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The importance of setting in a story
Importance of setting in literature
The importance of setting in a story
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In Graham Greene's "The Destructors," the setting is in London, in a town destroyed by bombs. Every morning, the gang meets at a hangout called car-park, which is the site of the last bombing. The bombing leaves the town destroyed, with only one beautiful thing left standing, Old Misery's house, which the gang will eventually destroy. Graham Greene's choice of setting significantly illustrates how people's surroundings greatly influence their actions and behaviors. Graham Greene's choice of setting allows the boys to witness their town torn apart by the blitzing of World War II and pressures them to destroy themselves. The Wormsley Common Gangs meetings in “an impromptu car-park, the site of the last bomb of the first blitz” has a major impact on their actions (Greene 54). The destruction of their town leads to T’s proposition of destroying a neighboring house that belongs to a man known as Old Misery. Blackie shows more civil traits than T when he argues against T’s …show more content…
Although, it seems as if they ruined Old Misery’s house out of anger and jealousy because it is something they wish they could have. In addition, it seems as if they completely resent the beauty of the house. Throughout the story, the gang members seem as if they have no home life. The gang members do nothing but meet in the car-park and plan to destroy property, scam people, and other egotistical behaviors. T’s description of the house shows envy; T says “It’s a beautiful house”, “It’s got a staircase two hundred years old like a corkscrew. Nothing holds it up”, and “There’s paneling” (Greene 56). Furthermore, T goes on to say “We’ll pull it down… we’ll destroy it” (Greene 56). This displays how he wants to tear down the house out of resentment. The setting influences the gang members to live a cruel and destructive
The author illustrates the “dim, rundown apartment complex,” she walks in, hand and hand with her girlfriend. Using the terms “dim,” and “rundown” portrays the apartment complex as an unsafe, unclean environment; such an environment augments the violence the author anticipates. Continuing to develop a perilous backdrop for the narrative, the author describes the night sky “as the perfect glow that surrounded [them] moments before faded into dark blues and blacks, silently watching.” Descriptions of the dark, watching sky expand upon the eerie setting of the apartment complex by using personification to give the sky a looming, ominous quality. Such a foreboding sky, as well as the dingy apartment complex portrayed by the author, amplify the narrator’s fear of violence due to her sexuality and drive her terror throughout the climax of the
People within communities have a large responsibility to one another. Sometimes, however, that responsibility and respect seem to fade, as in “The Lottery”, Shirley Jackson, and “The Masque of the Red Death”, Edgar Allan Poe. Both of these stories describe settings in which communities fell apart either briefly or all together.
James Howard Kunstler begins his work, “The Geography of Nowhere,” at a top speed and continues from there. He starts chapter one, Scary Place, by describing the story of Judge Doom from “Who Framed Roger Rabbit?”, which is the fictional character that is supposedly responsible for Los Angeles becoming taken over by the freeways. He then continues quoting Lewis Mumford, who was basically the dean of American urban academics in the beginning of the 1900s. He gloomily predicted, would completely demoralize mankind and lead to the nuclear holocaust (p. 10).
Setting expatiates the theme of loss of innocence. For example, the four major characters in this story are sixteen and seventeen years old, which is the age when teenagers prepare to end their childhood and become adults. Also, the Devon school, where the story takes place, is a place where boys make the transition to full adulthood, and so this setting shows more clearly the boys' own growth. Finally, World War II, which in 1942 is raging in Europe, forces these teenage boys to grow up fast; during their seventeenth year they must evaluate everything that the war means to them and decide whether to take an active ...
War always seems to have no end. A war between countries can cross the world, whether it is considered a world war or not. No one can be saved from the reaches of a violent war, not even those locked in a safe haven. War looms over all who recognize it. For some, knowing the war will be their future provides a reason for living, but for others the war represents the snatching of their lives without their consent. Every reaction to war in A Separate Peace is different, as in life. In the novel, about boys coming of age during World War II, John Knowles uses character development, negative diction, and setting to argue that war forever changes the way we see the world and forces us to mature rapidly.
Within society, there are certain standards of behavior and expectations that one must be expected to comply by, and failure to do so can result in critical and discouraging prejudice. This unrelenting and derogatory hatred can often cause dire reactions, such as a loss of morale and self-confidence, demonstrated significantly in The Fall of a City, by Alden Nowlan. In the story, Teddy, an eleven year old boy, is mocked at by his uncle for occupying himself with paper dolls, failing to meet society’s standards of maturity that a boy of his age is expected to abide by. As a result of his uncle’s mockery, Teddy’s passion and fondness of his imaginary world disappears, and in a fit of rage and anger, he demolishes his paper world. Teddy’s destruction
Ray Bradbury in his story “The Pedestrian” highlights isolation, technology occupation, and no crime in the city; ultimately, becoming an insipid world. Isolation is a key component in this short story because it shapes how society is. For instance, when Mr. Mead, the main character, takes a walk, he would pass by “The tombs, ill-lit by television light, where people sat like the dead, the gray or multicolored lights touching their faces, but never really touching them” (Bradbury 1). This shows that even at eight o’clock pm, people are still inside and connected well into their television, then they are to each other. Secondly, technology occupation also comes into this ongoing problem. For example, a cop car stops Mr. Mead he reflects back
Negative experiences of belonging within the individual’s place of residence results in low self-esteem and develops the desire to escape and seek belonging elsewhere. We witness this in Herrick’s The Simple Gift in Longlands Road, when Billy says, ‘this place has never looked so rundown and beat’, which conveys his lack of connection to the place through pejorative colloquial personification of place. The “rundown and beat” nature of “place” parallels Billy’s perception of both himself and his home by using the pathetic fallacy of rain. Moreover, his hatred towards “Nowhereville” is expressed using coarse language and the symbolic action of vandalising the houses of his neighbours with pejorative colloquialism in ‘I throw one rock on the road of each deadbeat no hoper shithole lonely downtrodden house.’ This shows the place of residence is an important influence on creating a sens...
