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Entertainment impact on society in america
Entertainment impact on society in america
The influence of television 1950s
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How The Twilight Zone Reflected American Society in the 1950s
Imagine, if you will, a time that seemed innocent... almost too innocent. Imagine a nation under whose seemingly conformist and conservative surface dramatic social changes were brewing, changes as obvious as integration and as subtle as fast food. And imagine, if you will, a radical television show that scrutinized, criticized, and most importantly, publicized these changes, making the social turmoil of a nation apparent to its post-world war, self-contented middle-class citizens. But what if this television show was not as it appeared? What if it masqueraded as simple science fiction, and did not reveal its true agenda until viewers took a closer look? Let us examine how such a television program can become a defining force in the culture of a nation, a force that remains just as powerful almost forty-five years after it first appeared. Let us investigate the secrets of... The Twilight Zone.
With ominous opening monologues, mind-bending special effects (at the time, anyway) and totally unexpected-twist endings, The Twilight Zone captured the attention and imagination of America at the end of one of the most influential and change-inspiring decades of the century. During the fifties, Americans experienced vast changes not only in our country's position in the world, but also in our own culture -- and one of the leading vehicles for this change was television. In a time when situation comedies and game shows dominated the air waves, Rod Serling's science fiction anthology program stood out as an example not only of the artistic potential of television in terms of writing and special effects, but also of the power television had as social commentary and a thought...
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... the National Public Radio website:
http://www.npr.org/programs/morning/features/patc/twilightzone/
Sander, Gordon F. Serling: The Rise and Twilight of Television's Last Angry Man. New York: Dutton/The Penguin Group, 1992.
Vahimagi, Tise. "Rod Serling" and "The Twilight Zone." Taken from the Museum of Broadcast Communications website:
http://www.museum.tv/archives/etv/S/htmlS/serlingrod/serlingrod.htm
http://www.museum.tv/archives/etv/T/htmlT/twilightzone/twilightzone.htm
Zicree, Marc Scott. The Twilight Zone Companion. New York: Bantam Books, 1982.
The SciFi Channel website:
http://www.scifi.com/twilightzone/serling
http://www.scifi.com/twilightzone/episodes
The TV Pilot Guy website, copyright 1997: http://www.geocities.com/TvPilotGuy/twilightzone59
The Quotations Page website, taken from Rand Lindsly's Quotations: http://www.quotationspage.com
The iconic Rod Serling contributed to televisions “Golden Age”, the writer and director of the very accomplished series " The Twilight Zone” and “The Night Gallery”, has not only dazzled the world with his mind boggling work in the expansive sci-fi genre but has also successfully utilized his position in television and radio to speak out against socialism.
Rosenberg, Howard. "Television Reviews." Los Angeles Times (1923-Current File): 1. Feb 28 1989. ProQuest. Web. 28 Jan. 2014 .
Good evening and welcome to The History of Television. On tonight’s show we will focus on how and
This essay will discuss how national attitudes towards the working-class and the impoverished are represented in American Television. The purpose of this paper is to comprehend that television shows are not solely designed to entertain consumers but also contain a hidden agenda whose task is to protect certain ideological perspectives and therefore constant framing strategies take place. The paper will commence the analysis by discussing how males and females are represented in the television show Friday Night Lights, secondly it will look at the
In the mid-1900s, the Unites States was rapidly changing from the introduction of a new standard of technology. The television had become the dominant form of entertainment. This seemingly simple thing quickly impacted the average American’s lifestyle and culture by creating new standards for the average household. New, intimidating concepts came about, and they began embedding themselves into American culture. It became clear to some people that some of these ideas could give rise to new social problems, which it did. Sixty- five years ago, in a library basement, a man named Ray Bradbury wrote a book called Fahrenheit 451, which was able to accurately predict social problems that would occur because he saw that Americans are addicted to gaining quick rewards and new technology, and also obsessed with wanting to feel content with their lives.
