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The role of perception
The role of perception
The role of perception
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Perception of Truth
In Shakespeare’s Othello, one’s perception of reality directly influences an individual’s actions in a negative way. This notion overwhelms people to such an extent that their actions, beliefs, and behaviour are hindered by it. Shakespeare demonstrates that human emotions require a person to mask their reality. As such, one’s belief is altered by their perception of truth, which leads to self destruction.
Individuals tend to delve into the darker side of humanity in order to mask their realities. In order to conceal her disloyalty towards her mistress, Emilia supports Iago in his plotting against Othello. Emilia tells Desdemona, “I warrant it grieves my husband as if the cause were his” (3.3.3-4). As a result of her love
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towards Iago, Emilia unintentionally lies to Desdemona regarding her husband’s feelings towards Cassio. As, she speaks what her husband leads her to believe thus causing her to inadvertently aid Iago. Emilia’s false perception of the truth results in Desdemona thinking highly of Iago, as she mindlessly trusts Emilia and her opinions. Moreover, Emilia masks her true intentions because she refuses to recognize her husband’s malicious intentions as she is blinded by his love. Similarly to Emilia, Jerome in The Tent Peg, is secretive about his inner feelings regarding JL’s involvement in the camp. As a result, he tries to take revenge from JL by attempting to rape her (Van Herk 218). Jerome’s fear and insecurities towards JL dictate the utilization of his power upon her, which results in his destruction. Jerome’s attempt to rape JL is driven by his need to satisfy his ego. This causes Jerome to create a false version of reality, in which he is victimized by whom he believes to be the villain; JL. When an individual feels victimized, they tend to place the blame on others, to hide their true feelings. Othello feels rejected and deceived by Desdemona because he is a black man, as a result of this he resorts to taking his anger out on her (4.2.25-92). In reality, Othello feels upset and dejected because he believes he is no longer worthy of Desdemona. However, he does not wish to reveal his weakness in front of her, thus he finds it easier to make her feel victimized by yelling at her and striking her. The anger Othello feels is a direct result of his vulnerability, as such he misinterprets Desdemona’s expressions, gestures, and behaviour, imagining that she has treacherous intentions. Identically, Cap blames JL for his internal feelings and thus he lashes out at her. He calls her a “cocktease, a bitch, and a useless cunt” (Van Herk 105). Cap’s emotions take away his ability to understand JL’s point of view, as he feels deceived by her. As a result, Cap embraces blame as a defensive mechanism in order to achieve validation for his insecurities and actions. Furthermore, both Othello and Cap feel the need to oppress others because it makes them feel better about themselves, while providing them an excuse to suppress their true feelings. The suppression of one’s feelings can lead to false beliefs of reality. Othello is perceived to be the perfect lover, who is deeply in love with Desdemona. Yet, he fails to trust her at the slightest “evidence” provided by Iago. When Iago tells Othello that he saw Cassio in bed with Desdemona, Othello instantly jumps to conclusions, he exclaims “We say, “lie on her” when they belie her! Lie with her—that’s fulsome” (4.1.35-36). Although, Othello shares his feelings with Desdemona regarding his belief that she is sleeping with other men, he does not give her a chance to explain herself and prove his belief false. As a result, his actions directly reflect this misperception he formed pertaining to Desdemona’s unfaithfulness. In the same way, Iago does not tell anyone, except Roderigo, about him feeling betrayed by Othello (1.1.9-33), instead he finds it easier to take his revenge out on Othello. The readers assume Iago to be the villain, however in the novel Iago himself feels wronged, thus he tries to avenge his deception. Iago’s want to suppress his feelings is motivated by his fear and anger. Likewise, after many years of hiding his true feelings from the rest of the group, Hudson soon reaches his breaking point and thus castigates Jerome (Van Herk 175-176). Before Hudson’s outburst, he was identified as the timid and weak English man. Yet, it is later realized that even he had the ability to stand up for himself. While Othello misunderstood Desdemona, taking advantage of her naivety, Jerome on the other hand perceived Hudson to constantly bear his maltreatment and thus he exploits Hudson’s enduring nature. In both instances, if the men had remained from hiding their inner feelings and emotions, the outcome of the situations would have been different, because their beliefs would not have been damaged by their lack of discernment. Moreover, when Janice does not inform Mackenzie about why she left him, Mackenzie starts to hypothesize explanations for Janice’s actions (Van Herk 91). In fact, Mackenzie starts to list all the things he had done right and blames Janice for not talking to him about her problems. Hence, he refuses to acknowledge the truth that lies in front of him about Janice never returning. Mackenzie’s lust for ultimate knowledge regarding Janice’s decision is a direct result of his fictionalized truth, which causes him liver 10 years of his life in guilt and misunderstandings. Innocent lives fall victim to the false perceptions one has regarding reality due to hierarchy and inequality.
