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Analysis And Interpretation Of Eliot'S Poem:The Hollow Men
Themes of hollow men
T.s eliot's the issues and dilemmas facing the modern man in hollow men
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There is said to be a thin line between the planning and the execution a sinister action, as the idea is what first drives the motion. This is the central theme of T.S. Eliot’s poem “The Hollow Men,” in which the men depicted find themselves on the brink of hell, suffering not from their actions, but from their conspiracy to act. Throughout the poem, it appears that the men feel that they have done nothing wrong. The title itself, “The Hollow Men,” indicates that perhaps there is nothing to these men at all—as if they have done neither good nor evil. The conspiracy that they appear to be contriving is not made clear in the poem. One can only assume, however, that is it of some evil nature in the way that there is so much attention drawn to it. In Part I of the poem, the men seem to be vehemently pleading innocent to the audience. They argue that their collaborations are harmless in the lines, “Our dried voices, when/We whisper together/Are quiet and meaningless/As wind in dry grass.” It’s as if they are trying to persuade their audience that their efforts were truly without any cruel intention, like a “gesture without motion.” The men seem to know deep down that they have committed a wrong in the way that they are fervently denying their guilt, as anyone ashamed of something well generally deny it more than usual. Yet this excuse of passive planning could never possibly emancipate them from a fate in purgatory. In t...
The readings “The Legend of Sleepy Hollow” by Washington Irving and The Monster by Stephen Crane are to amazing readings. However, these two texts represent violence and conflicts in different ways, which shows that although they have the same concept their tactic for this same concept is used in a different approach.
Thereby, the two works that is Macbeth and The Kite Runner not only present before the humanity, the immense power and potency of guilt, but also emphatically reveal the eventual consequences of the guilt traceable to an evil act or an act of cowardice or betrayal. These two works expose the psychology of guilt in a very vivid and threadbare manner, which explains their appeal and the human interest they accrue.
“Mad Men” is a television show about life in the 1960’s. The show’s setting is in the work place taking place during the 1960’s. The show depicts how men and women are working together at an advertisement agency. The main character is Don Draper and he is an executive for the advertisement agency. Don Draper has many secrets that threaten his job and his household. (“Mad Men: Plot Summary.”) During the show “Mad Men” women are treated differently this happens because men in the 1960’s were sexist towards women whether it be at home or at the work place. Is “Mad Men” more about how minorities were treated or is it really about the life of Don Draper? (Julia Baird, 195.)
The Legend of Sleepy Hollow (1820) by Washington Irving is a classic American tale that has evolved in contemporary media throughout the years. Irving has exemplified traditional American folklore in his characterization of Ichabod Crane, the protagonist of the tale. Ichabod Crane has remained an integral part of the tale in American contemporary media, being interpreted differently in both the film Sleepy Hollow (1999) and the television adaption Sleepy Hollow (2013). Ichabod Crane has evolved just as the story has, evolving from a fear-riddled schoolteacher to a dashing, revolutionary, time traveling hero, and throughout these adaptations he remains an exemplification of American folklore.
Advertising has become increasingly popular with television shows like Mad Men that have allowed audiences to gain a new insight into the growing art form during the 1960s. It helps that the show has featured strong female characters like Peggy and Joan. These strong females have had to work their way up the ladder in the advertising world during a time of change. However, these women have key character faults that seem almost improbable and lead viewers to believe that women have only been able to climb the advertising ladder through sex and deception. Furthermore, the notion women may only be able to achieve an executive role through less than desirable tactics have been reinforced within the storyline. However, this is not exactly the
“In a simple allegory, characters and other elements often stand for other definite meanings, which are often abstractions” (Kennedy 234). Since everyone in the town is involved in the stoning, they do not view their sacrifice as murder, but as something needed to be done. “‘All right, folks,’ Mr. Summers said, ‘Let’s finish this quickly.’” (Jackson 259). The young boys in the town are excited about the lottery, but the girls stand off to the side because it is in a boy’s nature to be brutal, yet the women of the town seem just as excited as the boys, and the men calm down as the girls. “The boys’ eager and childish cruelty will turn into the sober reluctance of their fathers, whereas the childish apartness of the girls will become the grown women’s blood lust” (Whittier 357). Most people associate winning a lottery as coming into a large sum of money; but on the contrary, the winner of this lottery must pay with their ultimate sacrifice. “Lottery in June, corn be heavy soon” (257). Jackson’s use of allegories is sublime, drawing her readers to the central
What if we lived in a world where a small piece of paper was considered the Angel of Death? Where your neighbors would turn on you in an instance because a small black box “prophesized” them to? When true human nature is shown before you are cast into the blackness of death? Shirley Jackson’s “The Lottery” is a short story in which villagers gather once a year with a black box to perform a lottery that decides just that. The head male of each family must draw till someone has the black dot that decides which family will draw next. The “winner” in that family is then stoned to death by everyone in the village, including their own family. The story has multiple hidden messages that are hard to distinguish from the text. Each message shows a side of human nature that most people believe they do not have. By using literary analysis, Shirley Jackson’s messages become
At first glance, "The Legend of Sleepy Hollow" by Washington Irving seems to be an innocent tale about a superstitious New England town threatened by a strange new comer, Icabod Crane. However, this descriptive narrative is more than just a simple tale because it addresses several gender issues that deserve attention. The pervasiveness of female influence in Sleepy Hollow and the conflict between male and female storytelling in this Dutch community are two pertinent gender issues that complicate Irving's work and ultimately enable the women of Sleepy Hollow to control the men and maintain order.
