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Descriptive essay about new orleans
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“This town is full of Tabasco.” This is just one of the ways the author describes the city full of debauchery and degeneracy, New Orleans. But be mistaken, The author Elton Glaser loves the city so much that he believes a the only way to live is the New Orleans lifestyle. This consists of spending sunday in the pews and riots and parties in the street. Even your own funeral is a party you don't wanna miss as a parade of bells, trumpets, and drums travel down the street, shaking the ground. People in New Orleans are carefree and enjoy all of life’s amenities. No where else can you truly experience the extremity of life except for New Orleans.
The author is very particular in the words he chooses, every word is a puzzle piece that creates a picture of life in New Orleans. In the the very first line Elton uses the word Tabasco. Primarily because it is used in many common dishes found in New Orleans, However, Tabasco can also refer to the spiciness of the city itself and how every person in New Orleans has a bit of that
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spiciness. He uses Louisiana cuisine as a way to show the diversity and carefree aspect of the city. Red beans and rice is a dish that consists of leftovers accented with beans served over rice. It describes the city because the dish itself has the similar carefree nature. Just throw everything in a pot and see what happens. When describing his red bean and rice concoction he describes it as an ugly child that only a mother could love to give it a perfect disgusting image. “Thursdays blunder around like a blind paraplegic on a whoopee crutch, no cure except suicide or Friday” This perfectly describes the long bore that affects everyone on this bothersome day and the author is saying that to end the nuisance is to die or just wait 24 hours. He also provides examples of classic, cliche New Orleans. “The radio cracks out another sloppy chorus of Frogman Henry.” He shows how some of the classic stereotypes of Louisiana are not so outrageous. Words like crack and sloppy show us that people do not care if the music is bad that are still happy they get to listen. The author employs the week to describe life on a regular basis.
“Sunday, we balance our knees, strippers and street cleaners in the same pew, listening with our heads shut tight so the sermon won't use up the rest of the week.” This shows the lack of judgement in the lovely city as strippers and street cleaners happily share a wooden bench, and how all eyes are focused downward so the sermon doesn't waste them time they could be using having riots and parades. “Tuesday breaks once a year, a fat riot, a freak’s parade before forty slow days of denial.” This describes the ultimate party anyone can experience, Mardi Gras. Fat Tuesday marks the last day of chaotic carnival and then transitions into forty days of giving up the party phenomena. “Wednesday stays home, a bubble of nothing dead center.” Wednesday is the pitfall of the vibrant life as carnivals, parades, and festivals are nonexistent. It is unfamiliar and gives the city a ghost town
persona.” “Greenbacks gushing out of Dallas, a trickle of small change from Toledo.” Because New Orleans is so favorable it makes it the prime location for tourists who want to unwind during the day and dance until the sun rises. The tourists bring in so much money that a smile goes a long way. Smiling and laughing is just second nature to people from New Orleans. It’s a part of their optimistic, carefree way of life. When funerals occur people say that you are being lifted out of paradise suggesting that the way of life is the closest to we can get or possibly even better than the afterlife. Armed with his exemplary imagery and distinct diction, Elton Glaser dictates that New Orleans life is so amazing that everyone needs to live this way, and if you don't then you could be missing out on the biggest party, life.
Roll the windows down, turn the music up, and drive slowly. Now you're cruising. Cruising is the art of seeing and being seen, and in Tucson the center of this art is Speedway Boulevard. This six-lane street runs east to west through Tucson and is one of the busiest thoroughfares in the city. It hosts a mix of commercial and private buildings: small shops, offices, restaurants, grocery stores, apartment buildings and older homes, as well as the University of Arizona. Despite the apartments and occasional houses, Speedway is mostly a commercial street populated with strip malls and other businesses. Cruising is most visible along the more commercial, business-oriented East Speedway, which for the purposes of this essay is defined as the three mile stretch of road from Alvernon to Wilmot. Like most streets, Speedway was built for an entirely practical reason: to conduct automobile traffic from one place to another with a minimum of waiting. This utilitarian reason is inverted by cruising. The purpose of cruising, unlike driving, is not to arrive but to not arrive. Cruising is a social activity wherein the cars become tools for meeting other people as well as a means of getting from one place to another. The reputation of cruising, and of the nighttime Speedway, is not nearly so benign. As traffic slows and the music increases, the character of Speedway as a place - that is, a focus for human memory and experience - changes to reflect the activities and desires of the cruisers.
