Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Racism in literature
Racial Discrimination in Literature
Portrayal of african american in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In Their Eyes Were Watching God Zora Neale Hurston uses the motifs storytelling, mouths, and tongues to represent a person’s status and power at that period of time and uses them to emphasize how important speech was important to a person’s status at that time. In The beginning of the story when Janie arrived back into town she tells Phoeby, “You can tell ‘ em what Ah say if you wants to dats just de same as me’ cause mah tongue is in my friends mouth”(2). Janie saying this is giving Phoeby power over her reputation. She trusts Phoeby enough to relay her story truthfully to rest of the town members. Phoeby has Janie’s Fate in the community in her hands. Referencing the neighbors janie proclaims, “so long as they get a name to gnaw on they don’t care whose it is and what about’ specially if they can make it sound like evil”(3). During this time reputation was everything and gossip in the town gave the town members power to judge each other's fate in the community. People with a bad reputation were gossiped about in the town and most likely weren’t respected or powerful. The narrator alludes, “She had learned how to talk some and leave some”(76). During this time Jody began hitting Janie …show more content…
because he felt like she was a woman and had no power to be as opinionated as she was. Even though women did not typically have power or a voice in the community by Janie choosing whether or not she would speak gave her power over situations that she was put into and rather or not she would respond to certain things or not to. The narrator vividly explains “The sun was gone, It was the time to hear things and talk. These sitters had been tongueless, earless, eyeless conveniences all day long. Mules and other brutes had occupied their skins. But now, the sun and the bossman were gone, so the skins felt powerful and human. They became lords of sounds and lesser things. They passed nations through their mouths. They sat in judgment”(4). Since people in Eatonville were lower-class workers and all black they worked for someone else day in and day out and having no say and no power. Coming home to gossip gave them power in the community and a voice that someone would listen to. To most of the townspeople a voice in the town was all they had so coming home where their opinion mattered gave them power and the capacity to judge others. During the town meeting write after Jody put up the last light post in the town he makes a speech and the townspeople ask Janie to speak and on her behalf Jody Remarks "Thank yuh fuh yo’ compliments, but nah wife don’t know nothin’ ‘bout no speech-makin’.
Ah never married her for nothin’ lak dat. She’s uh woman and her place is in de home”(43). During this time women had no power; a woman’s role in society was to was to tend to the house and take care of kids, Like Nanny said women were the mule of the world especially black women and mules are not equated as being powerful and strong. They are considered dirty working creatures which you can treat ineptly , feed them garbage, and they are still expected to do their work and be obedient like the women of that time were
considered. Since Joe helped build Eatonville the power has gotten to head and the townspeople put him on this high pedestal. As Janie complains about Joe’s lack of communication and attention he’s been paying her but Joe responds by saying, "Ah told you in de very first beginnin’ dat Ah aimed tuh be uh big voice. You oughta be glad, ‘cause dat makes uh big woman outa you" (44). Jody’s concept of becoming a big voice in Eatonville Is by asserting his rank in the town. Jody thinks that his having a voice is substitutable for having power and by asserting his power through his voice he hinders janie’s by keeping her voiceless and opinionless. In Their Eyes Were Watching God Zora Neale Hurston uses the motifs storytelling, mouths, and tongues to elucidate how throughout the story mouths, tongues, storytelling, and a person’s speech determined their status and power in society or in Eatonville and how it was most important in Eatonville well they were predominantly black working class who spent most of their lives voiceless and opinionless and coming to the town to gossip gave power and status to their lives.