Being ‘lost’ in the city as a young child, initiated Michaels sense of comfort amongst the chaos and tall buildings. Repetition of “running away” from home, indicates his desperation to escape his discontentment; his desired fulfilment can only be satisfied in the city. Conversely, his parents personify the city as a foreign place “Alien city eyes,” somewhat surreal and unexplainable in comparison to the comfort of their suburban home. Despite this lack of understanding between mother and son, she unwillingly accepts the drug soaked city, as his place of true satisfaction, “I released him into the darkness where he belongs,” infers his wild, untameable nature, as the city has taken away his child-like innocence. However, Dawson expresses Michael’s liberation from the city that to his mother, is tainted by danger and the unknown. Thus, connection to place is personal, the urge to assimilate in a particular place can influence the subconscious mind to see morality in indecent
Stegner’s description of the dump in his childhood town is the opposite of prosaic. Unlike most people, Stegner views the dump as a place of adventure, with “strangeness and wonder.” He sees the dump as a place of mystery where you can discover anything. To convey this attitude toward the dump, Stegner uses an
In the novel, “We the Living” by Ayn Rand, the setting takes place in Petrograd, after the civil war. Ayn Rand gives her novel a tone of despair, helplessness, and anger. She describes the atmosphere as dirty, dusty, poor, old, and crazy. Ayn Rand’s word choices create very vivid and strong concrete images. For example, saying the setting is full of cobwebs shows it takes place in an old and dusty atmosphere.
William Golding illustrates World War II through young boys in this novel. Technology is one of the major destructors of a civilization. Jealousy is another destructor that ruins the good nature between men and brings out the beast from within. The author has chosen to show the evil in man though young boys to allow the world to understand how unethical the war was. The symbols, character, and setting are shown to correlate with the outside world. The novel just reinforces the idea of the savage within each and every human being.
The narrator throughout the story talks about this viaduct killer that has murdered 6 adult women, the different sectors of the town and there different ritualized violent acts. Yet no one wants to believe that these murders are caused by one of there own fine citizens. An example of the citizens false sense of security is “Forty years ago, in winter, the body of a woman was found on the banks of the river. She had been raped and murdered, ...a prostitute, never identified—and the noises of struggle that must have accompanied her death went unnoticed by the patrons of the Green Woman Taproom, located directly above that point on the river where her body was discovered. It was an abnormally cold winter that year, a winter of shared misery, and within the Green Woman the music was loud, feverish, festive.” (paragraph 6), because the body of the woman was never identified shows that the police never pursued the case and didn't care about what had happened and brushed it off. The narrator also explains that the music was loud, feverish and festive which gives the reader an idea of a city because the city is a loud place with clubs, bars and restaurants that are pretty occupied at
The gang meeting “every morning in an impromptu car-park, the site of the last bomb of the first blitz” has a great impact on their actions. The destruction of the town around them leads T to propose the destruction of a neighboring house which belonged to a man known as Old Misery. Blackie begins to appear to be the more civil of the two boys when he argues against T’s proposition saying “We’d go to jug” and “We wouldn’t have time” (53). Greene even writes “Blackie said uneasily, ‘It’s proposed that tomorrow and Monday we destroy Old Misery’s house’” (53). When the gang votes to follow through with the destruction, Blackie even contemplates giving up his leadership. “He thought of going home, of never returning…” (54). However, he gave into the pressure of wanting to belong to this gang and hold onto his leadership. After all, he had nowhere else to go. “Driven by the pure, simple and altruistic ambition of fame for the gang, Blackie came back to where T. stood in the shadow of Misery’s wall” (54). Not only does the rubble influence the children to act out, but it also desensitizes them, along with the residents of the town. This is shown very clearly when T. replies “Of course I don’t hate him… there’d be no fun if I hated him… all this hate and love… it’s soft, it’s hooey.
In “To Build a Fire” by Jack London, the setting plays a significant role throughout the entire story. The chosen setting by London creates a specific and idealistic mood for his depressing story. It forces, as well as prepares, it’s audience to what the story holds. The amount of constant detail the story holds allows the reader to anticipate the ending that is inevitable to happen.