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The poets, William Wordsworth and Gerard Manley Hopkins, use things like imagery, figurative language, and other poetic devices in their poems to convey their views of modern society and nature that they share. Some examples are in Williams’s poem, “The World is Too Much With Us”, and Gerard’s poem, “God’s Grandeur”. The two authors use different poetic devices, but convey similar views. William’s poem starts off with the proclamation that “Getting and spending, we lay waste our powers; Little we see in Nature that is ours;” (Wordsworth). This statement says that we, as humans, are too concerned with materialistic items that we cannot appreciate nature. We see nothing to be gained from nature, and thusly do not spend the time to appreciate it. Midway through the poem, William uses imagery of the moon on the water and the winds to show the splendor of the world and how serene it is. Later, William states that he is willing to believe in ancient beliefs just to see the world in a different, more beautiful way. Here, he uses historical allusions of pagan gods to demonstrate the beauty that can exist in the world if you pay attention. …show more content…
Here Gerard states that though the world is made beautiful by God, it will fade and diminish. He uses a simile to demonstrate the way in which the world’s beauty will fade. Gerard then expresses his confusion as to why people do not appreciate the beauty of the Earth while it lasts, and instead tarnish the soil with the stains of industry. In the second stanza, Gerard makes the proclamation that even with all that man, as a race, has done to sully nature, it still lays hidden in the woodworks. It hides, while God, The Holy Ghost himself, looks over the world with bright
When thinking about nature, Hans Christian Andersen wrote, “Just living is not enough... one must have sunshine, freedom, and a little flower.” John Muir and William Wordsworth both expressed through their writings that nature brought them great joy and satisfaction, as it did Andersen. Each author’s text conveyed very similar messages and represented similar experiences but, the writing style and wording used were significantly different. Wordsworth and Muir express their positive and emotional relationships with nature using diction and imagery.
John Muir and William Wordsworth use diction and tone to define nature as doing a necessary extensile of life. Throughout Muir’s and William’s works of literature they both describe nature as being a necessary element in life that brings happiness, joy, and peace. Both authors use certain writing techniques within their poems and essays to show their love and appreciation of nature. This shows the audience how fond both authors are about nature. That is why Wordsworth and Muir express their codependent relationship with nature using diction and tone.
The title of the poem is an indication that the reader should prepare himself or herself for some sort of spiritual experience. Whittier uses the word "worship" to title his poem because by the end of the poem the reader will learn that there is much more to the natural world than water, land, and sky. The poem starts with the birth or creation of nature. Whittier explains to his readers that the natural world has existed since God created it. He compares the creation of nature to music. This stanza is very appealing to the senses because nature is musical. The insects, winds, and birds are all a part of this "song" that "has never died away". The poet reminds readers of this very important idea because we as humans have a tendency to forget the value and importance of nature. The second stanza takes readers beyond the initial creation and introduces readers to the many purposes that nature serves. Whittier explains that "prayer is made and praise is given." Personification is an important tool used in this poem. Obviously nature cannot really pray or give praise, but the various functions of nature in this world give the illusion that it does pay homage to a higher being. For instance the lines in the second stanza, "The ocean looketh up to heaven, /And mirrors every star" says that the ocean is a mirror for heaven. If we look into the deep sea, we are in essence looking into a reflected image of heaven. Other instances when Whittier uses personification in this way are the first and second lines in the third stanza, "Its waves are kneeling on the strand/As kneels the human knee". Whittier tells his readers that just as man bends his knee to show respect to God so the ocean waves bend when they reach the shore as a sign of respect.
Even if he grew up within nature, he didn’t really appreciate it until he became an adult. He is pantheistic; a belief that nature is divine, a God. Since he has religious aspect of nature, he believes that nature is everything and that it makes a person better. His tone in the poem is reproachful and intense. His poem purpose is to tell the readers and his loved ones that if he feels some kind of way about nature, then we should have the same feeling toward it as well.
