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Short essay on "impacts of war on literature
Essays about modernism literary movement
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The postwar England of the twenties and thirties was the setting of Evelyn Waugh’s first satirical novels, among which was the Vile Bodies. Waugh, an author mostly known for his highly satirical fiction, published his novel Vile Bodies in 1930 right in the middle of the time-period between the Great Wars. Because of the historical evens that occupied England at that time, much of British Literature of the late 1920’s and early 1930’s was concerned with the Modernist movement, which was occupied with the idea of individualism of the young generation. Through the use of prominent and yet highly satirical characters, Waugh strives to criticize his Modernist generation for its unsuccessful movement into Modernism, both on the individual and political/institutional level. He does so by defining his type-characters as ignorant, self-centered and hypocritical in their disastrous movement toward individualism.
Through the use of satire, the issues presented by Waugh in Vile Bodies become greatly influenced by the time period in which the novel was written. Great Britain, in the late 1920’s and early 1930’s, was placed on the time line between the Great Wars. Thus, the novel’s placement in the history shifts its focus not only toward the emergence of the World War II but also on the depressed postwar economy of Britain at the time. Some of the most prominent ideas evolving during this period of time were embracive of the idea of change in areas such as religion, science, art, social rules, literature and economic and political conditions—changes that most often led to a feeling of “loss of community” (Wellman, 327). Because of the nature and the ongoing changes during this period the idea of modernism also played a major role in Britis...
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...the importance placed on individualism. For, although he ”blinkingly accepts whatever outrageous turn of fortune [he] may encounter” (Twayne, 43) he is still the only character that displays a feeling on emptiness and disillusionment about the constant search of amusement that is seen in all the other characters. Adam questions the generation’s way of living “do you ever feel that things simply can’t go on much longer” and states that he would “give anything in the world for something different” (Waugh, 273). Furthermore, he even goes as far as criticizing the never-ending parties and games as “succession and repetition of massed humanity… those vile bodies…” (Waugh, 171). Although Adam seems to have glimpses of understanding the destruction that this generation is causing, nonetheless, he feels stuck in the vicious cycle that is created by this lifestyle.
The City of Dreadful Delight starts with some cultural analysis of the historical background that helped to produce the social landscape of Victorian London. In discussing the transformation of London, Walkowitz argues for seeing more than merely a shift from one type of city to another but rather a conflicted layering of elite male spectatorship, the “scientific” social reform, and W. T. Stead's New Journalism. Here Walkowitz investigates the “Maiden Tribute of Modern Babylon.” The “Maiden Tribute” consisted of a series of articles, authored by Stead and presented in the penny press, which exposed the sale of girls into prostitution. According to Walkowitz, these stories relied on the new scientific methods of social investigation, but the...
This paper seeks to address the literacy and stylistic issues presented in two texts. Specifically, an extract from Mary Shelley’s Frankenstein and Wilfred Owens’s Dulce ET Est. Decorum. Initially, the paper will outline the prevailing social and historical contexts associated with the two texts. The principal purpose of this work is to address the themes common to both texts. For this to be achieved, an initial investigation and critique of both authors use of language will also need to be looked at.
When Victorian Era, England is brought up in most context’s it is used to exemplify a calm and more refined way of life; however, one may overlook how the children of this era were treated and how social class systems affected them. Samuel Butler’s The Way of All Flesh is a novel written to take a closer look at the life of children growing up in the unfair social hierarchy of Victorian Era England. Butler’s main characters are Theobald and Ernest, who grow up during the time period; Overton, who is Ernest’s godfather, is the narrator of the novel and provides insight into Theobald and Ernest as they mature through the novel. Theobald is the son of a wealthy, strict, and abusive father who treats him with no mercy, but leaves him with a rather significant inheritance from his Christian publishing company, at his death. Ernest is the son of Theobald, who beats him with a stern fits over even the pettiest things in
The main character Adam Trask proves that by letting go of Cathy and deciding to create a new type of Eden that mankind holds the ultimate decision to rise above their destines. After finding Cathy and marrying her, Adam believes that he has found the missing part of his life. Cathy becomes the emblem of perfection and a key to happiness for him. As Adam continues to fall in love with her he starts to fall more out of touch with reality causing him to miss the obvious signals that Cathy does not feel the same way about him. Her manipulative ways are able to fool Adam’s kindness. Adam, being too naive to pay attention the obvious indications that Cathy does not love him is left in complete shock after she shoots and leaves him after the birth of their sons. After centralizing his dream around creating his own Eden with Cathy as his own Eve, he se...
“Eaters of the Dead” by Michael Crichton is a fiction but with historical background. Through this piece Crichton hopes to express the way of life for the Vikings in the year 922 AD while at the same time creating an entertaining story. Using a manuscript written by Ibn-Fadlan Crichton pieced together a book filled with adventure and excitement. Michael Crichton was born in Chicago, 1942 and always knew he had a talent for writing. He attended Brown University and has since published many books such as “Jurassic Park”, “The Rising Sun”, “Disclosure”, and many more. Several of his books have been made into movies, for example, “Jurassic Park”, “The Lost World”, “Sphere”,
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
In this piece of work I hope to compare successfully Wilfred Owens ‘Dulce Et Decorum Est’ with Mary Shelley’s ‘Frankenstein’. I will compare the similarities and differences between the two texts in themes, styles and linguistic features. When first reading both pieces of writing you wouldn’t assume there are many similarities between the two authors, as they were written one hundred years apart and came from completely opposite social and historical backgrounds.
