Annie Hall City Of God

842 Words2 Pages
bulb-icon

Recommended: Essay on war movies

6. Annie Hall
Annie Hall is one of the most famous and best sole movies of all time. This romance comedy is so special because it’s embracing and revealing both the good and the bad times in a relationship. The film describes a common couple, tied together by the true and powerful law of love. From fighting and sad scenes to love and happy, outstanding scenes, the film explain that all relationships are pure and unique and people may stay or may go, but the only love that conquered all is that true, pure love with both bad and good moments. This is a perfect film to watch with your dearest one and also, with your family. The film was released in 1977 and it was directed by Woody Allen. 5. City of God
City of God is a film full with violence, …show more content…

This film is based on the Vietnam War, which started in the Cold War. Now, the film is just an old scene and a documentary type for those who want to learn a little more about wars, but then, this movie was a true soul finder for those who battle and win that war. It was a tribute for all the soldiers who had fought in that war and never came back. Released in 1979 and directed by Francis Ford Coppola, this film is a truly …show more content…

The movie captures the neo-liberalism movement in Italy, where the chaos, poverty and the political instability stroked. This movie is all about the bounding and the love between two simple and humble human beings, which are ready to conquer it all for a better life together. This movie was filmed on the streets of Rome and it was recognize immediately by the critics to be an extraordinary masterpiece. This movie will make you cry your soul out and it will remain in your memory forever. The film was released in 1949 and it was directed by Vittorio de

Show More
Related

  • Allusions In Stolen Children

    2197 Words  | 5 Pages

    Amelio places an immense focus on intertextuality in this film as an homage to the end of the neorealistic era. He particularly references one of the leading figures of the neorealistic movement, Vittorio De Sica, and his film Bicycle Thief. The title, Stolen Children, and the main character’s name, Antonio, are an allusion of Bicycle Thief. Through Amelio’s choice of allusions,

    Read More

  • Comparison of the Vietnam War and in The Things They Carried

    1796 Words  | 4 Pages

    In the twentieth century many young adults and many other men were chosen/ drafted to enter the war. The Vietnam War started during the time period of 1959 and this brutal war ended on 1975. It started with the United States sending aid and military advisors to the Southern part Vietnam. The U.S helped the southerners of Vietnam because the northern part of Viet was a communist state so the south wanted to end Communism up in the north. Also, this war was said to be one of the bloodiest wars that took place in the twentieth century. It was a very bloody war because more than 58,000 American soldiers had perished in combat. Also, during the decade of direct U.S Military participation in Vietnam, during early time of the year, 1964 the U.S treasury spent over 140 billion dollars on this war. “This was enough money to fund urban projects in every major American city” (history.com). As this war effected the American’s, it affected the Vietnamese people to. This war affected both the American’s and the Vietnamese, because in the year of 1973 the United States began withdrawing troops. This caused the South Vietnamese capital of Saigon to fall to the Northern Vietnamese forces. Just like how the war was long and bloody many characters from the novel The Things They Carried experienced many things that were relatable to people who in reality dealt with the war. The very brutality of war cause indelible psychological and emotional changes in most of its

    Read More

  • Stone's Perspectives Of Oliver Stone And The Vietnam War

    1396 Words  | 3 Pages

    This explanation will rely heavily on the films "Platoon" (Stone, 1986), "Born on the Fourth of July" (Stone, 1989), "Heaven and Earth" (Stone, 1993) and JFK. In these films, among other works such as “Natural Born Killers,” and “Nixon,” Stone explores and critiques the involvement of the United States of America in the Vietnam War. Using his own and the perspectives of others in his films, he manages to critique, thus establish a perspective and thesis about the conflict (Hanley, p. 339). Through these divergent perspectives, Stone manages to build a wider picture of the various aspects of the war than what was being disseminated through the print and broadcast media. Among the perspectives included are those of fighters at the front line, returning veterans, the anti-war movements and the experiences of the Vietnamese entangled in the

    Read More

  • My Review on Full Metal Jacket

    963 Words  | 2 Pages

    ...oung American men had to endure from the time that they had joined back in their boot camp days, and the brutality of war that showed them no mercy. To me the importance of the movie was to show what truly went on over in Vietnam through the eyes of a soldiers eyes of what happened, as the film created a very disturbing yet a real picture of The Vietnam War.

    Read More

  • Book Analysis: The Sacred Willow

    1104 Words  | 3 Pages

    Following the personal narrative from the civilians of the time, it is as informative as it is suspenseful and immersive. With that said, the book follows the stories of individuals and not necessarily strictly a timeline, making it confusing at times. There are also a few words and concepts only familiar to a Vietnamese person, which could cause the reader to misunderstood the author’s point. Any foreigners who are interested in the Vietnam War or Vietnamese modern history, in general, will find this book interesting as it shows the reasons behind why the Vietnamese people were fighting so hard. On the other hand, younger Vietnamese generations, especially those studying in North America, should also read this book as will help you understand those who fled Vietnam after the Fall of Saigon and be empathetic to why they are so hostile and bitter to modern

    Read More

  • Vittorio De Sica's Umberto D: Neorealism In Italian Film

    903 Words  | 2 Pages

    As we traverse through time and history the world goes through many different phases; some of these phases have no similarity to the last and some overlap with one another. One of the phases Italian cinema went through was Neorealism. Like everything else, every phase comes to an end. Vittorio De Sica’s Umberto D was considered the moving away from Neorealism in Italian cinema history. Umberto D did, however, carry aspects of neorealism just as Bicycle Thief, also by Vittorio De Sica, does during the prime of Neorealism.

