Jacqueline Kennedy Onassis is quoted saying, “The trouble with me is that I’m an outsider. And that’s a very hard thing to be…” At one point or another everyone has felt like an outsider in his or her life. In the novel Slaughterhouse Five Billy Pilgrim suffers from feeling like an outsider a great deal as he struggles with his PTSD (post traumatic stress disorder). From a Marxist Critic’s standpoint a lot of his struggles may also be due to his social and economic class. From being treated like an animal while he was a prisoner of war to coming home and practically being handed more money than he knew what to do with, Billy didn’t know how to cope. This is why he begins to have dilutions of time travel and being abducted by aliens. So it goes…a common phrase used throughout the novel. Billy is able to sum up exactly how he feels about life in those three little words. A Marxist would say that this phrase adequately sums up the lack of power any character has over their fate. During times of war men and women of all social and economic are through together as equals to fight along side each other. The author states,
“Roland Weary was only eighteen, was at the end of an unhappy childhood spent mostly in
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He marries the daughter of the owner of the school and immediately becomes overwhelmingly wealthy. Being handed so much money Billy was finally able to control his own fate. Yet still feeling powerless in his own life after the war, Billy has a mental break and admits himself into a psychiatric ward where he voluntarily goes through electric shock therapy. Billy still being very naïve after the war took the end of his childhood is unaware of why he still feels so powerless with his fate even though he has the money and power to do what he pleases. Billy’s mind tries correcting itself and causes Billy to have flashbacks, or as he refers to them as time traveling, and
... Traflamadorian philosophy he realizes that time travel to cope with his feelings is not a viable solution. The traflamadorians taught him that there is nothing he can to prevent change or alter the future in anyway because from the beginning the moment was is and always will be struvtured that way. Before he went to traflamadore Billy was time travaling quite frequently to try and cope with regrets and relive accomplishments to see if he could have done anything differently in any of the situations he found himself in. Billy seemed to kill himself over what he could and could not have done. After the experience on traflamadore Billy didn’t time travel as much and he seemed to be at peace with the world and his fate. So it is evident that the frequent use of time travel is Billy Pilgrim’s way of coping with the regrets, and reliving the accomplishments of his life.
Though he was able to escape war unharmed, Billy seems to be mentally unstable. In fact, his nightmares in the German boxcar at the prisoners of war (POW) camp indicate that he is experiencing Post-Traumatic Stress Disorder (PTSD): “And now there was an acrimonious madrigal, with parts sung in all quarters of the car. Nearly everybody, seemingly, had an atrocity story of something Billy Pilgrim had done to him in his sleep. Everybody told Billy Pilgrim to keep the hell away” (79). Billy’s PTSD is also previously hinted when he panics at the sound of sirens: “A siren went off, scared the hell out of him. He was expecting World War III at any time. The siren was simply announcing high noon” (57). The most prominent symptom of PTSD, however, is reliving disturbing past experiences which is done to an even more extreme extent with Billy as Slaughterhouse-Five’s chronology itself correlates with this symptom. Billy’s “abduction” and conformity to Tralfamadorian beliefs seem to be his method of managing his insecurity and PTSD. He uses the Tralfamadorian motto “so it goes” as a coping mechanism each time he relives a tragic event. As Billy struggles with the conflict of PTSD, the work’s chronological order is altered, he starts to believe
Billy has no control over his being in a time warp. In the midst of his life in New York he will suddenly find himself Tralfamadore; he has become "unstuck in time" ( 22). The Tralfamadorians eventually show Billy the important moments of his life, but they do not always show them in sequence. They do this so Billy can fully understand the true reasons for and the importance of the events.
...erson & by not doing everything that his parents said he was able to find out the truth which I think, in the end would have made his relationship with his parents much stronger. Billy was very restricted & confined by the expectations placed on him by his family & as well as society & because of this was not able to express himself or find his own personal happiness but through dance he was able to discover who he really is & what he loves & by pursuing it he became a much stronger person, it even enabled him to stand up to his father in showing him how much he loves dance & in doing so also stood up to society & gender stereotypes, this made Billy a much stronger person, throughout the movie it also shows how Billy is able to make a better personal relationship with his father & his brother Tony who he grows closer to as he becomes his own person through dance.
Billy Pilgrim time travels to various moments in his life at random, which suggests he has no power over his mind and the memories that haunt him. He “is spastic in time, (and) has no control over where he is going next” (Vonnegut 43), as he struggles to make sense of his past. Billy’s ability to remember events in an erratic sequence, mirrors the happenings of war. War is sudden, fast paced, and filled with unexpected twists and turns. Billy cannot forget what he experienced during his time as a soldier, and in turn his mind subconsciously imitates this hectic quality of war. This behavior proves that although the war is over, “psychologically, Billy has never fully left” (Vees-Gulani). For many soldiers, especially those who were prisoners of war (POW), it is inevitable that their mind will not be like it once was (Vees-Gulani).
