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The different kinds of love
The different kinds of love
The different kinds of love
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The path of true love has never run smoothly. These short stories, “The Lovers,” by Bessie Head, and “The Rain Came,” by Grace Ogot, were made noteworthy because of their tragedies. Each story reveals the misfortunes and predicaments associated with love. The stories expose that the path of true love is not smooth, and must never be smooth, if we are to fully appreciate what true love is. A core concept portrayed in both stories is the notion of different kinds of love. Passion between couples is the form more commonly thought of when referring to true love. In “The Lovers,” Tselane, a young woman, and Keaja, a young man, are a passionate couple who have a love affair in a society where that sort of thing is forbidden. In “The Rain Came,” Oganda, chief Lbong’o’s daughter, and Osinda, a young man from another tribe, are madly in love as well. The affectionate love between kin, however, can be just as profound. Tselane is very fond of her father’s second wife, Mma-Monosi, while Keaja and his father, Rra-Keaja, are also quite friendly. Oganda and Lbong’o also have a very close relationship, because L’bongo is especially fond of his daughter. The stories “The Lovers” and “The Rain Came” show that no matter whom you care for there will always be hardships along the way on the path of true love.
In the story “The Lovers,” Tselane and Keaja exhibit love towards each other as well as to their kin, but their path of love has both potholes and dead ends. The societal expectations and traditions act as potholes and hamper the relationship of the young couple, because, in their world, men and women live strictly apart, especially the young and unmarried. The village holds no place for people wildly carried away by their emotions, and enforce...
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...t also touches on the relationship between Oganda and her sweetheart, Osinda. Osinda somehow finds out about Oganda’s terrible fate and follows her to the sacred place, where she is to be offered. Once together, Osinda explains to Oganda that, “We must escape quickly to an unknown land” (342). Osinda sacrifices his home, his family, everything, in order to be with his one true love.
To see the beauty of love, we must realize that true love is not easy to obtain, that it is precious. To see the miracle of true love, we must also just as plainly see the supreme effort it took to obtain it, the opposition to it, the reason lovers’ fight for love and what it costs the lovers to have it. These stories, “The Rain Came” and “The Lovers,” truly portray that, regardless of who you love; the path of true love will be rough at times, but is worth the sacrifice, and suffering.
Love, partnership and commitment have been the subjects of a multitude of novels, plays poems, movies and great works of art. Throughout these works, the image of love and commitment in love have taken many different forms. Today, we easily recognize symbols of commitment in love to be items such as hearts, wedding bands, roses, etc. However, in literature, especially, more abstract and creative symbols of commitment to a loved one are often present. Additionally, the symbols of devotion that exist in literature do not always involve romantic love as opposed to many movies, painting and sculptures. For example, in the short story, “Saving Sourdi” by May-Lee Chai, symbols of loyalty to a loved one manifest between two sisters. In opposition to symbols of loyalty existing in a platonic manner as it does in “Saving Sourdi,” Peter Meinke’s “The Cranes,” provides symbols of commitment in an amorous relationship.
Mimi Khalvati explores the theme of longing in her ten stanza Ghazal, ‘Ghazal.’ Semantic fields of nature and constant refrain help express out the central themes of the poem. Likewise, ‘The Farmer’s Bride’ by Charlotte Mew uses structure and natural imagery to explore the theme of wanting and imbalance in the relationship she presents in her poem.
As one progresses through life, they may find him or herself spending a substantial amount of time attempting to find love. Day after day they try to find the perfect person for them; the one they could spend the rest of their lives with. However, it is not until one turns off his or her searchlight for love, that love makes itself apparent. In the short story “A Bolt of White Cloth” by Leon Rooke, the idea that love is a noticeable, yet unexpected force is presented. Rooke used a plethora of symbols to depict love, with one of the more prominent symbols being the sun. Love can often “come out pure, without any grief to bind it”, just like a sunrise. When the sun rises, it symbolizes purity; a purity that signals to those who are struggling
Brockmeier’s short story represents a damaged marriage between a husband and a wife simply due to a different set of values and interests. Brockmeier reveals that there is a limit to love; husbands and wives will only go so far to continually show love for each other. Furthermore, he reveals that love can change as everything in this ever changing world does. More importantly, Brockmeier exposes the harshness and truth behind marriage and the detrimental effects on the people in the family that are involved. In the end, loving people forever seems too good to be true as affairs and divorces continually occur in the lives of numerous couples in society. However, Brockmeier encourages couples to face problems head on and to keep moving forward in a relationship. In the end, marriage is not a necessity needed to live life fully.
“Love is like the sea. It's a moving thing, but still and all, it takes its shape from the shore it meets, and it's different with every shore.” The main character in Their Eyes Were Watching God, Janie Crawford, possesses a seemingly unquenchable thirst for affection, and does not rest until she finds the man who is able to offer her the love she desires and believes to deserve. Janie defines love as a fluid force that is different with every man, and transforms with changing circumstances. Janie does not care to be wealthy, or to have high social standing; she wishes to be submerged in a sea of tenderness and to swim through waters of passion, and to be caressed by captivating waves of lust. Her idealistic conception of love and the corresponding desire for it developed from her sixteen-year-old obsession with a bee pollinating a pear blossom in the back yard of her grandmother’s house.
