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Essay on feminism in literature
Themes of feminism in literature
Themes of feminism in literature
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Often times in feminist research, there has been a major focus on women. This makes sense, being that in most cultures women still don’t hold an equal standing with their male counterparts. Yet in the patriarchal society seen in most western cultures, there are still extreme setbacks for men. Though the patriarchy tends to favor men in many aspects, it holds them back in what is seen as an essential part of being human; expressing emotions. These emotions are bottled up and often turn into rage. When men try and express themselves, they are often ridiculed or harassed until they go back to bottling their emotions. This toxic masculinity can lead to violent outbursts, either to those around them or to themselves. I will be exploring the expression …show more content…
This is a dangerous consequence of toxic masculinity as it affects not only himself but those around him.
In “My Last Duchess” by Robert Browning, this kind of explosive response to toxic masculinity is shown. This masculinity brings on the jealously that lead our narrator, Alfonso II d’Este, Duke of Ferrara, to poison his wife and then rationalize it. In just the opening lines, you can see Alfonso’s attitude towards the woman that was once his wife.
That’s my last Duchess painted on the wall,
Looking as if she were alive, I call
That piece a wonder, no; Fra Pandolf’s hands
Worked busily a day, and there she stands. (1-4)
Alonso shows no warmth to his deceased wife. In referring to her as his “last Duchess” he gives no life to her, seeing her as a prior model that he has upgraded from. He has dehumanized his wife to nothing more than a painting in his possession, stating “Though his fair daughter’s self, as I avowed/ At starting, is my object”. This objectification of women allows him to justify the murder of his
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While the nameless narrator in “Keep Talking” does not go as far in his outburst as the Duke, both actions come from the same root of toxic masculinity in society. However, even with both the nameless narrator and the Duke having an outburst towards those around them, “Keep Talking,” does not focus towards his violent outburst, but instead, the internal effect of toxic masculinity. This variety of expression of emotions can reflect the difference between the time periods. While “My Last Duchess” was written in 1842, and based in the sixteenth century, while Philip Levine’s poem was written and based in the late twentieth century. (413, 506) Though masculine toxicity exists throughout the history of western culture, the evolution of rules gives a new structure of how men can express their anger. The nameless narrator internalizes his anger and restricts himself from expressing himself to those around him. The Duke shows the opposite. He lets his anger out in the poisoning of his wife and then explains his feelings and actions to any person passing by, as he describes in the
Good afternoon, today I will be discussing the perceptions of masculinity and the need to take responsibility for one’s own actions.
Within playwright William Shakespeare’s fantastic work The Merchant of Venice, the character Iago cries out, “O, beware, my lord, of jealousy; it is the green ey’d monster” (Enotes). Jealousy is justly called a beast, and it is a hideous creature that is illuminated in William Golding’s novel The Lord of the Flies, and by Woman Warrior, the memoir of Maxine Hong Kingston. Through the use of the literary elements of plots, characters, symbols, and additional plots, both pieces illustrate how, by torturing people and driving them to rash decisions, jealousy is the most destructive emotion.
“Myth of Masculinity” is a title of a class that peaks a modern day feminist, or anyone who thinks liberally. From the books and movies that were discussed and shown in class, some of them have changed, or complicated my view of the five words: love, deception, desire, gender, and crisis. The class has introduced many aspects of elements that contradict the original meanings. There is a push-pull, a back and forth, and a duality within these words. In the two films Cosi fan Tutte, and The Crying Game they have shown me that there is a double meaning, or a duality to these five words.
In the play The Tragedy of Romeo and Juliet by William Shakespeare, a quintessential pair of teens fall in love, but their fate ends in misfortune. The pair falls in love in a time where women are seen as unimportant and insignificant. In spite of this, Romeo breaks the boundaries of male dominance and shows a more feminine side. Throughout the play, there is an interesting depiction of gender roles that is contrary to the society of the time period.
Gioia, Dana, and X.J. Kennedy. "My Last Duchess." Literature: An Introduction to Fiction, Poetry, Drama, and Writing, Compact Edition, Interactive Edition. 5th ed. New York: Pearson; Longman Publishing, 2007. 432-433. Print.
Domestic violence has been plaguing our society for years. There are many abusive relationships, and the only question to ask is: why? The main answer is control. The controlling characteristic that males attribute to their masculinity is the cause to these abusive relationships. When males don’t have control they feel their masculinity is threatened and they need to do something about it. This doesn’t occur in just their relationships, but rather every facet of life. Men are constantly in a struggle for power and control whether it is at work, home, during sports, or in a relationship, this remains true. So the only way for them to get this power is for them to be “men”; tough, strong, masculine, ones that demand and take power. Where is this thirst for control coming from? Is it the natural structure of a man or is it a social construct? The answer is that it’s the social construction of a patriarchy that results in this thirst for control due to fear. The fear is being emasculated, whether it is by gayness, or femininity. Men use the fear created from domestic violence to gain control, but yet women do have some control in a relationship it is this vague boundary of how much control that leads to domestic violence.
