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Blindness as a theme in cathedral
Essay on the book Blindness
Blindness as a theme in cathedral
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Vision is something many people take for granted every day. Society only deals with the matter of being blind if they are the less fortunate ones. According to the Braille Institute, "every seven minutes a person in the United States loses their sight, often as part of the aging process" (1). Only two percent of legally blind people use a guide dog and thirty-five percent use a white cane. Blindness can be caused from various different types of things including (in order) age-related macular degeneration, glaucoma, diabetic retinopathy and age-related cataracts. (Braille 1). However being blind does not mean a person is in total darkness. Some people can see lights and the shapes of objects, but the most import thing is for family and friends to provide hope and encouragement. The last thing a person who has lost their sight wants is to lose their family and support, which will led to loneliness. Likewise, in the short story "Cathedral," by Raymond Carver's, blindness is the key element in the story and shows in detail how the characters manage it. The theme Carver conveys in the short story is being able to see without sight and is revealed through the characters, tone and plot of the story.
The theme in the story of being able to see without sight is revealed through the characters in the story "Cathedral." The husband is very judgmental, self-centered and shows a lack of knowledge about blind people. This is obvious when he states, "My idea of blindness came from the movies. In the movies, the blind move slowly and never laugh (1152). The husband is so quick to judge and thinks he already knows everything about blind people and how they are, so he makes it clear he was not looking forward to the blind man being in his house ...
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...d the blind experience and it was like Robert was no longer the blind person in the house (Caldwell 3). As a result, this shows him the way to gaining a better understanding of his own self worth and heal from pass hurts by experiencing the transcendent of nature of life.
Works Cited
Akers, Tim. "Overview: 'Cathedral'." Short Stories for Students 6 (1999): 1-2. Literature Resource Center. Web. 16 Nov. 2010.
Braille Institute: Empowering visually impaired people to live fulfilling lives. Braille Institute. 2010. Web. 22 Nov. 2010
Caldwell, Tracey. "Raymond Carver's 'Cathedral'." Literary Contents in Short Stories (2006): 1-8. Literary Reference Center. Web. 5 Nov. 2010
Carver, Raymond. Cathedral. Exploring Literature: Writing and Arguing About Fiction, Poetry, Drama, and the Essay. Ed. Frank Madden. 4th ed. New York: Pearson Longman, 2009. 1151-61. Print
Carver, Raymond. "Cathedral." The Harper Anthology of Fiction. Ed. Sylvan Barnet. New York: HarperCollins, 1991. 1052-1062.
In the short story “Cathedral” by Raymond Carver, the narrator, Bub, is as metaphorically blind as his guest, Robert, is literally blind. Bub has many unwarranted misconceptions about life, blind people in particular. He also has many insecurities that prevent him from getting too close to people. Through his interaction with Robert, Bub is able to open his mind and let go of his self-doubt for a moment and see the world in a different light.
“Cathedral” consists of three individuals. The narrator is the main character, which the story revolves around. The wife of the narrator is the second character, who is the least relevant. The third character is the blind man, named Robert, who is a friend of the wife.
Upon reading Raymond Carver's short story of the Cathedral one will notice the literary devices used in the short story. When analyzing the story completely, one then understands the themes, motifs, metaphors, and the overall point of the piece. This leaves the reader with an appreciation of the story and a feeling of complete satisfaction.
Carver, Raymond. "Cathedral." The Harper Anthology of Fiction. Ed. Sylvan Barnet. New York: HarperCollins, 1991. 1052-1062.
Carver, Raymond. "Cathedral." The Harper Anthology of Fiction. Ed. Sylvan Barnet. New York: HarperCollins, 1991. 1052-1062.
Carver, Raymond. "Cathedral." The Harper Anthology of Fiction. Ed. Sylvan Barnet. New York: HarperCollins, 1991. 1052-1062.
