Truth and Teiresias in Sophocles' Oedipus Rex and Al-Hakim's King Oedipus
In both "Oedipus Rex" and "King Oedipus," Teiresias is defined by his relationship to the truth: in Sophocles' play as a courier, in Tawfiq Al-Hakim's as a manufacturer. Sophocles Teiresias is a conduit, a vessel through which the truth of a future created by the gods can be revealed, while the modern Teiresias is actively engaged in creating, shaping, the truth out of a supposed spiritual vacuum. These differing roles place both characters at a certain distance from their actions and sense of responsibility. Based, to a great extent, on this proximity, each Teiresias develops a radically different concept of the truth. Though the characters themselves are in many ways philosophical opposites, the function Teiresias serves in each play is not at all dissimilar. A sense of the truth as a source of destruction as well as possible redemption is ultimately reinforced by the presence of Teiresias in each play.
Oedipus accuses Teiresias in each play of withholding critical information. Both characters make similar decisions to attempt to withdraw themselves from the situation. Their motives, however, are distinctly different. Understanding these motives points paradoxically toward the individual fundamental differences between characters as well as their eventual thematic similarities. Sophocles' Teiresias is a reluctant prophet. He is in awe of the truth because he is powerless to change it. Teiresias does not own the truth; it was never his to possess. Instead, he exists as a passive agent, an intermediary, between present and future, gods and humanity. Because the truth is brutal, cruel, and possibly sometimes excessive and unjust even...
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...refers, instead to vision on a more figurative level. Sophocles speaks to this kind of "blindness" when Teiresias states, "You whose vision is straight shall be blind" (ln 419, p.127). Achieving this level of insight may well be an impossible task. In our attempt we may always hear the laughter that plagues Al-Hakim's Teiresias, mocking laughter that has dropped from heaven "since the beginning creation" (124). Understanding the relationship of Teiresias in each play to the truth (its conveyance, its creation), may help us to determine our own proximity to this same elusive and dangerous goal, the truth.
Works Cited
Al-Hakim, Tawfiq. Plays, Prefaces and Postscripts of Tawfiq Al-Hakim. Trans. W.M. Hutchins. Washington, D.C.: Three Continents Press, 1981.
Sophocles. "Oedipus Rex." Rpt. in Ten Greek Plays. Ed. L.R. Lind, Boston: Houghton Mifflin, 1957.
there is no way of being able to use it again. The examples given in
Within these two passages, Teiresias is explaining to Oedipus that the Prophecy admitted he killed his father. Oedipus is denying the fact that he killed his father and looking passed the problem. In the play Oedipus the King, written by Sophocles, Sophocles uses rhetorical devices to explain to the readers that Teiresias may be blind, but is seeing through the lie that Oedipus is living, while striking him the truth; this is explained through imagery, metaphors, an allusion, and ethos appeal.
Undoubtedly there has been a tremendous amount of speculation and dissection of this play by countless people throughout the ages. I can only draw my own conclusions as to what Sophocles intended the meaning of his play to be. The drama included a number of horrific and unthinkable moral and ethical dilemas, but I believe that was what made the play so interesting and that is exactly the way Sophocles intended it to be. The play was obviously meant to entertain and portray the author’s own insight. The underlying theme to the play is that no man should know his own destiny, it will become his undoing. This knowledge of things to come was presented to both Laius and Oedipus in the form of prophecies well in advance of it coming to be. The prophecies told of things that were so morally disturbing that they both aggressively did everything in their power to try and stop them from coming true. The story begins with Oedipus at the height of power as King of Thebes. His kingdom has encountered rough times and he has sent his nobleman Creon to seek help from the god Apollo to restore his land. Creon tells Oedipus that he must find the murderer of the previous King Laius and by finding this man and banishing him, his land will be restored. The murder occurred some time ago and King Oedipus sends for the seer Theiresias with his powers of prophecy to aid in the search for the murderer. Sophocles cleverly projects his feelings on wisdom and knowledge through Teirsias when he says “Alas, how terrible is wisdom when it brings no profit to the man that’s wise!”(23) Teirsias knows that this terrible prophecy has already been set into motion and the damage has already been done. There is really no point in telling it to Oedipus because it will only cause more harm than good. Oedipus provokes Teirsias into telling him the prophecy, “ Í tell you, king, this man, this murderer-he is here. In name he is a stranger among citizens but soon he will be shown to be a citizen true native Theban, and he’ll have no joy of the discovery: blindness for sight and beggary for riches his exchange, he shall go journeying to a foreign country tapping his way befor him with a stick.
However, that one trait did not alone take away his position of high authority. Oedipus displayed anger throughout the whole story, which did not help him at all. During the story, we learn of Oedipus' anger as he knocked a passerby at the meeting of the three highways; "I struck him in my rage". Later, this passerby whom he angrily and quickly killed, was revealed to be Laios, Oedipus' father. Oedipus' anger also quickly shifted his judgment of Teiresias. "We are in your [Teiresias] hands. There is no fairer duty", Oedipus' respect for Teiresias quickly changed as Teiresias refused to tell of what was the trouble's cause. Oedipus began claiming that "Creon has brought this decrepit fortune teller" to mean that Teiresias was thought of as a traitor in Oedipus' thinking. Oedipus' anger is also shown as he begins to insult Teiresias by calling him a "wicked old man". Oedipus' anger throughout the beginning of the play hindered himself.
Sophocles. "Oedipus Rex." An Introduction to Literature, 11th ed.Eds. Sylvan Barnet, et al. New York: Longman, 1997.
