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An essay on slaughterhouse five
An essay on slaughterhouse five
Slaughterhouse five critical essay
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Paige Guyton
Mrs. Staker
Enhanced English 10
21 November 2014
The Illusion of Free Will Through Billy Pilgrim Free will is the power of acting without the constraint of necessity or fate or the ability to act at one's own discretion. Fatalism generally refers to any of the following ideas; the view that we are powerless to do anything other than what we actually do. Many people have pondered the idea of whether or not humans have the ability to control the outcome of future events in their life, or if one’s destiny is already fixed and predetermined. Billy Pilgrim is used throughout the entire story of Slaughterhouse-Five by Kurt Vonnegut to help express the illusion of free will. Over the progression of the novel, Billy’s character develops
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Numerous times during the novel, Billy runs up against forces that counter his free will. The common reoccurrence of time travel in the story showed Billy his fate, and progressively changed Billy’s outlook on life. Due to time travel, Billy can see into his future. Billy knows that he will be in a plane crash on the way to his optometrist convention, and that he will be shot my Paul Lazzaro, a man that was hired to revenge Roland Weary’s death. In spite of his knowledge, Billy does nothing to change the way each moment panned out because he knows he cannot control his fate. One constant life force Billy could not control was his stage fright that was caused by his time travel. In the text it says, “Billy is spastic in time, has no control over where he is going next, and the trips aren’t necessarily fun. He is in constant stage fright, he says, because he never knows what part of his life he is going to act in next” (Vonnegut 23). This quote shows Billy’s lack of control and the force of time travel against his free will. Due to time travel, Billy already learned exactly how and when his death would happen. With his new knowledge, Billy never held back in life threatening events because he knew the outcome of his life wouldn’t change. Throughout the novel, Billy always had an indifferent attitude towards life events. The most dominant …show more content…
Vonnegut uses the Tralfamadorians throughout the novel to answer the question whether or not free will exists. The Tralfamadorians believe every event in life is predetermined and they look at the world in four dimensions. They also understand that only humans believe in free will because humans think of time as a linear progression. Billy Pilgrim’s attitude towards fate develops while being in the presence of the Tralfamadorians. The Tralfamadorians abduct Billy and he learns the way they view time and it changes his view of looking at life. When Billy is kidnapped and taken to Tralfamadore, he offers no resistance. He allows himself to be imprisoned and displayed naked in a zoo. He listens and absorbs the Tralfamadorian philosophies without question. In the text it says, “The most important thing I learned on Tralfamadore was that when a person dies he only appears to die. He is still very much alive in the past, so it is very silly for people to cry at his funeral. All moments, past, present and future, always have existed, always will exist. The Tralfamadorians can look at all the different moments just that way we can look at a stretch of the Rocky Mountains, for instance. They can see how permanent all the moments are, and they can look at any moment that interests them. It is just an illusion we have here on Earth that one moment follows
“Force is all-conquering, but its victories are short-lived.” Stated Abraham Lincoln. That quotes applies to Slaughterhouse-Five because even when you think you have conquered something and achieve the victory doesn’t mean that it will last long. Billy Pilgrim is the protagonist of Kurt Vonnegut Jr. anti-war novel, Slaughterhouse-Five. Billy Pilgrim is non-heroic in the anti-war novel which makes the theme of the book Slaughterhouse-Five a man who is “unstuck” in time.