In the first stanza, the poet seems to be offering a conventional romanticized view of Nature:
Furthermore the third stanza backs up this opinion of mine, “I saw it was filled. with graves”, this quote shows how the narrator only noticed the negative aspects of the chapel and not the positive religious aspects. In conclusion, there have been many natural features shown throughout. all three of the poems. The poem reflects what William Blake thinks of animals, plants, and the natural world.
During the industrial revolution of England, humans engaged in monotonous work and lost harmonious unity with nature. In the nineteenth century, when the poet William Wordsworth wrote his sonnet “The world is too much with us,” the aspects of industrialized society had changed a factory worker’s life, leaving no time or the desire to enjoy and take part in nature. In his Petrarchan sonnet, Wordsworth criticizes humans for losing their hearts to materialism and longs for a world where nature is divine.
Wordsworth and Hopkins both present the reader with a poem conveying the theme of nature. Nature in its variety be it from something as simple as streaked or multicolored skies, long fields and valleys, to things more complex like animals, are all gifts we take for granted. Some never realize the truth of what they are missing by keeping themselves indoors fixating on the loneliness and vacancy of their lives and not on what beauty currently surrounds them. Others tend to relate themselves more to the fact that these lovely gifts are from God and should be praised because of the way his gifts have uplifted our human spirit. Each writer gives us their own ideals as how to find and appreciate nature’s true gifts.
In his poem, 'Lines Written in the Early Spring,' William Wordsworth gives us insight into his views of the destruction of nature. Using personification, he makes nature seem to be full of life and happy to be living. Yet, man still is destroying what he sees as 'Nature's holy plan'; (8).
For Wordsworth nature seems to sympathise with the love and suffering. of the persona, i.e. the persona. The landscape is seen as an interior presence rather. than an external scene, i.e. His idea is that emotions are reflected in the tranquillity of the nature. On the contrary, Coleridge says that poetry is.
Through the poems of Blake and Wordsworth, the meaning of nature expands far beyond the earlier century's definition of nature. "The road of excess leads to the palace of wisdom." The passion and imagination portrayal manifest this period unquestionably, as the Romantic Era. Nature is a place of solace where the imagination is free to roam. Wordsworth contrasts the material world to the innocent beauty of nature that is easily forgotten, or overlooked due to our insensitivities by our complete devotion to the trivial world. “But yet I know, where’er I go, that there hath passed away a glory from the earth.
In poetry the speaker describes his feelings of what he sees or feels. When Wordsworth wrote he would take everyday occurrences and then compare what was created by that event to man and its affect on him. Wordsworth loved nature for its own sake alone, and the presence of Nature gives beauty to his mind, again only for mind’s sake (Bloom 95). Nature was the teacher and inspirer of a strong and comprehensive love, a deep and purifying joy, and a high and uplifting thought to Wordsworth (Hudson 158). Wordsworth views everything as living. Everything in the world contributes to and sustains life nature in his view.
All in all, throughout all the history of American poetry, we can easily find numerous poems concerning nature from different angles, for nature will never betray a nature-loving heart just as William Wordsworth says.
To conclude, William Wordsworth uses form and syntax and figurative language to stress on his mental journey, and to symbolize the importance of the beauty and peace of nature. In my opinion, the poet might have written this poem to show his appreciation towards nature. The poem has a happy mood especially when the poet is discussing the daffodils. In this poem the daffodils are characterized as more than flowers, but as humans “fluttering and dancing in the breeze” (line 6). In addition, the poet mentioned himself to be part of nature since nature inspires him to write and think. Therefore, the reason that the poet wrote this poem was to express the feeling of happiness in his mental journey in nature.
William Wordsworth has respect and has great admiration for nature. This is quite evident in all three of his poems; the Resolution and Independence, Tintern Abbey and Michael in that, his philosophy on the divinity, immortality and innocence of humans are elucidated in his connection with nature. For Wordsworth, himself, nature has a spirit, a soul of its own, and to know is to experience nature with all of your senses. In all three of his poems there are many references to seeing, hearing and feeling his surroundings. He speaks of hills, the woods, the rivers and streams, and the fields. Wordsworth comprehends, in each of us, that there is a natural resemblance to ourselves and the background of nature.