More handpicked essays just for you.
Literature is a reflection of society
Literature is a reflection of society
Literature As A Reflection Of Society
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In Cannery Row by John Steinbeck a magical street near the bay called Cannery Row is the place of many different people, which some come running and panting to go to work. As the writer describes, Cannery Row is more than just a poem. It is a stink, a quality of light, filled with lots of sardine canneries, restaurants, weedy lots and junk heaps and whore houses as one might have said. If you close your eyes after reading you can almost smell the soon to be canned fish and hear the street groaning. The author has an ability to make the street alive in our minds and show how one street has formed its own community. Cannery Row has "different identities" depending on the time of the day. When the morning begins the street starts to form its first identity. At first it is full of sleepy workers and whistles, but then the street starts waking up and the people come running and scrambling to work, shining cars race down to the street and the morning has begun. The text has many alliterations such as "gathered and scattered", which is used in the first paragraph to describe the street. The street rumbles and people whistle in their sardine smelling clothes and when all is said and done the street becomes magical and quiet, and slowly returns to its normal life. …show more content…
The author describes the workers of the Cannery Row quite roughly.
"The row is full of saints, whores, pimps, holy men and sons of bitches", he writes. There are people from the upper classes like superintendents and accountants for instance. Besides them there are Chinamen, Polaks and men and women in trousers. All of these people keep working, cooking, packing and in the end of the day they smell repulsive as one might say. The author describes the workers, their voices and the street with a metaphor; "The whole street rumbles and groans and screams and rattles while the silver rivers of fish pour in out of the
boats". At the end of the first chapter the author tells about a Doctor who lives in the street. As Doc crosses the street to Lee Chong's grocery for a beer, the darkness falls in and a perpetual moonlight lights up the street. After this the author tells how the marine animals have delicate worms in them that you have to let crawl off. By saying that he refers to his writing style. From the sound of the people and the smell of silver fish rivers you can uncover that Cannery Row is a surprisingly lively place with its crowds. In Cannery Row, the author shows how one human being can take the reader's senses into account. While reading the text you can start to smell, hear and almost see all of the things that he describes. It is unbelievably admirable how one human can do that so easily and with their own style. I have perhaps never read something like this before, the writing style is so different with its own slang like words and metaphors. One might even describe the milieu and people by saying that Cannery Row is almost like a sea or a pool full of different types of fish that keep teeming around and waiting for the tide to release them.
To appreciate a row house neighborhood, one must first look at the plan as a whole before looking at the individual blocks and houses. The city’s goal to build a neighborhood that can be seen as a singular unit is made clear in plan, at both a larger scale (the entire urban plan) and a smaller scale (the scheme of the individual houses). Around 1850, the city began to carve out blocks and streets, with the idea of orienting them around squares and small residential parks. This Victorian style plan organized rectangular blocks around rounded gardens and squares that separated the row houses from major streets. The emphasis on public spaces and gardens to provide relief from the ene...
As John Steinbeck publishes “Cannery Row” in 1945, the same year when World War II ends, some scholars claim that his book somehow relates to the war. The novel is one of the most admirable modern-American narratives of the 20th and 21st century. It is set during the Great Depression in Monterey, California. The entire story is attached to a sensitively complex ecosystem that creates different approaches for the reader. The system is so fragile that one’s mistake can be the town’s last. Steinbeck depicts unique characters like Mack and the boys (who will stand as one character and/or group), Doc, and Lee Chong. Although there are many themes that can be extracted from these characters, the theme that arises the most is the isolation of the individual as it can be split into two different categories, the psychological and the physical.
A major contrast that occurs in the short story "Identities," the author W.D. Valgardson explores the difference between the two neighborhoods and by comparing the settings he creates suspense. The main character describes his current neighborhood as a "suburban labyrinth of cul-de-sacs," with "no ragged edges." Whereas the latter of the two is labeled as having "grey stone gates…and yards that are all proscribed by stiff picket fences" containing "a certain untidiness."
