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The link between creativity and mental illness essay
Essay on art and emotion
The link between creativity and mental illness essay
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Nothing is off limits when it comes to the work of British artist, Tracey Emin. Multitalented and well versed in an array of mediums; including painting, photography, video, drawing, installation, embroidery, and sculpture Emin reveals dramatic and shocking intimate histories. Tracey uses symbolic and literal representations of intimate experiences embedded with trauma, violence, sex, and dysfunction to create a spectacle of private moments. Through the exploration of self and past experiences her work is considered to be confessional; offering a cathartic method of expression for the artist. Emin’s serious and uncensored portrayal of her life highlights the notion that art and life are intertwined. She explains this by saying, “my world is …show more content…
The work has been in the crosshairs of critics and historians since its conception in 1998. In order to understand My Bed, it is important to investigate the ontology of similar artworks and the events of the artist’s life that led to its creation. These factors along with other works by Emin can inform conservators, critics, historians and connoisseurs of art regarding the future of My Bed. Tracey Emin was born ten minutes after her twin brother Paul in London on July 3, 1963. The twins were a result of an affair between their parents, Pamela Cashin and Envar Emin, both of whom had other spouses at the time. Envar, a Turkish Cypriot, held various jobs while dividing his time between his two families. In 1966, Envar developed a successful hotel property in Margate, Kent. Tracey and her family relocated from London to the seaside town where they sustained a healthy financial balance. During Tracey’s early developmental years, she witnessed obscene behavior from some of the fellow tenants. The family’s period of prosperity came to a halt when Envar declared bankruptcy in 1972; forcing …show more content…
During this time, she met then boyfriend, Billy Childish, who she says, “was the first person in my life who showed me there was a different way of doing things: that gave me the green light to go ahead in life and art. So instead of feeling on the outside I realized that there was an outside and it was called “being an artist.” Tracey was introduced to the work of German Expressionists such as; Egon Schiele and Edvard Munch. These would remain dominant figures of artistic influence well into her career. Emin’s exposure to life as an artist led her to pursue a bachelor’s degree in art from the Maidstone College of Art in Margate. She studied under the printmaking course, graduating in 1986. The years Tracey spent at Maidstone were come of her best years.
Controversial artists such as Mike Parr and Stelarc place emphasis on shock-value and meaning rather than traditional skills and aesthetics, and use their own bodies as a medium, while working with new mediums and technology such as video, performance, sound, and robotics. As Postmodern art continues to push the boundaries of what is - and isn’t acceptable as art, the general public is left to wonder ‘what comes next?’.
Miro, V (2016). Review: Exhibits of Work by Grayson Perry [online] Available at: http:// www.victoria-miro.com Accessed on 30th May 2016.
Aristotle once claimed that, “The aim of art is to represent not the outward appearance of things, but their inward significance.” Artists, such as Louise-Elizabeth Vigée Le Brun and Mary Cassatt, captured not only the way things physically appeared on the outside, but also the emotions that were transpiring on the inside. A part no always visible to the viewer. While both artists, Le Brun and Cassatt, worked within the perimeters of their artistic cultures --the 18th century in which female artists were excluded and the 19th century, in which women were artistically limited-- they were able to capture the loving relationship between mother and child, but in works such as Marie Antoinette and Her Children and Mother Nursing her Child 1898,
In the first image on the left, a man is kissing a lady; the artistic way of expression can be interrupted as disrespectful or offensive. Her work has had a lot of criticism as there is too much sexuality featured. For example, the boy and the girl on the cliff having oral sex. Nevertheless, she doesn’t shy away from controversial topics of racism, gender,and sexuality in her paper -cut silhouette.
Edna seeks occupational freedom in art, but lacks sufficient courage to become a true artist. As Edna awakens to her selfhood and sensuality, she also awakens to art. Originally, Edna “dabbled” with sketching “in an unprofessional way” (Chopin 543). She could only imitate, although poorly (Dyer 89). She attempts to sketch Adèle Ratignolle, but the picture “bore no resemblance” to its subject. After her awakening experience in Grand Isle, Edna begins to view her art as an occupation (Dyer 85). She tells Mademoiselle Reisz that she is “becoming an artist” (Chopin 584). Women traditionally viewed art as a hobby, but to Edna, it was much more important than that. Painting symbolizes Edna’s independence; through art, she breaks free from her society’s mold.
The song Drew Barrymore was written by an artist by the name of SZA in January of 2017. It is one of her most popular songs on the album Ctrl, which also made it on Rolling Stones list of the 50 Best Albums of 2017. SZA’s target audience for the song is mostly younger women. Although the song may seem like it is a love song when first hearing it, it actually is explaining how most women are raised to act and be a certain way, gender rules pressured onto women around the world, and how the media interprets these ideas of the ideal woman.
No other artist has ever made as extended or complex career of presenting herself to the camera as has Cindy Sherman. Yet, while all of her photographs are taken of Cindy Sherman, it is impossible to class call her works self-portraits. She has transformed and staged herself into as unnamed actresses in undefined B movies, make-believe television characters, pretend porn stars, undifferentiated young women in ambivalent emotional states, fashion mannequins, monsters form fairly tales and those which she has created, bodies with deformities, and numbers of grotesqueries. Her work as been praised and embraced by both feminist political groups and apolitical mainstream art. Essentially, Sherman’s photography is part of the culture and investigation of sexual and racial identity within the visual arts since the 1970’s. It has been said that, “The bulk of her work…has been constructed as a theater of femininity as it is formed and informed by mass culture…(her) pictures insist on the aporia of feminine identity tout court, represented in her pictures as a potentially limitless range of masquerades, roles, projections” (Sobieszek 229).
