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Essays on the history of Woodstock
Woodstock 1969 turn out
Woodstock 1969 turn out
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In 1969 a rock festival emerged in the sea of concerts that went by the name of Woodstock. Posters advertised that the festival would be “three days of peace and music” on August 15-17. From the very beginning people said it was like The Woodstock Festival was cursed. The planners couldn’t find a venue, because no one wanted thousands of young people on their property unsupervised. Finally they found a six-hundred-acre dairy farm in Bethel, New York that allowed them to have the festival on their property. As the planners began to set up the event they estimated no more than 200,000 young people would show and only about 186,000 advance tickets were sold by the time the event came around. Around half a million people showed up for the festival …show more content…
Later on in the day, I learned that those people were going to the dairy farm down the road for a rock festival. Right when I found out what was going on I saw my best friend, Laura, running down the road, screaming about how the festival of the year was right down the road from us. When she finally got to where I was standing she grabbed my arm and told me that we were going to Woodstock no matter what. Laura and I missed the first day of Woodstock, because I had promised to help ma and pa work on the garden. We could hear the crowd screaming and music playing softly the entire day and into the …show more content…
We all managed to make our way to the very front right by the stage. Janice Joplin was supposed to begin playing at 11:45 and after her The Who was supposed to come on. We mingled with everyone as we were waiting. Finally Janice and her band came on stage and yet again, the crowd was overcome with love and peace, swaying from side to side, it felt so natural. Everyone was just syncing together as if we were all one. I looked down at my watch and it was 5p.m., the bands had just finished so we were just walking around the festival. We sat by a campfire with about ten other people and before long it was beginning to get dark. Laura and I said our goodbyes to all of the friends we made at Woodstock and began to walk towards the exits heading home. I knew in that moment that this was a weekend I would forever remember, and I did. It was the most beautiful, memorable time of our lives, and it held so much love and peace without any judgment at all. Over those two days, we made many friends and great memories. Woodstock was unlike anything else I had ever been to or heard about and was lucky enough to have been able to witness
The Woodstock Music & Art Festival took place on Friday, Saturday, and Sunday, August 15th, 16th, and 17th, 1969. As you can imagine, a concert like Woodstock would have had to be planned very carefully. It didn’t just happen.
...g force. One thing that I am certain of is that Woodstock, like any icon, should have never been duplicated. They attempted this in 1994 and again in 1999. Sequels never measure up to the original. People even try to imitate icons with no success. Madonna and Anna Nicole Smith both tried to be Marilyn Monroe, but there is only one Marilyn. To be able to recreate Woodstock, you would also have to be able to recreate Vietnam, The Civil Rights Movement, and the assassinations of John F. Kennedy and Martin Luther King. The fact that Woodstock can’t be copied is what makes it an Icon. I only wish that I could have been there.
The muddiest four days in history were celebrated in a drug-induced haze in Sullivan County, New York (Tiber 1). Music soared through the air and into the ears of the more than 450,000 hippies that were crowded into Max Yasgur's pasture. "What we had here was a once-in-a-lifetime occurrence," said Bethel town historian Bert Feldmen. "Dickens said it first: 'it was the best of times, it was the worst of times'. It's an amalgam that will never be reproduced again" (Tiber 1). It also closed the New York State Thruway and created one of the nation's worst traffic jams (Tiber 1). Woodstock, with its rocky beginnings, epitomized the culture of that era through music, drug use, and the thousands of hippies who attended, leaving behind a legacy for future generations.
[1] Within the last few decades, we have generated a great number of “historical” films reaching the American public. With these “historical” films come the question of whether or not the film portrayed history in an accurate manner; if not, why were the facts manipulated the way that they were. Unfortunately, this question is usually answered in the negative, and the audience is left with a fictional account of a factual happening, thereby giving the viewing public mixed messages concerning the issues raised within the film. Film used in this manner can be a dangerous tool in the hands of powerful people with agendas and ulterior motives.
...ofessionals they didn’t just play music but they took pride in whatever instrument they played which really made it more enjoyable. I took notice in how the band communicated with each other either by hand signal or eye signal and they all paid close attention to Eric’s every move. It is so important to watch whoever is leading; good communication will cut down a lot of unnecessary mistakes. I really enjoyed the songs the texture of the songs was composed very well, even though the songs were written in a 60s and 70s style I could relate to them. My favorite is “Layla” I sometimes sing it all throughout the day, I love the texture and I love the rhythm. Overall the concert was awesome, I would definitely attend Eric Clapton’s concert if he’d come into my town. The concert was well worth listening to and I would definitely invite a friend to join along with me.
Warped Tour Warped Tour is sometimes billed as the “longest running music festival in the nation”. The vans warped tour has brought thousands of music fans together over a fifteen year period. Warped Tour is known for being amazing and for bringing large crowds to it. Kevin Lyman/ Sierra Lyman are the creators of Warped Tour. The very first tour kicked off on August 4th, 1995.
Woodstock was created by four young men for the purpose to raise money for a recording studio, but because of the time, politically, it turned into something so much bigger.1 Woodstock was originally supposed to host only fifty-thousand patrons at a small industrial park in Wallkill, New York. However, this quaint fifty-thousand turned into an astonishing five-hundred-thousand people in Bethel, New York.2 The four men, Mike Lang, Joel Rosenman, Artie Kornfeld, and John Roberts, had printed out tickets for this event and anticipated selling them for seven dollars for one night, thirteen dollars for two days, and eigtheen dollars for all three nights.3 They decided, when word had gotten out there was a sudden increase in pros...
