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Italian neorealism film style
Italian neorealism film style
Film analysis the bicycle thief
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For example Bicycle Thieves; the neorealist movement itself was a reaction to the horrific standards of living Italy was subjected to due to the disruption of war. Bicycle Thieves portrays the economic turmoil of Italy at the time and the moral chaos of its society. There is a significant message concerning the working class. The idea of individual conflict and struggle is diminutive in comparison to the conveyed struggle of the masses. Such notions are evident when Ricco and his wife Maria pawn their bedsheets in attempts to reclaim Ricco’s bike. The audience is confronted with the shot of the pawn broker climbing a huge set of shelves to toss Ricco and Maria’s bed linen among many hundreds more. Thus reaffirming the notion of a toiling society not just individual perplexities. This idea is again confirmed in the ending of the film; as Ricco and his son Bruno disappear into the crowd suggesting to the viewer that this is just one story of economic struggle amongst thousands. Bicycle Thief is an example of the integration of economics in film but also relates to the development ...
Film Noir, as Paul Schrader integrates in his essay ‘Notes on Film Noir,’ reflects a marked phase in the history of films denoting a peculiar style observed during that period. More specifically, Film Noir is defined by intricate qualities like tone and mood, rather than generic compositions, settings and presentation. Just as ‘genre’ categorizes films on the basis of common occurrences of iconographic elements in a certain way, ‘style’ acts as the paradox that exemplifies the generality and singularity at the same time, in Film Noir, through the notion of morality. In other words, Film Noir is a genre that exquisitely entwines theme and style, and henceforth sheds light on individual difference in perception of a common phenomenon. Pertaining
This is a movie in another movie that has a story from the past that is repeated nowadays: the same conflicts between exploited and exploiters, enslavement, injustice, protection of the public against those who put a price, and also the story of how the union of many sometimes gets what seemed
Stolen Children is a Gianni Amelio’s magnum opus and a tragic salute to neorealism. The film follows a carabinieri, Antonio, who was assigned to escort two southern orphans in northern Italy to a Catholic orphanage, but when that proved to be unsuccessful, he took it in his hands to escort the children back to southern Italy. Gianni, much like De Sica, explores the issue of failed institutions that are fundamental to a contemporary society or an individual in need of help. When these central institutions, such as the church or law, begin to deteriorate, so does the community that relies on them. He also makes a point of criticizing post-modern institutions, such as the role of media in current society and its socio-cultural impact. This criticism begins the fundamental conversation, postmodern society should concern itself with to improve one’s present civilization.
Ignazio Silone’s Bread and Wine became one of the most controversial as well as influential novels in Italy during the early twentieth century. Bread and Wine is set in rural impoverish Italia countryside under the Catholic and fascist control. It begins with Don Benedetto, an elderly priest and his aged sister are waiting for visitors to come celebrate his birthday. These visitor’s are some of his favorite students who have grown up and moved away. In their reminiscing, Don Benedetto begins to ask how other student lives have turned out after all these years. Including his favorite pupil, Pietro Spina. The former students explain that Pietro Spina had become a communist revolutionary and was exiled from Italy, and is on the run from police who are hunting him. Don Benedetto asks the student to aide Pietro in his return to Italy. At this point the novel begins to focus on Pietro Spina and his return to Italy. Pietro aided by his childhood friend Nunzio dons the disguise of a Catholic priest called Don Paolo Spada. However, Pietro Spina has abandoned the religious beliefs and ideas of becoming a saint that he once had as a child and now in his adult life is considered to be a fervent atheist making; this disguise quite ironic. While in disguise, Spina becomes exasperated with the strong catholic beliefs and superstitious ideas which are the basis of thought of the peasants he is trying to influence. This brings about the continuous theme of socialism and Christianity as well as the question surrounding all the characters within the novel, “How can a decent person act in a terrible time?”1 Silone uses this questions to explore how the political views of fascism within the Catholic church effects uneducated peasants withi...
The road movie embodies the human desire for travel and progression. The vehicle of journey is a contemporary metaphor of personal transformation that oftentimes mirrors socio-cultural desires and fears. Thomas Schatz believes that one “cannot consider either the filmmaking process or films themselves in isolation from their economic, technological, and industrial context.” This statement is especially applicable to the independent American films of the late sixties, a time of great political and social debate. Easy Rider (1969) was considered a new voice in film that was pitched against the mainstream. In the 1960s, there was a shift to highlight the outsiders or the anti-heros in film. This counter-cultural radicalism seems to have also influenced the 1991 film, Thelma & Louise. The characters of both films act as figures of anti-heroism by rebelling against the conventional and unintentionally discovering themselves at the same time. Despite their different backgrounds, the protagonists of Eas...
This paper will provide an explanation into how differential association theory explains burglary. Burglary, according to the Federal Bureau of Investigations (F.B.I), considers a property crime a Type 1 Index Crime because of its potentially violent nature. The F.B.I. breaks burglary down into three sub classifications. This paper discusses the elements of the crime of burglary and what constitutes a structure or dwelling. It will discuss a brief history of the deviance, trends and rates, and how it correlates to the specific theory that this paper will also discuss.
