In Mark Scorsese’s 1990 film Goodfellas, Henry Hill’s (Ray Liotta) story is introduced and the audience sees his life during his teen years in the mafia, the relationships, the hardships, and how he grows into a man living in the mafia lifestyle. Scorsese includes many significant scenes that are vital to this film. One of the specific sequences, the Helicopter chase scene, also one of the last scenes in the film. This takes place towards the end at around an hour and fifty-five minutes. In this sequence, Henry Hill has a lot of errands he needs to run and he only has a short amount of time to do it in. This sequence is a major turning point both cinematically and in the editing of the film. During this scene, Scorsese introduces very different
Money, murder, power, and loyalty, the epitome and basic essentials of any Mafia movie. Initially, when watching two of the most popular titles in this genre, Goodfellas and The Godfather, they may have similar themes, but in all truth, they are on completely opposite ends of the spectrum. While Goodfellas welcomes you to the family with a friendly smile and a voice-over, The Godfather makes you stand astray and watch in silence as an outsider.
In one particular scene, director was truly a great one, featuring special focus on his dad life and the Colorado River. It was so cool to highlights of the movie by one of his favorite poem written by his dad when he was born, the Important Place. Also, this film was a good length, not excessively long but long enough to tell the story. This is really important today there were no such unwanted scene in the film, which literary the most closely and accurately delivered. In my opinion, this film is forced to possess the characters of a great aspect, and turns to make for quite the adventurous. There was no special character encounter rather than his dad, learned something from the secret Colorado River. Another great aspect of the film was the special footage that were introduce in this film was an enjoyable aspect to be a good documentary film, and that’s how this film is different from the rest.
...nge that transforms to create a different, more effective scene is the eminent balcony scene. In Luhrmann’s rendition of the movie, the balcony is intensified with the addition of a pool. This makes the scene more interesting than the tradition portrayal of the balcony scene as it is more innovative.
Baz Luhrmann has done this film in a unique and brilliant way, with help of the above, and of course a great loved story as a base.
The first scene of the movie shows a man walking up stairs in a very nice house. We do not know who the man is but we do know he is of high importance because of the way he is acting in the house. He walks into the house and immediately discusses plans with someone, then he gives his jacket to a maid to clean, finally he comes into contact with a beautiful lady. This first scene is extremely important because
Goodfellas is a narrative, which enhances the viewer’s personal engagement and tends to draw the viewer into the movie, showing the viewer a sort of real, and uncensored life of an actual gangster, stripping away the sugarcoated mentality The Godfather portrays. The Godfather fails to bring you into the regal and almost fairy tale like family where they seem to romanticize being a gangster, although, the movies main story is about family itself and less about the Mafia. Through hearing Henry’s spoken words, the viewer watches each scene with Henry’s particular perspective. If there was no voice-over, the viewer would have to decide for themselves how to perceive to the images shown, which is what the viewer has to do while watching The Godfather. Although, the two films may fall under the same genre of crime and drama, The Godfather seems to aim for a more romanticized and epic gangster flick, where you watch from afar and have to observe every action of the main characters in silence. Goodfellas aims to show you the real sense of being a gangster in the later years of the century, as it portrays more gruesome and gory
Martin Scorsese truly captures the film with his evocative directing where he often use slow-mo camera shots and dark, eye-wielding camera angles to capture the decay of New York City. Scorsese is in top form with his directing where he makes the camera use as a viewpoint of Bickle¡¯s character or as a third party watching Bickle¡¯s descent into paranoia and madness. Even with the film¡¯s final act whe...
Think about your favorite movie. When watching that movie, was there anything about the style of the movie that makes it your favorite? Have you ever thought about why that movie is just so darn good? The answer is because of the the Auteur. An Auteur is the artists behind the movie. They have and individual style and control over all elements of production, which make their movies exclusively unique. If you could put a finger on who the director of a movie is without even seeing the whole film, then the person that made the movie is most likely an auteur director. They have a unique stamp on each of their movies. This essay will be covering Martin Scorsese, you will soon find out that he is one of the best auteur directors in the film industry. This paper will include, but is not limited to two of his movies, Good Fellas, and The Wolf of Wall Street. We will also cover the details on what makes Martin Scorsese's movies unique, such as the common themes, recurring motifs, and filming practices found in their work. Then on
With the help of superb editing, sound, mise en scene, and cinematography, this film cannot be topped. The fist scene of the movie creates an atmosphere that helps the viewer know that he/she will enjoy this wonderful classic. Throughout the movie there are surprises and fun that makes this a movie that people will want to watch again and again. Gene Kelly said it best when he said, "Dignity, always dignity. " That is what this movie has from beginning to end, dignity.
Connelly, Marie. "The films of Martin Scorsese: A critical study." Diss. Case Western Reserve University, 1991. Web. 07 Apr 2014.
...movie that I fell in love with. But most of all I love how the story line is a great overlap into the cinematically engaging movie. There is a great use of camera, timing, shots and story line that are portrayed in this movie without being too overwhelming. This allows the audience to relax during the movie and just take in the scenes as a story from reality. To this day, and even still doing this paper I still come to find different aspects of the movie that I missed the previous times I have watched it.
After Scorsese’s father asking him a question about a character, a young Martin raised his fingers to make an impression of him shooting a gun. This image is one of the most memorable images in Scorsese’s film Taxi Driver, where we see Robert De Niro repeating the same image pointing to his temples. This image is shown at the height of the film. When Scorsese got a television at home, no more did he have to leave his house to engross himself in the most recent movie best seller. Already we can see Scorsese’s love of filmmaking from an extremely young
Dramatic importance plays a very key role in the plot of the movie
The Godfather is most notably one of the most prolific films of its time. This "gangster" film displayed many transformations of permeating color to give the viewer observable cues in its mise en scene that drew one right into the movie. The dramatic acting set the tone of the film with a score that lifted the viewer right out of their seat in many scenes. The directing and cinematography made The Godfather ahead of its time. The nostalgic feel of family importance and the danger of revenge lets us into the life of the Mafia. Even though no other techniques would have given the viewer a feeling of inside the mob like the mise en scene of the power the godfather held, the characters are reinforced literally and figuratively because the story views the Mafia from the inside out, and the cinematography of the film gives it a dangerous and nostalgic feel.
The key moments I have noticed were the repetition of the crowd scenes and the camera focused on what is happening at the time in the town. The way the film invites us in a particular way captures the audience into the characters worlds and how they live from their own judgments. “Lies in being able to observe reality, not to extract fictions from it”. I examined that I was able to extract observational shots straight away and was able to observe reality quickly. Long takes which indicates the deep focus which suggests the realism in the film. The film shows the uncaring system is the reality of Italy, but they do not want this to be exploited. The desperate need for he...