Edith Wharton's The House of Mirth presents an interesting study of the social construction of subjectivity. The Victorian society which Wharton's characters inhabit is defined by a rigid structure of morals and manners in which one's identity is determined by apparent conformity with or transgression of social norms. What is conspicuous about this brand of social identification is its decidedly linguistic nature. In this context, behaviors themselves are rendered as text, and the incessant social appraisal in which the characters of the novel participate is a process of deciphering this script of behavior. People's actions here are read, as it were, according to the unique social grammar of this society. The novel's treatment of this conception of social reading is brought to the fore through its devaluing of written texts in favor of legible behaviors.
All in all, the sanctions of society begin to deteriorate due to the deaths, the meeting breaking down, and Jack’s obsession with hunting. By removing the restraints of society Golding successfully proves that it is human nature to live primitively and become into the beast that they fear.
As early as 1925 when he was still leading a down-and-out life as a schoolmaster, Evelyn Waugh wrote to his Oxford school friend Harold Acton: “I want to write a story about Silenus – very English & sentimental – A Falstaff forever babbling o’ green fields – but shall never have time. […] I am growing a moustache & learning to smoke a pipe and ride a horse and am altogether quite becoming a man. My love to you, De profundis. E” (18th February 1925; Letters, 32) These brief and casual-toned words indeed mark the very focus of his entire writing as well as life purposes in the years to come: his Silenus-minded but Falstaff-conscious ponderings on the fragility and transience of humankind, and how to be a “man”, first as a gentleman, then as a man in relation to God. Waugh at the time of writing to Acton was obviously de profundis (from the depths), not unlike Oscar Wilde while in imprisonment in Reading Goal writing to Lord Alfred Douglas recounting their earlier extravagant, flippant lifestyle and later on reflecting on his spiritual development through his ordeal and Christ’s teachings. “De profundis” comes from Psalm 130: “From the depths, I have cried out to you, O Lord”; in a similar manner, Waugh’s literary as well as biographical life was also one of a crying out to his Christ the Saviour from the depths and the abysses.
Moulton, Charles Wells. Moulton's Library of Literary Criticism of English and American Authors through the Beginning of the Twentieth Century: Volume 1. New York: Frederick Ungar, 1966. Print.
ultimate meaning of this satire is still up for agreement. This paper will explore Orwell’s satirical
Jane Austen used two literary devices, irony and satire, to poke fun on the accepted standards of community of England during early nineteenth century in her novel Pride and Prejudice. These devices make this research paper important because it highlights the inequalities and flaws of pre-Victorian era. Basically, the purpose is to mock the ignorance and stupidity of people in a humorous way, because the irony or satire is very “subtle to a fault”. (Conrad) It emphasize on satire, also called as Horatian satire, and irony which may be confined my investigations to reveal realities that will make a sense that Jane Austen’s satire is very subtle, not like Jonathan Swift’s Juvenalian satire. By using light-hearted satire and irony, the questions
If Waugh is an Artist, this is also his responsibility. However in Vile Bodies, he seems to consciously deny himself opportunities for beautiful description, in order to display the warped perspective the BYP develops due to a constant presence of beauty. Born into a world of constant spectacle, they are numbed to its joys, resulting in a constantly bored mental state and leading to a dangerous pursuit of increasingly intense sensations, in order to feel at all. Frederick Beaty deems their parties a ‘dance of death’, but they are more on first impression a dance of disgust. Repulsion is in vogue; ‘Isn’t this a repulsive party’ is an acceptable greeting. They derive pleasure by declaring their boredom, believing they are someway deserving of better senses of beauty. Readers subconsciously expect parties in literature to be richly described, but instead are forced to be content with the richest description often being the fabricated by gossip columnists, creating a false world of beauty not founded in the morose reality. Thus whilst the BYP’s beautiful world is falsely made bright for the column readers made to feel exiled from their fun, it collapses to a mere construct for Waugh’s readership. So ironic is the gap between fiction and reality that in a
During Queen Victoria's reign in England, ideals and the very thought of going against the “current” was born and passed along, embellishing into our mainstream personal views on practically everything. Throughout her reign of 64 years, till her death in 1901, England saw changes that changed their own way of doing things, their own way of thinking and refining their views to the point where it represented their work and no one could disagree with them. It was during her successful reign in England that incomprehensible things took place that changed history within such fields and specialties as art, literature, music, philosophy, sciences, and modern inventions. It is because of this time period, known as the Victorian Era, we have many of the modern conveniences, ideas, philosophies, and knowledge that we enjoy, and take for granted, on a daily basis. This period bridged the gap from the dark and medieval ages to our present and productive day. Authors, playwrights, and philosophers documented the changes that society underwent during the Victorian era. Oscar Wilde’s The importance of being earnest and even Charles Dicken’s works have included these such changes in society. This would not have come about without the influence of the ideas and works of several people from Britain, living under