Technology in the 1950s started with many great innovations that shape the way we live now. Probably the most important innovation of television was the introduction of cable T.V., television broadcasting, sitcoms and talk shows. Television went though many changes in its younger years. The way T.V. Developed in the early years is the foundation for what we watched now days. Transitory radios became very popular in the fact that Music could be heard in any location because it was now portable. Still T.V. Innovations were what the 1950s were all about from a technology and the birth of the T.V. show.
This essay will examine my thoughts and those of David Sterrit on the critically acclaimed television show The Honeymooners. First, I will talk about the Honeymooners and it’s setting in postwar America. Secondly, the social and cultural issues the series portrayed. Next, would be the psychological perspective and the aesthetics of the show. Finally, the essay would conclude with my thoughts on how the Honeymooners were impacted by these aspects, but also how the show managed to leave a legacy in television today.
Prose, Francine. “Voting Democracy off the Island: Reality TV and the Republican Ethos.” Signs of Life in the USA: Readings on Popular Culture for Writers. Boston; Bedford, 1997. 287-89. Print. 10 Mar 2014.
The many evils that exist within television’s culture were not foreseen back when televisions were first put onto the market. Yet, Postman discovers this very unforgiveable that the world did not prepare itself to deal with the ways that television inherently changes our ways of communication. For example, people who lived during the year 1905, could not really predict that the invention of a car would not make it seem like only a luxurious invention, but also that the invention of the car would strongly affect the way we make decisions.
Today, American film is among the most internationally supported commodities. Financially, its contributions are enormous: the industry is responsible for the circulation of billions of dollars each year. Since its explosion into the new media markets during the mid-twentieth century, film has produced consistently growing numbers of viewers and critics alike. Sparking debate over the nature of its viewing, film is now being questioned in social, political, and moral arenas for its potential impact on an audience. Critics claim that watching films is a passive activity in which the viewer becomes subconsciously absorbed, and creates a reliance or "addiction" to the medium, and thus can be influenced by any perpetual concepts or images. Advocates, however, argue that viewing such programs is an active process in which audience members are able to choose to what they are exposed, and interpret messages based on their individual needs and background. Perhaps both views are too extreme. Film from the 1950s to present, as will be explored in this essay, is an extremely useful medium, often underestimated within the label of "entertainment"; unfortunately, it may be partially responsible for current socio-cultural problems, too. The critical question, then, is whether film has fostered the progress of a more open-minded America, or rather hindered its development through the perpetuation of antiquated concepts of stereotypes, densensitized violence and breeding of normalcy.
Postman addresses how prior to television American was based on the printed word, which appealed to coherence. Yet, with the shifted from a typographic American to a television based society, television can be said to “promote incoherence and triviality” (80). It was the introduction of television that our public discourse suffered; our way of talking and thinking about things has changed (even though our message may be the same as before television).
Goodale, Gloria. "TV in black and white." 20 November 1998. Christian Science Monitor. Web. 15 Jan. 2015.
“A Cultural Approach to Television Genre Theory” argues that the application of film and literary genre theory do not fully translate when analyzing television, because of “the specific industry and audience practices unique to television, or for the mixture of fictional and nonfictional programming that constitutes the lineup on nearly every TV channel. 2” The goal of media genre studies, Mittell asserts, is to understand how media is arranged within the contexts of production and reception, and how media work to create our vision of the world.
Television grants us the ability to be connected with a scheduled set of information and entertainment at the same time. We as a society are able to watch a wide variety of shows that range from news to leisurely programs. According to author Neil Postman, all forms of programming presented by television is focused on entertainment. In Amusing Ourselves to Death, Postman illustrates this point by stating, “America’s journalists, television newscasters, have not missed the point. Most spend more time with their hairdryers more than with their script” (4). This dynamic is important because it puts emphasis on the messenger not
In the early 1940’s, television was something not many Americans had heard of. During this decade television had one basic goal: development. At this time World War II was coming to an end, having a few months left in 1945. In this period, the government only used the use of television’s limited resources in the terms of research and development for communicating the war. “They wanted to be able to use the technology for many different things such as guided missile systems using an ‘electronic eye’ that broadcasted images to a remote location where an operator was stationed (Television in the 1940s)”. The greatest lasting impact the war had on television was the development o...