Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Humility Vs Pride Essay
Aylmer the birthmark character analysis
Aylmer the birthmark character analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Humility Vs Pride Essay
Nathaniel Hawthorne’s “The Birth-Mark”, Raymond Carver’s “Cathedral”, and Randall
Kenan’s “The Foundations of the Earth” illustrate how arrogance undermines knowledge and individual power and humility enhances those qualities. In each story, characters with parochial worldviews encounter people who challenge them to change. Other perspectives are available if they are able to let go of their superior attitudes. For example, Hawthorne’s protagonist, Aylmer, believes he has the ability and right to create perfection. He views a birthmark on his wife, Georgiana, as evidence of a flaw that must be removed no matter what the cost. His assistant, Aminadab, (an earthy alter-ego) remarks, “If she were my wife, I’d never part with that birthmark” (Hawthorne 531). He does not say, “I’d let it be” or “I’d tolerate it”, but rather “I’d never part with it.” This interpretation is so antithetical to Aylmer’s that it cries for inquiry. “What is it that you are thinking, Aminadab?” or “What is it about this birthmark that I find so ugly that you would treasure?” Aylmer does not ask these questions. Arrogance shuts him down. One needs humility in order to consider alternative points of view. New ideas do not enter Aylmer’s mind and he does not develop. His arrogance culminates in the death of Georgiana. In the other two stories, however, the characters mature by humbly opening to diverse perspectives, thus gaining knowledge and individual power.
1
Raymond Carver’s short story “Cathedral” opens with a narrator whose wife has invited a blind friend to spend the night. The narrator depersonalizes the man right off the bat and repeatedly throughout the story by referring to him, not by name, but as “the blind man” (Carver 513). He admits that hi...
... middle of paper ...
...h. On the other hand, arrogance stifles one’s growth by shutting out different perspectives. One is left with nothing except what one started with; one’s mind becomes a closed box of stifling inflexibility or a Pandora’s box of anger and blame. Sometimes arrogance leads to a fate like the one Georgiana and Aylmer experienced in Hawthorne’s short story.
Works Cited
Hawthorne, Nathaniel. "The Birth-Mark." Reading Literature and Writing Argument. Ed. Missy James and Alan Merickel. Fourth ed. Boston: Longman, 2011. 527-38. Print.
Carver, Raymond. “Cathedral.” Reading Literature and Writing Argument. Ed. Missy James and Alan Merickel. Fourth ed. Boston: Longman, 2011. 513-23. Print.
Kenan, Randall. "The Foundations of the Earth." Reading Literature and Writing Argument. Ed. Missy James and Alan Merickel. Fourth ed. Boston: Longman, 2011. 149-61. Print.
Lathrop, G. P., ed. "Hawthorne, Nathaniel." The Reader's Encyclopedia of American Literature. Binghamton, New York: Vail-Ballou, 1962. 439-40. Print.
In Nathaniel Hawthorne’s short story “The Birth-Mark,” Aylmer, a married scientist, believes himself to be above nature. Acting on these beliefs, he prepares
Carver, Raymond. "Cathedral." The Harper Anthology of Fiction. Ed. Sylvan Barnet. New York: HarperCollins, 1991. 1052-1062.
In the short story “Cathedral” by Raymond Carver, the narrator, Bub, is as metaphorically blind as his guest, Robert, is literally blind. Bub has many unwarranted misconceptions about life, blind people in particular. He also has many insecurities that prevent him from getting too close to people. Through his interaction with Robert, Bub is able to open his mind and let go of his self-doubt for a moment and see the world in a different light.
Meyer, Michael, ed. Thinking and Writing About Literature. Second Edition. New York: Bedford/St. Martin's, 2001.
Abcarian, Richard. Literature: the Human Experience : Reading and Writing. : Bedford/Saint Martin's, 2012. Print.
Updike, John. "A&P." Thinking and Writing About Literature. Ed. Michael Meyer. Boston: Bedford/St. Martin's, 2001. 981-86. Print.
In Nathanial Hawthorne’s “The Birth-Mark,” Aylmer, a crazed, “mad-scientist,” seeks to remove the scarlet handprint birthmark from his wife, Georgiana’s cheek. From the opening of the work, the third person narrator describes Aylmer’s obsession with science and the adverse effects it has had on his social life. Aylmer is tied up in this battle within himself and with his assigned association between the natural and the spiritual world. He wishes to have as much control over these colliding worlds as possible, granting himself god-like power and control in the process. In the art of manipulating nature through science, Aylmer believes he is able to alter the spiritual aspects of the natural as well. Aylmer’s focus on spirituality is Hawthorne’s way of commenting on mankind’s fixation on sin and redemption.
Since ours is an age that has found irony, ambiguity, and paradox to be central not only in literature but in life, it is not surprising that Hawthorne has seemed to us one of the most modern of nineteenth century American writers. The bulk and general excellence of the great outburst of Hawthorne criticism of the past decade attest to his relevance for us(54).
In Raymond Carver's "Cathedral," the husband's view of blind men is changed when he encounters his wife's long time friend, Robert. His narrow minded views and prejudice thoughts of one stereotype are altered by a single experience he has with Robert. The husband is changed when he thinks he personally sees the blind man's world. Somehow, the blind man breaks through all of the husband's jealousy, incompetence for discernment, and prejudgments in a single moment of understanding.
Blindness in Raymond Carver's Cathedral Blindness creates a world of obscurity only to be overcome with guidance from someone willing to become intimate with the blind. Equally true, the perceptions of blindness can only be overcome when the blind allow intimacy with the sighted. Raymond Carver, with his short story Cathedral, illustrates this point through the eyes of a man who will be spending an evening with a blind man, Robert, for the first time. Not only does this man not know Robert, but his being blind, "bothered" (Carver 98) him.
The husband in Raymond Carvers “Cathedral” wasn’t enthusiastic about his wife’s old friend, whom was a blind man coming over to spend the night with them. His wife had kept in touch with the blind man since she worked for him in Seattle years ago. He didn’t know the blind man; he only heard tapes and stories about him. The man being blind bothered him, “My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing-eye dogs. A blind man in my house was not something I looked forward to. (Carver 137)” The husband doesn’t suspect his ideas of blind people to be anything else. The husband is already judging what the blind man will be like without even getting to actually know him. It seems he has judged too soon as his ideas of the blind man change and he gets a better understanding of not only the blind man, but his self as well.
Carver, Raymond. Cathedral. Exploring Literature: Writing and Arguing About Fiction, Poetry, Drama, and the Essay. Ed. Frank Madden. 4th ed. New York: Pearson Longman, 2009. 1151-61. Print
The Puritan society, although pious and goodly within the idea of it, spurned many of its members for fabricated suspicions that eventually eroded the Puritan community. Hence, the archetypes within Nathaniel Hawthorne’s “Young Goodman Brown” emulate how an individual’s interpersonal relationships can easily crumble when a society’s culture is steeped within judgment. Carl Jung’s theory of individuation is the psychological process as one grows up and notices aspects of the self that set one apart from others. It also explains how one can project unconscious faults onto others more easily than we can accept them of ourselves. Thus, members of the Puritan community were more apt to cast judgment on others rather than looking to themselves for
...s, Edgar V. Writing about Literature. 11th ed. Upper Saddle River: Pearson/Prentice Hall, 2006. Print.