A storm such as Katrina undoubtedly ruined homes and lives with its destructive path. Chris Rose touches upon these instances of brokenness to elicit sympathy from his audience. Throughout the novel, mental illness rears its ugly head. Tales such as “Despair” reveal heart-wrenching stories emerging from a cycle of loss. This particular article is concerned with the pull of New Orleans, its whisper in your ear when you’ve departed that drags you home. Not home as a house, because everything physical associated with home has been swept away by the storm and is now gone. Rather, it is concerned with home as a feeling, that concept that there is none other than New Orleans. Even when there is nothing reminiscent of what you once knew, a true New Orleanian will seek a fresh start atop the foundation of rubbish. This is a foreign concept for those not native to New Orleans, and a New Orleanian girl married to a man from Atlanta found her relationship split as a result of flooding waters. She was adamant about staying, and he returned to where he was from. When he came back to New Orleans for her to try and make it work, they shared grim feelings and alcohol, the result of which was the emergence of a pact reminiscent of Romeo and Juliet. This couple decided they would kill themselves because they could see no light amongst the garbage and rot, and failure was draining them of any sense of optimism. She realized the fault in this agreement,
...from the dullness of schoolwork to many possibilities. The next lines poke fun at the value of education and celebrate their street learning. ?Lurk late,? ?Strike straight,? ?Sing sin,? and ?Thin gin,? contradict any possibility for mental growth. Symbolism comes in the picture in the next line, ?We Jazz June,? which has many meanings. The word ?Jazz? signifies sexual intercourse. Then the word ?June? becomes a female. The tone of the poem dramatically changes when the reader learns the dropouts die soon. The group end in the last line, ?Die soon,? the final consequence of trying to be cool. Seemingly having fun in the beginning being cool, they are now completely powerless because they are dead. The poem really gives an obvious picture of what young African-American males are driven to do under the impression of trying to be cool. Since their minds are headed straight to corruption, they have no clue because they are having so much fun being cool. Leaving school, staying out late, singing sin, drinking alcohol, and having sex apparently are the only things that are important to them. With this mentality, more and more inner city males while continue hastening toward their death.
Over the years, the Calle Ocho festival has brought hundreds of smiles to thousands of people. Behind the smiles, the laughter, and the dances, there is a serious side to the festivities. In the beginning, Willy Bermello just wanted a little backyard get-together that would bring neighbors closer, but the festival turned into something much, much bigger. With the festival's growth and inevitable commercialization, Bermello increasingly felt that its importance was being forgotten. He wanted to let people know this was more than just a big party. He wanted people of different races and different ethnicities to be able to feel comfortable with each other, and not just for one day. He wanted Calle Ocho's influence felt throughout the year.
...ace to place to fit the needs of the area. When you listen to Wolfe, you get one side of the story. Without knowing the other side anyone would agree with him and his opinions. Thirty years ago the city was on its way to a massive behavioral sink, but has been cleaning up its act. The streets, subway systems, workplaces, and attractions have all cleaned up and done there part. More and more people are living in the city. Wolfe believes that this city is on its way to the sink, but the city is proving him wrong.
The muddiest four days in history were celebrated in a drug-induced haze in Sullivan County, New York (Tiber 1). Music soared through the air and into the ears of the more than 450,000 hippies that were crowded into Max Yasgur's pasture. "What we had here was a once-in-a-lifetime occurrence," said Bethel town historian Bert Feldmen. "Dickens said it first: 'it was the best of times, it was the worst of times'. It's an amalgam that will never be reproduced again" (Tiber 1). It also closed the New York State Thruway and created one of the nation's worst traffic jams (Tiber 1). Woodstock, with its rocky beginnings, epitomized the culture of that era through music, drug use, and the thousands of hippies who attended, leaving behind a legacy for future generations.