In recent times, such stereotyped categorizations of films are becoming inapplicable. ‘Blockbusters’ with celebrity-studded casts may have plots in which characters explore the depths of the human psyche, or avant-garde film techniques. Titles like ‘American Beauty’ (1999), ‘Fight Club’ (1999) and ‘Kill Bill 2’ (2004) come readily into mind. Hollywood perhaps could be gradually losing its stigma as a money-hungry machine churning out predictable, unintelligent flicks for mass consumption. While whether this image of Hollywood is justified remains open to debate, earlier films in the 60’s and 70’s like ‘Bonnie and Clyde’ (1967) and ‘Taxi Driver’ (1976) already revealed signs of depth and avant-garde film techniques. These films were successful as not only did they appeal to the mass audience, but they managed to communicate alternate messages to select groups who understood subtleties within them.
Vittorio De Sica’s greatest neorealist film was Bicycle Thief. De Sica’s Bicycle Thief combines all of th...
Being one of the world’s most popular art forms, it was inevitable that these archetypes would find their way into film as well. In this essay I will argue that the films Pulp Fiction, Taxi Driver, Watership Down, and Trainspotting are all versions of The Hero’s Journey, consequently demonstrating just how prevalent these archetypes have become in modern cinema. And that mythology and storytelling are important parts of each culture because they prevent the darkness in our hearts from spreading.
Rabison, Rebecca. “Representations of Crime in Disney Films: A Qualitative Analysis.” Wesleyan University Honors College. April 2008. Retrieved 18 Dec 2013 from .
Since the beginning of its existence as a country, Italy has faced enormous challenges in establishing itself as a unified political and social entity. The geographic, economic, and linguistic differences between its various regions and the artificial manner in which they were amalgamated created a legacy of internal divisions that continues to dominate the country's political climate to this day. Italy's numerous historical fiascoes, such as its disastrous involvement in the two World Wars and the rise of fascism, further escalated the domestic problems that had haunted it since the Risorgimento. At first, the anti-fascist Resistance movement, which dominated the end of World War II, seemed to bring Italy a ray of hope, promising a new era of freedom, reform, and democratic representation. However, this hope was quickly extinguished, as widespread poverty, government corruption, and deep divisions between regions and classes persisted and no true social reform was attained. These harsh conditions were depicted by a group of Italian film directors whose neorealist works have since been celebrated as masterpieces of world cinema. One of the most prominent of these is Vittorio De Sica's The Bicycle Thief. This 1948 film discusses the prevalent themes dominating Italy's social and political history, within the context of the unsettlingly poor post-War urban proletariat.
In this paper I will discuss the cultural factors and economic conditions within the territory of Italy and specifically within the island of Sicily which led to the rise and every day common need for an institution such as the Sicilian Mafia. Following my explanation of the Sicilian Mafia’s origins in the context of local culture and its pervasive role in Sicilian society I will discuss the various ways in which the Mafia’s activities have at times greatly preserved and also crippled the economic potential for growth in the areas it operated in and the reasons why this underdevelopment aided it. Lastly I will examine the causes of the Sicilian Mafia’s decline and discuss the future solutions to preserving a Sicily free from overt Mafia control.
In this essay the following will be discussed; the change from the age of classical Hollywood film making to the new Hollywood era, the influence of European film making in American films from Martin Scorsese and how the film Taxi Driver shows the innovative and fresh techniques of this ‘New Hollywood Cinema’.
Before the dawn of Neorealism, Italy was under great turmoil in the early 1920s suffering from major economic crisis, bank failures and a collapsing government, which would also mean a collapse in the Italian film industry and the ‘Silent Era’ of cinema (Roberts, 2005). When Benito Mussolini took control as the 40th Prime Minister of Italy in 1922 the revival of Italian cinema would be once again be relived, but this time ruled under the control and guidance by Mussolini and his fascist government (Bondanella, 2001).
According to Rachel Boba, “Crime analysis is a law enforcement function that involves systematic analysis for identifying and analyzing patterns and trends in crime and disorder” (en.wikipedia.org/wiki/Crime analysis).The information on these patterns can assist law enforcement agencies in the deployment of resources in a more effective manner; it can also help detectives to identify and catch suspects. Crime analysis also plays a role in improvising solutions to crime problems, and developing crime prevention strategies. There are various types of technology that is used in crime analysis. Crime analysis relies heavily on computer technology, and over the past fifteen years there has been a significant improvement in computer hardware and software that has led to tremendous developments in this field. One form of hardware that is used by Crime analysts to complete most of their work is Desktop personal computers, laptop computers are also used by crime analysts for fieldwork and presentations. Other forms of hardware that are used include color laser printers that can produce high-quality documents quickly, plotters which are printers that can produce large poster size color maps, scanners, and digital cameras, these specific types of hardware is mostly used by police departments when analyzing crime.