Iago holds great importance in Othello’s life because he is Othello’s right hand man. As a result of this many times in the play he is referred to as “honest Iago” (2.3.6). Yet, Iago is completely opposite to the title given to him as he constantly uses manipulation and misleading tactics to change other’s understanding of reality. Due to his villainous actions, other characters in the play commit wrongful acts because they believe what they are doing is correct, as they are saving themselves from being mistreated. Subsequently, Othello, Emilia, Desdemona, Cassio, and Roderigo all lose their lives and become victims to Iago’s plotting. Similarly, in the world today, many people tend to commit wrongful and criminal acts because they have a false perception of reality. This fictional belief is caused by society’s need to differentiate others. As a result of this, often innocent lives are lost or ruined. Misconceptions regarding differences in caste, religion, gender, social status, and opinions often lead to unfortunate events such as mass shootings, hijackings, war, etc. This illustrates that one’s perception of reality has a direct impact on an individual’s
belief. One’s false belief regarding the truth results in negative consequences. This fictionalized truth is motivated by the need to mask reality, the feeling of being victimized, and the suppression of one’s feelings. This results in irrational behaviour because of emotional attachment to a belief or thought which prevails all human instincts because of its paralyzing nature.
Iago is a twenty- eight years old Caucasian married man and he is soldier in the Venetian army. Iago is viewed as modest, honest, and a good friend to people in public. People refer to him as “honest Iago” which lead them to trust him. Iago plans to destroy Othello by manipulating him to believe that his wife is being unfaithful to him with his promoted lieutenant Cassio, a position Iago wanted to have. Although the scandal that Iago came up with is a complete lie, Othello ends up believing him. Iago uses his ability to talk to people in order to accomplish his plan of destroying Othello because he wasn’t granted the position of the Venice army. (Sorto 1)
William Shakespeare has yet again created a world of good and evil. In his work Othello, the ideals and principles of this world are just like any other with a twist brought upon by two characters, Othello and Iago. These two characters along with many others employ the central idea of what good and evil entails. However, neither Othello nor Iago possess just one of these traits. Othello is not just the pure perfect guy he is perceived to be and Iago is not just the evil vindictive character he is believed to be but rather both of these men are far more interesting than that. They both have the necessary qualities that get them through life and potentially threaten their lives. Through their actions and interactions with the other characters that they really are is shown.
Iago, the antagonist of Shakespeare’s work, Othello, is often considered purely evil or sociopathic. At first glance, Iago appears to be a static, two-dimensional villain, but he is much more. Shakespeare, renown for his awareness of the human condition, leaves many important aspects of Iago’s life up to interpretation. In published works and critical interpretations, Iago is commonly attached to a myriad of mental illnesses and personality disorders. Because it seems that Iago’s life revolves around Othello and Desdemona, it is understandable how people may suggest that Iago is in love with Othello, or that he is a psychopath with no true motives. Shakespeare never discloses much about Iago’s past, raising the questions:
Language and imagination are among the most dangerous weapons Iago has at his disposal in Othello. Jealous and angered by Othello’s - his commanding officer - passing over him for a promotion, Iago develops a fierce, antagonistic perspective the aforementioned character; this sentiment quickly corrupts his volition, and he subsequently concocts a plot bent on destroying Othello. He renders this revenge scheme credible by concealing his true feelings behind a facade of loyalty and trustworthiness, and fabricating a fictitious story concerning the infidelity of Desdemona, Othello’s wife. Until the play concludes, Iago utilizes purposeful rhetoric to drive his agenda, and also a mastery of deception to mislead the minds of his targets.
Characters in the play fail to comprehend Iago’s true nature until it is too late. Those interacting with Iago fall into the belief that Iago is loyal to his superiors, when Iago is actually focused on bringing them (Cassio and Othello) down. Iago constructs a false impression of his loyalty to Othello through ...
This paper contains 237 words of teacher’s comments. What one perceives is influenced by one’s environment. The setting and commentary surrounding events changes our perception of them. Any innocent gesture can be perceived in the wrong way with enough persuading from someone else. Even if someone has total faith in another person's innocence, they can be persuaded to doubt them through the twisting of events. Once just a small amount of doubt has been planted, it influences the way everything else is seen. This occurs throughout the play, Othello. In this play, Iago influences Othello's perception of events through speeches and lies, making him doubt Desdemona's fidelity. Iago uses his talent of manipulating events to exact his revenge on Othello. Iago's twisting of events in Othello's mind leads to the downfall of Othello as planned, but because he fails to twist Emilia's perception as well, he facilitates his own eventual downfall.
In the play Othello, the “aha” moment, the epiphany, and when the truth is revealed is when Othello discovers that all ideas that Iago put into his head about Cassio sleeping with Desdemona, the handkerchief, her being a whore were all just a lie and Iago, his so called “best friend” lied to him. . This scene takes place in Act five scene two, Emilia quotes “By heaven I do not, gentlemen. O mud’rous coxcomb! What should such a fool. Do with so good a wife.” This is the truth moment in which it affects Othello. Tension is released because of this since Othello now comes to the realization that he was lied to and we see how he is affected by the truth in this act when he quotes “ Are there no stones in heaven but what serves for the thunder?
