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Postmodern literary criticism
Postmodernism literary criticism
Post modernism literary theory and criticism
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The X-Files
The X-Files is generally acclaimed as the television cult hit of the 1990’s. The pilot that aired in September of 1993 introduced FBI agents Fox Mulder and Dana Scully. Together the two work to uncover the truth behind unsolved cases that defy normal investigation, the cases that the government has buried or ignored, labeling them the “x-files.” The two agents are wonderful examples of modernism and post-modernism world views.
First in order to understand the reasons Scully and Mulder portray the two world views, we must understand what modernism and post-modernism mean. Modernism was the era that was dominated by Freud and Marx, a belief that humans are purely material machines, a belief that we live in a purely physical world and nothing exists beyond what our senses perceive. Modernists believe that people should be rationalistic optimists and depend only on the data of their sense of reason. Scully strongly displays the modernist world view throughout the show even after the two agents have been through many fantastic adventures. In the show as a whole there are modernist aspects because both Scully and Mulder are truth seekers. The shows motto is “the truth is out there” so this produces a strong concept of truth. However the show as a whole is very post-modern because it questions the modernist world view with its themes. It is interesting the show continually suggests that “the truth is out there” but it is hidden under many different interpretations and perspectives. Post-modernism rejects the modernist ideals of rationality, virility, artistic genius and individualism, in favor of being anti-capitalist and scornful of traditional morality. Mulder strongly displays the post-modern world view.
Scully is the modernist in the show, she is constantly doubting Mulder and always making a new plot or rationalization for what is happening. Scully often makes fun of or laughs at Mulder’s insistence of the existence of the supernatural or paranormal. Scully values science and rationality and even though the events seem to be unbelievable she never gives in and believes in Mulder’s theories. The main reason Scully was assigned to the x-files project was because she was a skeptic, they trusted her to write a clear scientific analysis of the cases. In the pilot Mulder asks Scully if she believes in extraterrestrials, she replies with "Logically I would have to say no. Given the distances need to travel from the of reaches of space the energy requirements would exceed a spacecraft's capabilities —".
There are similarities and differences in how the authors of “American History” and “ TV Coverage of JFK’s Death Forged Mediums’ Role” use Kennedy’s assassination in their writing.
Meat head, dumb jock. These are just two of the many derogatory labels given to football players. Is it possible for me, a meat head, to hear the criticisms dealt to the sport of football? Is it possible for me, a dumb football jock, to understand and be objective about the issues raised in the book, Friday Night Lights? Yes, because I'm not the stereotypical football player like those described of Odessa, Texas.
Conspiracy theories accuse others of a cover up by secret planning. They may be based on a hunch or even backed by evidence. To the curious mind, they bring about unanswered questions that have attracted the attention of many people throughout history. Among some of the more popular theories are the assassination of President John F. Kennedy; the death of Princess Diana; alien encounters in Roswell, New Mexico; and the idea that Elvis may still be alive. Perhaps the most intriguing theory, because of our neighboring location, is the underground bunker and seemingly strange characteristics at the Denver airport.
Imagine, if you will, a time that seemed innocent... almost too innocent. Imagine a nation under whose seemingly conformist and conservative surface dramatic social changes were brewing, changes as obvious as integration and as subtle as fast food. And imagine, if you will, a radical television show that scrutinized, criticized, and most importantly, publicized these changes, making the social turmoil of a nation apparent to its post-world war, self-contented middle-class citizens. But what if this television show was not as it appeared? What if it masqueraded as simple science fiction, and did not reveal its true agenda until viewers took a closer look? Let us examine how such a television program can become a defining force in the culture of a nation, a force that remains just as powerful almost forty-five years after it first appeared. Let us investigate the secrets of... The Twilight Zone.
The Area 51 military base has been one of America’s most controversial places. Controversies ranging from unidentified flying objects (UFO’s), alien sightings to highly advanced military technology. Recently, the CIA has declassified some documents and acknowledged the existence and the development of the spy planes, but deny any UFO’s or alien sightings (or experimentations). However, there are still many people who believe in the conspiracies of UFO’s and aliens, they believe the CIA hasn’t been fully honest, and that there is much more than what they are telling.
The television show Lost displays many of the key traits found in postmodernism works. The show follows the lives of survivors of a plane crash on a mysterious island somewhere in the south pacific. There, they must negotiate an unknown monster, an unpredictable group of prior occupants, strange, other worldly inhabitants, polar bears and each other, as they attempt to survive and attract rescue. In this basic synopsis of show it is clear that the show incorporates a large degree of generic hybridity, from the show’s outset it has exhibited elements of science-fiction, mystery, drama and the action-adventure genre. This is even prevalent in the show’s advertising, the varying genres that show exhibits can be found in an early trailer for the show’s first season that originally aired on Channel 4 in 2005, directed by surrealist artist David LaChapelle. The trailer features th...
The UFO crash site in Roswell New Mexico in 1947 was the start of people’s interest in extraterrestrials, the discovery of military secrets and experiments kept from society, and the start, in search of answering are we alone in this universe.
One of the most interesting features about today’s media is that it connects many individuals in perplexingly short amounts of time. Through constant streaming, society has become extremely vulnerable by allowing themselves to be engrossed by the presented reality. The outcome is unsuspecting citizens that are mentally deformed by the adverse lies told to them. Gary Shteyngart exploits this reality through his successful novel, Super Sad True Love Story (2010) in which he creates a fictional world focusing on consumerism and commercialism. This fictive work creates an environment of secrecy in which the government actively displays more cover-ups and less controversial activity. Similarly, but to a much larger extent, Peter Weir’s film The Truman Show (1998) presents a city consisting of theatrical illusions surrounded by
When the FOX network aired "The Simpsons" in 1989, the show brought the yellow-skinned and four-fingered cartoon characters named Homer, Marge, Bart, Lisa, and Maggie Simpson into millions of American living rooms. This bent archetype of the American family, as well as the hundreds of zany characters that populate their all-American hometown of Springfield, fast became the targets of enormous criticism. Elementary schools banned T-shirts bearing the images of the Simpson family and their slogans. Former U.S. Secretary of Education William Bennett and even President George Bush berated the show as subversive and demeaning (McAllister 1494). However, a more careful investigation of the show reveals far more than nose-thumbing gutter humor--enveloped in sarcasm and comedy, "The Simpsons" offers a thought-provoking critique of American politics, faith, and the American family.
