Raymond Carver, in his short story Cathedral uses a first-person narrator, whose point of view is very much limited and flawed. The narrator in Cathedral has full use of all his senses, unlike the blind man, Robert, who is introduced very early in the story. When comparing the two again, however, Robert is the character that is open to new ideas and willing to experience the joys of life, while the narrator limits himself due to his close-minded thinking. It brings up the question, who is truly blind in the story? Is it a physical ailment or a mental block? The narrator is never given a name in the story, making him the most impersonal character in the story. This also adds to the fact that the narrator is highly ignorant about his surroundings and has a one-sided, self-absorbed view of the world. The perception of the narrator leaves much to be inferred in many points in the story, and at first, it seems pointless to have such a closed off character and the one telling his point of view. I would like to hear the story from the wife’s point of view or Robert’s. Ultimately, however, the limited point of view of the narrator shows where the true ignorance in the world lies. The narrator makes his opinions clear from the very beginning. In the first paragraph of the story he states, “A blind man in my house was not something that I looked forward to” (Carver, 34). This opinion continues on throughout almost the entire story. The narrator has no logical reason to explain why the thought of a blind man in his home makes him so uncomfortable either. He states that he has formed his opinion from movies where blind people move very slowly and never laugh. This is the only evidence he uses to defend his opinion, which is a very weak argu... ... middle of paper ... ...h it emotionally detached without the pleasure of living. In the end, when the narrator has his eyes closed drawing the cathedral, he is the most open he has even been to the world. The narrator’s limited point of view in the story was crucial in showing the reader that what will hold you back the most in life are your biases and judgments. If the story was told in Robert’s point of view, it would have been a joyful story about visiting a long time friend, even with the tragedy of his wife’s death. We would have never known of the prejudices that were held inside the husband, and no true theme would have come from the story. The limited point of view was used in a way that expanded upon the theme even more, and made for a stronger story structure. Works Cited Carver, Raymond. Cathedral. “The Norton Introduction to Literature.” New York: W.W Norton &, 2014. Print.
Raymond Carver’s short story “Cathedral” opens with a narrator whose wife has invited a blind friend to spend the night. The narrator depersonalizes the man right off the bat and repeatedly throughout the story by referring to him, not by name, but as “the blind man” (Carver 513). He admits that hi...
The Norton Introduction to Literature. Ed. Kelly J. Mays. New York: Norton, 2013. 1471 - 1534 -.
Meyer, Michael. The Bedford Introduction to Literature. Ed. 8th ed. Boston: Bedford/St. Martin's, 2008. 2189.
In Cathedral by Raymond Carver, the narrator faces the conflicts of only being able to look from a standard physical viewpoint versus seeing on a deeper more involved emotional level. The story reaches a crisis when the narrator closes his eyes and begins to draw a cathedral, relying only on his imagination to fill in the details, and letting himself be guided by Robert, a blind man. This causes him to see clearly for the first time in his life on a more profound scale, even though in reality he is not actually visibly seeing anything. Therefore, the overall work argues that the narrator succeeds at meeting his challenge. He becomes more complete as a human being, since he realizes that in order to understand and view the world, one does not
In the short story “Cathedral” by Raymond Carver, the narrator, Bub, is as metaphorically blind as his guest, Robert, is literally blind. Bub has many unwarranted misconceptions about life, blind people in particular. He also has many insecurities that prevent him from getting too close to people. Through his interaction with Robert, Bub is able to open his mind and let go of his self-doubt for a moment and see the world in a different light.
The narrator's insensitivity reveals itself early in the story when his wife's blind friend, Robert, comes for a visit after the death of his wife. Almost immediately in the beginning of the story the narrator admits "A blind man in my house was not something I looked forward to." [Carver 2368] He even goes so far as to suggest to his wife that he take the man bowling. He hears the story of Robert's dead wife and can not even imagine " what a pitiful life this woman must have led." [Carver 2370] The narrator is superficial, only recognizing the external part of people and not recognizing the value of a person on the inside.
Upon reading Raymond Carver's short story of the Cathedral one will notice the literary devices used in the short story. When analyzing the story completely, one then understands the themes, motifs, metaphors, and the overall point of the piece. This leaves the reader with an appreciation of the story and a feeling of complete satisfaction.
In Raymond Carver's "Cathedral," the husband's view of blind men is changed when he encounters his wife's long time friend, Robert. His narrow minded views and prejudice thoughts of one stereotype are altered by a single experience he has with Robert. The husband is changed when he thinks he personally sees the blind man's world. Somehow, the blind man breaks through all of the husband's jealousy, incompetence for discernment, and prejudgments in a single moment of understanding.
Blindness in Raymond Carver's Cathedral Blindness creates a world of obscurity only to be overcome with guidance from someone willing to become intimate with the blind. Equally true, the perceptions of blindness can only be overcome when the blind allow intimacy with the sighted. Raymond Carver, with his short story Cathedral, illustrates this point through the eyes of a man who will be spending an evening with a blind man, Robert, for the first time. Not only does this man not know Robert, but his being blind, "bothered" (Carver 98) him.
In Raymond Carver’s story “Cathedral” the narrator learns what it means to “see” through someone who cannot. To see is to be able to view the things around us while putting aside preconceived notions or fear about these objects or people. In order for this to occur once must overcome what they feel is out of the ordinary and learn to accept things as they are. At first the narrator is doesn’t accept the man and uncomfortable around Robert. The narrator soon comes to understand this when he puts aside his fears, and judgments that he can see more than what meets the eye, and the freedom that comes along with this seeing.
Raymond Carver utilizes his character of the husband, who is also the narrator, in his short story "Cathedral." From the beginning of the story the narrator has a negative personality. He lacks compassion, has a narrow mind, is detached emotionally from others, and is jealous of his wife's friendship with a blind man named Robert. He never connects with anyone emotionally until the end of this story.
The unnamed narrator of Raymond Carver’s “Cathedral” poses as an unreliable narrator for his unaccepting nature towards blind people along with his ignorant perception of many realities in his life that Carver presents for the reader to take into question. The narrator holds prejudice against Robert, a blind man whom the narrator’s wife worked with ten years earlier and eventually befriends. Unperceptive to many of the actualities in his own life, the narrator paints an inaccurate picture of Robert that he will soon find to be far from the truth.
The husband in Raymond Carvers “Cathedral” wasn’t enthusiastic about his wife’s old friend, whom was a blind man coming over to spend the night with them. His wife had kept in touch with the blind man since she worked for him in Seattle years ago. He didn’t know the blind man; he only heard tapes and stories about him. The man being blind bothered him, “My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing-eye dogs. A blind man in my house was not something I looked forward to. (Carver 137)” The husband doesn’t suspect his ideas of blind people to be anything else. The husband is already judging what the blind man will be like without even getting to actually know him. It seems he has judged too soon as his ideas of the blind man change and he gets a better understanding of not only the blind man, but his self as well.
Cathedral” is a story by Raymond Carver, in which he explains the difference between “looking” and truly seeing. Truly “seeing” means understanding someone on a deeper level. It requires listening and truly hearing a person. A person can be blind, but can see right through others and their inner self. In the story, a blind man, who is an old friend of the narrator’s wife, visits the young couple. The narrator is skeptical towards the blind man at first. However, at the end, his attitude changes towards the blind man. Although blindness prevented him from physically seeing, nothing prevented him from “seeing” right through people and understanding them on a deeper level. The blind man asks the narrator to draw him a cathedral, which he does.
Mays, Kelly J. The Norton Introduction to Literature. New York: W.W Norton &, 2012. Print.