Pheoby is Janie’s best friend in Eatonville. Pheoby is the only person who is nice to Janie, and cares about Janie in town after she returns. Janie feels like she can trust Pheoby with her story, and when people ask Pheoby will tell them exactly what Janie told her. She won’t add her own details into the story, and she will not make up lies about what happened while Janie was gone. She will also not start any rumors and she won’t gossip about Janie’s story. Also, Pheoby will not judge Janie for leaving Eatonville, and killing Tea Cake. Most of the other women in town will want nothing to do with her because they would think that she is crazy for running off with someone and then killing them. She knows that Pheoby will not do that. After Janie finishes telling Pheoby about her life story, Pheoby is happy that Janie was able to go out and live a life that she missed out on when she has married to Jody. I think that Pheoby has a new-found respect for Janie because she was able to live the life she wanted filled with adventure, and that she was able to stand up for herself and fall in love. Pheoby even said, “" Ah done growed ten feet higher from jus' listenin' tuh you, Janie. Ah ain't satisfied wid mahself no mo'. Ah means tuh make Sam take me fishin' wid him after this. Nobody better not criticize yuh in mah hearin'." (Hurston 182-183).
By the end of the story, Janie has accomplished finding and conquering self-actualization, she has reached her enlightenment through the her marriages to Logan, Jody, and Tea Cake. It is apparant when she tells Pheoby, “You got tuh go there tuh know there.. Two things everybody's got tuh do fuh theyselves. They got tuh go tuh God, and they got tuh find out about livin' fuh theyselves" (Hurtson 183).
"And, Janie, maybe it wasn't much, but Ah done de best Ah kin by you. Ah raked and scraped and bought dis lil piece uh land so you wouldn't have to stay in de white folks' yard and tuck yo' head befo' other chillun at school. Dat was all right when you was little. But when you got big enough to understand things, Ah wanted you to look upon yo'self. Ah don't want yo' feathers always crumpled by folks throwin' up things in yo' face. And ah can't die easy thinkin' maybe de menfolks white or black is makin' a spit cup outa you: Have some sympathy fuh me. Put down easy, Janie, Ah'm a cracked plate." Last Paragraph in Chapter 2
In this quote, Jody stifles Janie’s speech and prevents her from speaking and having a mind of her own. In this quote, we can see Jody’s interruption with the dash Hurston uses to represent him preventing Janie from talking and being an active part of the conversation. To Jody, Janie is his possession and does not need to hear her opinion. Jody also treats Janie like his employee. In this passage the reader can infer from her diction that Janie does not want to work at the store when Jody is not around. As a result, when Jody leaves the store, Janie feels helpless. Janie’s hatred of him stems from this suppression of her individuality. Tea Cake, on the other hand, engages her speech, conversing with her and putting himself on equal terms with her. Janie’s diction changes when she is with Tea Cake, she is no longer interrupted or stutters. This use of diction is intended to show that Janie feels helpless in her current marriage and is
that Janie is not happy with the way things are now and that she will probably
In conclusion, Janie is an outgoing and caring person who wants to meet and have fun with other people. Most of the people in her life made her avoid being able to fit in with the crowd. Janie could not overcome the control others had over her. People always continued the gossip throughout the community because she was different. After Janie met Tea Cake, she was determined to do as she wanted without anyone’s say so. Janie will always be known as the
Jody requires that Janie hold her hair in a head rag because it didn’t make sense for her to have it down. In reality, Jody was jealous about how the other men looked at Janie when she had her hair down. In fact, “one night he had caught Walter standing behind and brushing the back of his hand back and forth across the loose end of her braid ever so lightly so as to enjoy the feel of it without Janie knowing what he was doing” (Hurston 55). This infuriated Jody and he ordered Janie to always have her hair tied up when she was in the store because, “she was there in the store for him to look at, not those others” (Hurston 55). Janie’s hair can be seen as a symbol of her independence, but with Jody’s demands, her independence is lost. This inequality only exists for Janie, because she is a woman. She could not make similar demands from Jody, or else she would be punished. However, in her relationship with Tea Cake, Janie is allowed to be somewhat free of gender bias. Tea Cake was the only person that treated her as an equal. It begins with the game of checkers, which Tea Cake sets up himself, a sign that he wanted to play with her and saw her as an
