The Matrix is a narrative film by The Wachowski Brothers ,in 1999 is the groundbreaking visual effects film that tells the story of Neo, the hacker turned the One, in this a hero’s story. It is told in a chronological order from Neo’s point of view from the moment he wakes up to the moment he realizes that he is the One and the power it grants him. The film is best known for it use of bullet time and it commentary on perspective of our world and how real is it truly.
The Exposition is one of the most important parts in this movie as the subject matter would be greatly confusing to those who are not familiar with the subject matter. The exposition is delivered to us through the point of view of Neo, the new guy on the ship. Neo playing the
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This film takes advantage of lots of short quick cuts in all of the action scene to keep the audience 's attention. The most used shot the tight shot to show character reactions and thought and decisions help convey a characters thoughts without having to state it outright. Most of the images on film are open, setting up the next shot for the camera to move next. They also use pan shots to show entrances and changes in location and create the illusion of motion in Matrix with it. The structural rhythm of the film is very quick helping with that action feeling. It play with the juxtaposition of the Matrix and real world. The film also frequently uses match cutting to drop in agents where people used to …show more content…
While in the Matrix there is always some semblance of digital or electronic sound helping us to reinforce how unreal the world is. The music used in this film is techno throughout creating the digital sound for that cyberpunk music style. It also follows the Pace of the movie quite nicely quick and high paced. However, the sound effect in this movie play a bigger role as it is most predominant use of sound through this film. The best example of audio in this film is the opening shot with the green text scrolling vertically up and down the dinging sounds that were played with the text are still the sound most people associate with digital 1’s and
The protagonist Thomas Anderson in the series is one of billions of humans connected to the Matrix, he is a quiet programmer for the "respectable software company" Metacortex. Thomas Anderson is the character in the movie whose later alias becomes “Neo”. Which an anagram for “the one” a name that is most profound parallel to the Bible. Coincidence I think not. Neo is the Christ-figure in The Matrix who is sent to liberate men from their fallen and enslaved state Zion that is the last human city on earth, paralleling the Zion of the Bible. Morpheus and other believers herald him as the “One.” Neo or Christ sets humans free from the matrix or sin as agent Smith who in terms is Satan. Neo has a resurrection scene at the end of the first installment of The Matrix. In this scene Smith kills him, and his coming back to life serves as a testament to his power, and sets the stage for Neo’s final sacrifice at the end of the third movie. It is the scene at the end of the trilogy when Neo makes his Christ-like death. After this sacrifice, Neo is lifted into the sky, the same way one might describe Christ’s resurrection. Neo's performance was so good that famous hollywood director Quienten
This student of Philosophy now sees the movie The Matrix in a whole new way after gaining an understanding of some of the underlying philosophical concepts that the writers of the movie used to develop an intriguing and well thought out plot. Some of the philosophical concepts were clear, while others were only hinted at and most likely overlooked by those unfamiliar with those concepts, as was this student when the movie first came out in theaters all those many years ago. In this part of the essay we will take a look at the obvious and not so obvious concepts of: what exactly is the Matrix and how does it related to both Descartes and Plato, can we trust our own senses once we understand what the Matrix is, and how Neo taking the Red Pill is symbolic of the beginning of the journey out of Pl...
Deep within the cave the prisoners are chained by their necks and have a limited view of reality. Around them, by the distant light of the fire, they only see shadows and outlines of people or objects. From their conclusions of what they may think is real, are false. “The Matrix” parallels Plato’s “Allegory of the Cave” in a number of ways. Similar to the prisoners of the cave the humans trapped in the modern day puppet-handlers (the machines) want them to see. In the movie, Neo is a computer hacker, and on day he suddenly realizes that his world is fake, by finding out the truth after he was released from the pod. Neo discovers that what he has been presented with his entire life is only reflections or merely shadows of the truth. The theme is recognized throughout the movie as we see many objects, as well as Neo, reflected in other objects. The puppet-handlers (the machines) represent what Plato calls the influential and powerful members of society. The objects making the shadows in “The Allegory of the Cave” are also creating a false conclusion for the prisoners. In “The Matrix” the puppet-handle...
There are many similarities between the motion picture, Matrix, and Orson Scott Card’s Ender’s Game. The most striking of these is the way the movie and the book begin. The first chapter of the book begins with a conversation between two IF agents about how one believes that ender is the one. Similarly, in the movie the first words are from Trinity, also stating her belief that Neo is “the one”. The theme of the “chosen one” who is destined to save the human race is dominant in both the movie and book.
As we stated in the beginning Hollywood is very good at making movies because they base them of these myths. The hero's myth is the favorite and as we can see, the Matrix fit this myth perfectly. Maybe that is why it won four Oscars and three MTV awards.
“ They see only their own shadows, or the shadows of one another, which the fire throws on the opposite wall of the cave”(Plato 1). This is from the article “ Allegory of the Cave” and there are oppressors in the story who are hiding the truth from the people who know nothing but what they are taught by them. In the film The Matrix, it shows a man named Neo who gets help from a man from the real world to help him escape. Neo finally sees the truth of the world he was living in and realize it was a lie and a illusion to him and the others who still don 't know the real world. He is being train to fight and go back and defeat the system of the machines who are controlling the people who are blinded. The Matrix parallels Plato “Allegory of the
Let me briefly explain a simplified plot of The Matrix. The story centers around a computer-generated world that has been created to hide the truth from humans. In this world people are kept in slavery without their knowledge. This world is designed to simulate the peak of human civilization which had been destroyed by nuclear war. The majority of the world's population is oblivious to the fact that their world is digital rather than real, and they continue living out their daily lives without questioning their reality. The main character, Neo, is a matrix-bound human who knows that something is not right with the world he lives in, and is eager to learn the truth. He is offered the truth from a character named Morpheus, who proclaims that Neo is “the One” (chosen one) who will eventually destroy the Matrix, thereby setting the humans “free.” For this to happen, Neo must first overcome the Sentient Program agents who can jump into anyone's digital body. They are the Gate Keepers and hold the keys to The Matrix.
The Matrix is the war between man and machine, and the possibility that reality is a deception. In a sense, the Matrix is a constant struggle of identity and reality. This struggle of identity and reality is based around the character of Thomas Anderson, an ordinary person living a mundane life.
The matrix, as presented in the eponymous film, operates as an Althusserian Ideological State Apparatus (ISA). The Matrix1 presents a world in which "the state [as] a 'machine' of repression" is made literal where robots rule the land (Althusser 68). It is true that they rule by force (sentinels and agents) and these constitute the Repressive State Apparatus, but their primary force of subjugation is the matrix, their ISA. The film traces the path of one man, Neo, in his painful progress from the ideology of the matrix to the "real world," or the ideology of the "real."2
The storyline of the movie throws audiences immediately into the mystery behind “the matrix” from an objective person’s perspective. Neo, or Mr. Anderson as the evil Agents call him, is searching for an answer to a question he’s looked for all his life. He wants to know “what is the matrix?” Neo later learns from two new mysterious friends that the matrix is “the world pulled over your eyes.” In time, and with help from these friends Morpheus and Trinity, Neo learns the reality, or non-reality, of the matrix. He finds the truth of the world in which the human race is enslaved and is used as a power source for artificially intelligent computers, which took over the world long ago. At the prompting of Morpheus, Neo starts to wonder if he could be the one prophesied and destined to free the human race from the control of these sadistic computer programs.
The Matrix is a film where every aspect of reality is questioned. Neo is a computer hacker whose life goal is to know the truth
... the matrix. Neo speaks of a simulation that produces redundancy, a simulation that fears change and evolution, and finally a system that allows no progression of human thought. Neo and his band of revolutionaries are now set on awakening as many people as possible from this banal, fake existence. An existence that has produced the stagnation that the Wachowskis feel humans have been born into.
The Matrix is a sci-fi action film about a computer hacker named Neo that has been brought into another world deemed “the matrix.” The Matrix is a prime example of cinematography. The film uses many different types of cinematography such as mise-en-scene, special effects, and camera shots to make it interesting and entertaining to the audience guiding their attention to the important aspects of the film.
In the film The Matrix (1999) in the scene “The Two Pills” help characters and relationships are developed and continuation of the films narrative through various components of cinematography and mise-en-scène. Most notable in The Matrix is the use of costuming, sound effects, props, setting and camera movement. Through the use of these techniques the audience becomes more involved in the narrative as Neo meets Morpheus for the first time and is given the opportunity to learn the secrets of the matrix.
Historically speaking the fate of world has always been called into the question. The same is true of commentaries on the state of mankind. T.S. Eliot’s "The Wasteland" is considered by many to be the greatest poem of all time. During Eliot’s time, the world was beginning to place more value on pop culture than high culture. Gone were the days where most were familiar with the works of the greats. The Wachowski Brothers’ film, The Matrix, deals with similar themes as "The Wasteland" . The science fiction film set in world that has been taken over by machines and centers around the plight of unsuspecting hero, Neo and other who have been freed from the computer simulated reality of The Matrix. Both worlds of “The Wasteland” and The Matrix center around the struggles the inner self faces when modern society no longer reliable for spiritual sustenance. It is the lack of spirituality in modern culture that leaves the masses starved intellectually and out of touch with historical and high culture.