    Read More

  • The Godfather: An American Dream Story

    1027 Words  | 3 Pages

    The Godfather is the “dark-side of the American dream story” (Turan, pp2). The film follows the practices of a fictional Italian mafia family, the Corleone’s. Though most Americans do not condone the practices of the Italian mafia, they cannot deny that Francis Ford Coppola’s The Godfather is a cinematic masterpiece. This film gave insight to a mysterious way of life that the average person does not have knowledge of. As the audience is educated about the mafia they also are introduced to many stereotypes.

    Read More

  • Italian Neorealism: Film Style of Post-War Europe

    835 Words  | 2 Pages

    In the period between 1943 and 1950 Italian cinema was dominated by Neorealism which became the most significant film style of post-war Europe. Formation began back in 1936 when propagandists opened modern Cincitta studios and the film school name ‘Centro Sperimentaledi Cinematografia’. Along with the opening of schools such as this was a movement that placed a group of cinematographers under full-year contracts, among them was Carlo Montuori who used his classic techniques in creating ‘Bicycle Thieves’ (1948) one of the most well known films produced during the Neo-Realism movement. Perhaps also one of the most influential directors was Roberto Rossellini who directed Rome Open City at the end of WWII. Many directors and influential films such as this began to change and shape the way Italian films were made and what their relation to society was like.

    Read More

  • city of god

    2313 Words  | 5 Pages

    By simply review, I will say, "City of God" ("Cidade de Deus") is the story of a boy who lives in a "favela" what is the word of slum in english on the outskirts of Rio de Janeiro. The "favela" is like a shantytown witch called "Cidade de Deus" in the film. And from the beginning to the end, throughout this stylish movie both the boy and the favela grow.

    Read More

  • The Godfather Film Analysis Essay

    1627 Words  | 4 Pages

    The Godfather is most notably one of the most prolific films of its time. This "gangster" film displayed many transformations of permeating color to give the viewer observable cues in its mise en scene that drew one right into the movie. The dramatic acting set the tone of the film with a score that lifted the viewer right out of their seat in many scenes. The directing and cinematography made The Godfather ahead of its time. The nostalgic feel of family importance and the danger of revenge lets us into the life of the Mafia. Even though no other techniques would have given the viewer a feeling of inside the mob like the mise en scene of the power the godfather held, the characters are reinforced literally and figuratively because the story views the Mafia from the inside out, and the cinematography of the film gives it a dangerous and nostalgic feel.

    Read More

  • Italian Neorealism

    1434 Words  | 3 Pages

    The aim of this report is to discuss Italian Neorealism (Neorealismo); looking at how the movement played a significant element in European cinema during and after the times of Benito Mussolini’s fascist regime. The report not only looks at how but why Neorealism became a growing phenomenon for filmmakers during its debatable 10 year period, and what implication of messages these Neorealist directors were trying to send out through their films. Backed up by several reliable book sources, the evidence for this report will also highlight the influences Neo-realism has created in modern filmmaking today.

    Read More

  • Bicycle Thieves: An Expression of Italian Neo-realism

    762 Words  | 2 Pages

    The key moments I have noticed were the repetition of the crowd scenes and the camera focused on what is happening at the time in the town. The way the film invites us in a particular way captures the audience into the characters worlds and how they live from their own judgments. “Lies in being able to observe reality, not to extract fictions from it”. I examined that I was able to extract observational shots straight away and was able to observe reality quickly. Long takes which indicates the deep focus which suggests the realism in the film. The film shows the uncaring system is the reality of Italy, but they do not want this to be exploited. The desperate need for he...

    Read More

  • Federico Fellini

    1703 Words  | 4 Pages

    One of the most influential Italian cinemas film directors was Federico Fellini, who became popular after World War II. The filmography of Fellini included 24 titles; of which won him five Academy Awards including the most Oscars in history for best foreign language film (Encyclopaedia Britannica). Federico Fellini’s influences have became such an integral part of the film industry, that some of his influences are barely even credited to him in todays society such as the word “paparazzi” which originated in his film La Dolce Vita, and became the word it means today. Also high schools across the America stage perform the Broadway musical comedy Sweet Charity, which was based on the Fellini film Nights of Cabiria, which was a film about an eternally optimistic Roman prostitute (Encyclopaedia Britannica). Fellini started out as a documentary-style realist in the Neorealism movement but soon developed his own distinctive style of autobiographical films that imposed dreamlike or hallucinatory imagery upon ordinary situations and portrayed people at their most bizarre state (Encyclopaedia Britannica). Federico Fellini was a significant directors in the Neorealism movement in his early career but later left Neorealism behind and created a new style of film that’s influences are still seen today and are prominent in film and other artistic pieces of work.

    Read More

  • Analysis Of Cinema Paradiso

    1287 Words  | 3 Pages

    The film Cinema Paradiso was originated in 1988, it is a drama film that was directed by Giuseppe Tornatore and it’s original title was Nuovo Cinema Paradiso. The film was an inspiring way of exploring Italian Cinema and how it’s importance to viewers it truly is. Salvator, who is the main character looked up to Alfredo as a child, who was his best friend and teacher who taught him everything he knows about film making. In Cinema Paradiso the film dealt with several elements such as scenery, photography, editing, sound, lighting. Cinema Paradiso film showed specific understanding of the Italian and American traditions place in the history of this film. Cinema Paradiso is a film that not only is strong in Italian culture but also shows the significance

    Read More

  • The Venice Film Festival and the Cannes Film Festival

    931 Words  | 2 Pages

    Martini, G. (2013) I Festival sono ancora necessari?, Spec. Issue of 8 ½- Numeri, visioni e prospettive del cinema italiano (2013).

    Read More

More about Annie Hall City Of God

Open Document