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Beowulf symbolism introduction paragraph
Beowulf symbolism introduction paragraph
Good and bad in beowulf
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Evil has a large presence in this world. Even if it is not an actual entity, evil is a concept explored throughout the literature of different cultures around the world. Seamus Heaney’s translation of Beowulf follows the story of the titular warrior who confronts three different monsters throughout the course of his life. The characteristics of Beowulf’s foes represent his culture’s interpretation of evil and how to confront it. Beowulf fights these creatures to defend the Danes, a group of people who mainly value honor, among other ideas. An examination of the characters and themes in Beowulf shows how different forms of evil rise when individuals go against a society’s values. In order to understand the evil that Beowulf faces in his journeys, it is best to examine what the Danes consider to be good. The monsters that Beowulf confronts each disobey the Danes’ values in one or more ways. One hero who embodies characteristics considered good by the Danes is Shield Sheafson, a legendary warrior-king whose story carried on for generation. Heaney’s translation of …show more content…
Seamus Heaney’s translation of Beowulf helps illustrate the Danes’ concept of evil and how it can endanger their society. The Dane concept of evil is exactly connected to their societal values and whether or not people abide by them. While the text is designed to portray Beowulf as a hero, there are always some who claim that good and evil are a matter of perception. In other words, Beowulf is only considered a hero since he follows the rules, while figures like Grendel or his mother are doomed to be seen as evil from the start. These people would also wonder whether Beowulf should actually be considered a hero for murdering an outcast and his mother. While it is important to use texts as a way to understand a culture’s idea of evil, it is also important to ask why they consider certain acts to be good and others to be
In times before printed books were common, stories and poems were passed from generation to generation by word of mouth. From such oral traditions come great epics such as England’s heroic epic, Beowulf. In Beowulf, the monster Grendel serves as the evil character acting against the poem’s hero, as shown by his unnatural strength, beast-like qualities, and alienation from society.
Before a time of light, people usually go through a time of darkness and struggle until they persevere through it. The struggles and darkness that Beowulf goes through allow him to prove what he is made of. In Beowulf, through the hero's victorious battles, the author paints a detailed distinction between light and dark. The story heavily depicts light and dark imagery, through the battles of good and evil, in which light ends up victorious.
In Beowulf, the essence left behind by a true hero is extremely important. In epics such as this one, leaders tend to have the determination and boldness of a hero. On the other hand, the main character, Beowulf, does not only display these certain traits. In this heroic poem, respect and trust come naturally. Honor and integrity are present throughout the poem. There are many moments in Beowulf that manifest the many traits that a person should have. This proves how important these attributes are to the characters and the Anglo-Saxon society. Although Beowulf has no known author, it embodies many of the beliefs and morals of the early Germanic society. The author of this epic poem uses many approaches in order to demonstrate that respect and trust are fundamental characteristics of a leader and hero.
Picture a world shrouded in darkness and despair, where war is inevitable and its inhabitants live with a relentless sense of fear. Medieval Europe was not a peaceful or secure place, but rather a world filled with turmoil, suffering, and unrest. Commoners living in medieval Europe never strayed far from the security of their homes because evil and suffering lurked within every facet of society. The story of Beowulf recounts the life of an idealized warrior, whose desire for honor instills deep convictions of justified violence. In many ways, Beowulf’s attitude parallels the warrior instinct exhibited by the crusaders as they attempted to recapture the Holy Land. Hence, the world of medieval Europe painted suffering for a just cause as an honorable
While the classic battle between good and evil forces is a major theme of the medieval epic Beowulf, one may question whether these good and evil forces are as black and white as they appear. Scholars such as Herbert G. Wright claim that “the dragon, like the giant Grendel, is an enemy of mankind, and the audience of Beowulf can have entertained no sympathy for either the one or the other” (Wright, 4). However, other scholars such as Andy Orchard disagree with this claim, and believe that there is “something deeply human about the ‘monsters’” (Orchard, 29). While Grendel, Grendel’s mother, and the dragon are indeed portrayed as evil and violent foes, there are parts within Beowulf that can also lead a reader to believe that the “monsters” may not be so monstrous after all. In fact, the author of Beowulf represents the “monsters” within the poem with a degree of moral ambivalence. This ambivalence ultimately evokes traces of sympathy in the reader for the plight of these “monster” figures, and blurs the fine line between good and evil within the poem.
The character of Beowulf stands as a hero to the ancient Danes because of his actions. He is constantly being cited as a "war-chief" and a "gold-giver" (61). Beowulf has achieved fame through what he has done with his own hands. His identity as a leader is based upon the Danish society’s emphasis on personal action, as opposed to the delegation of responsibility through conscious thought. It is this very sense which spurs Beowulf to fight the dragon: "In my youth I engaged in many wars. Old guardian of the people, I shall still seek battle, perform a deed of fame, if the evil-doer will come to me..." (59). Beowulf derives his power from a strong link to the past. Without his history of glorious deeds, he would see himself bereft of the very power which qualifies him to be a good King. Beowulf’s bravery never comes in to question, he does meet every challenge head-on, with deadly attention. The society which labels Beowulf as a legendary hero, recognizes his actions and his bravery as a integral part of his definition as a hero. Without the society to support th...
