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Bicycle thieves explained
Bicycle thieves critical essay
Italian neorealism study
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Bicycle Thieves is considered an example of Italian Neo-realism. The plot demonstrates Italians of the working class in Italy and unfolds their day to day lives. One could argue it portray the reality and develops into an emotional storyline towards the end. Antonio, the main character is offered a job requiring a bicycle and on his first day it was stolen on the streets. You immediately feel drawn to the character as you want to see a happy ending. Watching the film, automatically feel sorry for him as he’s got no money and needs to make a living as soon as possible for his wife with two children to support. From the close ups and observational shots it clearly shows he is desperate as Antonio and his son Bruno go around searching for it for hours. The opening sequence uses the conventions of documentary to introduce the film giving an impression of realism and authenticity, which attracted me to the film instantly. These shots were used to capture realism. The function of this scene is to illustrate the nature of surrounding and an insight of Italy at this time.
The key moments I have noticed were the repetition of the crowd scenes and the camera focused on what is happening at the time in the town. The way the film invites us in a particular way captures the audience into the characters worlds and how they live from their own judgments. “Lies in being able to observe reality, not to extract fictions from it”. I examined that I was able to extract observational shots straight away and was able to observe reality quickly. Long takes which indicates the deep focus which suggests the realism in the film. The film shows the uncaring system is the reality of Italy, but they do not want this to be exploited. The desperate need for he...
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...ue to their circumstances. The film’s final shots are extremely powerful, especially in the last film shots as it captures Antonio’s emotions because of his mistake. Father and son both hold hands in the crowd in tears. The last scene portrays to the audience they are desperate to have the bicycle back. It presents the significance in their lives and the effect it will have on their future.
Director declares that the camera is a “hunger for reality”. That it shouldn’t manipulate cinema. Elements of the film that is realistic. s the fact that the thieves are not portrayed as bad people but as victims of a corrupted society. The most significant insight I gained from this film is that a story doesn’t have to be complicated. A small idea can start a whole landslide of emotions which is something I have taken away with me from this film to produce ideas in the future.
This film captures this class distinction without subduing the atmosphere through the use of a variety of cinematic devices. “A good film is not a bag of cinematic devices but the embodiment, through devices, of a vision, an underlying theme” (Barnett, 274). The audience can see this theme of the realities of the oppression, poverty and despair of this time period through the use of the things mentioned, but also through the character development that is driven by the character’s hopelessness. Each of the characters associated with the lower class is motivated by the conditions, which are viewed through the cinematic devices mentioned above: color, spherical lenses, long shots, and high angle shots. Sources Cited:.
Amelio places an immense focus on intertextuality in this film as an homage to the end of the neorealistic era. He particularly references one of the leading figures of the neorealistic movement, Vittorio De Sica, and his film Bicycle Thief. The title, Stolen Children, and the main character’s name, Antonio, are an allusion of Bicycle Thief. Through Amelio’s choice of allusions,
...the predominant theme of disorientation and lack of understanding throughout the film. The audience is never clear of if the scene happening is authentic or if there is a false reality.
This analysis will explore these cinematic techniques employed by Pontecorvo within a short sequence and examine their effects on our understanding of the issues and themes raised within the film.
