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Short note on war poetry
Richard III character analysis
Richard III character analysis
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The idea of England as a second paradise in a postlapsarian world was a popular thought in Shakespeare's day. Not only did Englanders compare their land the to Biblical Eden, but also to Classical legends that would have flourished in the Renaissance era. The fact that Britain is an island isolated from the rest of the world invited the comparison of England to mythical islands such as the Islands of the Blest and Homer's Ogygia (Mackenzie 319). Such comparisons surely originated in the strong patriotism that thrived in the Elizabethan era. Shakespeare capitalized on this feeling through his history plays, which both instructed his audience on England's past and fed the patriotic ego of her citizens (Reese 46). Nowhere does Shakespeare more humor his audience with the nostalgic idea of England as a paradise than in John of Gaunt's famous speech in the second act of Richand II. In the speech, which is uttered from his deathbed, Gaunt begins by claiming he is a "prophet new inspired," (2.1.31). This inspiration comes from Gaunt's realization that his life will soon end, giving him the freedom to speak his mind without the fear of being punished for treason. This freedom allows him to reprimand the actions of Richard who, Gaunt feels, has been acting as landlord rather than king of England and wasting her precious soils for selfish gains (Klinck). Gaunt laments that England is "now leas'd out-I die pronouncing it- / Like to a tenement or pelting farm" (59-60). Gaunt refers to Richard's use of the land as "His rash fierce blaze of riot" (33) giving the image of Richard burning the country he is meant to care for. He continues this fire and consumption metaphor by proclaiming With eager feeding food doth choke the... ... middle of paper ... ...ses "my ensuing death" (68). Alliteration adds to the pleasing rhythmic flow of the speech and helps to enhance the poetic imagery (Silverbush and Plotkin 54). Alliteration is combined with assonance to further heighten poetic effect in the line "With eager feeding food doth choke the feeder" (37). Another excellent example of alliteration is found in the line "This precious stone set in the silver sea" (46). Aside from the powerful imagery provided by Shakespeare, the most moving aspect of this speech is the eloquence it gives to a dying man. John of Gaunt is presented as patriotic citizen concerned with the future of his homeland, even in the last moments of his life. His character can be seen as an example of a true patriot, Christian, and hero. His dying speech challenges the reader to be selfless and stand up for what he or she believes in.
Shakespeare constructs King Richard III to perform his contextual agenda, or to perpetrate political propaganda in the light of a historical power struggle, mirroring the political concerns of his era through his adaptation and selection of source material. Shakespeare’s influences include Thomas More’s The History of King Richard the Third, both constructing a certain historical perspective of the play. The negative perspective of Richard III’s character is a perpetuation of established Tudor history, where Vergil constructed a history intermixed with Tudor history, and More’s connection to John Morton affected the villainous image of the tyrannous king. This negative image is accentuated through the antithesis of Richards treachery in juxtaposition of Richmond’s devotion, exemplified in the parallelism of ‘God and Saint George! Richmond and victory.’ The need to legitimize Elizabeth’s reign influenced Shakespeare’s portra...
The undeniable pursuit for power is Richard’s flaw as a Vice character. This aspect is demonstrated in Shakespeare’s play King Richard III through the actions Richard portrays in an attempt to take the throne, allowing the audience to perceive this as an abhorrent transgression against the divine order. The deformity of Richards arm and back also symbolically imply a sense of villainy through Shakespeare’s context. In one of Richard’s soliloquies, he states how ‘thus like the formal Vice Iniquity/ I moralize two meanings in one word’. Through the use of immoral jargons, Shakespeare emphasises Richard’s tenacity to attain a sense of power. However, Richard’s personal struggle with power causes him to become paranoid and demanding, as demonstrated through the use of modality ‘I wish’ in ‘I wish the bastards dead’. This act thus becomes heavily discordant to the accepted great chain of being and conveys Richard’s consumption by power.
to behave in the same way as King Richard, and since he is acting this way, the
...e was also writing in Tudor England and seemed to have openly dislike Richard III. In other portions of his writing he describes Richard as an unattractive deformed man who was born with a full set of teeth. He writes that he had a “sour countenance , which seemed to savour of mischief, and utter evidently craft and deceit.”
Jealous of his brother's power, Richard, Duke of Gloucester, starts to secretly aspire the throne and plots to guilt trip his brother, King Edward, to death and lock up Edward's two sons. The same pool of blood consumes Richard, for the murders were endless. He did whatever ...