We've come to a point where television has become so loaded with “vampire-this” and “werewolf-that,” that each show has begun to look like the reruns of another. Luckily, this definitely isn't the case for creator Vince Gilligan's, Breaking Bad. Breaking Bad follows the life of Walter White (played by Bryan Cranston), an ordinary high school chemistry teacher. With a loving wife and teenage son at home, over time, Walter has formed an exceedingly mundane routine for his life. After soon discovering that he had been diagnosed with inoperable lung cancer, Walter decided to take extreme measures in order to secure his family financially. Eventually, he would descend into a world so dark and utterly twisted, that it would eventually consume him. Walter White became Heisenberg; the greatest drug lord the streets had ever seen. As he ascended in status within the drug cartel, the love and trust he had from his family and friends quickly descended. There are thousands of reasons that explain why millions of people tune into Breaking Bad. This series offers a much needed relief from the Dracula descendents, which frankly, are slowly diminishing any scope of variety existing on television. Because of the outstanding acting, seemingly distorted reality, and uniquely relatable storyline and characters, this hit show tops the charts as the best modern-day television series that cable has to offer.
What lies in the world of politics is a world of fear. Or so for the ones who cross Francis Underwood, the main character in the Netflix original series, House of Cards. As season one starts off, Francis Underwood captures the true essence of what the entire show is about, “There are two kinds of pain. The sort of pain that makes you strong, or useless pain. The sort of pain that's only suffering. I have no patience for useless things”(Script: reddit.com). As he finishes this line he brutally kills a dog lying on the street, who had just been injured after being hit by a car. He continues on, “Moments like this require someone like me. Someone who will act. Who will do what no one else has the courage to do. The unpleasant thing. The necessary thing” (Script: reddit.com). Through persuasion, manipulation and down right corrupt politics, House of Cards displays a unique spin on the world in Washington, one that some may believe not to be far from the truth.
The postmodern cinema emerged in the 80s and 90s as a powerfully creative force in Hollywood film-making, helping to form the historic convergence of technology, media culture and consumerism. Departing from the modernist cultural tradition grounded in the faith in historical progress, the norms of industrial society and the Enlightenment, the postmodern film is defined by its disjointed narratives, images of chaos, random violence, a dark view of the human state, death of the hero and the emphasis on technique over content. The postmodernist film accomplishes that by acquiring forms and styles from the traditional methods and mixing them together or decorating them. Thus, the postmodern film challenges the “modern” and the modernist cinema along with its inclinations. It also attempts to transform the mainstream conventions of characterization, narrative and suppresses the audience suspension of disbelief. The postmodern cinema often rejects modernist conventions by manipulating and maneuvering with conventions such as space, time and story-telling. Furthermore, it rejects the traditional “grand-narratives” and totalizing forms such as war, history, love and utopian visions of reality. Instead, it is heavily aimed to create constructed fictions and subjective idealisms.
The characters of the book reside in present day Indiana. The main characters Hazel and Augustus are two teenagers who both live in Indianapolis in average homes with their families. Hazel spends a lot of time in the hospital and her house due to her cancer. She meets Augustus at a support group in her church and they start spending a lot of time together. Hazel shared her favorite book with Augustus and this book stops mid-sentence with no ending. They both love the book and contacted the author who lives in Amsterdam for answers about how the story ends. The author of this book, Peter Van Houten denies giving them any information because he does not trust that Hazel and Augustus wouldn’t just share it on the internet or record the telephone call. Peter Van Houten says he would only tell them in person. It becomes Hazel’s dream to go Amsterdam which is where Van Houten lives. Augustus uses his one “wish”, from the Genie foundation (which grants wishes to kids with cancer) for him and Hazel to go to Amsterdam. On the plane to Amsterdam, Augustus tells Hazel that he is in love with her. Amsterdam is described as being picture perfect and the opposite of their hometown. I think that the characters felt confined and limited in Indiana but were set free in Amsterdam. In Amsterdam they finally speak to Van Houten, who was an extreme disappointment to them, visit tourist sites and have dinner by the canal. The major climax occurs in Amsterdam when Augustus reveals to Hazel that his cancer has returned and is going to kill him.
“Year after year, twenty-something women come to New York City in search of the two L's: labels and love” is the very catchy line that opens the film with Fergie’s ‘Labels or Love’ as the soundtrack and The Big Apple as its introductory shot. The scaling deduced from the bird’s eye-view-point of New York City, showing its Metropolitan atmosphere with skyscrapers and the famous Brooklyn Bridge; to the urbanites of the City; then to the lead actors of the film. A fifteen year-old girl watches the film, mesmerizing the ecstatic city while admiring the skinny white bodies of the ladies. And last but never forgotten, she gets carried away with the funky upbeat rhythm of the song emphasizing “Gucci, Fendi, [and] Prada . . .” That is the introduction of Sex and the City and the focus of its cinematography. With its elements, the movie can honestly influence teenage girls. Yet as much as critics such as Maya Gordon of Psychology of Women Quarterly say how media contributes to the sexual objectification and values women “based on their appearance,” this film should be an exemption.