Cannery Row is densely populated with a group of characters, in the narrative sense of the word and in terms of personalities. There is Dora, an imposing figure of a woman who runs a successful brothel, Henri, the non-French Frenchman, Lee Chong the shrewd but kind-hearted grocer, Doc the scientist, Mack, who leads a small group of men and is loved by the people of Cannery Row, and a host of other fascinating people who make Cannery Row so compelling. It may not seem obvious when reading John Steinbeck’s novel “Cannery Row,” but the main point or lesson in the novel is the importance of respect and Steinbeck uses his characters to tell this story about
‘“Maycomb’s Ewells lived behind the town garbage dump in what was once a Negro cabin. Its windows were merely open spaces in the walls. What passed for a fence was bits of tree-limbs, broomsticks and tool shafts. Enclosed by this barricade was a dirty yard.”’ Mayella only has one thing that keeps her sane from all the horrible things that has been happening.
Specifically, the grandfather in this poem appears to represent involvement with nature because of his decisions to garden as he “stabs his shears into earth” (line 4). However, he is also representative of urban life too as he “watched the neighborhood” from “a three-story” building (line 10). The author describes the world, which the grandfather has a small “paradise” in, apart from the elements desecrated by humans, which include “a trampled box of Cornflakes,” a “craggy mound of chips,” and “greasy / bags of takeouts” (lines 23, 17, 2, and 14-15). The passive nature of the grandfather’s watching over the neighborhood can be interpreted in a variety of different ways, most of them aligning with the positive versus negative binary created by the authors of these texts. The author wants to show the reader that, through the grandfather’s complexity of character, a man involved in both nature and more human centered ways of life, there is multifaceted relationship that man and nature share. Through the also violent descriptions of the grandfather’s methods of gardening, the connection between destructive human activities and the negative effects on nature is
After dressing for work, the speaker “would descend / step by slow step into the dim world / of the pickling tank” (5-7). Comparison of the pickling tank to a “dim world” reveals that there is nothing enjoyable about the work he does. As he climbs back out “with a message / from the kingdom of fire,” the reader gains a better understanding of the poor working conditions of the speaker (20-21). Equating his working conditions to such a terrible place shows that these factory workers should have been thankful to even make it out of work alive each day.
The author puts into light some of the daily horrors of these people. Some of these passages are horrific. The work conditions were anything but clean and safe. The poem touches on how the people were around chemicals, inhaling poison. He goes on about the dangers of going to the canning factories with no safety or labor restrictions. Even though work conditions were
A major theme in the novel is exposing Wall Streets greed and brutality. The Story begins with Solomon Brothers chairman John Gutfreund challenging board member John Meriwether to a game of Liars Poker, a card game, with one million dollars at stake. Meriwether raises his bet to ten million, setting the scene for the brutish and greed filled novel. Once at Solomon, Lewis is first placed in the training program on the forty-first floor. The training program, as well as the rest of the floor, is mostly comprised of white men in perpetual competition with each other. In the front row of the program are the attentive, nerdier trainees while the back row is described as rowdy and mischievous. The forty first floor was ruled by “The Law of the Jungle” where the traders beat down on the trainees, the back row trainees always stirred up trouble and the only focus was money. Good, bad or evil didn’t matter as long as it made the firm, and the traders, rich. The trading floor at Solomon Brot...
In both of the poems, "Introduction to Poetry" and "Trouble with Poetry", Collins makes an interesting form of observation of the world he lives in while possibly explaining his daily life or experiences.
The Greek god of love, Eros, is seen in varying perspectives. To some, he is a powerful force that takes a leadership role in life. He is mighty and unwavering. To others, he is a servant of the people. One such concept of servitude is portrayed in the poem “Eros,” written by Anne Stevenson. Through the use of rhyme, alliteration, and other literary devices, Stevenson produces the reader with a clear image of a beaten god. Because of this, “Eros” can easily be approached with the formal critical strategy.