... bloody pathway to kingship. Filled with scorn against a society that rejects him and nature that curses him with a weakened body, Richard decides to take revenge and ultimately declares a war between himself and the world. By achieving goals for the mere sake of self-advancement, a self-made hero, an ambitious king, and an atrocious villain were created. Richard assumes that love forms a bond which men can break, but fear is supported by the dread of ever-present pain (Machiavelli ch. XXIV); thus, for true success the hero must be a villain too. Richard III becomes one of literature’s most recognized anti-heroes under the hands of Shakespeare as he has no objective or thought to take up any other profession than the art of hatred; however, ironically being a representative of a heroic ruler sent by God, he is made to commit murder to redeem society of their sins.
Written during a time of peace immediately following the conclusion of the War of the Roses between the Yorks and the Lancasters, William Shakespeare’s play Richard III showcases a multi-faceted master of linguistic eloquence, Richard, Duke of Gloucester, a character who simultaneously manages to be droll, revolting, deadly, yet fascinating. Richard's villainy works in a keen, detestable manner, manifesting itself in his specific use or, rather, abuse of rhetoric. He spends a substantial amount of time directly interacting and therefore breaking the fourth wall and orating to the audience in order to forge a relationship with them, to make members not only his confidants of murderous intentions, but also his accomplices and powerless, unwilling cohorts to his wrongdoings. Through the reader’s exploration of stylistic and rhetorical stratagem in the opening and final soliloquies delivered by Richard, readers are able to identify numerous devices which provide for a dramatic effect that make evident the psychological deterioration and progression of Richard as a character and villain.
Richard’s opposition - York, Bolingbroke, and Northumberland - believe that what they are doing is done to regenerate the badly tended “garden';. They want to replant it with Bolingbroke as king, and this they believe will restore England to order. By judging and replacing Richard they are going against what their society believes is God’s will. This is the worst mistake of all, because as the saying goes “two wrongs don’t make a right';. They are playing against a power far greater than anything they could imagine Richard being able to do. Their worries should not be of what Richard will do to them if they do not succeed, but what God will do to them at any given time. Northumberland tells of how the kingship will be restored and the garden revived. "If then we shall shake off our slavish yoke,/ Imp out our drooping country’s broken wing,/ Redeem from broking pawn the blemished crown,/ Wipe off the dust that hides our scepter’s gilt,/ And make high majesty look like itself," (Richard II II.
who stands in his way. Richard talks about a pretext for his villainy. by pointing out his physical deformity. “Why, I in this weak piping. time of peace and peace.
The task which Shakespeare undertook was to mold the hateful constitution of Richard's Moral; character. Richard had to contend with the prejudices arising from his bodily deformity which was considered an indication of the depravity and wickedness of his nature. Richard's ambitious nature, his elastic intellect, and his want of faith in goodness conspire to produce his tendency to despise and degrade every surrounding being and object, even as his own person. He is never sincere except when he is about to commit a murder.
To begin, the poem, “Eve’s Apology,” uses many different poetic devices such as alliteration, assonance, rhyme scheme, and simile. The author uses a great number of alliteration, which is the repetition of constant sounds generally at the beginnings of words. Alliteration can be seen in the words “what” and “weakness” in line 3. Some more examples of alliteration throughout the poem are “subtle serpent’s” (23), “he had him” (24), and “with words which” (30). Assonance, the repetition of the same or similar vowel sounds in stressed syllables that end with different consonant sounds, is another poetic device that the author uses greatly. Some examples of assonance are found in lines 10 “ The ‘p...
Gaunt: “I’d try to explain as the gaunt, heavily nipped-and-tucked one-time Playmate had yet another meltdown” (Dessem 15).
...eem to be blinded by his manipulations. From this there could possibly be some more admiration to Richard for pulling this all off. How he fools the others on their toes. He has had to rely on his intellect and he is more of an outcast and more of an outsider in all aspects of life. "I fear, I fear, `twill prove a giddy world," (Act 2, Scene 3, Line 6) The people of England fear the worst both literally and figuratively. The two scenes surrounding the scene involving the common folk are comprised of the predominant women in the novel. This could possibly be to help display the fact that the women can foretell the events and the future of England.
This is a prime example of Richard using his authority by way of rulings and pronouncements rather than action, even to the point of disallowing an action. Bolingbroke, on the other hand, is quite ready to do battle no matter what the consequences. Moments before Richard puts a stop to the proceedings, Bolingbroke says, ". . . let no noble eye profane a tear / For me, if I be gorged with Mowbray's spear" (1.3.58-59). Here is a man who is resolved in his intent.