Michael MacDonald’S All Souls is a heart wrenching insider account of growing up in Old Country housing projects located in the south of Boston, also known as Southie to the locals. The memoir takes the reader deep inside the world of Southie through the eyes of MacDonald. MacDonald was one of 11 children to grow up and deal with the many tribulations of Southie, Boston. Southie is characterized by high levels of crime, racism, and violence; all things that fall under the category of social problem. Social problems can be defined as “societal induced conditions that harms any segment of the population. Social problems are also related to acts and conditions that violate the norms and values found in society” (Long). The social problems that are present in Southie are the very reasons why the living conditions are so bad as well as why Southie is considered one of the poorest towns in Boston. Macdonald’s along with his family have to overcome the presence of crime, racism, and violence in order to survive in the town they consider the best place in the world.
Wolfe, Thomas. “Boom Town.” American Mercury 64, number 125. Reprinted in The Complete Short Stories of Thomas Wolfe, edited by Francis E. Skipp. New York: Scribner’s, 1987.
Peering in from the eastern border of St. James Park, in the city of San José, you begin to get an essence of American life. From the upper echelons, to the lowly scum of society, St. James Park is known for its diversity. With the church at your back, you can observe the people pacing the station, glancing at their cell phones every other second as they wait for the train to arrive. An elderly man takes a leisurely stroll with the support of his cane. Kids playing soccer score between goal post marked by homeless bunker tree forts. Police reprimand a vagrant man for being naked while changing at his park bench. A used dirty tissue and old worn-in hooker boots lay carelessly on a picnic table inside the deserted playground area. The thugs make a quick score of some coke from their local street pharmacist. In the distance, bordering the western end of the park, are the steps leading to the Superior Court House: an everlasting symbol of justice and security presiding over American life. The frequenters of St. James Park are a part of a unique and complex subculture, in and of itself.
The lines “We sing sin. We thin gin,” (l.4-6) references the bad things they do. They aren’t actually singing. However, during this time period, blues and jazz were considered to be an inappropriate from of music. They could also be celebrating their bad habits that others may consider sinful. It also seems as though they drink, which would be illegal, considering they are still school age. The pool players may be alcoholics, and this can be scary considering how young they all are. This could also be their way of trying to remain “cool” or stay in the
In Graham Greene's "The Destructors," the setting is in London, in a town destroyed by bombs. Every morning, the gang meets at a hangout called car-park, which is the site of the last bombing. The bombing leaves the town destroyed, with only one beautiful thing left standing, Old Misery's house, which the gang will eventually destroy. Graham Greene's choice of setting significantly illustrates how people's surroundings greatly influence their actions and behaviors.
Mobsters, drugs, and violence sounds like a plot for a 50’s gangster movie but it is the everyday life for people living in Camden County, New Jersey. The city is portrayed as falling apart, over run with corruption and violence in Chris Hedges article “City of Ruins.” Soon Camden County will become a forgotten ghost town if they do not make drastic changes with the government, education system, and bring jobs back to the county.
In 1967, summer of love in San Francisco there were people traveling from across the world to go to Haight-Ashbury street to join the huge crowd. To listen to bands play while going wild. Taking drugs, having sex, dancing to music, people fighting for what’s right. During that year summer lasted a year long and not a lot of people complained. With what happened, there were multiple of things that had an impact on American society and culture, hippie movement became a trend, there were drugs, and music.
In Cannery Row by John Steinbeck a magical street near the bay called Cannery Row is the place of many different people, which some come running and panting to go to work. As the writer describes, Cannery Row is more than just a poem. It is a stink, a quality of light, filled with lots of sardine canneries, restaurants, weedy lots and junk heaps and whore houses as one might have said. If you close your eyes after reading you can almost smell the soon to be canned fish and hear the street groaning. The author has an ability to make the street alive in our minds and show how one street has formed its own community.
Upon arrival into the jungle of vast buildings, the first thing noticed is the mobbed streets filled with taxi cabs and cars going to and fro in numerous directions, with the scent of exhaust surfing through the air. As you progress deeper into the inner city and exit your vehicle, the aroma of the many restaurants passes through your nostrils and gives you a craving for a ?NY Hot Dog? sold by the street venders on the corner calling out your name. As you continue your journey you are passed by the ongoing flow of pedestrians talking on their cell phones and drinking a Starbucks while enjoying the city. The constant commotion of conversing voices rage up and down the streets as someone calls for a fast taxi. A mixed sound of various music styles all band together to form one wild tune.