"He held the apple box against his chest. And then he leaned over and set the box in the stream and steadied it with his hand. He said fiercely, "Go down an' tell 'em. Go down in the street an' rot an' tell 'em that way....Maybe they'll know then." He guided the box gently out into the current and let it go" (493).
As night falls on Cannery Row actuality and fear overwhelms the souls as they lay awake at night. At this very moment they are alone to think to ponder their existence their importance their meaning. During the day the things the people of Cannery Row use to fill their void. To give them happiness is gone and for those long hours of the night they are truly alone. The cats, the parties, and companions are gone just for a second. But they return in the morning to calm the weary and the broken spirits of the people in Cannery Row. Each of us just like the people in Cannery Row uses something or someone to compensate for the loneliness in our lives. Money, relationships, and personal struggles are evident and bring about loneliness to the people in cannery. They bring about loneliness to everyone not just the people of Cannery Row. Cannery Row is not a fantasy or a dream for we can all learn something from each person in this story. Their lives can be a reflection of our own lives. We may not talk to cats or hang curtains in a room with no windows. But we share something with these people. And if we sympathize with these people it is because we feel we can relate in some kind of way. All of us as human beings on this earth use something to nourish the loneliness in our lives without these certain things we would feel neglected, distressed and misplaced. Cannery Row is filled with misfits people who just do not belong in what you would call a normal society. But they all seem to gather and blend in this one place where they can belong. In Cannery Row people go to the beat of their own drum. They go where they want. Do what they want and they say what needs to be said. The freedom to be different to be eccentric is something the...
Just look at the quote I gave you earlier: “Brooklyn, New York, as the undefined, hard-to–remember the shape of a stain.” He sees it as nothing but a stain on the map. He goes on to talk about “…the sludge at the bottom of the canal causes it to bubble.” Giving us something we can see, something we can hear because you can just imagine being near the canal and hearing the sludge bubble make their popping noises as the gas is released. He “The train sounds different – lighter, quieter—in the open air,” when it comes from underground and the sight he sees on the rooftops. Although some are negative, such as the sagging of roofs and graffiti, his tone towards the moment seems to be admiration. In the second section, he talks about the smells of Brooklyn and the taste of food. He’d talk about how his daughter compares the tastes of pizzas with her “…stern judgments of pizza. Low end… New Hampshire pizza. … In the middle… zoo pizza. …very top… two blocks from our house,” and different it was where he’d grown up. He talks about the immense amount of “smells in Brooklyn: Coffee, fingernail polish, eucalyptus…” and how other might hate it, but he enjoys it. In the same section, he describes how he enjoys the Brooklyn accent and the noise and smells that other people make on the streets and at the park across from his house. “Charcoal smoke drifts into the
The story begins as the boy describes his neighborhood. Immediately feelings of isolation and hopelessness begin to set in. The street that the boy lives on is a dead end, right from the beginning he is trapped. In addition, he feels ignored by the houses on his street. Their brown imperturbable faces make him feel excluded from the decent lives within them. The street becomes a representation of the boy’s self, uninhabited and detached, with the houses personified, and arguably more alive than the residents (Gray). Every detail of his neighborhood seems designed to inflict him with the feeling of isolation. The boy's house, like the street he lives on, is filled with decay. It is suffocating and “musty from being long enclosed.” It is difficult for him to establish any sort of connection to it. Even the history of the house feels unkind. The house's previous tenant, a priest, had died while living there. He “left all his money to institutions and the furniture of the house to his sister (Norton Anthology 2236).” It was as if he was trying to insure the boy's boredom and solitude. The only thing of interest that the boy can find is a bicycle pump, which is rusty and rendered unfit to play with. Even the “wild” garden is gloomy and desolate, containing but a lone apple tree and a few straggling bushes. It is hardly the sort of yard that a young boy would want. Like most boys, he has no voice in choosing where he lives, yet his surroundings have a powerful effect on him.