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Analysis on Tim Burton's cinematic style
Tim burton cinematic technique essay
Tim burton cinematic technique essay
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Recommended: Analysis on Tim Burton's cinematic style
The sharp gleam of light slicing through the air as it reflects from an array of smooth blades. A whiplash of a tail and the shimmer of iridescent scales before it slither into the murky waters. A bony hand threading delicate buttons onto a little doll’s eyes. Hundreds of dark, macabre, bittersweet chocolate wrapped with shiny and thin foil paper. These are the distinctive representative objects showing Tim Burton’s dark style. He is a Hollywood outsider-director who grew up under the influences of darkness. Tim Burton, the director of Charlie and the Chocolate Factory, Big Fish, and Edward Scissorhands, and various other movies, uses exaggeration in cinematic techniques and repetitive themes to show his unique and avant-garde style.
Director Burton uses exaggeration in cinematic techniques such as music to convey a certain theme to the audience, showing his unique style. For example, in the film Edward Scissorhands, Tim Burton purposely exaggerates the color of the townhouses contrasting with the dark castle to show how light and frivolous the town is. This is also shown through the apparent exaggeration of the housewives’ personalities. Throughout the entire story, the colors of the town are so stark that the audience winces as the camera pans over the town. This achieves the effect of grabbing the audience’s attention, enlightening them of the fact that Burton wants to convey: This town is simply shiny and pretty on the outside, with the nosy, despicable personalities of the housewives’ within. These cinematic techniques and characters reflect the cruel truth of society, where people only treat you well when they wish to take advantage of you. Tim Burton incorporates his own personal feelings about the world into this movie, ...
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...re families is portrayed as despicable, warning the audience to avoid education as such. Tim Burton extensively uses clothes, music, camera angles, and others to convey to the audience a theme of family, reflecting his personal, unique, avant-garde style.
Leading one of the newest and most sought-after genres of filmmaking, Tim Burton has created a collection of movies and films, all full to the brim with his avant-garde touch. Using exaggeration in cinematic techniques and repetition of particular themes, Burton shows how “Burton” he is to the rest of the world. Tim Burton is leading this macabre, unique, darkly humorous genre of filmmaking. The reason for analyzing his style is very simple. It is to follow up on a brand new idea, to have a better grasp on future movies, and to have a more in-depth understanding of this cultural phenomenon in filmmaking worldwide.
Indisputably, Tim Burton has one of the world’s most distinct styles when regarding film directing. His tone, mood, diction, imagery, organization, syntax, and point of view within his films sets him apart from other renowned directors. Burton’s style can be easily depicted in two of his most highly esteemed and critically acclaimed films, Edward Scissorhands and Charlie and the Chocolate Factory. Burton ingeniously incorporates effective cinematic techniques to convey a poignant underlying message to the audience. Such cinematic techniques are in the lighting and editing technique categories. High key and low key relationships plus editing variations evinces the director’s elaborate style. He utilizes these cinematic techniques to establish tone mood, and imagery in the films.
People are constantly being judged and pressured to change to fit society’s standards. In Tim Burton films, there is always one character that does not fit the mold. These outcast characters in the movies Charlie and The Chocolate Factory and Edward Scissorhands are strange and isolated from the world. Despite the outcast’s difficulties, misfit characters like Edward and Wonka go on to be the hero of the story. Therefore, Burton uses many different cinematic techniques to illustrate that one does not need to conform to society in order to have a happy and successful life.
In conclusion, by using the production elements of both allusion and symbolism; director Tim Burton has created the film in such a manner by making deliberate choices in order to invite a certain response. The film is constructed and given greater depth through the allusion to elements from other genres and ridicules the suburbia’s materialism and lack of imagination, which in turn enhances the invited response.
Individuality is rejection, whether it be a rejection of society or a rejection by society. Burton explores the consequences that can derive from rejection and how appearances may differ from reality. The work of Tim Burton consists of a unique style unlike any other. Not only do his films convey his ideas of individuality to the audience, it is done in a distinctive Burton way. Burton’s style of the formal elements of German Expressionism, gothic horror, and unique characters allow him to convey his ideas. His views of individuality are evident through the work of his film 'Edward Scissorhands' and short film 'Vincent'.
Tim Burton’s films depict his lashing back from a tortured childhood. Somehow, his movies tell his story. His first big budget movie, Batman, was a huge hit. He then chose to make Edward Scissorhands, his most personal film. Despite the fact that Batman was a hit, movie executives were reluctant to give Burton authorization. His use of cinematic techniques displays his unique style.
A person does not usually pay attention to cinematic techniques used in a film because one does not think of the details in the movie. These details are a key part in creating the mood and tone. Tim Burton uses similar techniques in his movies to create a suspenseful mood. Many instances of low key lighting were used to create a suspenseful mood. Along with low key lighting, low and high camera angles were used to show authority and importance. Lastly, non-diegetic sound was used to create a dramatic effect while still making the mood suspenseful.