Someone breaks something? So it goes. Somebody dies? So it goes. Throughout Kurt Vonnegut’s novel “Slaughterhouse-five”, “so it goes” was stated 106 times expressing the general sense of acquiescence to the way things are. The author made that the catchphrase to show that bad things that occur should be accepted, because there is nothing that can be done to change it, bringing in the idea of fate. Vonnegut made very big examples of using “so it goes” with people that went through these types of events, the Tralfamadorians that the main character Billy Pilgrim encountered, and the story from the Gideon bible that was alluded to in the novel.
People react differently to tragedies: some mourn, some speak up, and some avoid the sorrow. In Slaughterhouse-Five, Kurt Vonnegut suggests the danger and inhumanity of turning away from the discomfort by introducing Billy Pilgrim as someone who is badly affected by the aftermath of the Dresden bombing, and the Tralfamadorians as the aliens who provide an easy solution to Billy. It is simpler to avoid something as tragic as death, but Vonnegut stresses the importance of confronting it. Vonnegut, like many artists, expresses his ideas through his creations. The significance of art is not confined to helping and inspiring the general public; the process of creating art also becomes another form of coping mechanism for artists.
"Billy is spastic in time, has no control over where he is going next, and the trips aren 't necessarily fun. He is in a constant state of stage fright, he says, because he never knows what part of his life he is going to have to act in next." (23)
Both his time travels and the aliens’ view of time are related because they define time as a collection of moments. If time is a collection of moments, his life appears less upsetting because he can cherish the happy memories and simply accept the difficult ones as a mere moment in time. If his life is viewed in a linear progress, it appears more tragic, as it becomes a story filled with heartbreaking moments that directly lead to painful resolutions. This explains how both his time travels and the Tralfamadorian understanding of time help Billy deal with the traumatic incidents in his
The main character Billy, moved away from his abusive father and ended up in the Bendarat Freight Yard. There he truly learned what it felt like to love and to be loved. Firstly, his friendship with Old Bill taught him that everyone should have a chance to change. This friendship affected his outlook on life, and in addition, his relationship with Old Bill helped him start fresh. When Billy had to move away, Old Bill gave up his house for Billy to live in. This taught Billy that true friends always find a way to help each other. Lastly, Billy's relationship with Caitlin taught him that even though they had tota...
In Slaughterhouse Five, written by Kurt Vonnegut, the plot focuses on a man who tends to regress back to his childhood, and earlier life, using three important themes. These important themes are the destructiveness of war, the illusion of free will, and the importance of sight. In this novel, Kurt Vonnegut reflects on his experiences in the war in 1945 as a prisoner of war. This man is named Billy Pilgrim. Billy Pilgrim is a former prisoner of war who tends to be stuck in the same mindset as before.
Fight Club “Its only after we’ve lost everything are we free to do anything”, Tyler Durden as (Brad Pitt) states, among many other lines of contemplation. In Fight Club, a nameless narrator, a typical “everyman,” played as (Edward Norton) is trapped in the world of large corporations, condominium living, and all the money he needs to spend on all the useless stuff he doesn’t need. As Tyler Durden says “The things you own end up owning you.” Fight Club is an edgy film that takes on such topics as consumerism, the feminization of society, manipulation, cultism, Marxist ideology, social norms, dominant culture, and the psychiatric approach of the human id, ego, and super ego. “It is a film that surrealistically describes the status of the American
Numerous times during the novel, Billy runs up against forces that counter his free will. The common reoccurrence of time travel in the story showed Billy his fate, and progressively changed Billy’s outlook on life. Due to time travel, Billy can see into his future. Billy knows that he will be in a plane crash on the way to his optometrist convention, and that he will be shot my Paul Lazzaro, a man that was hired to revenge Roland Weary’s death. In spite of his knowledge, Billy does nothing to change the way each moment panned out because he knows he cannot control his fate. One constant life force Billy could not control was his stage fright that was caused by his time travel. In the text it says, “Billy is spastic in time, has no control over where he is going next, and the trips aren’t necessarily fun. He is in constant stage fright, he says, because he never knows what part of his life he is going to act in next” (Vonnegut 23). This quote shows Billy’s lack of control and the force of time travel against his free will. Due to time travel, Billy already learned exactly how and when his death would happen. With his new knowledge, Billy never held back in life threatening events because he knew the outcome of his life wouldn’t change. Throughout the novel, Billy always had an indifferent attitude towards life events. The most dominant
In the novel Slaughterhouse-Five there are many unique and this that may not make sense at first at least. While reading this novel I have noticed that Kurt Vonnegut has chosen to repeat many phrases throughout. One that really stood out to me was “mustard gas and roses” the passage that stood at the most to me was in chapter four when Billy received a call from a man he doesn’t know, and he can smell the mustard gas and roses on his breath. I believe this unknown man is Vonnegut the author calling for one of his old buddies drunk late at night. This phrase is being repeated in many places in the book. The first time it is said is in chapter one when Vonnegut is the narrator he drinks a lot and calls old girlfriends and friends late at night.
The first main theme in this novel is the destructiveness of war. You can see how World War 2 has changed Billy in many ways and has destroyed his way of life. The war has destroyed Billy’s