Philadelphia is the heights rat of crim in the USA over 30-40 homicides crimes per month and drug related crimes. This links in with the other text that we are looking at, the novel “Damage done” and how is shows that sometimes facts get in the way of a good story. This all promotes the current view Australia has one drugs, the way that there is supposably an ice epidemic happing. This document follows Theroux around Philadelphia’s drug action streets while he does interviews with the criminals and follows the police around finding out what is really happing out on the streets of Philadelphia. Some events that where selected to promote this view to the audiences was the interview with the street boys, showing just how carpeted Philadelphia is how they talk of “code of silence – never snitch!”. There was all so the confronting images of the dead body left in the abandoned house, from a suspected over does on ice. The drug issue in Philadelphia is represented in way that it controls the streets nothing ever happens unless its drug related. These parts have been purposely highlighted throughout the documentary to get the most dramatic message across to the views, as dose the novel. Tis representation achieves the goal of getting the message across of how street gangs and drugs are becoming to rules the streets. This message impacts and effects the way the audients sees this type of action and making them believe that it is taking place all around them. This documentary is to inform and promote the understanding of these types of actions, this is all so done with some help of filming
In conclusion, Lurhmann uses a lot of modern filming techniques to make Romeo and Juliet appeal to a contemporary audience. By relating certain aspects to situations in modern society, it makes the audience understand the ideas behind the original play and he simplifies the complicated old English of Shakespeare by adding exciting and dynamic visuals. Lurhmann tried to create a modern version of Romeo and Juliet and he was completely successful in his aims. Lurhmann defied all odds by making his film appeal to a modern audience and not only is this film very clever, it is a must see for any film lovers.
The director Antoine Fuqua vision for this film was to bring that intense love-hate relationship onto the big screen and showcase it for the world to see. To ensure a convincing film setting, Fuqua shot on location in some of the most hardcore neighborhoods in Los Angeles. Fuqua also wanted to show the daily struggles of officers tasked to work in the rougher neighborhoods of cities and how easy it can be to get caught up in a street life filled with killers and drug dealers. Overall the film displayed the city of Los Angeles in a different perspective. One which m...
... maintains historical truth by bringing every situation in a flowing manner as it could have taken place. The ending of the film varies totally from the reality in the way it set the final minutes. The audience are left to conclude for themselves what happened although some description is given at the end.
The Godfather is the “dark-side of the American dream story” (Turan, pp2). The film follows the practices of a fictional Italian mafia family, the Corleone’s. Though most Americans do not condone the practices of the Italian mafia, they cannot deny that Francis Ford Coppola’s The Godfather is a cinematic masterpiece. This film gave insight to a mysterious way of life that the average person does not have knowledge of. As the audience is educated about the mafia they also are introduced to many stereotypes.
Nevertheless Italian NeoRealism was essential to Italy’s film industry at the time the war ended and while Europe was recovering from the war. Its impact on modern film has been monumental, not only in Italian film but also on French New Wave cinema, and ultimately on films all over the world.
Vittorio de Sica's The Bicycle Thief. Since the beginning of its existence as a country, Italy has faced enormous challenges in establishing itself as a unified political and social entity. The geographic, economic, and linguistic differences between its various regions and the artificial manner in which they were amalgamated created a legacy of internal divisions that continues to dominate the country's political climate to this day. Italy's numerous historical fiascoes, such as its disastrous involvement in the two World Wars and the rise of fascism, further escalated the domestic problems that had haunted it since the Risorgimento.
...movie that I fell in love with. But most of all I love how the story line is a great overlap into the cinematically engaging movie. There is a great use of camera, timing, shots and story line that are portrayed in this movie without being too overwhelming. This allows the audience to relax during the movie and just take in the scenes as a story from reality. To this day, and even still doing this paper I still come to find different aspects of the movie that I missed the previous times I have watched it.
Even though Jules Dassin was blacklisted, his film, ‘Rififi’ influenced many American films. Michael Mann’s film ‘Thief’ contains similarities and contrast from Jules Dassin’s ‘Rififi’.
Bonandella, P. (2010), Italian Cinema: From Neorealism to the Present (3rd edn), London: The Continuum International Publishing Group Ltd.
The movie captures the neo-liberalism movement in Italy, where the chaos, poverty and the political instability stroked. This movie is all about the bounding and the love between two simple and humble human beings, which are ready to conquer it all for a better life together. This movie was filmed on the streets of Rome and it was recognize immediately by the critics to be an extraordinary masterpiece. This movie will make you cry your soul out and it will remain in your memory forever. The film was released in 1949 and it was directed by Vittorio de