In contrast to Macbeth’s love for his wife, in Browning’s ‘My Last Duchess’ there is an absence of the romanticised emotion of love. The Duke refers to his wife as ‘My Last Duchess. Here the use of the possessive pronoun ‘my’ gives us the idea from the outset that the Duke saw his wife as merely a possession. The iambic pentameter of ten syllables per line used in the poem also emphasises possession by stressing ‘my’ further in the pattern. Browning’s portrayal of love is one that is absent of emotional attachment, but instead something by which he could possess and have power over her. It could be argued that there are similarities in the way that Lady Macbeth also uses the emotion of love. Being in the form of a dramatic monologue, use
... E Glenn, and Nancy B Sherrod. The psychology of men and masculinity:Research status and future directions. New York: John Wiley and sons, 2001.
An example of this is in the movie “The Mask You Live in”, the opening scene of the movie starts with Joe Ehrmann, a coach and former NFL player talking about his earliest memory with his father. He says that his father brought him into the basement and taught him how to fight. While in the basement, Joe’s father told him this “Be a man, stop with the tears, stop with the emotions, if you’re going to be a man in this world you better learn how to dominate and control people and circumstances.” Joe later says the phrase “be a man” is one of the most destructive phrases in American culture. This story illustrates the beginning of a long road of socialization for men like joe into becoming a figure of masculinity. Starting as young boys, men are expected to fight, and expected to fight with no emotions or tears. No one tells them “It’s okay to feel.” This is where society has it wrong. Society expects men to be stoic beasts instead of human beings. This process of socializing men to believe that they have to be aggressive or womanizing to be masculine is a social norm that has gotten far out of hand so much because it does not allow them to deal with their emotions which in turn affects society (The Mask You Live
A prominent theme in William Shakespeare’s novel Macbeth is the idea of universal masculinity. Throughout the play, Shakespeare utilizes male gender stereotypes to present conflicting views on the definition of manhood. Macbeth tells the reader about a man who allows both societal pressures inflicted upon him by his wife and his intense ambition to drag Macbeth into a spiral of committing obscene acts of violence. Characters often associate being a man with courage, cruelty and power. This pervading caricature of a “man” is evident to the reader throughout the play. Lady Macbeth, for instance, goads Macbeth about his masculinity to the point of murder. Additionally, Malcolm and Macduff’s rigid discussion on revenge reveals a defined notion of “true” masculinity. Perhaps the culmination of rigid gender stereotypes is evident in Macbeth's pondering of the legitimacy of the hired murderers' manhood. Clearly, Shakespeare upholds male gender stereotypes throughout Macbeth.
This is best demonstrated in our own society through sports. Men trained to be brutal "killers. " When a sports career is over, men are left with a void to vent frustration. This characteristic of today's society can also be seen in Shakespeare's time in the sport of falconing.
Masculinity is a subject that has been debated in our society for quite some time. Many wonder what it means to be masculine, as it is difficult to define this one –sided term. Pairing this already controversial term with “feminist studies” can bring about some thought - provoking conversation. Feminist studies of men have been around for many years with regards to the feminist movement. It seeks to create gradual improvements to society through its main principle of modifying the ways in which everyone views what it means to be a man. Feminist studies of men bring forth the discussion of hegemonic masculinity; how this contributes to the gender hierarchy, the radicalized glass escalator and ultimately the faults of this theory.
I was gratified to see that this critic agreed with my interpretation of the Duchess’s demise, viz., the Duke had her murdered. The theory advanced by my brilliant and magnificent Professor had been that the Duke gave her so many orders and restrictions that she pined away. I had been looking at his famous line “And I choose/never to stoop.” He married her for her beauty but would never lower himself to tell her when she angered him.
Shakespeare expresses the Freudian concept of sexual and aggressive conflict by assigning the traits to female and male characters respectively. The alternating suppression, sexuality over aggression and aggression over sexuality, plays out in Hamlet ultimately proving their symbiotic relationship. The sup...
There is seldom a more deeply rooted bond than that between an artist and his masterpiece. However, in the poem "My Last Duchess", written by Robert Browning, it is not, in fact, the artist that possesses this bond, but the owner of the artwork. This dramatic monologue seems to be a tragic love story at first; however, as the story progresses, is it revealed to the audience that the grief-stricken Duke may have had some issues with his blushing bride. While addressing a representative of his future fiancé’s father, the Duke relays his thoughts and feelings on the untimely demise of his former Duchess. The Duke is not remorseful over the death of his bride but is instead bitter that she did not fit his expectations of a perfect wife. This is displayed through his lack of grief, his sudden remarriage, and his use of symbolic language to reveal his inner feelings.