Significantly, Hua's ability to remain on the topic regarding memories and how these recollections positively and negatively affect the body serve as one of the strengths of the article. The audience is able to understand Hua's definition of erotic and traumatic embodied memories and apply that meaning to Lorde's argument. Hua makes clear that Lorde utilizes erotic embodied memories to reclaim authority over the body. In addition to traumatic embodied memories encourage "black women, women of color, and women in general" to speak out against "gendered and sexual violence" (119). Throughout the article, these ideas are reinforced by Hua pulling direct quotes from the book and analyzing the text. This technique conveys differing degrees of credibility to differing audiences. Evidence that is convincing to one audience may be uncertain to another. Therefore, those who approach the book from a feminist perceptive can use this …show more content…
article to their advantage. In addition to those who seek to understand the purpose of Lorde's exercising memory in the book. Nonetheless, this piece of work becomes limited for Hua does not equally reinforce the importance of homeland memories throughout the text as she does for erotic and traumatic embodied memories. Emphasizing the first two leads the audience to recognize their significance instead of the third one. For that reason, male readers may disconnect from the work since Hua continues to reach out to those who may have those erotic and traumatic embodied memories which she assumes are women. The repetitive information disengages the male readers since this neutral collective memory, in particular, has been eliminated from the article. In conclusion, scholars who may not be familiar with Zami: A New Spelling of My Name can gain information about the content of the book based on Hua's description of Lorde's work.
Hua highlights the importance of Lorde's narrating of erotic, traumatic, and homeland embodied memories. These recollections have formed Lorde's identity and encourage "black women, women of color, and women in general" to speak out against oppression. Voicing these events adds power and authority over the body instead of women, in particular, preserving their silence. This would be deemed valuable for scholars who seek to take a feminist approach to Lorde's work. Hua suggests that Lorde's writing contributes to women literature since she's "rewriting the wounds of oppressive histories" (132). Then again, the focus on the exotic and traumatic separates the audience from the opposite sex to connect with Lorde's work. Since the article is driven towards a female audience a male scholar would probably not benefit from this piece work unless they take a feminist
approach.
In Kimberly Springer’s anthology, Skin Deep, Spirit Strong: The Black Female Body in American Culture, she has different articles in the book that are written by a variety of women. The articles in the book break down and discuss areas of history and time-periods that shaped the representation and current understanding of the black female body. Many ideals of how society preserves the black female body to be is based on historical context that the authors in Springers book further explain. The two articles that I am going to focus on are Gender, Race and Nation: The Comparative Anatomy of “Hottentot” Women in Europe 1815-17 and Mastering the Female Pelvis: Race and the Tools of Reproduction.
In a world where the vast majority of cultures are patriarchal, in response to traditional structures, women often find themselves at war in their minds, hearts and in their own actions. 'Yellow woman' and 'The story of an hour' are examples of how women struggle in a male domintaed society. In these two stories, the women fnd themselves wrestling with thoughts and emotions that our society consider unacceptable. The following statements ,ay be asked and considered of these women:
She illuminates the hidden causes of the harsh sexism in rap music lyrics and argues that one needs to look deeper to understand why the misogyny exists and how women in her culture need to respond and also start taking responsibility for its existence in order for changes to begin to take place. In the article “ From Fly -Girls to Bitches and Hos “ the dysfunction of our black men is evident, but somehow it’s seen and admired manliness and success. For example the life of Notorious BIG was one of the rap kings that live a life of jail, sex , drugs and murder that “ the seeming impenetrable wall of sexism in rap music is really the complex mask of American often wear both to hide “ . Joan Morgan was vivid as to show the pain men must be feeling so badly that they had to use disrespectful slurs and hateful comment says their music lyrics. I agree with the fact that in today’s society the "bitches and hos" have become the norm. From my perspective that many guys often believe that is how all women act and that they are all pimps and
