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Character development introduction
Character development introduction
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What lies in the world of politics is a world of fear. Or so for the ones who cross Francis Underwood, the main character in the Netflix original series, House of Cards. As season one starts off, Francis Underwood captures the true essence of what the entire show is about, “There are two kinds of pain. The sort of pain that makes you strong, or useless pain. The sort of pain that's only suffering. I have no patience for useless things”(Script: reddit.com). As he finishes this line he brutally kills a dog lying on the street, who had just been injured after being hit by a car. He continues on, “Moments like this require someone like me. Someone who will act. Who will do what no one else has the courage to do. The unpleasant thing. The necessary thing” (Script: reddit.com). Through persuasion, manipulation and down right corrupt politics, House of Cards displays a unique spin on the world in Washington, one that some may believe not to be far from the truth.
In the opening scene the writers of this script want to first capture your attention, and make you want to like their main character. By giving you insight to the type of per-son Francis Underwood is, along with many other tactics used, this scene gives quite the outline of what is yet to come. By strategically having other characters become distracted, it allows Francis to silently put the dog out of its misery. Francis has a persuasive mentality, and he displays it here by falsely giving hope to the dog’s owners and by con-vincing them to go inside while he “investigates”(Script: reddit.com).
As season one episode one continues, we see in the next scene a beautiful dress dazzling in the light from above. As the camera moves back we see it is Francis’ wife, Claire. By at fir...
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...hat the structure gives this series a strong backbone to work off of. Working to create an atmos-phere dedicated to the corruption of people in Washington, “House of Cards” is the epit-ome of how power and greed can bring the worst out of people. By strategically showing us Washington from a new point of view, your eyes are opened to the crude possibilities of human nature.
Works Cited
House of Cards. Dir. James Foley, Carl Frankloin, John D. Coles, Allen Coulter, David Fincher, Charles McDougal, Joel Schumaker, Robin Wright, and Jodie Foster. Perf. Kevin Spacey, Michael Gill, Robin Wright. Media Rights Capitol, 2013-. IMDB. Web. Feb.-Mar. 2014. .
"Script: House of Cards." Reddit. N.p., 18 Feb. 2014. Web. 11 Mar. 2014. .
Mark was the first boy that Jennings met in the home so he was the one to show Jennings the rules of the home. He slept with Doggie his first night but was panicked when he woke up to find Doggie gone. Jennings thought he had lost Doggie, Mark explained what happens every night with the animals that they are given. Jennings didn’t understand why the nuns would take them away, when he asked Mark “‘But why?’ Mark snapped and said ‘It’s the rules!’ ‘They cage the animals at night. It’s the rules.’”(Burch, 26) Jennings thought that Doggie was his, so when he was lent out to the Carpenter’s he didn’t realize he wouldn’t be able to take Doggie with him. Mrs. Carpenter was a very mean woman and Jennings just wanted Doggie back, he drew a picture of him hoping it would make him feel better. When he got back to the Home of the angels he was very happy to know Doggie was safe and he would get to sleep with him again. Shortly after Jennings got back to the home Sister Clair told Jennings she would be leaving to go help at a school, they were both new in the Home of the angels at the same time. When Jennings woke up, he found Doggie under his pillow with a note attached from Sister Clair that
Many characters throughout the book, the most prevalent being the cynical narrator, Jack Burden, allude to the massive struggle for power that ensues, as well as the inevitable decay thereof among the political giants in All the King’s Men. While Jack gives the pretense of imperviousness, he is sensitive to the signals even as he excuses them. “Doesn’t it all boil down to this? If the government of this state for quite a long time had been doing anything for the folks in it, would Stark…be making so many short cuts to get something done to make up for the time lost all these years in not getting something done?” (125). Jack recognizes that men are corruptible by power, but he justifies this because of the results corruption seems to produce. By the end, however, he comes to better realize that the results are not really auspicious. Power can be used to strive toward worthy goals, and often those goals are achieved to much acclaim, but the end result seldom comes to a positive effect.
Meat head, dumb jock. These are just two of the many derogatory labels given to football players. Is it possible for me, a meat head, to hear the criticisms dealt to the sport of football? Is it possible for me, a dumb football jock, to understand and be objective about the issues raised in the book, Friday Night Lights? Yes, because I'm not the stereotypical football player like those described of Odessa, Texas.
In the book it reads “Got no teeth, damn near blind, can’t eat. Candy feeds him milk. He can’t chew nothing else” (Steinbeck 36). This evidence supports my argument because it shows Candy’s dog being in pain. Candy’s dog deserves to be put out of his misery because of his suffering. In the novel, Of Mice and Men, it reads “And at his heels there walked a drag footed sheep dog, gray of muzzle with pale, old eyes. The dog stuggled lamely to the side of the room and lay down, grunting softly to himself and licking his grizzled, moth eaten coat” (Steinbeck 24). This shows the dog has been in agony and is very old with his suffering self. This evidence supports my argument because Candy’s dog needs help getting around how Lennie needs help when he gets in trouble. By shooting Candy’s dog, Carlson offers mercy to his dog. Mercy killing can also happen in real life
The first scene, which is a major focus of the film and the novel, is that of the shooting of Candy's dog. This is dramatic and creates a high emotional response, both in the novel and the film. The film introduces the scene with a number of high angle shots with the focus. on the dog. These high angle shots of the dog are featured with the dog close to Candy, showing that there is a connection between the two.... ...
