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Role of chorus in Oedipus Rex
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Role of chorus in Oedipus Rex
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In Sophocles’ Oedipus Rex he uses a variety of technics to add to the overall work. One of them is his use of the Chorus. Sophocles uses the Chorus for the dramatic purpose of helping to reveal the theme, to establish the atmosphere and mood, and also to give background information to the audience. The role of the chorus is very important in Greek Tragedy. Throughout the play the chorus changes many roles. It acts as a mediator, evaluator or dramatizer depending on the situation.
The role of the chorus in Greek Tragedy is indispensable, as Aristotle once said,” [The chorus] is a dramatic element, an actor among other actors. It shows us the communal background of the action, which is essential to Oedipus [Rex] and to every other Greek Play”
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Their final comment, which is the last speech of the play, shows them numbed and nihilistic. ‘Behold: this was Oedipus, greatest of men.’” ( Sewall, The Vision of Tragedy, 35)
The Chorus commented on how Oedipus was a great man and that what had happen was very tragic. At the end of Oedipus rex the chorus finally comes about the theme of fatalism when they surrender themselves to the will of the gods, when they supplicate after they learn the revelations, “the chorus only to reiterate the old, hard doctrine of hubris call … piously upon Zeus” (Sewall pg. 34). The chorus comments:
“‘Who walks his own high-handed way, disdaining/True righteousness and holy ornament; /Who falsely wins, all sacred things profaning; /Shall he escape his doomed pride’s punishment? /Zeus! If thou livest, all ruling, all-pervading, /Awake; old oracles are out of mind; /Apollo’s name denied, his glory fading; /There is no godliness in all mankind.’” ( Sewall, The Vision of Tragedy,
Just as Newsweek, a form of media today informs the public about whether TV is good or bad for children, the chorus informs the audience about the play, Antigone. In the play, the chorus narrates the play and tells the audience what's happening. "These two only, brothers in blood, face to face in matchless rage, mirroring each the other's death, clashed in long combat" (Sophocles 314). The chorus gives background information such as this to better understand the plot of the play. The chorus is like a reporter on the news or a writer of this article. The chorus in Antigone interacts with the characters by asking questions just as a journalist would do in an article or interview. "But now at last our new King is coming: Creon of Thebes, Menoikeus son. In this auspicious dawn of his reign what are the new complexities that shifting Fate has woven for him? What is his counsel? Why has he summoned the old men to hear him?...
The idea that the people speak with a unified voice is seen whenever they speak. Never does one individual stray from this one voice. This is seen in the Strophes and Antistrophes, the choir speaks as a whole. At the start of the, the choir shows unquestioning faith in Oedipus. They believe that he is godly, that since he ended the Sphinx’s reign of terror, that he would stop the plague. They believed this without question, they had no doubts that Oedipus would find a cure. They even came to Oedipus with “olive boughs all wreathed in woe,'; the same way one would go to a altar when they wanted something urgently. This shows their faith in Oedipus.
...up the question of the value of truth, and whether the pain of knowing an awful truth is more important than the bliss of ignorance. This also applies to Death of a Salesman: while Oedipus chooses to pursue the truth, Jocasta and the Lomans try to live in naïveté and not face reality. The play also questions the increasingly proud leaders of the Athenian society who challenge the higher powers, i.e. men against the gods, when Oedipus reviles the oracles. The gods, he indicates, will always triumph when men, using their intellect, oppose them. One of the themes is that the course of things is partly based on the character's actions but mostly fate.
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
The group of characters named as Chorus in both Sophocles' Antigone and Aeschylus' Prometheus Bound witness the rebellion of the titular characters against their respective authorities. In both plays, the Choruses (heretofore distinguished as Chorus A for Antigone and Chorus P for Prometheus Bound) recognize the ruling powers as both dangerous and tyrannical and are sympathetic to the plights of Antigone and Prometheus. However, the similarities between the two groups end at this point. While the actions of Chorus A are understandable given that their maturity has made them keenly aware of their own mortality, they appear mundane and self-serving in comparison to the noble selflessness of the youthful Chorus P.
