Shakespeare 's dramatic yet manipulative use of language is clearly evident throughout William Shakespeare 's tragedy, Othello. Shakespeare 's character, Iago has woven a web of lies which greatly affects the personalities and emotions of certain individuals. Language is the essence of this tragedy; it creates conflict and clashes between characters, whether they be lovers or friends. In particular, Othello, the hero and protagonist of this play is targeted by a cunning villain, Iago who creates turmoil and anger in Othello 's career and relationship with his beloved, Desdemona. Othello, a black general is a powerful and eloquent figure in this play yet his tragic flaw, his insecurities are the demise of his status and fall. He is easily …show more content…
His detailed description of Desdemona and her "lover," Cassio drives Othello into madness. "It is impossible you should see this, were they as prime as goats, as hot as monkeys, as salt as wolves in pride, as fools as gross as ignorance made drunk" (3, iii, 412-415). These lines are fueling Othello 's imagination as to what sexual intercourse Cassio and his wife may be having. Iago has painted pictures in Othello 's mind through his evocative language and Othello cannot bear to think of it. His intense use of imagery haunts and distresses Othello making it even more effective. Iago 's language truly does strike a chord within Othello since he begins to imitate Iago 's style. His speech and the way he talk to others and Desdemona become that of Iago 's. ."You are welcome, sir, to Cyprus. Goats and monkeys" (4, I, 213-214). The phrase "goat and monkeys" is an animal-like reference that is typically used by Iago. His words have infected both Othello 's manner and speech. Iago 's words go so far as to drive Othello into doing the unthinkable: striking Desdemona across the face. He loses all self control, leaving others shell
Shakespeare’s use of rhetoric by his characters is clearly used effectively in Othello through Iago’s and Roderigo’s conversation with Barbantio. The two make use of double meanings, animal imagery, Devil and God comparisons, the use of sexual references, and descriptive insults to confuse Barbantio and make him angry towards Othello. Through Iago’s initial torment, continued by Roderigo, they are able to force Barbantio to do exactly as they wish.
The beauty of Othello is the power of words and language. The play uses articulate...
In Othello, Shakespeare forms the villainous character, Iago through his complex language. Iago shows his evil nature towards Roderigo through his use of demeaning animal imagery. Iago also uses an extended metaphor to try and trick the ignorant Roderigo and (unknowingly to Roderigo), insults him. Lastly, Iago uses repetition to beguile Roderigo to keep paying him. Iago’s slyness is clearly seen through his deceiving language towards the end of Act I.
Language and imagination are among the most dangerous weapons Iago has at his disposal in Othello. Jealous and angered by Othello’s - his commanding officer - passing over him for a promotion, Iago develops a fierce, antagonistic perspective the aforementioned character; this sentiment quickly corrupts his volition, and he subsequently concocts a plot bent on destroying Othello. He renders this revenge scheme credible by concealing his true feelings behind a facade of loyalty and trustworthiness, and fabricating a fictitious story concerning the infidelity of Desdemona, Othello’s wife. Until the play concludes, Iago utilizes purposeful rhetoric to drive his agenda, and also a mastery of deception to mislead the minds of his targets.
William Shakespeare’s Othello is a tragedy about revenge through jealousy and deception. Throughout the play, Iago is constantly pitting characters against each other in order to satiate his anger from being denied the promotion to lieutenant that Cassio was granted. As a catalyst for all the conflicts that arise during the play, Iago merely uncovers the underlying insecurities characters such as Othello, a notable war general in Venice, are struggling with. Animal imagery as well as the use of light and dark to differentiate between race is very prominent and is used to drive a wedge between the newlyweds, Othello and Desdemona. Although Othello is a highly accomplished and well respected war hero, the notion that Venetians, including Desdemona, are a superior race, prevents him from ever feeling truly secure in his marriage, ultimately leading to the demise of several people close to him, and finally himself.
As a result, he uses his craftiness and his “power of language” to take revenge on Othello. Although his plan foils, he causes Othello to kill his wife Desdemona and commit suicide, all the while he deceives and exploits other characters for his plan. In Othello, Iago demonstrates his power of language through his manipulation of Roderigo, Michael Cassio, and Othello, for his use and liking. After witnessing Desdemona proclaim her love to Othello and Brabantio, her father, acknowledging their marriage, Roderigo, suitor of Desdemona, tells Iago that he is going to drown himself.
and metaphorical expressions of the word. The scene opens the way to show us Shakespeare's portrayal of different characters and their various language preferences. Iago and Brabantio are extremely contrasting. characters, especially in language choices. It should be said that Othello was written (never published) by Shakespeare for theatrical.