Control over others was exerted mainly by the rich, the insiders, the educated, and the conservatives. The insanity of the times allowed the power amongst the positions to be scrambled when the allegiances of people changed. In Miller’s play, control was twisted
This TV series isn't all about the plot but about the message within the plot that viewers receive; this is a well thought out masterpiece of drama, that connects to millions of teens of the shows target audience on a high emotional level. Full of drama, as what happens in high school, where all the characters go from innocence to experience. The show has a good use of the domino effect where every little move causes another event. This effect creates a message of your words and actions have the power to change things and make a difference. The first domino effect is when Lucas Scott joins the basketball team where his half brother is the captain. Lucas joining the team starts drama between him and the whole basketball team along with their father.
From the displays of power that have been shown through out this essay, we see that this story is a story about power. Power is the story is primarily about peoples need for some small amount of power to survive in life and to feel that hey have a purpose within their society which every society it may be whether its is Gilead or Nazi Germany or modern day Britain.
This research paper, is about a book called A Game of Thrones. Written by, George R.R. Martin, who started the series 18 years ago. There is also a TV show on HBO that is going into its 4th season this spring. This book has a medieval setting on continent called Westeros. Westeros is divided into seven kingdom’s, with their own lords, houses and words, or mottoes. There is one King , that rules over all the kingdoms. The book follows a few main characters that are, Lord Eddard Stark, lord or Warden of the North, Catelyn Stark, Ned’s wife originally from house Tully, Sansa Stark, the oldest daughter of Ned and Catelyn, Arya Stark, youngest daughter, Bran Stark second oldest son, Jon Snow, Ned’s bastard son, Tyrion Lannister, a dwarf from house Lannister who uses his words rather than a sword to win his battles and Daenerys Targaryen, who is sold to a leader of horse men (Dothraki) by her brother, so he can get an army to take back the seven kingdoms from Robert Baratheon, who led a rebellion against his Daenery’s father. through their journeys through Westeros, along with some of the events that happened in the years past to get them to the point of where the book started . All of the kingdoms lords want something , they might not come forward and say it straight up, but they still strive to achieve it. This “thing” is power. To rule a kingdom, you have to be a man while women are used as assets for other men and houses to gain power, which will be explained later. Women are classified under many different hierarchies and those decide where a woman stands in the society. But in A Game Of Thrones ruling a kingdom or a house is all dominated by men and women are assets for the men to gain power. Along with my thesis that is th...
The X-Files is generally acclaimed as the television cult hit of the 1990’s. The pilot that aired in September of 1993 introduced FBI agents Fox Mulder and Dana Scully. Together the two work to uncover the truth behind unsolved cases that defy normal investigation, the cases that the government has buried or ignored, labeling them the “x-files.” The two agents are wonderful examples of modernism and post-modernism world views.
“The wolf of wall street.” Dir. Martin Scorsese. Perf. Leonardo DiCaprio, Jonah Hill and Margot Robbie. Paramount , 2013.Film.
The influence of the media on women is not unknown, but it was especially prevalent in the 1960s. According to David Croteau and William Hoynes, both professors of sociology, “Media images of women and men reflect and reproduce a whole set of stereotypical but changing gender roles” (quoted in Mahrdt 1) and, as society changes and opinions are altered, television shows adapt. However, the television show Mad Men is unique because it does not show life today, but the life of the 1960s. It shows what life was like for the women who lived during a time when the “feminine mystique” controlled society.
We've come to a point where television has become so loaded with “vampire-this” and “werewolf-that,” that each show has begun to look like the reruns of another. Luckily, this definitely isn't the case for creator Vince Gilligan's, Breaking Bad. Breaking Bad follows the life of Walter White (played by Bryan Cranston), an ordinary high school chemistry teacher. With a loving wife and teenage son at home, over time, Walter has formed an exceedingly mundane routine for his life. After soon discovering that he had been diagnosed with inoperable lung cancer, Walter decided to take extreme measures in order to secure his family financially. Eventually, he would descend into a world so dark and utterly twisted, that it would eventually consume him. Walter White became Heisenberg; the greatest drug lord the streets had ever seen. As he ascended in status within the drug cartel, the love and trust he had from his family and friends quickly descended. There are thousands of reasons that explain why millions of people tune into Breaking Bad. This series offers a much needed relief from the Dracula descendents, which frankly, are slowly diminishing any scope of variety existing on television. Because of the outstanding acting, seemingly distorted reality, and uniquely relatable storyline and characters, this hit show tops the charts as the best modern-day television series that cable has to offer.
“Year after year, twenty-something women come to New York City in search of the two L's: labels and love” is the very catchy line that opens the film with Fergie’s ‘Labels or Love’ as the soundtrack and The Big Apple as its introductory shot. The scaling deduced from the bird’s eye-view-point of New York City, showing its Metropolitan atmosphere with skyscrapers and the famous Brooklyn Bridge; to the urbanites of the City; then to the lead actors of the film. A fifteen year-old girl watches the film, mesmerizing the ecstatic city while admiring the skinny white bodies of the ladies. And last but never forgotten, she gets carried away with the funky upbeat rhythm of the song emphasizing “Gucci, Fendi, [and] Prada . . .” That is the introduction of Sex and the City and the focus of its cinematography. With its elements, the movie can honestly influence teenage girls. Yet as much as critics such as Maya Gordon of Psychology of Women Quarterly say how media contributes to the sexual objectification and values women “based on their appearance,” this film should be an exemption.
One central element of this theme that remains true is that regardless of how upstanding the person or how virtuous their goals are, power still can corrupt. In the novel the pigs (like the other animals) had a noteworthy goal of ending the oppression that the animals of the farm faced through the revolution, however once they came into power after the revolution the pigs changed. While the goal of equality was one of the key principals set forth by the intellectual father of the revolution Old Major, the pigs found it ultimately too tempting to resit their urges to use their power for their own benefit (Orwell