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Essay on edward scissorhands
Essay on edward scissorhands
Tim Burton Analysis
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In the film Edward Scissor hands the director Tim Burton explores conformity and isolation of its protagonist, Edward, through film techniques. Even though society is made up of unique individuals that can result in a dynamic environment, Edward faces difficulties when trying to integrate into society due to his uniqueness. Firstly, when Peg meets Edward, use of color and camera work emphasizes his solitude and individualistic qualities. Secondly, when Peg dresses Edward in a ‘normal’ fashion, costume and dialogue are used to highlight the difference between Edward and society. Lastly, in the scene when Edward is on television, costume and dialogue are again used to enhance Edward’s unconventional character. In the scene when Peg meets Edward,
...d traditions, but also blending two distant genres together. The blending of genres gives us ideas about common conventions in films that we do not usually pay attention to, and how they can be manipulated to change the way we think about individuals and groups. Edward Scissorhands dives deeper than just a “Beauty and the Beast” narrative, and influences audiences to explore topics of how the gentlest of souls can be misjudged by their appearance, a seemingly normal community can be the “bad guy” if it only has its personal intentions in mind and no one else’s, and that true love is not about what is on the outside, but rather, what is on the inside. Edward Scissorhands can be considered as one of the most appealing films of the 20th century as it keeps audiences guessing, surprises them at the most unexpected times and breaks conventional film boundaries.
Since the communist era, the concept of conformity has been tested on humans thinking it would bring a sort of comfort. These regimes rapidly crumbled due to their often authoritarian nature. Following these dictatorships, we often associate conformity with misery. Similarly, in Edward Scissorhands, through the characterization of Peg Boggs, the symbolism of Edward’s castle home and the change in Edward’s behaviour, director Tim Burton rejects conformity since it leads to fakeness, boredom, and corruption and, instead, promotes the benefits of authenticity and old habits.
In conclusion, by using the production elements of both allusion and symbolism; director Tim Burton has created the film in such a manner by making deliberate choices in order to invite a certain response. The film is constructed and given greater depth through the allusion to elements from other genres and ridicules the suburbia’s materialism and lack of imagination, which in turn enhances the invited response.
Within the very beginning of the film, the wonderful portrayal of William by Billy Crudup gives the audience a lasting impression by Burton of the blatant resentment and distain William has towards his father and his mythological stories. Wallace, while more subtle in his method to reveal the underlying anger of William towards Edward, does not make it any less apparent than Burton of the obvious indifference William feels towards his father. In Burton’s ...
Indisputably, Tim Burton has one of the world’s most distinct styles when regarding film directing. His tone, mood, diction, imagery, organization, syntax, and point of view within his films sets him apart from other renowned directors. Burton’s style can be easily depicted in two of his most highly esteemed and critically acclaimed films, Edward Scissorhands and Charlie and the Chocolate Factory. Burton ingeniously incorporates effective cinematic techniques to convey a poignant underlying message to the audience. Such cinematic techniques are in the lighting and editing technique categories. High key and low key relationships plus editing variations evinces the director’s elaborate style. He utilizes these cinematic techniques to establish tone mood, and imagery in the films.
Few human experiences are as wretched as facing the fact that one is alone; perhaps because isolation is so easily recognized and dwelled upon when one is without friends to distract from life’s woes. Now consider isolation at its most extreme and ponder what such abject loneliness would work upon man. This is the fate of Dr. Frankenstein and the Monster in Mary Shelly’s Frankenstein. Frankenstein is the story of how one man’s experiment has the unintended consequence of making Frankenstein and his creation, the Monster, completely isolated from the rest of humanity: the creator of the unnatural monster dares not relate his tale lest due to his punishing guilt, and the hideous being himself shares neither kinship nor experience with anyone.
On August 25, 1958, Timothy Walter Burton was born (“Biography”). Burton had a painful childhood in which the relationship with his parents and brother was nonexistent (Morgenstern). Through his intense feeling of isolation, his visual talent began to develop. The comfort found in hobbies such as writing and drawing led him to attend the California Institute of the Arts which led him to his first job in any artistic field at the Disney Animation Studios (“Biography”). Burton has since been referred to as one of the most visually gifted writers, artists, and filmmakers that America has seen (Hanke). His short stories, poems, and film scripts are centered on an inner darkness which he has been slowly acquiring since his childhood. He throws himself into everything he writes and makes even the simplest characters have a deep, complex meaning. His famous darkness and symbolism is shown in his book The Melancholy Death of Oyster Boy and Other Stories. The book contains a collection of his short stories, poems, and illustrations about a variety of fictional characters that can be compared to Burton and his life. Tim Burton’s home life and previous hardships have made a significant impact on his work. In my paper, I will draw parallels to his life and work as well as prove that there is reasoning and beauty in the way he is.
