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What is the social or political significance of the coquette by hannah webster foster
Summary xl the coquette by hannah webster foster
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Themes of Hannah Webster Foster’s The Croquette
Hannah Webster Foster’s The Coquette, published in 1797, has long been regarded as a sentimental novel with little literary quality. Though The Coquette was a best seller at publication and remained in print for most of the 19th century, critics gave it little attention other than to ridicule the novel. Not until 1978 with the publishing of Walter Wenska’s The Coquette and the American Dream of Freedom did Foster’s book receive critical attention and praise. Since then, other literary critics have given their attention to The Coquette for critical analysis and praise. These critics have focused on facets of the novel that were completely ignored until the last twenty years. The themes critics discuss include the injustices of patriarchal culture, societal attitudes, the depiction of an economy of vision, treatment of language and the role of the female circle. It is obvious modern critics have delved below the surface of the sentimental novel to extract meaningful themes and information written by Foster.
In her book Revolution and the Word: The Rise of the Novel in America, Cathy N. Davidson includes The Coquette in the historical chronology and criticism of the American novel. Davidson concentrates her writing about The Coquette’s theme as it “does not openly challenge the basic structure of patriarchal culture but instead, exposes its fundamental injustices through the details and disasters of the plot” (144). The novel opens with Eliza Wharton expressing both her sadness and relief over the death of Mr. Haly. Davidson points out the injustice of Eliza submitting to an arranged marriage out of obedience to her parents which contradicts the supposed...
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... by the aforementioned writers must emphasize the depth of Foster’s novel.
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From the beginning of The Coquette Eliza Wharton is a headstrong, freedom-seeking woman. Having escaped her impending marriage with the death of her fiancé, Eliza is determined to enjoy herself, regardless of the consequences. Eliza disregards the warnings she receives from those around her, she disregards Major Sanford’s past, and she disregards the societal impact her actions will undoubtedly have. Eliza is reckless with her reputation and virtue and she pays the price.
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In an essay on feminist criticism, Linda Peterson of Yale University explains how literature can "reflect and shape the attitudes that have held women back" (330). From the viewpoint of a feminist critic, "The Lady of Shalott" provides its reader with an analysis of the Victorian woman's conflict between her place in the interior, domestic role of society and her desire to break into the exterior, public sphere which generally had been the domain of men. Read as a commentary on women's roles in Victorian society, "The Lady of Shalott" may be interpreted in different ways. Thus, the speaker's commentary is ambiguous: Does he seek to reinforce the institution of patriarchal society as he "punishes" the Lady with her death for her venture into the public world of men, or does he sympathize with her yearnings for a more colorful, active life? Close reading reveals more than one possible answer to this question, but the overriding theme seems sympathetic to the Lady. By applying "the feminist critique" (Peterson 333-334) to Tennyson's famous poem, one may begin to understand how "The Lady of Shalott" not only analyzes, but actually critiques the attitudes that held women back and, in the end, makes a hopeful, less patriarchal statement about the place of women in Victorian society.