Though he was able to escape war unharmed, Billy seems to be mentally unstable. In fact, his nightmares in the German boxcar at the prisoners of war (POW) camp indicate that he is experiencing Post-Traumatic Stress Disorder (PTSD): “And now there was an acrimonious madrigal, with parts sung in all quarters of the car. Nearly everybody, seemingly, had an atrocity story of something Billy Pilgrim had done to him in his sleep. Everybody told Billy Pilgrim to keep the hell away” (79). Billy’s PTSD is also previously hinted when he panics at the sound of sirens: “A siren went off, scared the hell out of him. He was expecting World War III at any time. The siren was simply announcing high noon” (57). The most prominent symptom of PTSD, however, is reliving disturbing past experiences which is done to an even more extreme extent with Billy as Slaughterhouse-Five’s chronology itself correlates with this symptom. Billy’s “abduction” and conformity to Tralfamadorian beliefs seem to be his method of managing his insecurity and PTSD. He uses the Tralfamadorian motto “so it goes” as a coping mechanism each time he relives a tragic event. As Billy struggles with the conflict of PTSD, the work’s chronological order is altered, he starts to believe
“Free will is the power of acting without the constraint of necessity or fate; the ability to act at one's own discretion” (Dictionary.com). The novel Slaughterhouse five portrays the idea of not having free will. The award winning author, Kurt Vonnegut, tells
When Billy was a child, he was never taught how to swim. One day his dad took him to the pool to “teach” him. Billy’s father threw Billy into the pool, teaching him how “to swim by a method of sink-or-swim” (Vonnegut 55). Right before Billy fell unconscious, he sensed someone coming to rescue him, he “resented that” (Vonnegut 55). By resenting the rescue from a lifeguard, Vonnegut reveals Billy’s preference to escape rather than face his problems, therefore highlighting his weakness from a young age and foreshadowing his fatigue as a soldier during war. Although escape isn't a huge factor is Billy’s decision making throughout Slaughterhouse 5, it is always in the back of his mind as the “easy way out”. Additionally, escape develops an internal conflict between Billy and himself as he struggles to make decisions about facing his hardships or physically escaping his
Billy has no control over his being in a time warp. In the midst of his life in New York he will suddenly find himself Tralfamadore; he has become "unstuck in time" ( 22). The Tralfamadorians eventually show Billy the important moments of his life, but they do not always show them in sequence. They do this so Billy can fully understand the true reasons for and the importance of the events.
Billy Pilgrim time travels to various moments in his life at random, which suggests he has no power over his mind and the memories that haunt him. He “is spastic in time, (and) has no control over where he is going next” (Vonnegut 43), as he struggles to make sense of his past. Billy’s ability to remember events in an erratic sequence, mirrors the happenings of war. War is sudden, fast paced, and filled with unexpected twists and turns. Billy cannot forget what he experienced during his time as a soldier, and in turn his mind subconsciously imitates this hectic quality of war. This behavior proves that although the war is over, “psychologically, Billy has never fully left” (Vees-Gulani). For many soldiers, especially those who were prisoners of war (POW), it is inevitable that their mind will not be like it once was (Vees-Gulani).
All the tragic events in war that he had to deal with, such as seeing people get killed and wondering why he got picked to live have tainted his life . For Billy, traveling in the Tralfamadorian world, makes him relief of his guilt, such as mentioned of what Billy wants to be written on his tombstone, "Everything was beautiful and nothing hurt"[p.122]. Billy’s trauma is so severe that he has to leave earth to heal. Tralfamadorian’s believe that time does not go forward and we cannot die. Billy believes that this can comfort those of the earth that are afraid of death. The other dimension that Billy had got his ideas of forth dimension and Trafamadorians are by the science fiction book of Kilgore Trout. One big evidence that came from Tout’s novel that demonstrates that Billy is lying is when he finds one of Trout’s books that he has never read before. "He got a few paragraphs into it, and then he realized that he had read it before-years ago, in the veteran’s hospital. It was about an Earthling ma and women who were kidnapped by extra-terrestrials. They were put on display in a zoo on a planet called Zircon212". [p.201] This Kilgore Trout book is the foundation of his imaginary world. As I have mentioned earlier, Billy starts time traveling after
First his father dies in a hunting accident, then he gets in a plane crash and everyone aboard dies but him, and while he is in the hospital recuperating, his wife dies of carbon monoxide poisoning. There is so much death surrounding his life, that it is no wonder Billy has not tried to kill himself yet. Billy proves throughout the book that he is not mentally stable, yet somehow, he is persuasive in his interpretation of the truth. It is a good example of how people are very gullible creatures, and even in Billy’s constant state of delirium, it is hard to disavow what Billy seems to believe is the truth. He proves his instability frequently:
Slaughterhouse-Five, by Kurt Vonnegut was an anti-war book about the bombing of Dresden. The main theme of the book seemed to be fate, or that nobody has free will. Throughout the book, Billy, is randomly traveling in time. Whenever he has the opportunity to make a choice that would seem like the right, or intelligent thing to do, he does not, as he does not have the free will to make that choice. This also leads to Billy not caring about many things, knowing they will happen no matter what anybody does.