How the Opening Sequence of Halloween Captures the Attention of the Audience ' 'Halloween' was made in 1978 and is a good example of the 'Slasher' movies from that time and this is an interesting piece of cinema as it can be related to the German expressionism of the late 1920's which used jerky camera shots and high contrast lighting to enthrall the viewer .In this essay I will discuss how the opening to Halloween captures the audiences attention and how codes and conventions create suspense and tension for the audience.
In Frankenstein, by Mary Shelley, the Creature executes extreme and irreversible acts due to his isolation from society. Although the Creature displays kindness, his isolation drives him to act inhumanely.
Alice in wonderland has compelled many artists and writings to adapt, Lewis Carroll 's book into movies. The original animated movie of Alice in Wonderland came out in 1951; which was produced by Disney. There have been many remakes, but for the purpose of this essay the 2010, live action remake by Tim Burton can reveal the most change. Keeping these two versions in mind, it is possible to get a snapshot of some ways American culture has shifted over the 59 year period. There are five main changes of importance from the original and the remake of Alice in Wonderland. Those changes are: the age of Alice, the dynamic of characters in Wonderland, the Gender roles, the violence, and the agency of Alice throughout the movie. These key changes can be linked to many subliminal messages being conveyed about American
As Nathaniel Brandon once said “…first step towards change is awareness. The second step is acceptance.” In Edward Scissorhands directed by Tim Burton, the society are all very aware of Edward’s differences but they are reluctant to change their views and fully accept him.The film reveals how Edward is isolated because he is different and how society selfishly exploits the unique talents of Edward and then when their feelings change and they regard him as dangerous, they reject him. However the Bogg family provide a sense of belonging and acceptance for Edward. Edward Scissorhands makes important comments about society’s inhumane treatment of people who differ from the norm, ignoring that all people deserve to be treated equally and with respect.
... imagination is sometimes more excessive than the action on the screen. After the application of Williams’ “theory” to David Creonenberg’s film Shivers, it is apparent that the spectator’s personal perception of the action (or inaction) is more the cause of the bodily reaction that Williams is referring to, rather than the objective excess on the screen. Ultimately, various characteristics of Williams’ arguments are true, but as a film theory in general, “Film Bodies: Gender, Genre and Excess” needs further research and flexibility in order to be both relative to all “body” genre films, and applicable to all unique spectators.
An idea becomes a vision, the vision develops a plan, and this plan becomes an ambition. Unfortunately for Victor Frankenstein, his ambitions and accomplishments drowned him in sorrow from the result of many unfortunate events. These events caused Victors family and his creation to suffer. Rejection and isolation are two of the most vital themes in which many dreadful consequences derive from. Victor isolates himself from his family, friends, and meant-to-be wife. His ambitions are what isolate him and brought to life a creature whose suffering was unfairly conveyed into his life. The creature is isolated by everyone including his creator. He had no choice, unlike Victor. Finally, as the story starts to change, the creature begins to take control of the situation. It is now Victor being isolated by the creature as a form of revenge. All the events and misfortunes encountered in Frankenstein have been linked to one another as a chain of actions and reactions. Of course the first action and link in the chain is started by Victor Frankenstein.
It was a cold night in the forest and here was a man practicing his vows to the woman he loves. While he was practicing his vows, there was a hand sticking out of the ground and grabbed him by the leg. When the man got loose, he started to run for his life, and while he was running he kept on hitting branches with his head and tripping over small items on the floor. When he finally got away on the bridge, he looked behind him and finds the ghost girl that was chasing him, standing behind him. All of this came from Tim Burton's movie called the Corpse Bride. Tim Burton's movies can be twisted and unique style is best conveyed through his use of music, low-key lighting and close-ups.
However, everything is unusual in Edward’s world. Tim Burton introduces another realism from Edward’s perspective. The impression of where Edward comes from is completely different from what is observed in the neighborh...