In the essay “The Fourth of July,” Audre Lorde shares a story about a young black girl who struggles to find the answers to why her parents did not explain why things are the way they are. In the story, the young girl and her family, which consists of her older sister and her parents, are taking a trip to Washington D.C. They are taking this trip because her sister, Phyllis, did not get a chance to go when her class went in 8th grade because she is black and they would not let her stay in the hotel. Her father told her that they would take a family trip later on so she would not be upset. However, this trip was not just a normal family vacation; it was an eye opening experience for Lorde. Lorde expresses racism and the different issues that
She begins talking about her childhood and who raised her until she was three years old. The woman who raised her was Thrupkaew’s “auntie”, a distant relative of the family. The speaker remembers “the thick, straight hair, and how it would come around [her] like a curtain when she bent to pick [her] up” (Thrupkaew). She remembers her soft Thai accent, the way she would cling to her auntie even if she just needed to go to the bathroom. But she also remembers that her auntie would be “beaten and slapped by another member of my family. [She] remembers screaming hysterically and wanting it to stop, as [she] did every single time it happened, for things as minor as…being a little late” (Thrupkaew). She couldn’t bear to see her beloved family member in so much pain, so she fought with the only tool she had: her voice. Instead of ceasing, her auntie was just beaten behind closed doors. It’s so heart-breaking for experiencing this as a little girl, her innocence stolen at such a young age. For those who have close family, how would it make you feel if someone you loved was beaten right in front of you? By sharing her story, Thrupkaew uses emotion to convey her feelings about human
These women authors have served as an eye-opener for the readers, both men and women alike, in the past, and hopefully still in the present. (There are still cultures in the world today, where women are treated as unfairly as women were treated in the prior centuries). These women authors have impacted a male dominated society into reflecting on of the unfairness imposed upon women. Through their writings, each of these women authors who existed during that masochistic Victorian era, risked criticism and retribution. Each author ignored convention a...
Throughout history society has been controlled by men, and because of this women were exposed to some very demanding expectations. A woman was expected to be a wife, a mother, a cook, a maid, and sexually obedient to men. As a form of patriarchal silencing any woman who deviated from these expectations was often a victim of physical, emotional, and social beatings. Creativity and individuality were dirty, sinful and very inappropriate for a respectful woman. By taking away women’s voices, men were able to remove any power that they might have had. In both Alice Walker’s “The Color Purple” and Kate Chopin’s “The Awakening”, we see that there are two types of women who arise from the demands of these expectations. The first is the obedient women, the one who has buckled and succumbed to become an empty emotionless shell. In men’s eyes this type of woman was a sort of “angel” perfect in that she did and acted exactly as what was expected of her. The second type of woman is the “rebel”, the woman who is willing to fight in order to keep her creativity and passion. Patriarchal silencing inspires a bond between those women who are forced into submission and/or those who are too submissive to maintain their individuality, and those women who are able and willing to fight for the ability to be unique.
“Yellow Wallpaper” by Charlotte Gilman was analyzed by many perspective readers and writers. In my research paper I analyzed work by Ann Oakley and Karen Ford. These two authors had similar but yet different arguments. During my review process on both articles, I found that there can be many interpretations of any literary work. When you typically see topics written about women, you tend to see biased explanations. Reading these from a female standpoint you would go on to assume the writer will only defend what is morally right.
In other words, Carbado meant to prove that not only Black women fit into this definition of intersectionality, and therefore there are other groups of people, aside from Black women, who can share their same experiences. Carbado’s theory about gender and colorblind intersectionality comes close to being able to explain Audrey Lorde’s understanding of the Black women identity. But applying Carbado’s theory it becomes more inclusive towards other oppressed groups of people, and it highlights Carbado’s expansion of intersectionality within Lorde’s essay.
