The Woman Warrior is told in 5 chapters all based on the stories of five women. Kingston’s forever dead aunt, Chapter One “No Name Woman”, a mythical female warrior, Fa Mu Lan, Chapter 2, Kingston’s mother, Brave Orchid Chapter 3, Moon Orchid, Kingston’s aunt, Chapter 4, and finally Kingston herself, Chapter 5.
In the first chapter, “No Name Woman,” begins with an aunt Kingston never knew she had existed or even lived. This aunt had brought disgrace upon her family by having an un-authorized child. She committed suicide by killing both herself and her baby by jumping into a family well in China. When she heard the fable, which is told to be a curse and forbidden, Kingston is never permitted to reference her aunt ever again, and it the story
…show more content…
was forever banished. Instead of speaking of the unpleasant truth, she creates her own history of her aunt instead. She visualizes the ways that her aunt attracted an admirer, comparing her aunt’s actions of quiet uprising against the community to her own rebellion. Kingston also remakes her aunt’s terrifying experience of giving birth in a hole and imagines her aunt’s spirit walking around with no one to give gifts, as this was a Chinese practice. In the end, Kingston is unsure whether she is doing great to her aunt’s thoughts or just wanted her own desires. “White Tigers” the second chapter is based on another story, one about the mythical female warrior Fa Mu Lan.
Also known as Mulan in the Disney movies. Fa Mu Lan’s story is told through Kingston’s first person narrative. She trains to become a warrior since she was seven years old. She leaves her family to be trained by a group of an old couple and becomes ready to fight. She then returns to her family and they are so glad to see her. They tattooed her, putting the family symbol to represent them. She now leaves, and then leads an army of men or villagers, (and even pretending to be a man herself) against the forces of a corrupt aristocrat and emperor. After the emperor is defeated she returns to her family becoming a wife and mother. This story is sharply compared to Kingston’s own life in America, which she can barely deal with her racist bosses, the color “Nigger Yellow”. However her words are the weapons that defeat the …show more content…
evil. The third chapter of The Woman Warrior is “Shaman.
“ Shaman is mainly about Kingston’s mother as a non-parent in China. Brave Orchid, also the antagonist of the stor. Brave Orchid was a powerful healer, wife, and the destroyer of evil spirits. To a young Kingston, Brave Orchid’s past is as stupefy as it is horrific, and a lot of the images from her mother’s story, Chinese babies were left to die, slave girls being bought and sold, a woman being attacked by stones till death by her villagers, those haunt Kingston’s dreams for years. After many disagreement and conflicts, they eventually arrive at some kind of understanding and become normal family people, with warm love.
The title of “At the Western Palace” refers to another of Kingston’s mom’s stories (Brave Orchid.), a ruler who married four women. It is a comparison for her sister Moon Orchid’s (aunt) situation: Moon Orchid’s husband, a successful Los Angeles doctor, he had left her in China and remarried in the United States. Brave Orchid urges her sister into a dreadful encounter with her husband that demands her part as his wife. As a result, Moon Orchid, who doesn’t know anything about the English language, she is left to repel for herself in America. She suddenly goes insane and dies in a California state mental
asylum. The fifth chapter of the Woman Warrior “A Song for a Barbarian Reed Pipe,” focuses on the author of this book, Maxine Hong Kingston. This is the last chapter of the whole entire story. In this section it focuses mainly on Kingston’s pre-adult years, drawing her infuriation and frustration in trying to express her and attempting to please a mean and aloof mother. There are a number of characters whose personalities highlight many of her Kingston’s own characteristics, including a reticent Chinese girl whom Kingston tortures as a little girl. In a climatic moment in the chapter, after failing to express her feelings, she erupts verbally at her mother with animosity, complaints and criticisms. Later in her life however, Kingston come to love her mother’s stories, At the end of the chapter she even reveals one herself, the story of Ts’ai Ten, a warrior poetess taken by brute soldiers who returns to the Chinese with songs from another place.
Within Megan H. Mackenzie’s essay, “Let Women Fight” she points out many facts about women serving in the U.S. military. She emphasizes the three central arguments that people have brought up about women fighting in the military. The arguments she states are that women cannot meet the physical requirements necessary to fight, they simply don’t belong in combat, and that their inclusion in fighting units would disrupt those units’ cohesion and battle readiness. The 1948 Women’s Armed Services Integration Act built a permanent corps of women in all the military departments, which was a big step forward at that time. Although there were many restrictions that were put on women, an increase of women in the U.S. armed forces happened during
Do you believe all women are smart enough to get an education or strong enough to go to war? In countries like Afghanistan and even America, there is a preconceived notion that women are simply best for bearing children, raising them, cleaning, and cooking for their husbands. From a young age, many women are given gendered roles, such as being taught by society to find husbands and care for children. For instance, girls are given baby dolls and kitchen sets for their birthdays instead of books. In Flashes of War, by Katey Schultz, the two stories “Deuce Out” and “Aaseya and Rahim” the protagonists Stephanie and Aaseya may live in different worlds, but they share much more than we think. Because of predetermined expectations that society has imposed upon women, Schultz’s book comes to a surprise since it defies pre-conceived notions of women.
Since people who have different identities view the American Dream in a variety of perspectives, individuals need to find identities in order to have a deep understanding of obstacles they will face and voices they want. In The Woman Warrior, Maxing Hong Kingston, a Chinese American, struggles to find her identity which both the traditional Chinese culture and the American culture have effects on. However, in The House on Mango Street, Sandra Cisneros clearly identifies herself as a Hispanic woman, and pivots to move up economically and socially to speak for her race. Even though both Kingston and Cisneros look for meanings of their identities, they have different approaches of reaching the full understanding.
