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The nature of African religion
Explain the relationship between religion and society
The nature of African religion
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In African context, Nigeria presents the largest concentration of everything that is traditionally African from tourism, traditions, customs and belief respectively. To elucidate this point, Ghanaian American writer Kwasi Sarkodie-Mensah points out:
For example, Peeking at the eggs on which a hen is sitting was believed to make you blind. A pregnant woman who ate pork could have a baby with a mouth like that of a pig. Among a Nigerian tribe Yoruba, it was believed that there were spirits hidden in rivers and hills in various cities. Since these spirits were there to protect the people, they were not to be disturbed on certain days of the week. In almost all Nigerian societies, there is a strong belief that most disease and death are caused supernaturally, by witchcraft, curses, or charms. For a long time, the tribe Ibos believed that twins were an abomination and be killed at birth. Among some of the Hausa people, it was believed that marrying a Yoruba woman could result in Mystical dangers such as serious sickness or even death.
In many Nigeria cultures, elders are supposed to be served first during a meal but leave food in the bowl for the children to eat as leftovers. The proverb, “the elder who consumes all his food will wash his own dishes,” attest to this belief. (Retrieved from http://www.everyculture.com/multi/Le-Pa/Nigerian-Americans.html on 20/1/2014).
Such context is crucial when analyzing what makes the country rich in custom, belief and culture which extends to various countries in African. However, such notion has been inexistence since festival and tourism plays a great impact in physical and environment, political and economy. Most research has tended to ignore or play down the impact which results from environmen...
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...will not be creative. Thus, our brain impose meaning on sensory information, they often present us with a coherent picture or the best hypothesis, when in reality there is always ambiguity (Snyder, 2002: 7). The context is important when we analyze the human behavior, emotion and belief in relation to festival. In order to elucidate this point, Charles Darwin discovered the reason why human exist and even went further to ask the question of the sort “What is Life?” Emotional/motivational circuits are innately wired into the brain by evolution and these bring about mediate functions that contribute to survival and wellbeing of the organism (Le Doux, 2012: 2). Charles Darwin went further to describe those human emotions as follows: Happiness, Fear, Sadness, Disgust and Surprise etc. He further explains that these aspects of human emotions reflect our ancestral past.
Brief History From the 1500s to the 1700s, African blacks, mainly from the area of West Africa (today's Senegal, Guinea, Sierra Leone, Gambia, Liberia, Ivory Coast, Ghana, Dahomey, Togo, Nigeria, Cameroon, and Gabon) were shipped as slaves to North America, Brazil, and the West Indies. For them, local and tribal differences, and even varying cultural backgrounds, soon melded into one common concern: the suffering they all endured. Music, songs, and dances as well as traditional food, helped not only to uplift them but also quite unintentionally added immeasurably to the culture around them. In the approximately 300 years that blacks have made their homes in North America, the West Indies, and Brazil, their highly honed art of the cuisine so treasured and carefully transmitted to their daughters has become part of the great culinary classics of these lands. But seldom are the African blacks given that recognition.
In sub-Saharan Africa, thousands of languages, cultures, and geographical regions helped influence our African society. The ways in which we produce our artwork, spiritual ideals, and ritual performances are organic and raw. From the tropical regions of Congo and Ghana, to the arid regions of Mali; I pass through the global gateway into a domain where the Western world lost its roots and artistic imagination and grandeur. Africa appeals most to me for its ability to create a realm where the living, dead, and artistic ideals come into a single unit of tranquil philosophy.
Witchcraft has been rampant in various parts of Africa. However, the practice of witchcraft has been on the decline in modern society as compared to the period before the rise of colonialism (Toyin 250). In most part of Africa, there is a conglomeration of tribal healers, sorcerers, and wizard considered having different forms of powers in controlling the fate of society (Toyin 209). Consequently, this has led to the emergence of thousands of practitioners in different parts of Africa. The magic practitioners claim to have enormous powers such as the ability to create rains in times of drought, power to expel evil spirits, to recover lost things, and even to make one healthy (Sanders 338). On the other hand, this has led to the believers by millions of Africans on the monotheistic faith. In fact, most of the Africans believe the magicians have power over nature by the use of a spell or hidden incantations (Petraitis 1). Consequently, this has led to some of the communities lag behind in terms of development as the practice continues to be entrenched in the systems (Green and Mesaki 343). Moreover, the practice has been associated with the poor state of the economy in places that it is widely practiced. The practice has remained prevalent in Africa and Tanzania society (Toyin 297). For example, in the last two decades, thousands of Tanzania have been accused on witchcraft and even murdered by citizens due to the archaic practices (Petraitis 1). In the region, the practice is widespread among the female octogenarians. Moreover, those who practice witchcraft are believed to have certain characteristics such as Red eyes (Petraitis 1). The mark has been used notably in Tanzania to lynch octogenarians believed to pract...
...’s depictions of both traditional and modern beliefs in varying degrees illustrate the importance of both in contemporary Nigerian culture, as well as the greater Africa as a whole, and how both are intertwined and cannot exist without the other. In effect, she skillfully subverts stereotypes or single perceptions of Africa as backward and traditional, proving instead, the multifaceted culture of Africa. She further illustrates that neither traditional African nor western culture is necessarily detrimental. It is the stark contrast of the fundamental cultures that inevitably leads to clashes and disagreements. In the end, what holds African countries such as Nigeria together is their shared pride. Modern, western influences can bring positive changes to society, but new cultures cannot completely eradicate the foundational cultures to which a society is founded on.