Diction is the author's choice of words, taking into account correctness, clearness, and effectiveness. Shakespeare's works focus on human problems and resolving them. The use of Shakespeare’s diction throughout Othello is very unique because he is very clear in the emotions and the plans of characters. He lays out what a character's plan is before he acts it out. He also has a tendency to retell the recent events. These subtle hints allow the reader to foreshadow and develop a feel for each character. The intimations of what’s to come is prominently seen through Iago’s soliloquies. He often speaks openly of his plan for revenge that only the reader will know. This in turn creates dramatic irony. The effect of this type of diction is that the reader has a clearer and comprehensive understanding of what exactly is going on. He uses imagery several times in the describing of various people as animals or in terms of comparing things. Most of the imagery pertains to Othello and his various travels or especially his jealousy. This use of imagery and diction is effective because in addition to having merely an idea of what is going on the reader can have a mental picture as well. These strong bouts of imagery are beneficial to the work as a whole because they give strong pictures in which the general action of the work can be amplified, which is something Shakespeare strives for. The women in the story: Desdemona and Emilia, play an important role in the theme of the story. It is possible to establish a clear relation behind Shakespeare’s diction towards each of these women and the theme of ignorance behind a man’s view of the women in his life, and misconceptions of what love truly is.
Othello is a man who comes from a hard life. In the time period the play is set in, racism is common and Othello is a target for it due to his dark skin. He fought in many battles and was put into slavery for a time. Now he is a high ranking General in the army. Othello, for all that he has been through, is also kind, caring, and trusting of those close to him. He cares and trusts his comrades and is loving and kind to his wife, Desdemona. Othello is also r...
“I am not what I am,” proclaims one of Shakespeare’s darkest and most enigmatic villains, Iago, in the tragedy Othello. Iago’s journey for revenge enables him to become capable of immoral acts, and whilst his malevolence excites us, we are no more intrigued by his attributes than we are of the play’s tragic hero, Othellos’. Rather, both characters’ confrontation with jealousy and their subsequent moral demise as a result of failing to control such an emotion provides the true excitement for audiences. Iago’s spiteful manipulation of Othello makes him a multifaceted character — whose corrupt attributes make the audience examine their own morality. However, the same can be said of Othello; his failure to withstand Iago’s ‘pouring of pestilence’
The Importance of Language in Othello In the extract being analysed there are numerous instances where
Racism in William Shakespeare's Othello. The play, Othello, is certainly, in part, the tragedy of racism. Examples of racism are common throughout the dialogue. This racism is directed toward Othello, a brave soldier from Africa and currently the supreme commander of the Venetian army.
From the beginning, Othello is noble, quick to act, judicious, trusting, and gives much weight to the importance of duty. These are all traits that serve to make him great at the beginning of the play, and later, ironically, become key elements in his downfall. These aspects can be considered the internal causes of Othello’s tragic flaw. “Othello's nature is all one piece. His trust, where he trusts, is absolute.
In 1603, William Shakespeare wrote a tragedy called Othello about a Spanish moor that ultimately fell victim to his own skepticism and emotions and murders his wife due to the machinations of Iago. Iago is the most interesting character in this Shakespearean play and in fact, has more speaking parts than even Othello himself. A man that can even convince his own wife to help with his masterfully manipulated puppetry of Othello, Desdemona, Rodrigo, Cassio, and Emilia is an exquisite character. This villain seems to have no real motive for his actions, but the enjoyment of the trouble he causes and the fact that Othello passed him over for his lieutenant. (Although, Iago seems to quite, passionately want Othello’s affections, whether as a friend
Shakespeare uses Iago and Othello as the main characters of the play, showing how Iago manipulates Othello into believing his wife is cheating on him. Iago, or “honest Iago”, the villain of the play, a perfectionist at manipulation, that manages to influence people into thinking his deceitfulness is an act of honesty. He spends all of his time plotting against Othello and Desdemona, eventually convincing Othello that his wife has been cheating, despite the fact that Desdemona has been completely faithful. Othello, Venice’s most competent general, and the protagonist of the play. He was a noble and respected war hero, and a loving husband, however he was the target of Iago’s atrocities, which lead him to become an irrational, violent, and insanely jealous husband who murders his own wife at the end of the play.