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Analysis on Tim Burton's cinematic style
Analysis on Tim Burton's cinematic style
Analysis on Tim Burton's cinematic style
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Recommended: Analysis on Tim Burton's cinematic style
Many of us may be familiar with the iconic Nightmare before Christmas of Tim Burton. Not only is he famous for directing many amazing movies but also for his art. Tim Burton has gained a significant position among other artists by making himself unique with his bizarre and surreal artworks.
Burton’s talent is to transform familiar subjects into peculiar ones. When it comes to clowns, people normally describe them as kid-friendly or something that are “harmless”. However, under the hands of Tim Burton, those clowns turn into evil thing. For instance, he adds a bottle of poison and a bloody jaw, which are completely opposite to the image of an ordinary, happy clown. Body parts are exaggerated by making the arms longer and slimmer; The eyes, nose, and mouth are enlarged while the pupils are just merely dots. On common thing to see in Burton’s art is that his works are either vibrant or in monochrome. In this particular work, he uses two contrast colours which also produce a contrast with the evil imagery of the clown. The rough sketche creates a great deal of coarse and unclean textures. He makes the clown looks like a work of a child, but with a mind of an adult. Tim’s greatest ability is that he draws whatever idea
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His bizarre and surreal characteristics have influenced me on my series. I have altered ordinary subjects in life into sinister and peculiar ones. Furthermore, the content of my work is not likely to be seen in daily life, but rather in some nightmares, just like most of Tim Burton’s work. All three pieces of my series contain body features that are exaggerated to make it dark and strange. However, the difference between my works and Burton’s works is that my photographs have a more real-life structure while his sketches and painting are more cartoonish. My series is able to reach the surreal and bizarre point that I wish to “exploit” from Tim Burton’s unique
Jon Scieszka and Lane Smith's Baloney (HENRY P.) and Tim Burton's The Nightmare Before Christmas illustrations encourage us to see the world through a distorted lens. I would like to compare how similar but yet how different the two illustrators are in the way they show their work in a distorted view.
Indisputably, Tim Burton has one of the world’s most distinct styles when regarding film directing. His tone, mood, diction, imagery, organization, syntax, and point of view within his films sets him apart from other renowned directors. Burton’s style can be easily depicted in two of his most highly esteemed and critically acclaimed films, Edward Scissorhands and Charlie and the Chocolate Factory. Burton ingeniously incorporates effective cinematic techniques to convey a poignant underlying message to the audience. Such cinematic techniques are in the lighting and editing technique categories. High key and low key relationships plus editing variations evinces the director’s elaborate style. He utilizes these cinematic techniques to establish tone mood, and imagery in the films.
Tim Burton is a creative director when he directs gothic movies. This essay talks about the cinematic techniques that Burton uses in the movies, Edward Scissorhands, Charlie and the Chocolate Factory, and Alice in Wonderland. Tim Burton uses shots and framing, sound, and lighting, to make a dark and gothic movies. He tries to make you feel a special way, in a certain scene, in his movies, by his different techniques.
The imaginative Nightmare Before Christmas is considered one of the most imaginative films in some of the most recent decades. This film masterpiece from the creative and revolutionary mind of Tim Burton has been one of my favorite movies from the time that I first saw it when I was a small child, to now. The beautiful textures and colors perfect capture both holidays of Halloween and Christmas in the film. Along with the textures comes a masterfully soundtrack that so perfectly adds mood and depth to this story. The even the beautiful textures are enough for this film to land itself in someone’s favorite list.
I got the killer clown to write an essay about him and what he does.
Halloween is the time of the year when people dress up and have fun scaring people. Christmas is the time of the year full of joy and happiness. All though these two holidays are quite the opposite, some people find it hard to determine what type of movie The Nightmare Before Christmas is. There are two different sides, the people who think it’s a Halloween movie and the people who think it's a Christmas movie. I personally feel and believe that The Nightmare Before Christmas is a Christmas movie. I feel this way because after watching the movie multiple times, I’ve come up with many valid reasons that can make your mind change to stand with me on the side of people who also believe it’s a Christmas movie.Those reasons include the movie’s
Tim Burton directed many of the famous movie like “Charlie and the Chocolate Factory” or “Edward Scissorhands” as a director. He uses many of the cinematic techniques to establish moods and tones. The moods and tones of his movies are dark and sometimes interesting because of his experience and influence from Walt Disney and Dr.Seuss. Tim Burton uses lighting, sound and zoom to establish his own unique gothic style.
Leading one of the newest and most sought-after genres of filmmaking, Tim Burton has created a collection of movies and films, all full to the brim with his avant-garde touch. Using exaggeration in cinematic techniques and repetition of particular themes, Burton shows how “Burton” he is to the rest of the world. Tim Burton is leading this macabre, unique, darkly humorous genre of filmmaking. The reason for analyzing his style is very simple. It is to follow up on a brand new idea, to have a better grasp on future movies, and to have a more in-depth understanding of this cultural phenomenon in filmmaking worldwide.