Throughout, SlaughterHouse-Five, Billy, is randomly time traveling. Whenever, Billy want to not deal with reality, he has an out-of-body experience. In his time-traveling, Billy knows the outcome of many events. He can change the outcome, yet he chooses not to.
The book, Slaughter House-Five, written by Kurt Vonnegut, is based on the main character named Billy Pilgrim who is a little "lost" in the head. Billy is always traveling to different parts of his life and rarely in the present state. Throughout the book Billy mainly travels back and forth to three big times in his life. In each different time period of Billy's life he is in a different place; his present state is in a town called Illium and his "travels" are to Dresden and Tralfamadore. When Billy is in Illium he is suppose to have a "normal" life; he is married, has two children, and works as an optometrist. Then Billy travels back to Dresden where he was stationed in the last years of WWII and witnessed the horrible bombing. When Billy travels to Tralfamadore he is in an "imaginary" state, everything that happens to him is more like a dream. Through Billy's travels in time he shows that he is striving to find meaning in the events that happened in his life that he is afraid to acknowledge. As Billy says himself, "All moments, past, present and future, always have existed, always will exist," (1) this just proves even further that fact that Billy cannot ever forget any event in his life.
In Slaughterhouse 5 Vonnegut proclaims through the narrator that there is no such thing as free will and that all things in life are predestined. That no matter what we chose to do we really aren’t choosing to do it at all and that the choice was already made. In Catch 22 the theme is the same just brought to our attention in a different way. Catch 22 is a paradox, leaving no way of escaping from a dilemma. No matter what we do or say we can’t escape it thus leaving us with no free will.
Fate is “something that unavoidably befalls a person; fortune; lot,” while free will is “the doctrine that the conduct of human beings expresses person choice and is not simply determined by physical or divine forces.” Kurt Vonnegut uses Billy’s experiences in Slaughterhouse-Five to display the idea that free will is all but an illusion; all decisions in life are made by influences, whether from within or from
Baruch Spinoza once said “Experience teaches us no less clearly than reason, that men believe themselves free, simply because they are conscious of their actions and unconscious of the causes whereby those actions are determined.” He compared free-will with destiny and ended up that what we live and what we think are all results of our destiny; and the concept of the free-will as humanity know is just the awareness of the situation. Similarly, Kurt Vonnegut’s Slaughterhouse-Five explores this struggle between free-will and destiny, and illustrates the idea of time in order to demonstrate that there is no free-will in war; it is just destiny. Vonnegut conveys this through irony, symbolism and satire.
They explain it to him as simply as they possibly can, “All time is all time. It does not change. It does not lend itself to warnings or explanations. It simply is. Take it moment by moment, and you will find that we are all, as I 've said before, bugs in amber” (108). Their outlook on time does not lend itself to free will, just as any earthly deterministic institution. Tralfamadorianism is directly related to and used to critique Christianity in Slaughterhouse-Five. In Vonnegut’s Dresden Novel: Slaughterhouse-Five Stanley Schatt reaffirms this idea of free will v.s. determinism, “Since Vonnegut’s novels are usually constructed around two diametrically opposed points of view, it is not surprising that Slaughterhouse-Five is built around the irreconcilable conflict between free will and determinism” (Schatt). Billy benefits greatly from this new cosmic outlook. He believes so much in the teachings of Tralfamadore that he even becomes a Jesus-like figure later in his life, eventually being publicly executed much like his Christian doppleganger. In his article, David L. Vanderwerken discusses the deterministic qualities of Tralfamadorianism, its argument against determinism, and the possible allure of it,