Oedipus Rex (the King), written by Sophocles, is the tragic play depicting the disastrous existence to which Oedipus, an Athenian, is 'fated' to endure. With a little help from the gods and the 'fated' actions and decisions of Oedipus, an almost unthinkable misfortune unfolds. Athenian perfection can consist of intelligence, self-confidence, and a strong will. Oedipus, the embodiment of such perfection, and his tragedy are common place to Athenians. Ironically, the very same exact characteristics that bring about the ominous discovery of Oedipus' fate: to kill his father and marry his mother. Oedipus' 'fated' decisions entangle everyone whom is of any significance to him within a quagmire of spiraling tragedy. Sophocles uses the riddle of the Sphinx as a metaphor for the three phases of Oedipus' entangled life, the three phases of human life, and to describe how every life-changing action or decision can influence other lives.
The book, Oedipus Rex, has a full range of characters. The colloquy, activity and motivation circle around the characters in the whole story. We find Oedipus Rex trying to get away, from home, to flee the prophecy. The prophecy states that he will kill his father and marry his mother. He also tries to clear up a murder of the old king. Oedipus marries a widow named Iokaste. He also gets advice from a seer named Teiresias. The purpose of this essay is to show the three positive and three negative qualities about these characters in direct and indirect characterization. I will find the qualities of Oedipus, Iokaste and Teiresias.
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
In Oedipus the King, Sophocles suggests that the impact of seeing the truth is harmful rather than enlightening. Whenever Oedipus strives to discover more to strengthen Thebes’ perspective of him, it leads him closer to his fate as determined by prophesy. Tiresias stands as a model in the play for the individual who is able to see the meaning beyond plot of events although his is blind, and Oedipus represents the oblivious arrogant individual who is never content because they need to be the unsurpassed individual. In the play, Sophocles illustrates the downside of a personality like Oedipus who desires to see the truth by ending the play with the brutality of gouging out his own eyes. Ultimately, the play reinforces that seeing the truth is harmful and being content with what you have, without greedily striving for more, can help avoid fate and a related deposition.
In Ancient Greece the existence of gods and fate prevailed. In the Greek tragedy King Oedipus by the playwright Sophocles these topics are heavily involved. We receive a clear insight into their roles in the play such as they both control man's actions and that challenging their authority leads to a fall.
For hundreds of years women helped each other to abort their pregnancies. Without legal prohibitions, women in Europe and the United States provided abortions and trained each other to perform the procedures. In the past century different states had begun to outlaw any procedure that would terminate or avoid pregnancy. In 1973(?) the United States Supreme Court asserted a woman's constitutional right to abortion in determining Roe v. Wade. After several decades of quiet disagreement, abortion has once again become a political hotbed. Under the direction of religious fundamentalists and fanatical anti-abortionists, this privacy right is in jeopardy. While both sides present strong arguments, these same positions have already been exhaustively debated and ruled upon by the Supreme Court. To turn back the clock on this issue would discriminate not only against women, but even more so against those in lower socio-economic groups. Therefore, the United States should protect a woman's Constitutional Right to choose.
He touches a button and a panel door opens reveling weapons and other gear. He pulls a small plasma pistol from its clipped in location on the wall and a small bag, prefilled with emergency supplies, like water and food.
First off, Teiresias is hinting at the fact that Oedipus’ relationship with Jocasta is a “sinful union” (Sophocles 36). Oedipus is unable to make the connection between what Teiresias is saying and his own prophecy. Oedipus does not want to acknowledge the fact that he has committed a sin and he avoids learning the truth by remaining ignorant of his true parentage. On top of this, when Teiresias outright tells Oedipus that “the killer [he is] seeking is [himself]” (Sophocles 36). Oedipus refuses to believe this and instead accuses Teiresias of lying and plotting against him. Oedipus, as a known intelligent character, should have listened to Teiresias, who is known for being a wise man; instead, Oedipus puts the blame on Teiresias. Teiresias then goes on to foreshadow that the “taunts” (Sophocles 36) Oedipus is throwing at him will “someday [be] cast at [him]” (Sophocles 36). Oedipus does not take the warning of Teiresias seriously instead he continues to insult Teiresias. Oedipus’ inability to face the truth will result in him being banned and blinding himself for his ignorance. Similarly, Jocasta attempts to prevent Oedipus from gaining knowledge by explaining that “[i]t makes no difference now” (Sophocles 55) and to “[f]orget” (Sophocles 55) what has been told to him. Jocasta not only tries to stop Oedipus from learning the truth, she also tries to stop herself from verifying the truth, this later results in her unfortunate suicide. Also, Jocasta’s ignorance and inability to discover Oedipus’ true past causes her to commit incest, a major sin. Jocasta and Oedipus committing this sin then result in the God’s punishing Thebes. Showing that, ignorance leads to
Sophocles. "Oedipus Rex." An Introduction to Literature, 11th ed. Eds. Sylvan Barnet, et al. New York: Longman, 1997. 800-836.
Oedipus and Tiresias, characters of Sophocles' play "Oedipus Tyrannus," are propelled to their individual destinies by their peculiar relationships with truth. Paranoid and quick to anger Oedipus, is markedly different from the confident and self-assured Tiresias. In the dialogue between the two men, Oedipus rapidly progresses from praise of Tiresias as a champion and protector of Thebes in line 304, to blatantly accusing the blind prophet of betraying the city in line 331, to angrily insulting him in line 334. Rather than be intimidated by the protagonist's title and temperament, Tiresias draws strength from what he knows is true and is able to stand his ground.