Executive of English Heritage really shows the significance the Church has made in England. “St Paul's Cathedral is the internationally recognized signature of London and the capital's most important historic and architectural focal point. Only St Paul's and the Palace of Westminster are protected by strategic views but the proposed tower disregards this legal protection and the significance of the Cathedral as the icon of London.” The West Front, which faces the heart of the City of London, is an iconic image with great national significance. It is through the famous West Doors that so many British monarchs and distinguished figures have entered the Cathedral. The nation’s “best-loved” church, St Paul’s has hosted some of the most important commemorative events in British history. In recent years the memorial service for the victims of 9/11, the Queen’s Golden Jubilee and the Queen Mother’s 100th birthday. Also, it was where the funeral services of Nelson, the Duke of Wellington, and Winston Churchi...