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Cormac mccarthy analysis
Analytical essay on blood meridian setting
Cormac mccarthy analysis
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The True Wild West: A Violent, Godless Wasteland
As defined by Edgar Roberts setting is “the natural, manufactured, political, cultural, and temporal environment including everything that the characters own. Characters may be either helped or hurt by their surroundings and they nay fight about possessions or goals” (Roberts 109). In Cormac McCarthy’s Blood Meridian or The Evening Redness in the West, this setting is the focal point. Every natural event or decision made by the characters is unique to the wild platform on which it takes place. The setting of the West, including the mindless violence within this setting and the merciless desert that it holds, shapes the story and characters therein on a magnitude so great that the characters have no control over it.
Though it is traditionally thought of as being the Wild West with gun-slinging cowboys and treacherous bandits, this is not an accurate picture of the West. In McCarthy’s West, the just cowboys do not save the day because they do not even exist. The West that seems too terrible to be real was real. McCarthy depicts, with minimal embellishment, the actual life lived out by real men along the Mexican-American border at that time. The violence was real (Sanderson 48). The blood-soaked Southwest of McCarthy was one of the first of its time, creating much controversy. He shows it to be as it truly was, not, as other writers had done before, to show it as the fun cowboy land that it simply was not (Handley 341). It is only treacherous bandits opposing other treacherous bandits, fighting for turf and spilling blood all the while.
Early on the American government dressed up the culture and opportunities that lay in the West to get more westward expansion. The tr...
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...s, Edgar V. Writing about Literature. 11th ed. Upper Saddle River: Pearson/Prentice Hall, 2006. Print.
Sanderson, Jim. "Hell on horses and women: Stillwell, Beasley, Porter, and McCarthy on Texas maleness." Southwestern American Literature 35.2 (2010): 38+. Literature Resource Center. Web. 1 Apr. 2014.
Shaviro, Steven. ""The Very Life of the Darkness": A Reading of Blood Meridian." Bloom's Literature. Facts On File, Inc. Web. 1 Apr. 2014.
Spurgeon, Sara L. "Foundation of Empire: The Sacred Hunter and the Eucharist of the Wilderness in Cormac McCarthy's Blood Meridian." Bloom's Literature. Facts On File, Inc. Web. 10 Apr. 2014.
Wegner, John. ""Wars and Rumors of Wars" in Cormac McCarthy's Border Trilogy." Bloom's Literature. Facts On File, Inc. Web. 11 Apr. 2014.
Cormac McCarthy's brilliant descriptions of the landscape of the desert southwest in Blood Meridian can be seen to have a dual purpose. In one sense they are the lone highlight of a novel filled with gruesome realities. In analyzing the setting's features and connections to the novel's plot and theme, the reader can see that the setting is an element vital in plausibility of the plot and the understanding of the novel's underlying meaning.
"Relocating the Cowboy: American Privilege in "All the Pretty Horses"" Pepperdine University: Global Tides Seaver Journal of Arts and Sciences. Maia Y. Rodriguez, 2014. Web. 2 May 2016. . The Western typically illustrates the journey of a man, usually a horse riding cowboy, into the Western frontier where he must conquer nature "in the name of civilization or [confiscate] the territorial rights of the original inhabitants... Native Americans" (Newman 150). What this brand of mythology promotes is precisely the values of American culture: rugged individualism, achievement and success, activtity and work, democracy and enterprise, and--most importantly--
True West is set in North America, in the United States, 40 miles outside of Los Angeles, California, in the desert. The play takes place in a spacious, apartment kitchen, with an adjoining alcove and dining room, that belongs to an older woman in her early sixties. The play has a hostile environment, in which it’s violent and serious, with some comic moments. The kitchen and alcove are dimly lit with LED light, which gives the area a blue-grey tint.
"Unit 2: Reading & Writing About Short Fiction." ENGL200: Composition and Literature. New York: McGraw-Hill, 2011. 49-219. Web. 19 Apr. 2014.
Cormac McCarthy was wise in choosing the Southwest as the setting for a novel of unprecedented bloodshed. No other land would have done McCarthy’s ideas justice, given that only the Southwest harbored such wanton violence. A ...