In Raymond Carver's "Cathedral," the husband's view of blind men is changed when he encounters his wife's long time friend, Robert. His narrow minded views and prejudice thoughts of one stereotype are altered by a single experience he has with Robert. The husband is changed when he thinks he personally sees the blind man's world. Somehow, the blind man breaks through all of the husband's jealousy, incompetence for discernment, and prejudgments in a single moment of understanding.
Blindness in Raymond Carver's Cathedral Blindness creates a world of obscurity only to be overcome with guidance from someone willing to become intimate with the blind. Equally true, the perceptions of blindness can only be overcome when the blind allow intimacy with the sighted. Raymond Carver, with his short story Cathedral, illustrates this point through the eyes of a man who will be spending an evening with a blind man, Robert, for the first time. Not only does this man not know Robert, but his being blind, "bothered" (Carver 98) him.
Raymond Carver's "Cathedral" depicted the interaction between a narrow minded husband, with a limited understanding of the world around him, and a blind visitor, named Robert, that proved to be the catalyst that dramatically changed the husband's view on the world, while they went from being strangers to becoming friends. In the beginning of the story, the husband disliked the concept of his wife bringing her blind friend over to stay since he never had met a blind person before and did not understand it. However, as the story progresses, the husband, through interaction and observation, begins to dispel his fears and misconceptions of Robert and his blindness. With the help of Robert, the husband gains a revelation that changed his view and opened his eyes to the world.
The husband in Raymond Carvers “Cathedral” wasn’t enthusiastic about his wife’s old friend, whom was a blind man coming over to spend the night with them. His wife had kept in touch with the blind man since she worked for him in Seattle years ago. He didn’t know the blind man; he only heard tapes and stories about him. The man being blind bothered him, “My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing-eye dogs. A blind man in my house was not something I looked forward to. (Carver 137)” The husband doesn’t suspect his ideas of blind people to be anything else. The husband is already judging what the blind man will be like without even getting to actually know him. It seems he has judged too soon as his ideas of the blind man change and he gets a better understanding of not only the blind man, but his self as well.
Raymond Carver, in his short story Cathedral uses a first-person narrator, whose point of view is very much limited and flawed. The narrator in Cathedral has full use of all his senses, unlike the blind man, Robert, who is introduced very early in the story. When comparing the two again, however, Robert is the character that is open to new ideas and willing to experience the joys of life, while the narrator limits himself due to his close-minded thinking. It brings up the question, who is truly blind in the story? Is it a physical ailment or a mental block? The narrator is never given a name in the story, making him the most impersonal character in the story. This also adds to the fact that the narrator is highly ignorant about his surroundings and has a one-sided, self-absorbed view of the world. The perception of the narrator leaves much to be inferred in many points in the story, and at first, it seems pointless to have such a closed off character and the one telling his point of view. I would like to hear the story from the wife’s point of view or Robert’s. Ultimately, however, the limited point of view of the narrator shows where the true ignorance in the world lies.
Raymond Carver Jr. wrote short stories in settings that many would consider ordinary. His stories could often be described as drab, and many of them were characterized by a “zero-ending” or a cliffhanger. His stories often ended abruptly, leaving the reader with a number of unanswered questions. In his story Cathedral, the story appears to close with a “zero-ending.” However, there are many observations and inferences that can be made at the end of Cathedral that make it anything but a “zero-ending.”
Carver, Raymond. "Cathedral." The Story and Its Writer: an Introduction to Short Fiction. By Ann Charters. Boston: Bedford/St. Martins, 2011. 123-33. Print.
One might think a progressing blind man may feel depressed and highly upset about his condition, but for one man this is not the case. In the essay “Blindness”, written by Argentinian Jorge Luis Borges, talks about his perspective of being literally blind and talks about blindness figuratively. Through his primary audience, which is people who know little to no knowledge about being blind, and people with disabilities themselves. Borges purpose is a moving meditation on being visually impaired and to explain how being blind isn’t a misfortune, but an amazing opportunity to look at the world in a different light. The author does this by using personal anecdotes about his grandmother and father and using many allusions along with pathos to