When I first read about Marina Abramovic, I found her performance art can be both shocking and hold the attention of one. Her work ranges in physical intensity, emotional exposure, and sadness. Marina Abramovic work is about self abuse, self discipline, and unreasonable punishment and great courage. Through the conditions she puts herself and her audience in her performance. In my opinion, I feel Marina Abramovic and my main goal as an artist is not only to completely change the way art is seen by the public, but to push the performance the same line as fine art.
This investigation will examine a few key works by the anonymous female artist group know in popular culture as the Guerrilla Girls. In this essay it will reveal several prominent themes within the groups works that uncover the racial and gender inequalities in politics, art and pop culture with the use of humor. These collaborating artists work and operate with a variety of mediums, their works display a strong message concerned with activism connected by humor allowing the Guerrilla Girls to communicate and resonate a more powerful message to the viewer. The ways in which this collaborating group has employed many questions and facts against the hierarchy and historical ideologies which have exploited women and their roles in art. This investigation will allow the reader to identify three areas in which the Guerrilla Girls apply a certain forms of humor to transform society’s view on the prominent issue of gender in the art world. These specific ploys that are performed by the Guerrilla Girls are in the way they dress, the masks they wear, pseudonymous names of dead women artists and the witty factual evidence in their works. These are all examples to evoke audiences in challenging not only the art society which dictates the value and worth of women in art but also to confront yourself and your own beliefs in a way that makes audiences rethink these growing issues.
Imagine you can own one of the famous painting in the world. Which one would it be? What will you do with it? If I got to own a famous painting, I would hang it in my bedroom and I’ll show it to my family. In this situation, If needed to narrow it down it will be The Persistence of Memory by Salvador Dali or Nighthawks by Edward Hopper. These paintings are extremely different, and their artistic movement is opposite from one another. By the end of this essay, you’re going to know the differences and similarities of these paintings.
The star text of a celebrity can help to decipher their image and transitions they may undergo. In order to better understand these transitions, one must know the definition of a star text. A star text is the sum of everything we affiliate with celebrities, which includes their body of work, promotion, publicity, and audience participation (Jackson, 08/09/16). One must note that “celebrity doesn 't happen because someone has extraordinary qualities – it is discursively constructed by the way in which the person is publicised and meanings about them circulate” (O 'Shaughnessy and Stadler 424). Destiny Hope Cyrus, “an American singer and actress, became a sensation in the television series
I look to other artists for inspiration and affirmation in regards to my work. I am certainly not the first artist to portray ideas of the body and its fragility. Hannah Wilke, whose work dealt with ideas of beauty and vulnerability, is perhaps one of more influential artists for me. While her work greatly differs from mine, I believe that fundamentally she was asking similar questions of society through her work as I am. When I first saw her work, I felt f...
Being a women artist, displaying such an installation was not possible years back. Contrary to the opinions of many students new to the study of feminist literary Criticism, many feminists like men, think that women should be able to stay at home and raise children if they want to do so, and wear bras. Bringing such an art piece, reflection of her inner experiences or having sex in bed after having bad relationship could not be possible before. The main female characters are stereotyped as either “good girls” or “bad girls”. These classifications suggest that if a woman does not admit her male-controlled gender role, then the only role left her is that of a monster. Yet Emin’s confessional art- with its confidences of pregnancy, being raped, destructiveness of guilt, emotional stress- has become much common nowadays with feminist consciousness while in early generation, sharing such experiences lead to the destruction of women’s life. Her unmade bed, surrounded by such bric-bracs tells a story of a depressed, emotionally stressed women artist who asks for a sympathetic shoulder from the viewers by being a transparent soul. “For her British critics it [My Bed] expressed Emin’s sluttish personality and exemplified the detritus of a life quintessentially her own; it was, above all, confessional”, Cherry observes. Emin has limited the word ‘feminist; art practices have been the concerned of an early generation. This point seems to be confirmed by Emin herself, who declares to the discerning nature of her work in which she says that she decides to show either this or that part of the truth, which isn't unavoidably the whole story but it's just what she decides to gives us. As a self-motivated set of influences, feminism no longer titles a unitary or merging project infact it is now being the transformation just as feminist biases are perpetually subject to change. Whereas, looking at Tracey’s other work, Tent “Everyone I Have Ever
Georges Didi-Huberman is critical of the conventional approaches towards the study of art history. Didi-Huberman takes the view that art history is grounded in the primacy of knowledge, particularly in the vein of Kant, or what he calls a ‘spontaneous philosophy’. While art historians claim to be looking at images across the sweep of time, what they actually do might be described as a sort of forensics process, one in which they analyze, decode and deconstruct works of art in attempt to better understand the artist and purpose or expression. This paper will examine Didi-Huberman’s key claims in his book Confronting Images and apply his methodology to a still life painting by Juan Sánchez Cotán.
An Investigation of the Thematic and Conceptual Overlap between my Work and the Works of Ludolf Backhusyen and Niso Maman. The theme of Refuge is broad. In documenting and writing down my initial thoughts and ideas in my Visual Diary on Refuge, I discovered that my works, based on this theme were both similar and different to the works of Ludolf Backhusven’s and Niso Maman. Therefore, this Conclusive Research Essay will outline how these artists influenced me and their impacts on my final year works.