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Advertising and gender
Advertising and gender
How does the sexualisation of women impact advertising in society
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Even though advertisements can advertise new products, sex-appeal strategies attract customers in ways where the media exploits and objectifies women and gives women unrealistic looks of what beauty is. Like the renowned fashion designer Tom Ford, known for his variety of fashion styles and collections, he is a great example to consider when taking a look at gender representation. In one of his particular advertisements for a 2012 fall collection, it appeals to the need for sex, the need for attention and the need to satisfy curiosity.
In Jib Fowles analysis of advertising he states, “An advertisement communicates by making use of a specifically selected image (of a supine female, say, or a curly-haired child, or a celebrity) which
is designed to stimulate “subrational impulses and desires ” (Fowles 75). Fowles quote applies to Tom Ford’s 2012 advertisement. Ford’s advertisements, portray women as sex icons. Meanwhile men are always the dominant ones. Men have to have a masculine identity while woman have to simply be beautiful. This is a mainstream issue that devalues women, encourages sexual harassment, and advertises violence against women. Tom Ford’s brand is one of the popular brands of advertising that stands out to young, wealthy, classy people. Big fashion known magazines such as Vogue, Glamour, Cosmopolitan, and Vanity have his advertisements. Tom Ford has steered his fashion from perfumes to makeup to clothes for celebrities. Since he is one of the biggest faces in advertising he influences young and old audiences. Typically younger people are at more risk since they are the one likely to buy these types of magazine and follow the advertising ideals. These types of advertisements persuade people that they will look good, but also to reinforce that they will get attention depending on what occasion it advertises. So what can society do? How can discrimination of women not be an issue in advertising? It’s hard to not buy products since we’re accustomed to buying what’s trendy and we seek what’s new. No matter if we have do anything to try to prevent this, men and women are targeted and advertising cannot go away. Advertising is the biggest way to sell products to consumers and appeal to various crowds. The fact that we have advertising is one thing. On the other hand, it would be one thing if the type of imagery that advertisements depict is regulated because most of these advertisements are on the border line of pornography.
Advertisers aim for an attractive advertisement depends on what audience they wanted to aim for. This is a way to make a good way of attracting people to make efficient money by using stereotypes, and psychologically
I have examined and analyzed the COVERGIRL™ NatureLuxe advertisement that uses common feminine stereotypes. In this advertisement, COVERGIRL™, which runs in Seventeen magazines, targets women through their choices of colors, fonts, and images used. Certain stereotypes are used; such as, those who are more feminine tend to prefer lighter, happier colors, such as pink. Also, the use of a celebrity, who many young women look to as an icon, assists in the advertisement of the COVERGIRL™ product. COVERGIRL™, more than likely, is able to successfully market their lip-gloss product in the United States by using common gender stereotypes to show femininity and how those, mainly women, should be presented in today’s society.
The documentary Killing Us Softly 4 discusses and examines the role of women in advertisements and the effects of the ads throughout history. The film begins by inspecting a variety of old ads. The speaker, Jean Kilbourne, then discusses and dissects each ad describing the messages of the advertisements and the subliminal meanings they evoke. The commercials from the past and now differ in some respects but they still suggest the same messages. These messages include but are not limited to the following: women are sexual objects, physical appearance is everything, and women are naturally inferior then men. Kilbourne discusses that because individuals are surrounded by media and advertisements everywhere they go, that these messages become real attitudes and mindsets in men and women. Women believe they must achieve a level of beauty similar to models they see in magazines and television commercials. On the other hand, men expect real women to have the same characteristics and look as beautiful as the women pictured in ads. However, even though women may diet and exercise, the reality...
Have you ever seen an advertisement for a product and could immediately relate to the subject or the product in that advertisement? Companies that sell products are always trying to find new and interesting ways to get buyers and get people’s attention. It has become a part of our society today to always have products being shown to them. As claimed in Elizabeth Thoman’s essay Rise of the Image Culture: Re-Imagining the American Dream, “…advertising offered instructions on how to dress, how to behave, how to appear to others in order to gain approval and avoid rejection”. This statement is true because most of the time buyers are persuaded by ads for certain products.
How is it that the advertisers take our mind from the image on the page to the thoughts that progress in our head? To figure this out let us more closely examine the images, or signs, that have been presented to us. Let us first examine the image of the man in the ad. He is dressed casually "preppie", wearing khakis and a blue, collared shirt. Tucked under his left...