While the outside world considered Nigeria to be a united and monolithic entity, even the British colonial administration was wary of the reality of Nigerian politics; the nation was not so much a “country” as it was more than three hundred different groups coalesced into one.4 5 These tribes were divided between three main spheres of influence: the Yoruba, the Igbo, and the Hausa. Historically, their interests were often opposed, and their cultures did not come into regular contact with one another until the British occupation. In spite of the differences British administration a...
Benin is a small country on the west coast of Africa. In pre-colonial times, Benin was home to one of the great medieval African kingdoms called Dahomey. Even after independence from French rule, Benin still has strong French influence, French being the population’s official language. This small country is a tropical and sub-saharan nation and is home to many unique cultural traditions. Despite all of the struggles of the past and current challenges facing Benin, the small country is thriving with its uniquely rich culture.
Traditions are practices/beliefs that are passed down from generation to generation. In traditional African societies, a kinship ties people through birth or marriage. There are two kinds of relationships in customary African tradition; those bound by blood, which are called consanguine, and those constructed by marriage, called affilial. There are four key descents that determine inheritance and marriage. However, the most common descent is patrilineal, which traces ancestry through one's father. While in America, we are vary tolerant of tracing our descent from both parents.
The tradition of ‘Evala’ is a West African Wrestling art that comes from the Togo ceremony of the Kabye people, which young men trained for and is possibly thousands of years old; originating from the Bantu migration period. Their training resembles the initiation of “Shaolin disciples” (they go through a rigorous training and are then tested). Yoruba: The Yoruba style of wrestling (Gidigbo/Oyo) founded in western Nigeria is a part of their initiation rite into manhood and is originally based on the culture of the royal Efi, dating back to its earliest recording of 700BCE. The wrestling-matches set the grounds for individual status in the tribe, as well as to settle problems or to engage in marriage ceremonials. The Efi holds much of its
For example, the cramp of eye- lid was thought to be a nasty omen. Once Okonkwo’s daughter Ezinma said that her eye- lid was twitching, her mother Ekwefi replied, “it means that you're going to cry” (TFA 40). Likewise, people were frightened of answering back once they were called by their names. Once Nwoye’s mother addressed Ekwefi by her name, she replied, “Is that me?” (TFA 41) the idea within the omens and ill-omens was so deep rooted within the psyche of the igbo individuals, that it had become instrumental in shaping their behavior and conduct: “That was the method individuals answered calls from outside. They never answered affirmative for concern it would be an spirit calling” (TFA 41). Big and ancient silk cotton trees were thought-about sacred and it had been believed that the spirits of excellent children lived in these trees, waiting to be born. Similarly, the birth of twins was thought-about a bad omen and that they were place in earthenware pots and were thrown away within the forests. This fact highlights the blind irrational beliefs of the individuals, that made them so cruel, that they hardly felt any sorrow or regret in throwing away their newly born within the
Buchi Emecheta’s literary terrain is the domestic experience of the female characters, and the way in which these characters try to turn the table against the second-class and slavish status to which they are subjected either by their husbands or the male-oriented traditions. Reading Buchi Emecheta informs us of the ways fiction, especially women’s writing, plays a role in constructing a world in which women can live complete lives; a world that may provide women with opportunities for freedom, creativity, self-expression, friendship and love. Welesley Brown Lloyd believes that; “of all women writers in contemporary African literature Buchi Emecheta of Nigeria has been the most sustained and vigorous voice of direct feminist protest” (35)
The Enlightenment and the emerging of modern rationalism have paved the way to a worldview where the suspicion of witchcraft is not needed to explain the mysterious phenomena of this world. This is not the case in Africa. The belief in the existence of witches, evil persons who are able to harm others by using mystical powers, is part of the common cultural knowledge. Samuel Waje Kunhiyop states, “Almost all African societies believe in witchcraft in one form or another. Belief in witchcraft is the traditional way of explaining the ultimate cause of evil, misfortune or death.” The African worldview is holistic. In this perception, things do not just happen. What happens, either good or bad, is traced back to human action, including “ancestors who can intervene by blessing or cursing the living.” Witches, on the other hand, harm because they want to destroy life. Every misfortune or problem can be related to witchcraft, especially when natural explanation is not satisfactory.
CULTURE COMPARISON WITHIN THREE IGBO GROUPS AND YORUBA CONCEPTS UDI NSUKKA ONITCHA BODY Ehu Eshu Aru ORANGE Oloma Orume Oloma HAND Eka Eka Aka HERE Nwanu Nwabe Ebea NOW Nnwo Nwoshia Kita EYES Enya Enya Anya Nigeria is a country in west Africa with more than 180 million people living in it.
When Britain colonized Nigeria in 1851, Igbo culture experienced a vast transformation, causing a significant change in literature. European colonization of Africa changed Igbo literature
Nigerian culture is as multi-ethnic as the people in Nigeria. The people of Nigeria still cherish their traditional languages, music, dance and literature. Nigeria comprises of three large ethnic groups, which are Yoruba, Hausa-Fulani and Igbo.
One may question how important Africana folklore is. Africana folklore has been around for longer than you and me. Many things has been learned from this. We all have seen or used Africana folklore tradition, dance or music just you may not realize it. As Africana folklore has been around for centuries and passed downed from generation to generation and preserved, for creating stories, teaching lessons for kids, teaching history for future generations to view upon information that may not be addressed in their history textbooks, and their fashion, dancing, and music sense still exist till this day, thus allowing us to continue preserving their cultures and following their beliefs and learning!