The epic poem Beowulf, an abundance of apparent evils such as the monsters. What about the not-so-apparent ones? Often the true evil hides behind what is obvious to us. In modern society, evil is everywhere because it resides inside society itself. Although the story of the warrior Beowulf is riddled with evil monsters, the true evil lies just beneath the surface.
Ethics is a wide field of philosophical study to which the core of every question within falls to one side of a blurred line. On the right, is good; the value which is popularly believed to be the correct alignment for which a person should live their life according to. On the left, is evil; that which is the cause of most human misery, and prevents peace on earth. In John Gardner’s book Grendel, the retelling of the ages old story Beowulf, further blurs the line between good and evil. Circumstance and perhaps a confused view of reality allow the monster, Grendel, to conceivably defend his evil beliefs. In order to better understand evil, using Grendel as a guide, I intend to attempt to justify it.
In society, cruelty often leads to dehumanization, but it can also be the reaction to dehumanization. Perpetrators are either idolized or villainized, while victims tend to be blamed for the actions committed against them. In Beowulf, cruelty is used as a social crutch, as well as a symbol of humanity, or the lack thereof. Barbarity, and the intent behind it, is what makes the heroes and the villains one and the same in Seamus Heaney’s translation of Beowulf.
In the epic poem Beowulf, the struggle between good and evil reveals its omnipresence in even the oldest of tales. The many allusions and symbols throughout the story relate to Christianity and other Pagan beliefs. By looking at them, it becomes apparent that the author of Beowulf believed that the constant war between good and evil is not only fought by the common man but also in the ranks of their highest esteemed rulers and warriors, and even in their dreaded nightmares where monsters lurk and wait for the death of man. Beowulf was written during the budding of Christianity in England, when it was newly forming. In the story there are obvious references to Christian rituals.
Several differences exist in the Modern day movie Beowulf and Grendel (Gunnarsson) and the Old English Epic Beowulf (Heaney). These differences can largely be attributed to the discrepancies in cultural values that exist between the medieval mind and that of the modern man. One of the main differences between them involves the characters’ personalities and attitudes. We can see this characteristic, particularly in Beowulf himself, mainly because in the epic his perspective reflects his limited understanding regarding the relationship between evil and good. Likewise, in the movie Beowulf and Grendel, the viewer sees a Beowulf who learns to possess an outlook on life that suggests a more complex
There is a seemingly fine-line between the hero and the monster in Beowulf. How far should we consider Beowulf’s strength and abilities as the traits of an Anglo-Saxon hero before he becomes monstrous? To answer this we must first look at the way in which heroism and monstrosity are perceived within the literature of the Anglo-Saxon period. This can be seen within texts such as The Wonders of the East, if we note what types of creatures were described within this text we can compare these to the monsters in Beowulf and see how they differentiate. If we examine the way in which the poem 's "Hero", Beowulf, is described, then we shouldn 't see any similarities between him and the so called monsters, however the physical representation and abilities
In any classic story about heroes and villains, the monsters involved are often characterized as the evil ones and, consequently, receive no justice under the law. Throughout the epic story Beowulf, the hero of the story encounters three monsters that are threats to society: Grendel, Grendel’s mother, and the dragon. The monsters in Beowulf are quickly targeted and destroyed because of the harm they cause to society. However, upon further examination of the monsters and the motives for their actions, the reader can view the monsters not as the cutthroat villains they may initially appear to be, but perhaps as victims of society. In today’s society, murderers and robbers are also portrayed as “monsters” because of the atrocious crimes they commit. While it is undeniably wrong to commit any kind of crime and I do not wish to condone murder or theft in any way, there may also be an ulterior explanation for why these modern “monsters” cause harm to society. In comparing and contrasting the monsters of Germanic epic with criminals of today, perhaps we can gain some insight into the motivation of both.
Beowulf is an epic poem that, above all, gives the reader an idea of a time long past; a time when the most important values were courage and integrity. The only factors that could bestow shower fame upon a person were heroic deeds and family lineage. Beowulf, as the paradigm of pagan heroes, exhibited his desire to amass fame and fortune; the only way to do so was to avenge the death of others. This theme of retribution that is ever present throughout the poem seems to color the identities of its characters.
There are three prominent monsters in the Beowulf text, Grendel, his mother, and the dragon. While the dragon proves to be the most fatale of foes for Beowulf, Grendel and his mother do not simply pose physical threats to the Germanic society; their roles in Beowulf are manifold. They challenge the perceptions of heroism, a sense of unrivalled perfection and superiority. Moreover, they allow the reader to reconsider the gender constructs upheld within the text; one cannot help but feel that the threat that these monsters present is directed towards the prevalent flaws in Beowulf’s world. Moreover, what makes these monsters is not their physical appearance; it is what they embody. Both Grendel and his mother have humanlike qualities yet their monstrous appearance arises from what their features and mannerisms represent. The challenge they pose to societal paradigms makes them far more terrifying to our heroes than any scaled flesh or clawing hand. These monsters provide the ‘most authoritative general criticism […] of the structure and conduct of the poem’. Their presence provides contrast and criticism of the brave society (Heaney 103).