Since the early twentieth century, the role of music contests and festivals has been integral to the growth and development of school band programs, and parallel to this role has been the discussion of the function of competition in these events. In a study of the first national band tournament Holz (1960) asserted that “[The contest] provided the occasion and the reason for the merging of musical, educational, and commercial efforts in a common cause – the simultaneous democratization and artistic improvement of instrumental music in schools”. Joseph E. Maddy, the first full time Supervisor of Music in Rochester, New York, spoke favorably of the early band contests; “The radical changes in instrument manufacturing, band publications, and improved performance standards which occurred would have taken one hundred years had it not been for the contest movement” (Fonder, 1983). Despite the positive responses from Holz and Maddy, Birge (1966) reported, “ Early in the contest movement educators felt that the intensely competitive factor lessened the educational value of the events”. Music educators of this period were also critical of the (1) contest format, (2) eligibility requirements, (3) adjudication procedures, and (4) the emphasis on “winning” (Payne, 1997). The positive and negative traits of these early band contests have been reported by many (Burdett, 1985; Moore. 1972; Hansen, 2004; Holz, 1960; Humphreys, 1981; Whitehill, 1969; Yarberry, 1979), but the role of competition and contests continues to divide the music profession philosophically and serve as a catalyst for debate when discussing their place in music education.
The night was young times were crazy and it was only the beginning of my senior year. It was still warm out and it still felt like summer; we didn’t know that we could have this much fun in one night, but we knew we were going to have fun no matter what. My first concert had to be one of the best nights of my life and one of my most favorite nights of my life during my senior year. It all began when my buddy Alex Kramper decided to give me a phone call and wanted to know if I wanted to go to an Imagine Dragons concert at the Verizon Wireless Amplifier Theater for only twenty bucks, I responded with a hell yeah, the concert was only in a weak. So we figure everything out and and figure that Alex Kramper, Tori Main, Trevor Waller, Kristen Kesler, and me are going to the concert, the next day we meet at Alex’s house to all ride in the concert together in Trevor’s truck, it was a planned booze cruise threw St.Louis. So I woke up early in the morning for the Saturday concert and do my chores early in the morning so I wouldn’t have to do them the next day all hungover. I finally finish all...
On Monday March 25, some members of the baseball team, my girlfriend, and I traveled to Murray State University to watch a concert performed by Nelly and the St. Lunatics. It was a terrible night to go anywhere because it was raining and storming the whole way, but there was nothing that was going to stop us from going to the concert. We where all so hyped up about it and couldn’t wait to head out. My brother, who attends Murray State, had gotten us excellent seats about seventy-five feet away from the stage.
Along with the peak of several movements music began to reach a point of climax. Rock specifically began to flourish in the 1960’s, while expressing the voice of the liberated generation. It is the power of such trends that overall lead to what is known as the greatest music festival of all time: Woodstock Music and Art Fair. The festival started on August 15, 1969 on Max Yasgur’s farm in Bethel, New York. Appealing to the time period, Woodstock was designed to be Three Days of Peace and Music. However, many argue that it was more than just a musical art fair of peace, but a historically significant event that shifted American culture. While some regard Woodstock as the beginning of a cultural advancement and the end of a naïve era, others view it as ridiculous hippy festival infested with illegal drug usage. Woodstock cost over $2.4 million and attracted over 450,000 people (Tiber, 1). Despite the debate of whether Woodstock produced a positive or negative effect, it is clear that a note worthy impact was made. When discussing the overall impact of Woodstock it is important to look at the influences and creative plan and the positive and negative effects produced from the festival.
Woodstock gathered an unexpectedly large attendance. Only 50,000 to 100,000 people were expected to arrive at the site. These numbers seemed small compared to the 400,000 to 500,000 people who converged on the area on August 15, 16, and 17 of 1969. (Webster’s) Many expected singers and bands could not arrive due to traffic backed up for miles along all the roads leading to the area. It was said that nearly one million people could have attended the concert if it had lasted longer. (Visi.com) Many recognized musicians preformed at the concert such as Janis Joplin, Jimi Hendrix, Creedence Clearwater Revival, The Who, Jefferson Airplane, and many others. (Home.columbus.rr.com) Truly by the first day, as the musicians looked out upon the vast crowd, they must have known that Woodstock was not going to be just another concert that would be forgotten.
By the twelfth song which was the last I could still feel the atmosphere, the pride and the gratitude of the people. We were just happy to be in their presence. For the last song the whole crowd moved together in a bizarre, alternative. dance. I am a sassy girl.
I had never really been to a big concert that had a well-known band. A couple of weeks before the concert I got some information about it, but really didn't think much of it. I talked with some friends about the band and we all casually decided to go get tickets for it. Little did I know what an absolutely spectacular time I would have.
After the show had ended, I felt slightly empty. I had waited years and months for that night, and it was over in the blink of an eye. Although I was sad that the show was over, I felt completely content. Now, when I hear their songs, I get to remember what it felt like to hear the band perform them live. I can watch the videos and try to wrap my mind around how it was real. Going to my first concert was an unparalleled experience that I will always cherish. The ambiance, the band’s performance and the unity the audience