“One person's craziness is another person's reality.” –Tim Burton. A well respected director Tim Burton has always been known for the ability to send a strong universal message. In one of his most widespread movie, Edward Scissor Hands he reveals his true potential as a filmmaker to show how society can treat an outsider. Edward Scissor Hands Charlie and the Chocolate Factory and many more of his creations, Tim Burton uses lighting, and camera movements to depict a unique gothic cinematic experience. The appearance of a person is only an illusion, the inside is the truth of someone.
However, everything is unusual in Edward’s world. Tim Burton introduces another realism from Edward’s perspective. The impression of where Edward comes from is completely different from what is observed in the neighborh...
Tim Burton is noted for many of his mysterious, suspenseful, and thrilling movies. His childhood has influenced the way he writes, screens and portrays movies to his public audience and fans. Four of these outstanding films are Edward Scissorhands, Frankenweenie, Corpse Bride, and Coraline. In these movies, and many of his others, Tim Burton uses a variety of cinematic techniques to portray and express feelings felt by the characters, set the moods, scenes, and the story. Tim Burton uses lighting, sound, and camera angles in order to create a coherent movie with amusing, suspenseful and tragic scenes.
Tim Burton, a director of numerous successful films, takes you through many stories of unique characters. Although, despite their differences, one still could point out similarities throughout each movie. This is caused by Tim Burton’s cinematic style. This specific style is influenced by his favorite childhood author, Dr. Seuss. Tim Burton uses lighting, camera movements, and editing to build a suspenseful but also calming mood all at once. Burton attempts to convey the contrasting message of darkness mixed within innocence throughout each of his films.
On August 25, 1958, Timothy Walter Burton was born (“Biography”). Burton had a painful childhood in which the relationship with his parents and brother was nonexistent (Morgenstern). Through his intense feeling of isolation, his visual talent began to develop. The comfort found in hobbies such as writing and drawing led him to attend the California Institute of the Arts which led him to his first job in any artistic field at the Disney Animation Studios (“Biography”). Burton has since been referred to as one of the most visually gifted writers, artists, and filmmakers that America has seen (Hanke). His short stories, poems, and film scripts are centered on an inner darkness which he has been slowly acquiring since his childhood. He throws himself into everything he writes and makes even the simplest characters have a deep, complex meaning. His famous darkness and symbolism is shown in his book The Melancholy Death of Oyster Boy and Other Stories. The book contains a collection of his short stories, poems, and illustrations about a variety of fictional characters that can be compared to Burton and his life. Tim Burton’s home life and previous hardships have made a significant impact on his work. In my paper, I will draw parallels to his life and work as well as prove that there is reasoning and beauty in the way he is.
Tim Burton said in an interview that when he was a kid he would watch all kind of monster movies. “My parents said I started watching those movies before I could even walk.”As a kid he loved horror movies and he liked drawing pictures. He said he did not care what people thought of his drawings and just drew them his own way. His drawings also show his love for horror because they are all unique and creepy looking. Some of his pictures are based on the movies he directed. He started directing at twenty years old. He was very interested in animation. One of his first films was Batman. Most of the films he directed have a gothic horror aspect. I believe since his childhood was all about horror movies, he gained an appreciation for those films and applied his passion in the films he directed. "Vincent Price, Edgar Allan Poe, those monster movies, those spoke to me. You see somebody going through that anguish and that torture –things you identify with –and it acts as a kind of therapy, a release. (Tim Burton 17).”Besides the fact that he watched horror movies, the place where he lived influenced him as well. The dark and light aspects of life have always fascinated Tim Burton, consistently arguing that one cannot exist without the other: ‘life is an incredible jumble of being funny and sad and dramatic and melodramatic and goofy and everything’. During his childhood in suburban Burbank, Burton found the
CharacterI In the early 20th century a third category of characterization developed from the so-called carpet clown, who performed short, solo routines between circus acts. These character clowns, as they are known today, include any clown who has a unique routine and who usually works alone or without a partner in a large group. The character clown is the most realistic of the clown types. Character clowns make fun of different features of the human face through exaggeration, including beards, whiskers, warts, large noses, bald heads, and strange haircuts. The most popular character is the hobo or tramp clown, which is probably the only clown type originally developed in the United States. The development of the tramp clown, however, owes much of its inspiration to English actor Charlie Chaplin. During his career, Chaplin played the part of the “Little Tramp'; in many motion pictures. Two other famous tramp clowns are Otto Griebling and Emmett Kelly, close friends who performed in the early and mid-20th century.