“She had never said it was love. Neither had he. They were shy. They had been unsure. Now, there would be no time for love. It was in the moment of parting that she knew she loved him” (Yang 21). Love exists as an emotion that persists to be challenging to comprehend, but once one feels it, it seems problematic to let go of it. Kao Kalia Yang wrote the book The Latehomecomer: A Hmong Family Memoir, which tells of the anguish the Hmong people faced in their excursion from Laos to the United States. Yang uses her unique writing style to present her topic in an enlightening way to her readers. Yang uses the story of her parents to convey the sufferings of the Hmong people and their journey. Her parents make a fitting example of a typical Hmong family fighting to survive and find love in a time of turmoil. Although Kao Kalia’s parents met in unfortunate circumstances and had no home to live in, love kept them and their family together, even when times seemed their darkest.
A History of Marriage by Stephanie Coontz speaks of the recent idealization of marriage based solely on love. Coontz doesn’t defame love, but touches on the many profound aspects that have created and bonded marriages through time. While love is still a large aspect Coontz wants us to see that a marriage needs more solid and less fickle aspects than just love. The first chapter begins with an exploration of love and marriage in many ancient and current cultures.
Relationships can be discussed in all aspect of life. Including communities, families, marriage, conflicts, and divorce. The gift of any relationship is the gifts from the spirits. The author uses her African teachings, in comparison to how Americans handle different relationships. In the book, “The Spirit of Intimacy,” Sobonfu Some’s gives wisdom insightful experience of her marriage and about the Dagara people of West African beliefs and traditions when facing conflicts in leading to divorcement.
Love and affection is an indispensable part of human life. In different culture love may appear differently. In the poem “My god my lotus” lovers responded to each other differently than in the poem “Fishhawk”. Likewise, the presentation of female sexuality, gender disparity and presentation of love were shown inversely in these two poems. Some may argue that love in the past was not as same as love in present. However, we can still find some lovers who are staying with their partners just to maintain the relationship. We may also find some lovers having relationship only because of self-interest. However, a love relationship should always be out of self-interest and must be based on mutual interest. A love usually obtains its perfectness when it develops from both partners equally and with same affection.
Both poets want to be loved in the poems in their own way. While both poem’s present a theme of love, it is obvious that the poet’s view on love changes from how they view love at the beginning of the poem from how they see it at the end.
The Lais of Marie de France is a compilation of short stories that delineate situations where love is just. Love is presented as a complex emotion and is portrayed as positive, while at other times, it is portrayed as negative. The author varies on whether or not love is favorable as is expressed by the outcomes of the characters in the story, such as lovers dying or being banished from the city. To demonstrate, the author weaves stories that exhibit binaries of love. Two distinct types of love are described: selfish and selfless. Love is selfish when a person leaves their current partner for another due to covetous reasons. Contrarily, selfless love occurs when a lover leaves to be in a superior relationship. The stark contrast between the types of love can be analyzed to derive a universal truth about love.
Love has the power to do anything. Love can heal and love can hurt. Love is something that is indescribable and difficult to understand. Love is a feeling that cannot be accurately expressed by a word. In the poem “The Rain” by Robert Creeley, the experience of love is painted and explored through a metaphor. The speaker in the poem compares love to rain and he explains how he wants love to be like rain. Love is a beautiful concept and through the abstract comparison to rain a person is assisted in developing a concrete understanding of what love is. True beauty is illuminated by true love and vice versa. In other words, the beauty of love and all that it entails is something true.
Some may say love is just an emotion while others may say it is a living and breathing creature. Songs and poems have been written about love for hundreds and thousands of years. Love has been around since the beginning of time, whether someone believes in the Big Bang or Adam and Eve. Without love, there wouldn’t be a world like it is known today. But with love, comes pain with it. Both William Shakespeare and Max Martin know and knew this. Both ingenious poets wrote love songs of pain and suffering as well as blossoming, newfound love. The eccentric ideal is both writers were born centuries apart. How could both know that love and pain work hand in hand when they were born 407 years apart? Love must never change then. Love survives and stays its original self through the hundreds and thousands of years it has been thriving. Though centuries apart, William Shakespeare and Max Martin share the same view on love whether i...
Love is a concept that has puzzled humanity for centuries. This attachment of one human being to another, not seen as intensely in other organisms, is something people just cannot wrap their heads around easily. So, in an effort to understand, people write their thoughts down. Stories of love, theories of love, memories of love; they all help us come closer to better knowing this emotional bond. One writer in particular, Sei Shōnagon, explains two types of lovers in her essay "A Lover’s Departure": the good and the bad.
This essay focuses on the theme of forbidden love, The God of Small Things written by Arundhati Roy. This novel explores love and how love can’t be ignored when confronted with social boundaries. The novel examines how conventional society seeks to destroy true love as this novel is constantly connected to loss, death and sadness. This essay will explore the theme of forbidden love, by discussing and analysing Ammu and Velutha's love that is forbidden because of the ‘Love Laws’ in relation to the caste system which results in Velutha’s death. It is evident that forbidden love negatively impacts and influences other characters, such as Estha and Rahel, which results in Estha and Rahel’s incestuous encounter.