William Shakespeare once said, “[My] honor is my life; both grow in one; take honor from me, and my life is done.” The idea is touched upon in both the book Woman Warrior by Maxine Hong Kingston as well as Disney’s Mulan were family honor is more important than anything else. Mulan was directed by Tony Bancroft and Barry Cook, and produced by Walt Disney Pictures. The film Mulan retold the story of a woman warrior who took her father’s place in battle and became a savior of China.The movie uses many elements from the original story told in the chapter “White Tigers,” but adds many modern twists in order to make the story more appealing for a newer generation. In both stories of Fa Mu Lan the elements of sacrifice, silence and voice, cultural practices of ancestor worship and filial piety, and Chinese stereotypes are present.
Kingston, Maxine Hong. "No Name Woman." 50 Essays: A Portable Anthology. 4th Edition. Ed. Samuel Cohen. Boston/New York: Bedford/St. Martins, 2011. 227-39. Print.
In the chapter "White Tigers" from her book The Woman Warrior, Maxine Hong Kingston first fantasizes of a Chinese woman warrior before switching back to the reality of her American life as a woman. Using her imagination, Kingston dreams of a strong female avenger who manages to satisfy often opposing roles, such as warrior and mother and who receives honor and respect from her family. Yet in her true life, Kingston faces a much different world in which she struggles to fight for her beliefs and encounters disapproval from her parents. Employing her fantasy which starkly contrasts her real life, Kingston provides an alternate, more liberated view of a woman's role and abilities which reflects her own aspirations and wishes for an ideal life.
Fa Mu Lan is a changing character who grows from a little girl to a renowned warrior to a kind mother. On the other hand, Abigail Williams remains stubborn, selfish, and influential throughout her story. Their external circumstances either shape them or don’t. While they are alike because they both face challenges, Fa Mu La challenges adversity causing her to gain strength as a character and for Abigail, it is others disagreeing and conflicting with her.
With the advanced development of technology, specifically DNA analysis, the process of how historical research is conducted can divert from a traditional approach to a scientific method which can potentially avoid usual historical evidence. The article “Famous Viking Warrior Was a Woman, DNA Reveals”, by Judith Jesch, discusses an uncovered Viking grave that contained a skeleton along side items that are normally buried with warriors, and the skeleton's DNA was later tested to discover that the skeleton was a woman. With the found information, and DNA evidence, the archaeologists concluded that the skeleton was that of a great female Viking warrior leader. The analysis is debated through the article “Let's Debate Female Viking Warriors Yet Again” by a series of
Throughout the second chapter of her memoir, “White Tigers”, Kingston recalls the story of Fa Mu Lan, the mythical woman warrior, which her mother tells her as a child
Kingston’s “No Name Woman” is a story that revolves around morals, society and family expectations, and women role in society. Kingston writes the story of her aunt that committed suicide in China and she has never heard of until her mother spoke of her once. The purpose of Kingston story is to show women role in China and how women were trap in their society.
In The Woman Warrior, Kingston develops the image of a dragon as a symbolic reference to her fight against the unbearable expectations women are supposed to uphold in order to illustrate how living with these expectations has impacted Kingston in a positive way. While in the mountains, a bird leads Kingston to an old couple who asks her to stay with them. They show her a mirage of her parents, which ultimately persuades her to accept their request. Remaining with the couple, she is trained to become a fierce and powerful warrior, disregarding the over-exaggerated social standards pertaining to women. Although years later she is forced to remain where she is, she eventually puts her training to use and goes to battle disguised as a man. Throughout
In “What Happens When Women Fight Back”, Joan Walsh argues that women are the best hope to save the country after Donald Trump’s inauguration. Walsh celebrates the fact that “the woman-powered resistance is more vital, brilliant, and powerful than she has ever dreamed” and, that they are in a constant fight with the now current president, Donald Trump. Throughout the article, Walsh attacks Trump and his actions while in office. Walsh seems to target Trump in many instances throughout her article, but her main point is that the resistance movement led by women is growing each and every day. These women have on goal in mind, gender equality. Walsh seems to hint that Trump is an obstacle they have to overcome to achieve their goal. Walsh makes it clear that she is a firm believer in the women’s movement, and that these women are the best hope to save the country from Donald Trump, and his unjust policies.
The legend states that Hua Mulan lived during the Northern Wei dynasty. She is a mythical figure from ancient China portrayed in the Chinese poem, Ballad of Mulan. Though both princess warrior show and movie, The Legend of Hua Mulan and Disney’s Mulan have different character personalities and reasons of going to war. The Legend of Hua Mulan is straightforward and seeks to depict Mulan as a warrior. Disney’s Mulan, however, depicts Mulan as trying to prove her parents wrong and bring home a man as in all Disney movies. This shows that Hua Mulan is a better role to girls that Disney’s Mulan.
The beginning of the novel introduces the reader to Esther O'Malley Robertson as the last of a family of extreme women. She is sitting in her home, remembering a story that her grandmother told her a long time ago. Esther is the first character that the reader is introduced to, but we do not really understand who she is until the end of the story. Esther's main struggle is dealing with her home on Loughbreeze Beach being torn down, and trying to figure out the mysteries of her family's past.
For those who have forgotten, Mulan tells the story of a young Chinese woman who runs away from home dressed as a man to join the army in her father’s