Therefore, it shows that Lorde has to stand up for herself in order to go to the dining car. The essay reflects on when Lorde and her family visit a store, they were told to leave the store which made them feel excluded from the crowd. The author writes, “My mother and father believed that they could best protect their children from the realities of race in America and the fact of the American racism by never giving them name, much less discussing their nature. We were told we must never trust white people, but why was never explained, nor the nature of their ill will” (Lorde, 240). The quote explains that Lorde’s parents thought they can protect their child in United States from the racism, however, they had to go through it and face racism in their daily life. This shows that her parents were aware of racism, which they might have to stand up for their rights, but they did not take the stand for themselves as well as their child. Therefore, her parents guided them to stay away from white people. This tells readers that Lorde has to fight for the independence that she deserves along with going against her
Many women; such as the women in Ntozake Shange’s play; still feel oppressed by the racist and male-dominated society we live in today. For Colored Girls Who Have Considered Suicide gives a voice to the voiceless and articulated the realities of modern life form some black women. Shange presented the black woman in moments of weakness, sorrow, or shame; honestly, and without apologies. Specifically, Shange established that women of color deserve to be heard and her voice never stifled. In doing this, she sets a strong theme for her play that is composed of, Black feminism, the emotions of growing up, breakdown of communication between men and women, and empowerment through sisterhood.
In today’s advanced societies, many laws require men and women to be treated equally. However, in many aspects of life they are still in a subordinated position. Women often do not have equal wages as the men in the same areas; they are still referred to as the “more vulnerable” sex and are highly influenced by men. Choosing my Extended Essay topic I wanted to investigate novels that depict stories in which we can see how exposed women are to the will of men surrounding them. I believe that as being woman I can learn from the way these characters overcome their limitations and become independent, fully liberated from their barriers. When I first saw the movie “Precious” (based on Sapphire’s “Push”) I was shocked at how unprotected the heroine, Precious, is towards society. She is an African-American teenage girl who struggles with accepting herself and her past, but the cruel “unwritten laws” of her time constantly prevent her rise until she becomes the part of a community that will empower her to triumph over her barriers. “The Color Purple” is a Pulitzer Prize winning novel by Alice Walker which tells the story of a black woman’s, Celie’s, striving for emancipation. (Whitted, 2004) These novels share a similar focus, the self-actualization of a multi-disadvantaged character who with the help of her surrounding will be able to triumph over her original status. In both “The Color Purple” and “Push”, the main characters are exposed to the desire of the men surrounding them, and are doubly vulnerable in society because not only are they women but they also belong to the African-American race, which embodies another barrier for them to emancipate in a world where the white race is still superior to, and more desired as theirs.
...present powerful characters, while females represent unimportant characters. Unaware of the influence of society’s perception of the importance of sexes, literature and culture go unchanged. Although fairytales such as Sleeping Beauty produce charming entertainment for children, their remains a didactic message that lays hidden beneath the surface; teaching future generations to be submissive to the inequalities of their gender. Feminist critic the works of former literature, highlighting sexual discriminations, and broadcasting their own versions of former works, that paints a composite image of women’s oppression (Feminist Theory and Criticism). Women of the twenty-first century serge forward investigating, and highlighting the inequalities of their race in effort to organize a better social life for women of the future (Feminist Theory and Criticism).
In this essay I am going to compare and contrast the speakers and the stories of 'Homage to my Hips'; and 'Her Kind';. The speakers in this stories have very different attitudes, and approaches in telling their story about the same topic. While talking about the oppression of women, both Lucille Clifton and Anne Sexton take the own stance on the situation. While Clifton expresses her proud and self-confident attitude, Sexton on the other hand speaks in a very snotty, self-righteous tone. Each of these extremely influential woman, that I will be talking about describe their own individual experiences. These experiences create a very clear, individualistic tone that makes the poems of these two writers differ in many ways.
In this vein, representation and the attending need to revise, or rewrite women’s positions in history and in the present time has been at the center of the feminist literature since its beginning. In fact, one of the premises of feminist literary criticism, launched as an academic discipline in the early 1970s, is the need for a revisionist reading of the myths and traditions of Western culture. As Adrienne Rich writes in her essay “When We Dead Awaken: Writing as Re-Vision”: