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T. S. Eliot "The Wasteland
Pop culture influence on society
Pop culture influence on society
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Historically speaking the fate of world has always been called into the question. The same is true of commentaries on the state of mankind. T.S. Eliot’s "The Wasteland" is considered by many to be the greatest poem of all time. During Eliot’s time, the world was beginning to place more value on pop culture than high culture. Gone were the days where most were familiar with the works of the greats. The Wachowski Brothers’ film, The Matrix, deals with similar themes as "The Wasteland" . The science fiction film set in world that has been taken over by machines and centers around the plight of unsuspecting hero, Neo and other who have been freed from the computer simulated reality of The Matrix. Both worlds of “The Wasteland” and The Matrix center around the struggles the inner self faces when modern society no longer reliable for spiritual sustenance. It is the lack of spirituality in modern culture that leaves the masses starved intellectually and out of touch with historical and high culture.
"The Wasteland" begins with The Burial of The Dead. The first part of the poem paints a pictures of place where even spring is unenjoyable. April is a time when, “Memory and desire, stirring Dull roots with spring rain,” ( 3-4). What should be a time where flowers are in bloom and people are happily thriving is not so. There is an underlying message that people once lived in a better time. There is void which has yet to be filled and a longing for something more. This is a similar scene to the opening of the Matrix. The audience is introduced to Thomas Anderson, who will later become Neo. He is living a seemingly lackluster and unfulfilling life. He is surrounded by the pollution and corruption of the big city and has no emotional ties ...
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...to subjects relevant to today, such as religion.Eliot argues that without religion we are all lack direction and more importantly we lack substance in our lives. Without religion, we are superficial and it is due to this that we turn to pop culture. Pop culture is a filler for that which is intellectually rewarding. Eliot recognized this and for this reason he wrote “The Wasteland”. Eliot’s poem made bold statements about what was really happening in the modern world. Whether one argue with Eliot’s positions or not, his work joins the canon of the classic and ironically provides an opportunity for readers to plug into something greater.
Works Cited
Eliot, Thomas Stearns. The Waste Land. New York: Horace Liveright, 1922; Bartleby.com, 2011.
www.bartleby.com/201/
The Matrix. Dir. Andy Wachowski and Larry Wachowski. Warner Bros. Pictures, 1999. DVD.
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The Matrix is a 1999 action film, noted for its science fiction and special effects, about the life of an individual who has been chosen to discover the truth of the world he lived in and eventually save all humanity from the enslavement of their minds in the Matrix. The story begins with an average computer programmer, named Thomas Anderson, who begins to notice strange occurrences as he dabbles in deeper into the secretive life of computer hacking and illegal software encryption through the nickname ‘Neo’. He is tracked down by another hacker, Trinity, and warns him of the dangers that would occur if he chose to remain in his current life. After Thomas realizes that he was being hunted down by sinister agents, he agrees to follow the path
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In “The Wasteland” by T.S. Elliot, he expresses the bleak future of America. Elliot describes the world in a way in which all its ambitions and hopes are lost. This loss of the American Dream was a repercussion of materialism and amorality present in humanity.
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Death is the primary theme in TS Eliot’s The Wasteland. Written just four years after the conclusion of World War I, The Wasteland mirrors the despair felt by much of the post-war generation. The poem begins with a section titled "Burial of the Dead." In this section Eliot deems April "the cruelest month, breeding lilacs out of the dead land, mixing memory and desire, stirring dull roots with spring rain." With these lines, Eliot suggests that springtime’s regeneration of life only causes people to remember what was lost in the past. Eliot again addresses death in the very next stanza:
In interpreting the respected poems, “The Love Song of J. Alfred Prufrock”, “The Wasteland” and “The Hollow Men”, the validity of Eliot’s statement will be thoroughly examined.
The Matrix is a narrative film by The Wachowski Brothers ,in 1999 is the groundbreaking visual effects film that tells the story of Neo, the hacker turned the One, in this a hero’s story. It is told in a chronological order from Neo’s point of view from the moment he wakes up to the moment he realizes that he is the One and the power it grants him. The film is best known for it use of bullet time and it commentary on perspective of our world and how real is it truly.
T.S. Eliot’s “The Waste Land” is a complex and fragmented poem that underwent major revisions before it was published in 1922. The published version we see and read today is considerably shorter in comparison to what Eliot had originally written. According to James Torrens’s article “The Hidden Years o f the Waste Land Manuscript,” Eliot had mailed “54 pages of The Waste Land, including the unused parts” to John Quinn, a “corporation lawyer in New York City,” which had shortly disappeared after Quinn’s death in July of 1924 (Cuddy 60). Eliot’s “lost” pages were not uncovered until the early 1950s (Ford). In 1971, a facsimile of the original drafts of “The Waste Land,” edited by Eliot’s second wife, Valerie, was published and revealed how much
T.S. Eliot’s The Waste Land is an elaborate and mysterious montage of lines from other works, fleeting observations, conversations, scenery, and even languages. Though this approach seems to render the poem needlessly oblique, this style allows the poem to achieve multi-layered significance impossible in a more straightforward poetic style. Eliot’s use of fragmentation in The Waste Land operates on three levels: first, to parallel the broken society and relationships the poem portrays; second, to deconstruct the reader’s familiar context, creating an individualized sense of disconnection; and third, to challenge the reader to seek meaning in mere fragments, in this enigmatic poem as well as in a fractious world.
His mental state is confirmed when he remarks that his “nerves are bad tonight. Yes, bad. Stay with me. Speak to me. Why do you never speak? Speak. What are you thinking of? What thinking?” (110) Still recuperating from overwhelming stress and anxiety, Eliot successfully manages to express his weaknesses through his poetry. Throughout The Waste Land, Eliot mentions an “unreal city,” perhaps parallel to his own move to London. A crowd is described as flowing “over the