[41] "the enemy of the moment always represented absolute evil ... torture and death" (Orwell 34).
“The murkiest den, the most opportune place” (the voice or conscience thundered poetically), “the strongest suggestion our worser genius can, shall never melt mine honour into lust. Never, never!” (pg. 174-175)
How all occasions do inform against me, And spur my dull revenge! What is a man, If his chief good and market of his time Be but to sleep and feed? a beast, no more. Sure, he that made us with such large discourse, Looking before and after, gave us not That capability and god-like reason To fust in us unused. Now, whether it be Bestial oblivion, or some craven scruple Of thinking too precisely on the event, A thought which, quarter 'd, hath but one part wisdom And ever three parts coward, I do not know Why yet I live to say 'This thing 's to do; ' Sith I have cause and will and strength and means To do 't. Examples gross as earth exhort me: Witness this army of such mass and charge Led by a delicate and tender prince, Whose spirit with divine ambition puff 'd Makes mouths at the invisible event, Exposing what is mortal and unsure To all that fortune, death and danger dare, Even for an egg-shell. Rightly to be great Is not to stir without great argument, But greatly to find quarrel in a straw When honour 's at the stake. How stand I then, That have a father kill 'd, a mother stain 'd, Excitements of my reason and my blood, And let all sleep? while, to my shame, I see The imminent death of twenty thousand men, That, for a fantasy and trick of fame, Go to their graves like beds, fight for a plot Whereon the numbers cannot try the cause, Which is not tomb enough and continent To hide the slain? O, from this time
With the typical mystery novel falling between the common outline of victims and an unknown criminal that is painted in a dull and consistent palette of predictability, every single character in this storyline is a criminal but also a victim of their own guilt. Rather than exploring the mere surface of leveled justice, a deeper meaning of the concept is reached as death is doled out in an order of increasing guilt; those who are less guilty die towards the beginning of the purge to evade the anxiety and panic that haunts one as they continue their trek and witness their fate. Evading the governmental justice system before, the characters are emotionally tortured as they succumb to their thoughts and mortality, but because humans are innately imperfect, the justice system is also flawed.
Madness and Fear in Assignation, Cask of Admontillado, Fall of the House of Usher, and Masque of the Red Death
Women have impacted history in ways that have changed the world, and have also changed the way that women are viewed today. Women, however, were not always viewed and respected in the way they are today. In Joseph Conrad’s Heart of Darkness and in Nuruddin Farah’s Gifts that women were treated completely different. Besides the social discrimination based solely upon race, and also the introduction of racism in politics, there were many different types of inequity living in European society during that time: gender-based sexism; a topic that is still an issue today, was a slow start for the suffragette movement in England, and the novel Heart of Darkness shows it: “It 's queer how out of touch with truth women are! They live in a world of their
Lastly, Joan Holloway and Midge Daniels can be perceived as the freest women in the public sphere. However, that freedom is created by both utilizing their femininity by taking different approaches. In the show, Joan has cleverly adapted to the lust-driven male-dominated public sphere and has become resistant to its practices. Joan therefore often comes across as callous towards both her male as female co-workers. Nonetheless, Joan still uses, or rather exploits, her femininity to achieve her goals. “Femininity, if one still wants to call it that, makes American women a target and a victim of the sexual sell” (Friedan 241). In other words, sex literally sells; Joan accordingly abuses this wisdom to actually sell herself, seduce her male colleagues,