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Female sexuality in literature
Sexuality in literature
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In Joyce Carol Oates’ short story, “Where Have You Been, Where are[a] You Going?,” Oates employs motifs, symbolism, and allegories to convey her holistic tone of disapproval towards the actions and outlook of the main character, Connie. Motifs are seen primarily in the references to music that channel Connie’s escape out of reality. Symbolism is also evident in the piece through the setting of Connie’s home which represents her only source of protection. The overall allegorical nature of the piece accentuates the ominous relationship between Connie and Arnold and foreshadows the ending. Through analyzing the active usage of motifs, symbolism, and allegory throughout the work, one can gain a clearer understanding of how these elements of fiction function together to produce Oates’ tone of dissatisfaction towards Connie. …show more content…
The most ubiquitous allegory found in the piece is seen in the relationship held between Connie and Arnold Friend, which has a religious nature about it. In the same way that the Devil manipulated and convinced Eve to take the apple, Arnold has a rather cogent way of persuading Connie to leave her house and join him. The “sweet talk” that Arnold employs on Connie is the equivalent to the temptation of the Devil when he lured Eve into taking the apple. Another strong comparison in the aforementioned allegory is the similarities found between the Devil and Arnold. “I know your name and all about you, lots of things” (Oates par. 48). Arnold’s all-knowing perspective of Connie is synonymous to the Devil’s total knowledge of Eve. Oates uses this rather powerful allegory to depict the dangerously unpredictable vulnerability of Connie. By ending the story in the manner in which Oates did, she reveals her resentment for Connie’s vulnerable nature that could have ceased to exist had Connie taken the initiative to establish her
Oates uses a great number of symbols in her short story "Where are you going? Where have you been? to create an aura of unease and Devilishness. Her principal symbols are Arnold Friend, his disguise, and the music Connie listens to. Oates' use of symbolism and Biblical allusions to Satan force the reader to raise an eyebrow to the character of Arnold Friend and the doomed future of Connie.
"Connie, don't fool around with me. I mean—I mean, don't fool around," he said, shaking his head. He laughed incredulously. He placed his sunglasses on top of his head, carefully, as if he were indeed wearing a wig…” (Oates 6). Joyce Carol Oates’ short story “Where Are You Going, Where Have You Been?” highlights an altercation, meeting, conflict and dispute between a teenage girl, named Connie, and a psychotic rapist named Arnold Friend. Throughout their altercation, Arnold Friend tempts and encourages Connie to get in the car with him and lead her to a variety of possible dangerous situations, one of which includes her getting raped . There is no doubt that Joyce Carol Oates’ uses Arnold Friend in her short story “Where Are You Going, Where Have You Been?” to symbolize the Devil and embody all of the evil and sinister forces that are present in our world. This becomes apparent when the reader focuses on how deranged Arnold Friend is and begins to
Oates shows archetypes throughout the story. The symbolic archetype shown is “the friendly beast” or “the tempt”. The friendly beast, of course, would be Arnold Friend; Arnold never hurts or does anything to Connie, he just tempts her by saying, “we’ll drive away, have a nice ride.” The temptation for Connie is that she wants to grow up, get away from her family and live her own life. Although, Connie is very ignorant; Connie believes her looks will get her very far in life, but what she doesn’t realize is that ignorance does not equal bliss. In The Sitting Bee Dermot McManus talks about how Connie struggles with independence and how she wants to do things on her own. McManus says “that Connie still relies on others to take her home and other things, and how
This is especially true when someone like Arnold Friend is out to get us. We see this allegory of Arnold friend in everyday life. Everyday Satan tries to temp and deceive anyone he can get. We can either blindly give into it like Connie or we can be alert. The archetypes and allegories described by word choice and details give us an incredible reminder to stay alert. In the short story review from “the sitting bee” it is explained, “Probably the most obvious sign of conflict is the struggle Connie encounters with Arnold.” The sad thing is she eventually gives in without thinking. Her vision went from hazy to clear to hazy again. She was helpless throughout the entire
The culture Connie lives in and the people guiding her in life have failed to teach her the evils of society that lead to temptation and seduction. In the Bible, Eve was seduced by Evil to eat a forbidden fruit, and as a result, they were banished from paradise. When Connie was seduced by Arnold Friend in the story, it led to her
“Where Are You Going, Where Have You Been?” is a short story that is about a fifteen year old pretty teenager named Connie, who does not get along with her mother and is irritated by her sister. Her sister can do no wrong in her mother's eyes while she is constantly getting criticized. Connie enjoys listening to music, watching movies, and spends a lot of time going out with her best friend and meeting boys. Until one day, a creepy guy, she had seen out one night shows up in her driveway when her family is out. He introduces himself as Arnold Friend and insists that Connie go for a ride with him and threatens to harm her family if she doesn't. In the story, “Where Are You Going, Where Have You Been?” by Joyce Carol Oates portrays Arnold Friend as a rapist; he creates the climax of the story in which Connie is taken from her home and family, by him through violent means.