While the western frontier was still new and untamed, the western hero often took on the role of a vigilante. The vigilante’s role in the frontier was that of extralegal verve which was used to restrain criminal threats to the civil peace and opulence of a local community. Vigilantism was typical to the settler-state societies of the western frontier where the structures and powers of government were at first very feeble and weak. The typical cowboy hero had a willingness to use this extralegal verve. The Virginian demonstrated this throughout with his interactions with Trampas, most notably in the interactions leading up to the shoot out and during the shoot-out itself. “Others struggled with Trampas, and his bullet smashed the ceiling before they could drag the pistol from him… Yet the Virginian stood quiet by the...
Hansberry, Lorraine. A Raisin in the Sun. Literature and the Writing Process. Elizabeth McMahan, Susan X. Day, and Robert Funk. 6th ed. Upper Saddle River: Prentice, 2002.
Blood Meridian Or the Evening Redness in the West, written by Cormac McCarthy, is a classical American novel that conveys readers into experiencing fear, sadness, and disgust. Regeneration and violence are common features of the myth of the west, even on the cover of novel, Michael Herr states that Blood Meridian is “a classic American novel of regeneration through violence.” Blood Meridian goes far beyond into the dark depths of humanity and is unquestionably the goriest novel. In this novel, McCarthy manages to capture the history of violence and blo...
Glaspell, Susan. Trifles. Literature and the Writing Process. Elizabeth Mahan, Susan X Day, and Robert Funk. 6th ed. Upper Saddle River, NJ: Prentice, 2002. 977-986
Though not a literary success in terms of book sales and overall recognition, Cormac McCarthy's Blood Meridian tells and intriguing story in a light in which the Old West is rarely seen. Conscienceless violence, devil-like characters, and breathtaking scenery fill this novel uninhibited by morality or rectitude.
Over the years, the idea of the western frontier of American history has been unjustly and falsely romanticized by the movie, novel, and television industries. People now believe the west to have been populated by gun-slinging cowboys wearing ten gallon hats who rode off on capricious, idealistic adventures. Not only is this perception of the west far from the truth, but no mention of the atrocities of Indian massacre, avarice, and ill-advised, often deceptive, government programs is even present in the average citizen’s understanding of the frontier. This misunderstanding of the west is epitomized by the statement, “Frederick Jackson Turner’s frontier thesis was as real as the myth of the west. The development of the west was, in fact, A Century of Dishonor.” The frontier thesis, which Turner proposed in 1893 at the World’s Columbian Exposition, viewed the frontier as the sole preserver of the American psyche of democracy and republicanism by compelling Americans to conquer and to settle new areas. This thesis gives a somewhat quixotic explanation of expansion, as opposed to Helen Hunt Jackson’s book, A Century of Dishonor, which truly portrays the settlement of the west as a pattern of cruelty and conceit. Thus, the frontier thesis, offered first in The Significance of the Frontier in American History, is, in fact, false, like the myth of the west. Many historians, however, have attempted to debunk the mythology of the west. Specifically, these historians have refuted the common beliefs that cattle ranging was accepted as legal by the government, that the said business was profitable, that cattle herders were completely independent from any outside influence, and that anyone could become a cattle herder.
Roberts, Edgar V. and Jacobs, Henry E. Literature: An Introduction to Reading and Writing. Upper Saddlr River: Prentice-Hall, Inc., 1998.
The story of the American West is still being told today even though most of historic events of the Wild West happened over more than a century ago. In movies, novels, television, and more ways stories of the old west are still being retold, reenacted, and replayed to relive the events of the once so wild and untamed land of the west that so many now fantasize about. After reading about the old west and watching early westerns it is amazing how much Hollywood still glorifies the history and myth of the old west. It may not be directly obvious to every one, but if you look closely there is always a hint of the Western mentality such as honor, justice, romance, drama, and violence. The most interesting thing about the Old West is the fact that history and myth have a very close relationship together in telling the story of the West.
“The Road Not Taken.” Literature and the Writing Process. Ed. Elizabeth McMahan et al. 8th ed.
Bausch, Richard, and R. V. Cassill. "Heart of Darkness." The Norton Anthology of Short Fiction. New York: W.W. Norton, 2006. 126-86. Print.