Oedipus Rex”, by Socrates, is a play that shows the fault of men and the ultimate power of the gods. Throughout the play, the main character, Oedipus, continually failed to recognize the fault in human condition, and these failures led to his ultimate demise. Oedipus failed to realize that he, himself, was the true answer to the riddle of the Sphinx. Oedipus ignored the truth told to him by the oracles and the drunk at the party, also. These attempts to get around his fate, which was determined by the gods, was his biggest mistake.
Knowing the background of Greek culture and theater will help one to better understand Sophocles’ Oedipus the King. The Greek tragedies of the fifth and fourth centuries BC that remain today were almost all written for performance in the Theatre of Dionysos at Athens (Didaskalia, par. 1). This major annual festival held in honor of Dionysus, the god of wine,
Delcayre, Celine. "The Greek Chorus Dynamic in Ancient and Contemporary Theatre." Sonoma.edu. N.p., 21 Mar. 2012. Web. 6 Nov. 2013.
In Sophocles’ Oedipus the King, the audience is able to gain a deeper understanding of Oedipus’ downfall due to the context provided by the chorus. Through its own wavering faith in the Gods, the chorus is able to explain and add meaning to Oedipus the King that would not otherwise be evident. Further, the chorus’ explanation allows Sophocles to expose his goal in writing the play, giving the reader a unique perspective into the true cause of Oedipus’ downfall. Therefore, it is strictly the chorus that enables the reader to realize that the true cause of the plague is not a murderer but a crisis in faith.
The plot of Oedipus Rex uses dramatic irony as a key narrative element. From beginning to the end, Sophocles expose the audience to irony. The result is both shocking and devastating for multiple main characters. Oedipus, for example, states the weight of the punishment Laius’ killer will face. This builds irony because Oedipus is Laius’ killer, but he does not realize it yet. As realization of Oedipus’ crime against the Greek gods begins to set in, so does the climax and resolution of the irony. Overall, Sophocles’ use of dramatic irony is integral to both the progress of the play and to its climax.
Surely it can be said of Sophocles’ main characters that they grow beyond the two dimensional aspect into really rounded physical presences. This is done through mostly the showing technique, though the chorus at times is involved in telling the audience various pieces of information. At the outset of Oedipus Rex the reader sees a king who comes to the door full of curiosity: “Explain your mood and purport. Is it dread /Of ill that moves you or a boon ye crave?” When the priest has responded that the people are despairing from the effects of the plague, the king shows another dimension to his character with his deep sympathy for his subjects: “Ye sicken all, well wot I, yet my pain, /How great soever yours, outtops it all.
The Chorus, in this play, guides the audience. In the end, it is up to the individual as to what reaction they have to the play, but the Chorus is there to, in a way makes this reaction more complicated. One could leave the play totally condemning Medea, but the Chorus display’s Medea in a way that makes the audience sympathise with her, and so the moral conclusions that need to be come to side, become more complex. The audience has to base their reaction to Medea on what crimes they have seen her commit, and on what they have heard of her through the Chorus. Their integral part in the play acts in many ways, to follow, revise, and extend the plot of the play, and to influence the opinions and sympathies of the audience. It is a literary, and dramatic device that Euripedes uses, and uses well, to help portray a tragedy, and also a moralistic play, in which the Chorus is the voice that provides the morals.
What is the Role of the Chorus in Oedipus the King? In answering this question, I will look at the question in two ways. Firstly, I will look at the role of the chorus objectively, examining the basic role of the chorus in the play, and looking at the role of the Chorus as Sophocles would have intended the role of the Chorus to be understood. However, I will then look at how I think the Greek audience would have perceived the role of the Chorus and then how the role of the Chorus is perceived today in the 20th century and examine the key differences in the two different sets of perceptions. Finally, I will look at the importance of the role of the Chorus to a 20th century audience and a Greek audience.
Essay U3 Jaime Meiteen March 3, 2016 Essay Topic: #5. Oedipus is a freer man at the end of the play than he is at the beginning. [00:07:38] Then tell how enslaved he is and how his slavery ends when he is finally revealed as the criminal he's been seeking. It’s a painful journey to self-discovery that is nonetheless liberating.
Aristotle’s fifth point was that of Melody. The Chorus should “be regarded as one of the actors; it should be an integral part of the whole, and share in the action”. In Shakespeare’s works there is often singing in the beginning, or interludes during the performance.