In Othello, Iago uses his fine reputation as an “honest man” and Othello’s insecurities to manipulate him and carry out his master plan of destroying Cassio, Othello, and Desdemona. Iago’s insight towards the other characters’ weaknesses enables him to let them know exactly what they want to hear, which helps him gain their trust. He plays upon the insecurities of others to maneuver them into carrying out the actions he needs done in order to fulfill his own desires. In looking at Othello, we will consider the Othello’s blind acceptance of “the truth” as it is presented to him and find that when we blindly take another’s “truth” and accept it as our own, we merely become tools utilized by the person who gave us that supposed truth and give up the power of being ourselves—we fail to assert a self.
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is naïve and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago has “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289). Iago is so angry that Othello didn’t give him the promotion that was given to Cassio that he plans to seek revenge against Othello. He seeks his revenge against Othello by manipulating and lying to all of the people around him including his closest friend Roderigo, Cassio, Othello’s wife Desdemona and even his own wife Emilia. In the end, Iago’s lies and manipulation led to the deaths of Roderigo, Emilia, Othello and Desdemona. This isn’t the first time many of these individual characteristics have shown up in one of Shakespeare’s plays.
Appearances can be deceiving as often what appears to be real is in truth an illusion. This notion is presented in Othello as it explores how appearances and societal perceptions are often fraudulent in comparison to true. This is evident when the antagonist, Iago employs dramatic irony stating that, “Men should be what they seem”. Here, Iago is hypocritical as he is perceived to be honest by the Venetians. However, this social façade is only masking his duplicitous nature. Iago’s character is further revealed through the use of metaphor, “The Moor has already changed with my poison”. In this instance Iago is attempting to conjure up the insecurities of Othello, such as Desdemona’s fidelity and devotion to
Throughout history, there have been many human beings whom have been seen as either a hero or a villain. In their childhood, these people must had obstacles that were in their way, causing each individual to either work harder or give up. People, however; must understand that each individual has a potential in achieving their goals, but if one is mistreated or deceived due to jealousy, resentment, hatred, or ambition, it can lead to many catastrophic events. People who have pride and arrogance do not want to have equals, rather they want to see their victims suffer. These people have no difficulty in achieving their goals due to the fact that their victims have too innocent a nature to suspect the nefarious motives of their enemies. In this tragedy, Othello, Shakespeare has created a villain who behaves in this manner. Iago’s hatred, method of revenge, and vengeful hatred are the reasons of the lives lost in this play and the reasons that lead to Iago’s downfall.
Without a doubt, one of the main themes that runs throughout William Shakespeare’s tragic play, Othello, is that of honesty. In the play, the most interesting character is Iago, who is commonly called and known as "Honest Iago." However, this could not be farther from the truth. Through some carefully thought-out words and actions, Iago is able to manipulate others to do things in a way that benefits and moves him closer to his own goals. He is smart and an expert at judging the characters of others. Because of this, Iago pushes everyone to their tragic end.
“I am not what I am,” proclaims one of Shakespeare’s darkest and most enigmatic villains, Iago, in the tragedy Othello. Iago’s journey for revenge enables him to become capable of immoral acts, and whilst his malevolence excites us, we are no more intrigued by his attributes than we are of the play’s tragic hero, Othellos’. Rather, both characters’ confrontation with jealousy and their subsequent moral demise as a result of failing to control such an emotion provides the true excitement for audiences. Iago’s spiteful manipulation of Othello makes him a multifaceted character — whose corrupt attributes make the audience examine their own morality. However, the same can be said of Othello; his failure to withstand Iago’s ‘pouring of pestilence’
Iago controls Emilia and treats her as less when she does not act as a submissive wife. Therefore, Emilia follows to keep Iago satisfy. Further, Iago tells Emilia to steal the handkerchief; which she follows without knowing his intentions, to then be insulted by Iago calling her a “foolish wife” (3.3.313), and demanding her, “Go, leave me” (3.3.330). Apparently, Iago makes Emilia lesser, and she accepts her role as a submissive wife. Moreover, although Othello proclaims loving Desdemona, he perceives her as inferior as a result of jealousy. As in Act 5, Scene 2 where Othello says to Desdemona, “Down, strumpet!” (89), suggesting that he puts her in an inferior position to kill her reflecting his true perception of Desdemona. And likewise Emilia, Desdemona accepts the role of an obedient wife by using her last breath to take the fault off Othello
Corruption overcomes the Venetian society as Iago uses his crafty skills of deceit. The plan to have Othello turn against the ones he loves is the perfect example of evils nature. The power struggle is evident between these two. This situation is the start to Iagos plan to corrupt the society and take Othellos place. The root of Iagos evil is jealousy indeed, in turn changing into a power hungry manipulator. Iago is tired of acting like one "courteous and knee-crooking knave" like he always appears to be [I. i. 46]. Since Iago is reluctant to choose to be a master, he is the servant that bites off the fame and "keep yet their hearts attending on themselves," still showing his service to his master but instead is more self-preserving with no attachments at all towards the master [I. i. 52]. Irony is used diligently in Shakespeares unique language style.