“One person's craziness is another person's reality.” –Tim Burton. A well respected director Tim Burton has always been known for the ability to send a strong universal message. In one of his most widespread movie, Edward Scissor Hands he reveals his true potential as a filmmaker to show how society can treat an outsider. Edward Scissor Hands Charlie and the Chocolate Factory and many more of his creations, Tim Burton uses lighting, and camera movements to depict a unique gothic cinematic experience. The appearance of a person is only an illusion, the inside is the truth of someone.
...d traditions, but also blending two distant genres together. The blending of genres gives us ideas about common conventions in films that we do not usually pay attention to, and how they can be manipulated to change the way we think about individuals and groups. Edward Scissorhands dives deeper than just a “Beauty and the Beast” narrative, and influences audiences to explore topics of how the gentlest of souls can be misjudged by their appearance, a seemingly normal community can be the “bad guy” if it only has its personal intentions in mind and no one else’s, and that true love is not about what is on the outside, but rather, what is on the inside. Edward Scissorhands can be considered as one of the most appealing films of the 20th century as it keeps audiences guessing, surprises them at the most unexpected times and breaks conventional film boundaries.
Edward Scissorhands, written by Tim Burton, tells the tale of a young man who is lovable, childlike and sensitive, bewildered by the humanity around him, yet is terrifying- someone who has scissors, the deadly weaponry, for hands. Many viewers may read this film as a “Tim Burton” type of fairytale which includes both an alternative aspect and romance. However, through the presentation of mise-en-scene in this film, Burton drives in a much more serious subject of social criticism by establishing two different understandings of life in the movie.
On August 25, 1958, Timothy Walter Burton was born (“Biography”). Burton had a painful childhood in which the relationship with his parents and brother was nonexistent (Morgenstern). Through his intense feeling of isolation, his visual talent began to develop. The comfort found in hobbies such as writing and drawing led him to attend the California Institute of the Arts which led him to his first job in any artistic field at the Disney Animation Studios (“Biography”). Burton has since been referred to as one of the most visually gifted writers, artists, and filmmakers that America has seen (Hanke). His short stories, poems, and film scripts are centered on an inner darkness which he has been slowly acquiring since his childhood. He throws himself into everything he writes and makes even the simplest characters have a deep, complex meaning. His famous darkness and symbolism is shown in his book The Melancholy Death of Oyster Boy and Other Stories. The book contains a collection of his short stories, poems, and illustrations about a variety of fictional characters that can be compared to Burton and his life. Tim Burton’s home life and previous hardships have made a significant impact on his work. In my paper, I will draw parallels to his life and work as well as prove that there is reasoning and beauty in the way he is.
Director Tim Burton has directed many films. He started out working at Disney, but shortly after he decided to make his own films. He split away from Disney because they wouldn’t let him add the scariness and darkness he has in his films. After he left he created many great films and also developed his own style. He uses many cinematic techniques in his films for example he uses close-up camera angles on symbolic items, he uses music to show foreshadowing, and he uses lighting and color to show mood
Since the communist era, the concept of conformity has been tested on humans thinking it would bring a sort of comfort. These regimes rapidly crumbled due to their often authoritarian nature. Following these dictatorships, we often associate conformity with misery. Similarly, in Edward Scissorhands, through the characterization of Peg Boggs, the symbolism of Edward’s castle home and the change in Edward’s behaviour, director Tim Burton rejects conformity since it leads to fakeness, boredom, and corruption and, instead, promotes the benefits of authenticity and old habits.
Best known for his unique and non-linear style and to many people as the best director of the past decade, Christopher Jonathan James Nolan or just simply Christopher Nolan, is one of the most talented and influential film directors and screenwriters of our time. He, like most directors have never studied film and is a self-taught filmmaker. In this essay I am going to write about his early life and how he got into filmmaking. His early career and his rise to fame with Batman movies, his personal life and the influences he have had on the film industry which makes him one of the best directors of all time and my personal favorite.
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.
...both suggested that lighting and the style of chiaroscuro is probably the single most important element of cinematic Expressionism. However Dietrich Scheunemann disagrees claiming that many of the first films to claim to be expressionist pieces are simply not, and no amount of lighting will make them so. Scheunemann criticises the cinematography of the film 'The Cabinet of Dr.Caligari' stating that it is distinctively unimpressive He instead suggests that it is through the curved walls, oblique windows, slanting doors and strange radical patterns on the floor that the film establishes it's nightmarish atmosphere. In light of Schunemann's views on the visual representation of Expressionism, I hope to analyse the impact Expressionism had on other genres and how contemporary filmmaker Tim Burton has evolved these visual techniques to relate to a modern day audience.