Jody believes that Janie has poisoned him, illustrating the magnitude of both of their unhappiness. Almost immediately after Jody dies, Janie “starches” and “irons” her face, which could also imply how the headrags represent a facade that she unwillingly dons in public. Janie goes to the funeral inundated in loneliness and grief. However, after she emerges from the funeral Janie burns all of her head rags. Hurston states: “Before she slept that night she burnt up everyone of her head rags and went about the house the next morning..her hair in one thick braid”(pg 89). Fire represents the destruction of something; by burning the very tool that was facilitating the suppression of her identity, Janie is making a vow to never sacrifice herself to others. The long, nimble braid the reader is introduced to in the first chapter reemerges. It is important to note that as she lets her hair down, her circumstances change for the better. Janie meets Tea Cake, her playful new husband. Hurston describes Janie as the curious, vibrant child she was under the pear tree similar to how she is presently with Tea Cake. Therefore, Hurston reveals the overarching theme that when one unwillingly enshrouds their identity, their circumstances become unpalatable. This theme is conveyed through JAnie: As she sacrifices herself to tie her hair up, her happiness devolved into loneliness. However, once she crosses the threshold to her true self, she fully exuded the vivacious Janie that she truly is. All of this is manifested through her
In such cases, when he would usher her off the front porch of the store, when the men sat around talking and laughing, or when Matt Boner’s mule had died and he told her she could not attend its dragging-out, and when he demanded that she tie up her hair in head rags while working in the store, “This business of the head-rag irked her endlessly. But Jody was set on it. Her hair was NOT shown in the store” (55). He had cast Janie off from the rest of the community and put her on a pedestal, which made Janie feel as though she was trapped in an emotional prison. Over the course of their marriage, he had silenced her so much that she found it better to not talk back when they got this way.
In the beginning of the story, Janie is stifled and does not truly reveal her identity. When caught kissing Johnny Taylor, a local boy, her nanny marries her off to Logan Killicks. While with Killicks, the reader never learns who the real Janie is. Janie does not make any decisions for herself and displays no personality. Janie takes a brave leap by leaving Killicks for Jody Starks. Starks is a smooth talking power hungry man who never allows Janie express her real self. The Eatonville community views Janie as the typical woman who tends to her husband and their house. Janie does not want to be accepted into the society as the average wife. Before Jody dies, Janie is able to let her suppressed anger out.
Through her use of southern black language Zora Neale Hurston illustrates how to live and learn from life’s experiences. Janie, the main character in Hurston’s Their Eyes Were Watching God, is a woman who defies what people expect of her and lives her life searching to become a better person. Not easily satisfied with material gain, Janie quickly jumps into a search to find true happiness and love in life. She finally achieves what she has searched for with her third marriage.
...disrespect from Tea Cake. She threatens him, saying if he leaves her again without her permission she will “kill yuh” (124). Within Janie’s past marriages her husbands treat her comparable to a slave and isolate her from the community. Even though her voice is still developing, she will not allow her husband to show her contempt. During the trial, Janie both matures and shows control over her voice, as she faces the horror of retelling the story of Tea Cake’s death to the court room. While giving her testimony, Janie knows when to talk; however, when she is through “she hushed” (187). By expressing and controlling her voice in court, Janie ultimately reveals her new found vocal maturity, but it is only because of her final marriage to Tea Cake that Janie finally develops an understanding of when and how to use her voice.
...use he used it to help himself become mayor. Tea Cake loved Janie for who she was as a woman. All three had completely different things to offer Janie economically, socially, and emotionally. The two rich men loved a woman, the poor man loved Janie.
That point she was trying to explain to him that she told her that way before they stared dating, and just continued to accuse Jan of betraying his trust and friendship.
To start of, the practice of passing story through generations by words of mouth is a prominent folkloric trait that the novel embodies. Their Eyes Were Watching God, written by American folklorist Hurston, represented the options and dynamism of the culture and folklore of the Southern Black folk, given the novel’s “textualization of oral traditions” form. This method is simply translating the mostly oral folklore into fictionalized written text and, although it challenges the tradition of oral story telling; however, did not undermine the authenticity of folkloric embodiment throughout the book. For instant, the novel’s frame story, brought about by Janie sharing her story with her friend Phoebe by word of mouth, is in fact based on the oral tradition of storytelling. Furthermore, though Janie did not share her story with the town, given her complicated status within the community; yet, te...