Joyce Carol Oates' "Where Are You Going, Where Have You Been?" is about a young girl's struggle to escape reality while defying authority and portraying herself as a beauty queen; ultimately, she is forced back to reality when confronted by a man who symbolizes her demise. The young girl, Connie, is hell- bent on not becoming like her mother or sister. She feels she is above them because she is prettier. She wants to live in a "dream world" where she listens to music all day and lives with Prince Charming. She does not encounter Prince Charming but is visited by someone, Arnold Friend, who embodies the soul of something evil. Arnold Friend symbolizes "Death" in that he is going to take Connie away from the world she once knew. Even if she is not dead, she will never be the same person again, and will be dead in spirit. With the incorporation of irony, Oates illustrates how Connie's self-infatuation, her sole reason for living, is the reason she is faced with such a terrible situation possibly ending her life.
...tomy between reality and dreams quite well throughout her piece. She provides the reader with two ways to experience the story: either as reality or as reality that turns into a nightmare. This dichotomy that Oates creates “allows the reader to escape this story, and allows this story to end” (Hurley 374). The end of the story shows Connie entering the new world of experience, and Oates wants the reader to sense her fear. Oates intricately provides the reader with clues that help see why Connie’s experience with Arnold is just a nightmare. She also allows the reader to see how this nightmare is meant to scare Connie into making the realization that her decisions have consequences. I hope that anyone reading this learns from Connie that not everything we do is good for us, and we have to think about the consequences of our actions, whether good or bad, before we act.
In the short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, many elements of fiction are used to convey subject of themes represented throughout the story, such as disguises. Throughout the story the use of characterization, detail, and allusions represents the presence evil in the modern world. Oates used these elements to capture evil that illustrates the theme that ‘Looks can be deceiving’.
Oates, Joyce Carol. “Where Are You Going, Where Have You Been”. Backpack Literature. An Introduction to Fiction, Poetry, Drama, and Writing. Ed. X.J. Kennedy & Dana Gioia. 4th ed. New Jersey: Pearson, 2006. (323-336). Print.
The short story "Where are you going, where have you been?" by Joyce Carol Oates is full of symbolism that represents elements such as evil and loss of innocence. The symbolism is a crucial part of the story because it helps the reader to read between the lines and see beyond the obvious meanings of things. Some of the important symbols present in this story are Arnold's car, Arnold himself, and the doorway of Connie's family's house.
Joyce Carol Oates’s short story “Where Are You Going, Where Have You Been?” clearly illustrates the loss of innocence adolescents experience as they seek maturity, represented by Connie's dangerous encounter with Arnold Friend. Connie symbolizes the many teens that seek independence from their family in pursuit of maturity. Connie’s great desire to grow up is apparent from the beginning of the story, as she experiments with her sexuality. However, it is clear that Connie is not interested in pursuing a relationship, but relishes the maturity she feels after being with the opposite sex. After following a boy to his car, she was “gleaming with a joy that had nothing to do with Eddie or even this place” (2). This suggests that Connie's exploits
Oates takes us to a journey of rebellion as the protagonist sorts through self-created illusion in order to come to terms with her own sexual inexperience. Connie’s desires for attention from the opposite sex, her vanity and immaturity blind her to think of the real intentions of guys, in this case Arnold Friend. A character that many critics argue is real, yet, others argue it was created by Connie’s mind.
Oates’ use of the way Arnold looks and acts so similar to the devil, her use of the words on the car meaning something foreign and her subtle symbolism with Connie’s attire make the story’s theme of evil and manipulation stand out so much more. Connie’s clothing symbolizing
Rubin attempts to convey the idea that Connie falls asleep in the sun and has a daydream in which her “…intense desire for total sexual experience runs headlong into her innate fear…” (58); and aspects of the story do seem dream like - for instance the way in which the boys in Connie’s daydreams “…dissolved into a single face…” (210), but the supposition that the entire episode is a dream does not ring true. There are many instances in which Connie perceives the frightening truth quite clearly; she is able to identify the many separate elements of Friend’s persona - “… that slippery friendly smile of his… [and] the singsong way he talked…” (214). But because of the lack of attachment with her own family, and her limited experience in relating deeply to others, “…all of these things did not come together” (214) and Connie is unable to recognize the real danger that Arnold Friend poses until it is too late.