Tom Ford’s advertisements and commercials represent an example of how gender inequality is present in today’s society. The effectiveness of sex appeal is used throughout, especially in commercial advertisements. An advertisement that can be analyzed through semiotics is Tom Ford’s lipstick commercial. He uses women as sex objects to endorse luxury products like lipstick. The colours, clothing, and theme in the commercials enhance the products. In the commercial there are various women kissing men. The men are dressed in tuxedos while the women reveal skin in the clothes they are wearing. The message in this advertisement shows lip biting, kissing, and instances of men smiling to show pleasure. It is saying that flirting and seeking sexual
Many advertisement have found the key part into selling a product is through "sex" because they know sex will sell. Susan Bordo, a philosopher, write an essay piece on how the male bodies are presented as objects of pleasure and exchange of commerce. Usually, it would be women who are presented as objects of pleasure, but in this particular essay the script is flipped. Susan Bordo focus on how women react to men in the media, how men was seen in sexy advertisements and how homosexuality had an influence on it. These advertisement images are brought to life by brand names like Calvin Klein, Gucci, and Versace. In Susan Bordo's "Beauty (re)discovers the male body" she uses rhetorical strategies persuasively to argue that the male bodies are being exposed and objectified in a similar way to the female body. Susan Bordo, a philosopher, the Otis A. Singletary Chair of Humanities at the University of Kentucky. Bordo has background training in the study of culture, including popular culture and its representation of the body. Bordo intended audience was a broad group of people. Her audience would consist of people of any gender who are aware of advertisement selling products through sex. No, Bordo does not show proper audience awareness. The readers are prone to use context clues and the information to paint a clear picture of who is Bordo audience. As recently mention, Bordo's purpose for writing is present her argument about the exposure and objectification of the male body as opposed to the female body in the media. In Bordo essay, she introduces her ethos through personal stories, her own opinion, and data polls. Bordo credibility is well equipped throughout her essay, and writing on subject she shows passion towards. Bordo acknowled...
Images are a powerful force in advertising as they are the ones that promote different perceptions and attitudes towards products. They are also the ones that create stereotypes. They are very manipulative, for they will never focus on the negative things that are associated with their products, only the positive ones. Advertisements are ambitious which gives them power, and engage customers for their approval.
To sum up, it is often said that advertising is shaping women gender identity, and some have been argued that the statement is true, because of the higher amount of sexual references of women that advertisement show and the damages that occur on women’s personality and the public negative opinions of those women. As well, the negative effects that those kinds of advertisements cause to young generations and make them feel like they should simulate such things and are proud of what they are doing because famous actors are posting their pictures that way. Others deem this case as a personal freedom and absolutely unrelated to shaping women gender identity. On the contrast, they believe that, those sorts of advertisements are seriously teaching women how to stay healthy and be attractive, so they might have self-satisfaction after all.
Advertising in American culture has taken on the very interesting character of representing our culture as a whole. Take this Calvin Klein ad for example. It shows the sexualization of not only the Calvin Klein clothing, but the female gender overall. It displays the socially constructed body, or the ideal body for women and girls in America. Using celebrities in the upper class to sell clothing, this advertisement makes owning a product an indication of your class in the American class system. In addition to this, feminism, and how that impacts potential consumer’s perception of the product, is also implicated. Advertisements are powerful things that can convey specific messages without using words or printed text, and can be conveyed in the split-second that it takes to see the image. In this way, the public underestimates how much they are influenced by what they see on television, in magazines, or online.
As an advertisement for Michael Kors apparel, the first image immediately gives off a sexual energy. The model is presented in a very suggestive pose, with her bare legs spread apart, only wearing a long sleeved tunic. The message to the viewing public is clear—these are the kind of woman that wear this apparel, and if you wish to look like her, buy Michael Kors. As a re-iteration of presented thesis, sexuality and a woman’s body image is manifested throughout the ad. The physical beauty of this individual is the central focus. The following image continues in the line of sex appeal with a makeup ad. A bold caption reads “Eye Candy”, with the model in a very suggestive position and expression. A question that comes to mind when viewing this image is—who is this ad really geared towards? It would be assumed that a makeup ad would be created to attract females, so why would it need to be sexual? What this ad really attracts is the male eye, and woman realiz...
The portrayals of men in advertising began shifting towards a focus on sexual appeal in the 1980s, which is around the same that women in advertising were making this shift as well. According to Amy-Chinn, advertisements from 1985 conveyed the message that “men no longer just looked, they were also to be looked at” as seen in advertisements with men who were stripped down to their briefs (2). Additionally, advertisements like these were influencing society to view the male body “as an objectified commodity” (Mager and Helgeson 240). This shows how advertisements made an impact on societal views towards gender roles by portraying men as sex objects, similarly to women. By showcasing men and women in little clothing and provocative poses, advertisements influenced society to perceive men and women with more sexual
In the essay “Beauty (Re)discovers the Male Body,” author and philosopher Susan Bordo discusses the history and current state of male representation in advertisements. While using her feminist background, Bordo compares and contrasts the aspects of how men and women are portrayed in the public eye. She claims that there has been a paradigm shift the media with the theory that not just women are being objectified in the public eye, but also men too. Since the mid-1970s, with the introduction of Calvin Klein commercials, men have started to become more dehumanized and regarded as sex symbols. In a similar fashion to how Bordo describes gender, race plays a similar role in the media. People of all different ethnicities and cultures are being categorized into an oversimplified and usually unfair image by the media over basic characteristics.
Advertisement is all around us and is produced in different forms. They could be on a billboard, by a bus stop or simply shown on social media or television. Trouble is that most us don’t understand the true meaning behind the photographs, or when we do, we’d have to look twice to recognise it. In the month of February 2015, a photograph of a dress went viral on social media.
In conclusion the explicit use of unrealistic looking women to sell products is putting pressure on young girls to try to achieve these impossible looks so they will be more attractive to their male counterparts. Using a woman’s sexuality to advertise products creates a pure gender based way of capturing the market without any thought given to what is actually being advertised. Women should be portrayed as strong and powerful or at least, the equal of males.